1963. Thirteen year old Molly Roth, the eldest of three offspring of Gus and Diana Roth, lives a carefree life as part of the affluent white minority in South Africa. Race is a non-issue for... Read all1963. Thirteen year old Molly Roth, the eldest of three offspring of Gus and Diana Roth, lives a carefree life as part of the affluent white minority in South Africa. Race is a non-issue for her as although, under apartheid, the Roths largely exist among other white people like t... Read all1963. Thirteen year old Molly Roth, the eldest of three offspring of Gus and Diana Roth, lives a carefree life as part of the affluent white minority in South Africa. Race is a non-issue for her as although, under apartheid, the Roths largely exist among other white people like them, she feels equally comfortable around the black people in her life, such as their serv... Read all
- Won 1 BAFTA Award
- 7 wins & 12 nominations total
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Featured reviews
In this movie, the central family is the Roth family - Gus and Diana and their children, most importantly Molly. In fact, the movie is really based on the story of Ruth First, who was the wife of South African Communist leader Joe Slovo. First did, indeed, find herself arrested under the 90 days law and actually served almost 120 days before being released. She was assassinated in the early 1980's, and this movie serves as a tribute to her, and was actually written by Shawn Slovo, Joe and Ruth's daughter. I found myself wondering if the title might be referring to Molly's (or Shawn's) experience of being in a world of her own - not completely fitting in with the black world even though she was a supporter of their cause, and obviously not fitting in with the white world, most of whom regarded her and her family with a mix of contempt and suspicion.
As apartheid movies go, this was somewhat unique in trying to tell the story through white eyes. To me, though, it didn't really succeed. While the regime (shown through its police and security forces) was ominous and ever-present, the movie seemed to lack intensity and treated the subject a little bit lightly. It's interesting, but to me it seemed to miss the mark. (6/10)
The whole story resembles that of the Rosenberg children, right down to the fate of the parents (Mrs. Slovo was assassinated in 1982). And it is so horrible to think that this vile agenda was in power for over forty years. There may be some things in life that we will never be able to get over.
It's one of several movies about the impact of South African apartheid in the late 1980s, but this one is a bit different. Instead of being centered more on the struggle itself, Miss May, the viewpoint character, is more an unwilling witness to the fact that while it's nice to be well-to-do, not everyone can blithely accept that, especially the disenfranchised and those with a sense of justice. The performances are excellent, but even though Miss May's journey from an easy childhood to a committed adulthood is a difficult one, it hardly raises my sympathy, as it clearly is meant to.
True, there are moments of real poignancy in "A world apart" and Jodhi May is an excellent actress but there just doesn't seem to be much going on for most of half the film. Maybe the fact that apartheid has been defeated and that so much has happened in S. Africa since makes it less momentous.
For anyone interested in S. Africa, I recommend watching "Cry Freedom", "A white dry season" or even "The power of one" instead. These films at least seek to explain their characters involvement with the anti-apartheid movement. In "A world apart", there's no such character growth so far as the mother is concerned. Her involvement has to be taken for granted.
The film works best, however, as a portrait of a troubled family. It carefully and truthfully depicts the agony of an adolescent girl who knows that her parents are trying to change her world for the better but at the expense of a normal life for her and her siblings. As Gillian Slovo so accurately stated, 'Here we were going off to Girl Guides while our parents were advocating the violent overthrow of our country's government.'
This film makes a powerful and moving, yet personal statement.
Storyline
Did you know
- TriviaThe first non-collaborative film score composed by Hans Zimmer.
- Quotes
Muller: [threateningly in interrogation] Do you miss your children?
[pause]
Muller: Why don't you answer?
Diana Roth: Because it's a stupid question.
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Details
Box office
- Gross US & Canada
- $2,326,860
- Opening weekend US & Canada
- $20,815
- Jun 19, 1988
- Gross worldwide
- $2,326,860
- Runtime1 hour 53 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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