High Spirits

High Spirits turned out to be a pretty good comedy. Peter Plunkett (Peter O'Toole), and his gang of merry Irishmen are facing foreclosure on their grand castle resort. The old fashioned castle needs a clever advertising gimmick to entice visitors. After talking with his looney, but sincere old mother who always claims that she talks to his dead father and the rest of the poor spirits looming around the dark castle, Plunkett decides that the castle ought to be haunted. And so, the guests are invited to stay among the spirits of the Plunkett family. Of course, Plunkett doesn't believe in the existence of ghosts, especially when he hasn't seen any for himself, despite his mother's attempts to convince him that they're everywhere. No, Plunkett's plan involves a few crappy props and some cheap scare tactics to thrill their small group of American guests.

But Plunkett and the gang (nor their furious guests) would ever have imagined real ghosts showing up. And this is where the movie really starts to get funny because everyone, after their various confrontations with the undead and all the strange things that start to happen in the castle, start to become so neurotic as they try to figure out what's going on.

The movie is a romantic comedy, of course, though it could've worked simply as a story of the funny occurences in the haunted castle as Plunkett and his frantic guests scurry about trying to deal with the situation any way that they can. Guttenberg is Jack, a sorry guy who's married to a real dull lady (Beverly D'Angelo) that really can't stand to know him, especially when he drags her out to some stupid castle. Jack actually starts to fall in love with one of the ghosts, a Plunkett ancestry named Mary (Daryl Hannah), a sickley looking young girl who died by the knife of her husband (Liam Neesom). The ghosts keep playing out the murder over and over again, and Jack, accidently intervening in one of the reenactments, somehow frees Mary from the murder. And so, now she's in love with Jack. But how does a ghost and a human end up together (and they have to end up together...after all it's a Hollywood love story)? Well, that's why you have to watch the movie.

Everyone in the movie is fantastic because, though some may start out to be quite annoying (such as the self-declared "professional parasychologist" or the cynical Sharon (D'Angelo)), they eventually come to be very entertaining as the movie goes along. I especially like the goofy interaction between Meg Tilly as the nympho and Peter Gallagher as the soon-to-be Priest. Peter O'Toole is wonderful. He is also the last to realize what the heck is going on.

It's definitely a comedy worth watching.

If you can forgive the less-than-ideal acting by some of the other cast, Peter O'Toole once again shows why he's one of the greatest actors in the English speaking world. From the scene where he's trying to hang himself while arguing with his mother, to where he meets his ghost-Dad, O'Toole is hilarious as the bumbling, scheming drunk Irish fool who is desperate to keep the family castle in family hands.

I agree with Claire Walkden. High Spirits is just the tonic for a blustery afternoon or an evening by the fireplace.

The setting is authentic and O'Toole is at the top of his form. The wonderful mother (who tipples) is married to a ghost, AND SHE STEALS EVERY SCENE SHE'S IN!

People who don't like this film are trying too hard to make it into Shakespeare. This is not Macbeth. High Spirits is to be taken with a grain of salt and enjoyed.

Liam Neeson and Beverly D'Angelo are wonderful together! Just the difference in their height is hysterical.

Some of the jokes are a bit labored and I could have done without the ghost-buster, but he was very funny with his fried hair!

Not a great film, but a genuinely funny one and O'Toole is priceless!

Peter O'Toole is hysterical in this film, and quite easily, is the glue that holds it together (contrary to popular opinion). While this film suffers its share of problems, (such as a few holes in the plot, a little shoddy acting here and there) it makes me laugh as few other movies have. O'Toole's drunken wisdom and fights with his drunken, ghost-talking mother are great. Steve Guttenberg does fine, Daryl Hannah is okay. The Irish country side is lovelyand haunting (incidentally, the movie was filmed in a castle in Limerick,Ireland, where Frank McCourt, author of Angela's Ashes grew up); the set ofthe castle itself is the stuff that fairy tales are made of. The effort that the staff makes to haunt the cynical guests is great, in particular the Lady Godiva/Broggan Banshee fiasco.

While the whole spouse-swapping aspect of the movie is a little hazy, Beverly D'Angelo and Liam Neeson are grand. The entire plot is somewhat goofy, as are some of the transitions to get from Point A to Point B, but it is the humor that keeps it alive. It received terrible reviews, but it's absolutely worth a viewing if you're ever in the mood for something a little absurd that will make you chuckle.

I never got to see this in the theaters, but luckily I remembered it when it came time to rescue it from the local discount video bin. A small Irish family led by whimsically-talented Peter O'Toole conjure up some fake ghosts to lure some tourists and save their ancestral castle from Americans. The ghosts of their ancestors are offended by the fake ghosts so they lend their expertese to save the castle. The humor and the jokes are very good, but some of the hauntings, specifically the nuns, are better than others. Skinny and gawky Liam Neeson and Darryl Hannah, rather skinny and gawky herself, interestingly act out and stick to playing two ghosts stuck in a place memory as Steve Guttenberg plays a husband stuck in an unhappy marriage with sexy Beverly D'Angelo. Most of the movie circles around them and some questionable spernatural phenomenon. There's some holes in the plot as Hannah the ghost ends up in D'Angelo's body, but looks like herself ? Peter Gallagher and Jennifer Tilly share a barely seen sub-plot as Martin Ferrero plays a ghost-hunter/harried husband. All in all, this isn't a bad movie. It's rather enjoyable but the only Irish countryside we do do get to see is rather dismal and depressing.