Bird

I. feel that the person that wrote negative things about the movie "Bird" missed the point. He mentioned the fact that the movie didn't go into the interracial marrige of Charlie and Chan Parker. I for one am glad that it didn't. I hate movies that beat the audience over the head with the fact that people can't, won't,and don't except blacks and whites in relationships that are positive. I felt that even though Mr. Parker had an addiction to drugs and had a wondering eye at times, he truely loved his wife. Mrs Parker not only loved her husband the jazz musician but her husband the man and looked out for his well being as best she could. The movie never let me forget that he was an addict but it also showed his genious and creativity. I'd give it a 9 because there was an uneveness about it that made it less than pefect. I truely wished that they had shown more of how he interacted with other greats like Miles Davis and Art Blakey.

Clint Eastwood's reputation as a serious filmmaker was given a considerable boost with this lengthy biography of jazz legend, Charlie "Yardbird" Parker, who Eastwood, a jazz aficionado, saw perform in Oakland, California in 1946. For this labor of love, Eastwood assembled an excellent cast including Forest Whitaker as Parker, Diane Venora--flawless as Bird's woman, Chan Parker--and, in a small role of one of the musician's flirtations, Ana Thompson (the "cut whore" from "Unforgiven"). With the aid of cinematographer Jack N. Green, Eastwood captures the neon burnished lights and darks of the night world Parker inhabited, and the music, featuring genuine Parker solos augmented by modern musicians, can't be faulted, but despite its merits, this "Bird" never takes flight. It is long--too long--and the story it tells, though certainly dramatic in its bleak and uncompromising portrait of an artist whose music was often overshadowed by his drug addiction, weighs down too heavily on the latter than the former. Why is Charlie Parker so important? That question isn't answered here, but another question--why was Charlie Parker dead at 34?--is addressed and answered at length. There is potential on view here--Parker's struggle to survive as a musician in a culture that is more appreciative of rock and roll than of jazz is a minor thread that could have been expanded--but much of it is unrealized. "Bird" is a handsome film, but its craftsmanship and artistry is defeated by the script.

The story of jazz great Charlie Parker. The film follows his rise from clubs to records and follows him across tours, drug abuse, personal loss and his eventual death. At the time of his death at 34 he was so eaten up by drugs that the coroner assessed his age at 65.

This is a well put together film about a creative but flawed artist. The plot doesn't glamorise him too much, although it maybe sympathises a little with his addiction and doesn't show it quite as harshly as it could have done. That said he is a pretty unpleasant person when he isn't performing. The film focuses on his adult life, which is good as it saves us child actors running around and it means more time is spent on the important years. The covers a lot of time, but it doesn't feel rushed. His drug addiction is honestly handled and it shows both the ups and downs of his life as a user.

The direction is pretty good, it's obvious Eastwood likes his jazz, and he uses the clubs well getting a great sense of mood. Elements are quite funny and this tempers the more tragic side of his life well. Whittaker is excellent in the lead role, but Diane Venora as his wife is not as good. She doesn't totally carry her lines in the same way - she's OK but you feel like something is missing. The rest of the cast come and go - there are good performances all round from a mostly low-key cast. The main star is the music, and it's treated with a lot of respect with Eastwood giving it plenty of time and creating a good mood for it to work in.

Overall a tragic story well told with a good central performance and great music.

There are certain movies that leave you dazed when you walk out of the theater. For me, "Bird" was such a movie.

On a nice evening in 1988 I decided to take in a movie on the spur of the moment. I walked to the nearest theater (Fine Arts, Downtown Chicago) and looked to see what was playing. I had never heard of Charlie Parker nor his music, but I was developing a love of jazz and the movie being directed by Clint Eastwood didn't hurt.

I went in, found a seat and had no way of knowing that, in a couple of hours, my life would be different.

The music penetrated my soul in ways I could never express. I was in awe and filled with emotion as the music carried me away while the visions of Charlie Parker's life flashed in front of my face. When the final credits scrolled up the screen, I could not move. I was frozen to my seat, dazed, overwhelmed, completely awed. I couldn't get the music out of my head, songs were playing back as if I'd listened to them a thousand times. My mind felt as if it were orbiting the sun.. spinning round and round, bathed in this warmth of beauty.

I didn't walk out of the the theater so much as stagger. I walked around for miles just playing over and over in my mind what I'd seen and heard and finally, hours after the movie ended I found myself in front of an all night music store where I bought the soundtrack and raced home to listen to it.

No matter that I had to get up in the morning for work... no matter that the movie had ended before 10pm but I didn't find my way home until after 2am. No matter that I was dead tired from walking dazed miles in a haze of thought.

I played that CD until I fell asleep then took it to work and played it all day... I played it constantly for weeks and then I started to buy other Charlie Parker CDs and reading everything I could about him. Charlie Parker is my favorite musician of all time, to this day, nearly 20 years later... and it began with this movie.

"Bird" will probably be most appreciated by jazz fans who come to it already familiar with Charlie Parker and his incalculable contributions to jazz and influence on generations of musicians that continues to this day. The script contains many shorthand references that might be lost on the average moviegoer -- e.g., Parker calls Dizzy Gillespie "Birks," which was his middle name, but many people probably don't know that.

But there is the music, and tons of it. There are extraordinary performances by Forest Whitaker as Parker, and Diane Venora as his common law wife, Chan. In many ways the film seems more a love story than the standard musical biopic. Chan was unfailingly supportive of Bird, despite his self-destructive drug use, alcoholism and chronic infidelity. He loved her in his own way, and I think she realized that she was in love with a genius who would forever be plagued by demons, and that she couldn't have one without the other.

Clint Eastwood's love of jazz is well-known, and in "Bird" he provides a wealth of wonderful music, beautifully performed. The actual playing of Charlie Parker is augmented by accompaniment from contemporary musicians, and Parker has never sounded better. Eastwood also provides an unflinching portrayal of the complicated lives of jazz musicians, and the addictions to which so many succumb.

Despite the mess that Bird made of his life, he remains a charming and sympathetic figure. And his music, years ahead of its time, and so complex that countless fledging saxophone players have attempted to copy his recordings note for note, will forever live on.