Directed by
Jeanine Meerapfel |
Writing Credits (in alphabetical order)
Osvaldo Bayer | ... | (writer) |
Alcides Chiesa | ... | (writer) |
Agnieszka Holland | ... | (writer) |
Jeanine Meerapfel | ... | (writer) |
Cast (in credits order)
Produced by
Renée Gundelach | ... | executive producer |
Jorge Estrada Mora | ... | producer |
Jorge Sabate | ... | executive producer |
Hans-Gerhard Stahl | ... | associate producer |
Jeffrey Steiner | ... | associate producer |
Christa Vogel | ... | producer: SFB |
Klaus Volkenborn | ... | producer |
Music by
José Luis Castiñeira de Dios |
Cinematography by
Axel Block |
Editing by
Juliane Lorenz |
Production Design by
Jorge Marchegiani | ||
Rainer Schaper |
Costume Design by
Jorge Ferrari |
Makeup Department
Mirta Blanco | ... | makeup artist |
Alberto Moccia | ... | hair stylist / key hair stylist |
Production Management
Thomas Dierks | ... | production manager |
Reiner Etz | ... | unit manager |
Delia Magda Lovera | ... | unit manager |
Heinz Werner Schneider | ... | unit manager |
Sabina Sigler | ... | production manager |
Adrián Eduardo Solar | ... | production manager |
Second Unit Director or Assistant Director
Alcides Chiesa | ... | assistant director |
Alberto Lecchi | ... | assistant director |
Ana Poliak | ... | assistant director |
Art Department
Claudia Brandt | ... | props |
Rogelio Imbert | ... | props |
Julia López | ... | storyboard artist |
Sound Department
Dante Amoroso | ... | sound |
Carlos Caleca | ... | boom operator |
Hartmut Eichgrün | ... | sound mixer |
Jochen Hergersberg | ... | boom operator |
Gunther Kortwich | ... | sound |
Javier Salinas | ... | adr sound recordist / re-recording mixer |
Perfecto de San José | ... | boom operator |
Special Effects by
Tom Cundom | ... | special effects |
Visual Effects by
Eduardo Sierra | ... | colour grading artist |
Camera and Electrical Department
Andre Belitzki | ... | gaffer (as André Belitzki) |
David Bohm | ... | camera operator |
Juan José Fernández | ... | electrician |
Carlos Ferra | ... | camera operator |
Víctor González | ... | second camera |
Wolfgang Krolow | ... | still photographer |
Oscár Lopez | ... | second camera |
Mabel Maio | ... | still photographer |
Raoul Peck | ... | assistant camera |
Peter Polsak-Lohmann | ... | camera operator |
Oscar Siosia | ... | second camera |
José Trela | ... | second camera |
Pedro Valdéz | ... | assistant camera |
Miguel 'Pipi' Zarcovich | ... | grip (as Miguel Zarcovich) |
Editorial Department
Beto Acevedo | ... | color timer |
Henny Bouwmeester | ... | assistant editor |
Sonja Geilen | ... | assistant editor |
Claudia Gordon-Nowy | ... | assistant editor |
Dagmar Hafezi | ... | first assistant editor |
Marcela Sáenz | ... | assistant editor |
Andrea Wenzler | ... | assistant editor |
Gaby Wragge | ... | assistant editor |
Location Management
Heinz Werner Schneider | ... | location manager |
Script and Continuity Department
Fernando Bassi | ... | continuity |
Lindsey Merrison | ... | continuity |
Ana Pollak | ... | continuity |
Transportation Department
Falk-Markus Otto | ... | production driver |
Additional Crew
Osvaldo Bayer | ... | researcher |
Beda Docampo Feijóo | ... | researcher |
Alejandro Fernández | ... | translator |
Florian Hopf | ... | german dialogs |
Ernesto Molina y Vedia | ... | production assistant |
Mirta Reyes | ... | production assistant |
Juan Bautista Stagnaro | ... | researcher |