Hercule Poirot, a famous Belgian detective, who has an impeccable knack for getting embroiled in a mystery, solves crimes along with Captain Hastings and Scotland Yard Chief Inspector James ... Read allHercule Poirot, a famous Belgian detective, who has an impeccable knack for getting embroiled in a mystery, solves crimes along with Captain Hastings and Scotland Yard Chief Inspector James Japp.Hercule Poirot, a famous Belgian detective, who has an impeccable knack for getting embroiled in a mystery, solves crimes along with Captain Hastings and Scotland Yard Chief Inspector James Japp.
- Nominated for 1 Primetime Emmy
- 6 wins & 17 nominations total
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Summary
Reviewers say 'Poirot' is acclaimed for David Suchet's definitive portrayal of Hercule Poirot and high production values. The series is celebrated for faithful adaptations, engaging supporting performances, and an elegant 1930s setting. Common praise includes clever plotting and Poirot's charm. However, criticisms note formulaic episodes, predictability, and creative liberties in later seasons. The darker tone in final seasons receives mixed reactions, with some feeling it detracts from the original charm.
Featured reviews
As far as I am concerned, David Suchet is the best ever Poirot. He looks like the picture one would have in one's mind when reading the books. Peter Ustinov was an excellent actor but did not look like Porot at all. The main characters are also excellent and you warm to them easily. Hastings is loyal, terribly British and a perfect foil for Poirot. He is intelligent but without any imagination. This makes him ideal for gathering information for Poirot. Japp is basically an good old fashioned sound copper, who has problems solving anything remotely difficult. BUT he his intelligent enough to use Poirot whenever possible rather than trying to compete with him. As with the other characters, Miss lemon is perfectly efficient with just about the right dry sense of humour,
Mystery fans were fortunate in the late 1980s to have no less than 3 definitive television performances to enjoy: Jeremy Brett as Sherlock Holmes, Joan Hickson as Miss Marple, and David Suchet as Hercule Poirot. Suchet's performance as the fussy little Belgian detective was a joy. Every detail of the character was perfect, from the stilted, pedantic delivery to the exquisitely fastidious grooming. Suchet's skill as an actor was such that he was able to turn a rather flat, implausible character (and even fans of Agatha Christie admit that her characters are pretty two-dimensional) into a complex, eccentric but essentially believable person. Some of the credit for this also goes to the fine writing in the series. The writers were responsible for fleshing out the bare bones provided by Christie's stories, but they did it in such a way that the filmed versions flow naturally and seamlessly. The supporting actors were also very fine, especially Hugh Fraser as Captain Hastings - whereas in the stories Hastings, who is usually the narrator, remains a rather sketchy character, here he becomes a genuine person. He is not Poirot's mental equal by any means, but admirable in his sympathy, kindness and general embodiment of Englishness, and we can understand Poirot's affection for Hastings. It's difficult to see how this dramatization can be improved upon.
I literally grew up with Poirot, Sunday nights as a nine and ten year old were all about Poirot, Pistachio nuts, Terry's Pyramint.
The productions evolved over time, the early hour long format episodes were much lighter viewing, over time they became more gritty, more daring. One good example is Series 3's Plymouth Express, a much darker presentation they anything that had gone before. By the time you reach Elephants can remember in Series 13 there was something very dark about the production.
I would imagine it became more difficult for the producers over time, they were able to cherry pick adaptations during the early years, some books were much more suitable to the screen then others, The ABC murders and Death in the Clouds would have been so much easier to work with then say The Big Four or Cards on the Table.
The adaptations remained fairly faithful to the book, there was never a fear of them doing what they did with the Marple series, and transplant Poirot into novels he was never intended to be in, for a good reason each of her works had a certain flavour. A few times changes were made to the books, I can only imagine for good reason, too many characters, budget restraints etc. The Big Four and Appointment with death being altered more then some.
So good was David Suchet in the role, that now when you think of Poirot you see David in your mind. I think it will be a while before someone attempts to remake Poirot for the small screen. David had a lot to live up to, Poirot had hit the big screen, Murder on the Orient Express and Death on the Nile had both been huge adaptations, the remakes both compete favourably. Suchet is Poirot.
Characters were switched and added quite a lot, Hastings, Japp and Miss Lemon were often drafted in, but in later years that wasn't the case. It's hardly surprising as each is so enjoyable. Watching them all reunite in 'Lord Edgeware dies' was special.
Generally the productions were very good to excellent, for me at the top of the pile are The ABC Murders, Curtain and Sad Cypress, each are literally flawless. The Murder of Roger Ackroyd and The Big Four are two of the relatively few lesser offerings, with the only true misfire being Murder in Mesopotamia.
For years I hoped for the productions to be completed, at times it seemed like they'd never get through them, I'm so glad they did, but I am missing him.
Who knows maybe one day The Monogram Murders will be made, not a Christie story I know, but it would be worth it to see Poirot anew once again. This truly was a fabulous series. 10/0
The productions evolved over time, the early hour long format episodes were much lighter viewing, over time they became more gritty, more daring. One good example is Series 3's Plymouth Express, a much darker presentation they anything that had gone before. By the time you reach Elephants can remember in Series 13 there was something very dark about the production.
I would imagine it became more difficult for the producers over time, they were able to cherry pick adaptations during the early years, some books were much more suitable to the screen then others, The ABC murders and Death in the Clouds would have been so much easier to work with then say The Big Four or Cards on the Table.
The adaptations remained fairly faithful to the book, there was never a fear of them doing what they did with the Marple series, and transplant Poirot into novels he was never intended to be in, for a good reason each of her works had a certain flavour. A few times changes were made to the books, I can only imagine for good reason, too many characters, budget restraints etc. The Big Four and Appointment with death being altered more then some.
So good was David Suchet in the role, that now when you think of Poirot you see David in your mind. I think it will be a while before someone attempts to remake Poirot for the small screen. David had a lot to live up to, Poirot had hit the big screen, Murder on the Orient Express and Death on the Nile had both been huge adaptations, the remakes both compete favourably. Suchet is Poirot.
Characters were switched and added quite a lot, Hastings, Japp and Miss Lemon were often drafted in, but in later years that wasn't the case. It's hardly surprising as each is so enjoyable. Watching them all reunite in 'Lord Edgeware dies' was special.
Generally the productions were very good to excellent, for me at the top of the pile are The ABC Murders, Curtain and Sad Cypress, each are literally flawless. The Murder of Roger Ackroyd and The Big Four are two of the relatively few lesser offerings, with the only true misfire being Murder in Mesopotamia.
For years I hoped for the productions to be completed, at times it seemed like they'd never get through them, I'm so glad they did, but I am missing him.
Who knows maybe one day The Monogram Murders will be made, not a Christie story I know, but it would be worth it to see Poirot anew once again. This truly was a fabulous series. 10/0
Reading Christie's Poirot was a great experience for me. But the shear plot and the style of the books written aren't the only reason why I like the Poirot series. It's the atmosphere of the era which was brought to us in a splendid manor. Watching Poirot makes me want to move back 80 years a go, live in Art Deco and ride the famous steam lines from coast to coast.
The cleanliness of the frames, perfection of scenery and the scholar English dialogs really made me enjoy Sunday afternoons. Yes, I know it's an ideogram of times long passed but it still is one of the best portrayed history based motion picture contents.
Also, Poirot shows one particular thing that really was authentic for the time when novels were written - concern for crime and it's impact in society. Today's vision of murder is widely accepted as something normal and common. Watching all sorts of CSI programs made today's environment accept murder as an acceptable category, no matter how sinister, bizarre and pointless it is. Poirot represents a completely different point, showing that a crime was a scarce and socially unacceptable unlike today. By enlightening all the aspects of the crime Poirot makes not only good entertainment, but a conclusion with meaning and a clear message.
Concerning Poirot, I'm sorry about two things - that the world has degraded so much in the last 80 years, and the fact we don't have more good series like Poirot.
10/10
The cleanliness of the frames, perfection of scenery and the scholar English dialogs really made me enjoy Sunday afternoons. Yes, I know it's an ideogram of times long passed but it still is one of the best portrayed history based motion picture contents.
Also, Poirot shows one particular thing that really was authentic for the time when novels were written - concern for crime and it's impact in society. Today's vision of murder is widely accepted as something normal and common. Watching all sorts of CSI programs made today's environment accept murder as an acceptable category, no matter how sinister, bizarre and pointless it is. Poirot represents a completely different point, showing that a crime was a scarce and socially unacceptable unlike today. By enlightening all the aspects of the crime Poirot makes not only good entertainment, but a conclusion with meaning and a clear message.
Concerning Poirot, I'm sorry about two things - that the world has degraded so much in the last 80 years, and the fact we don't have more good series like Poirot.
10/10
What can be said about Mr Hercule. Is it his perfectly groom mustaches? His great and always neat suits? I will tell you...His use of the little gray cells(to poirot saying "use the gray cells" is saying use your brain and look at things from a different perspective.
I have been, not only an Agatha Christie fan, but i just simply adore Poirot. He is brilliant and its fascinating the way he solves the crimes! Reading the books is good, but watching Mr. David suchet play the role in any poirot film is brilliant casting and he brings the character to life! If any of you have read the books and have not seen any of them brought to life, i suggest watching any poirot film starring suchet, you will not be disappointed! Enjoy!
I have been, not only an Agatha Christie fan, but i just simply adore Poirot. He is brilliant and its fascinating the way he solves the crimes! Reading the books is good, but watching Mr. David suchet play the role in any poirot film is brilliant casting and he brings the character to life! If any of you have read the books and have not seen any of them brought to life, i suggest watching any poirot film starring suchet, you will not be disappointed! Enjoy!
Storyline
Did you know
- TriviaBefore playing Poirot, Sir David Suchet played Chief Inspector Japp opposite Sir Peter Ustinov as Hercule Poirot in Thirteen at Dinner (1985). Suchet considers his performance as Japp to be the worst performance of his career, while he considers Poirot to be his best.
- GoofsThe opening music and titles to Poirot together set the scene that these are tales from the 1930's. Towards the end of the titles, a stylised and complete Battersea Power Station is shown, which was built in two phases the second of which was not finished until the early 1950's.
- Quotes
[repeated line]
Captain Hastings: I say, Poirot!
- Crazy creditsThe opening titles have Poirot disembark at a train station and bow to the viewer.
- ConnectionsFeatured in There's Something About Christie... Murder Made Simple (2007)
Details
- Release date
- Country of origin
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- Also known as
- Agatha Christie's Poirot
- Filming locations
- Florin Court, Charterhouse Square, Farringdon, City of London, England, UK(Whitehaven Mansions)
- Production companies
- See more company credits at IMDbPro
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