Directed by
Bill Douglas |
Writing Credits (in alphabetical order)
Bill Douglas |
Cast (in credits order) complete, awaiting verification
Produced by
Patrick Cassavetti | ... | associate producer |
David Hannay | ... | associate producer: Australia |
Redmond Morris | ... | associate producer |
Simon Relph | ... | producer |
Music by
David Graham | ||
Hans Werner Henze |
Cinematography by
Gale Tattersall |
Editing by
Mick Audsley |
Production Design by
Michael Pickwoad |
Art Direction by
Derek Chetwynd | ... | (Australia) |
Henry Harris |
Set Decoration by
Clive Winter |
Costume Design by
Bruce Finlayson | ||
Doreen Watkinson |
Makeup Department
Tricia Cameron | ... | hair stylist |
Elaine Carew | ... | makeup artist |
George Deacon | ... | period music advisor |
Isobel Deacon | ... | period music advisor |
Alan John | ... | hairdressing assistant |
Cheryl Williams | ... | Hairdresser: Australia |
Production Management
Donna Grey | ... | production manager |
Charles Hannah | ... | production manager |
Danny Lockett | ... | assistant unit manager |
Second Unit Director or Assistant Director
Christopher Hall | ... | third assistant director |
Art Department
Alan Chesters | ... | construction manager |
Marcus Erasmus | ... | set constructor |
Bert Gadsden | ... | property master |
David Ned Kelly | ... | stand-by carpenter |
Jill Quertier | ... | Production buyer |
Sound Department
Alan Bell | ... | sound editor |
Neil Castell | ... | assistant dubbing editor |
Richard Dunford | ... | dubbing editor |
Peter Maxwell | ... | re-recording mixer |
Peter Musgrave | ... | additional post-production sound editor |
Jupiter Sen | ... | dubbing editor |
Elaine Thomas | ... | assistant dubbing editor |
Clive Winter | ... | production sound mixer / sound |
Special Effects by
Peter Ch. Arnold | ... | special effects |
Martin Gutteridge | ... | special effects |
Garth Inns | ... | special effects |
Brian Warner | ... | special effects |
Stunts
Peter Armstrong | ... | stunts |
Camera and Electrical Department
David Appleby | ... | still photographer |
Ian Bird | ... | grip |
Ray Brown | ... | key grip |
Jeremy Gee | ... | assistant camera |
Russell j Lyster | ... | gaffer (as Russ Lyster) |
Billy Merrell | ... | best boy |
Ralph Ramsden | ... | clapper loader: England |
John 'Porky' Rivers | ... | grip: England (as John Rivers) |
Casting Department
Rae Davidson | ... | Casting: Australia |
Susie Figgis | ... | casting |
Michael Lynch | ... | Casting: Australia |
Gail Stevens | ... | casting |
Costume and Wardrobe Department
Julie Barton | ... | key costumer |
Catherine Halloran | ... | wardrobe supervisor: England |
Editorial Department
Simon Clayton | ... | post-production editor |
Michael Ellis | ... | additional editor |
Michael Ellis | ... | post-production editor |
Location Management
Michael McGennan | ... | location manager |
Rachel Neale | ... | location manager |
Music Department
George Deacon | ... | composer: additional music |
Hans Werner Henze | ... | conductor |
Script and Continuity Department
Penny Eyles | ... | script supervisor |
Peter Jewell | ... | script editor |
Additional Crew
Mike Dempsey | ... | title designer |
Sarah Nichols | ... | assistant accountant (as Sarah Lucraft) |
Thanks
Byron Upton | ... | dedicatee |