IMDb RATING
4.8/10
1.5K
YOUR RATING
A few unusual characters and their unconventional therapists cross paths resulting in hilarious interactions.A few unusual characters and their unconventional therapists cross paths resulting in hilarious interactions.A few unusual characters and their unconventional therapists cross paths resulting in hilarious interactions.
Matthew Leonard-Lesniak
- Mr. Bean
- (as Matthew Lesniak)
Françoise Armelle
- Zizi's Friend
- (as Françoise Armel)
Featured reviews
I like Altman 's movies "the player""Short cuts " "Gosford park" , etc. But I watched this movie in his premiere in Spain ages ago and it was a comedy( so the promotion said) , so the movie poster said and a comedy for intelligent people bla bla bla This movie is not funny at all , the dialog have no spark , you don't care about the characters at all and I remember I did not laugh in all the movie . If you ever go to a comedy and did not laugh at all you will understand what I'm talking about. It's like torture . Altman is an amazing director, he is capable of making great movies like "The Player " or incredible flops like this one .
I agree with the other posters. I directed the Australian premiere of this play back in 1983, and just LOVED it and all of Christopher Durang's works (I also directed 'Dentity Crisis). So when I saw that one of my favourite directors of all time, Robert Altman, was making the film version, AND it had people like Glenda Jackson, Julie Hagerty, Tom Conti etc in it, I was agog with anticipation. It was probably my biggest disappointment in the cinema.
What is it about Altman that he seems to make a real turkey about once or twice a decade, in between all the wonderful films he makes?
What I can't understand is how Christopher Durang allowed his name to be credited as screenplay writer, when it's a travesty of his play. Especially what was done to the two psychiatrist characters..
And why set such a New York story in Paris/
And why ... and why .... oh forget it.
What is it about Altman that he seems to make a real turkey about once or twice a decade, in between all the wonderful films he makes?
What I can't understand is how Christopher Durang allowed his name to be credited as screenplay writer, when it's a travesty of his play. Especially what was done to the two psychiatrist characters..
And why set such a New York story in Paris/
And why ... and why .... oh forget it.
I gave Altman's Prairie Home Companion my first 10, and I have watched MASH and Gosford Park many times, but this film is an embarrassment. The dialog is boring. It feels like ad lib filler. There are a few clever scenes, but for the most part you keep waiting for something to happen that never does.
It gets its cheap laughs from stereotype gay characters.
The colour reminded me of home movies of the 1950s. The sound was muddy.
I turned off the video several times watching it out of boredom, and returned later, to give it another chance. After all, this IS Altman, Glenda Jackson and Jeff Goldblum.
It gets its cheap laughs from stereotype gay characters.
The colour reminded me of home movies of the 1950s. The sound was muddy.
I turned off the video several times watching it out of boredom, and returned later, to give it another chance. After all, this IS Altman, Glenda Jackson and Jeff Goldblum.
"Beyond Therapy", much like Brian De Palma's "Bonfire Of The Vanities" which I also watched recently, was a huge critical and commercial flop by a top-rank American director, a few years before their careers took an upward turn. And also like "Bonfire", it is not a film without interest. It is an extremely eccentric "romantic comedy": from the first frame to the last, there is not one "normal" character or scene in the movie. It does not succeed (the slow-motion shootout parody sequence misses badly), but it's certainly an original (I liked the occasional random sound effects of car crashes somewhere in the background), and Julie "Airplane" Hagerty still has her special brand of kooky charm. **1/2 out of 4.
What the Hell was that? I'm normally an Altman defender in all cases - I'm a fan of stuff like That Cold Day in the Park, Quintet and Pret-a-Porter - and I've never seen him as a hit-or-miss director who has directed half masterpieces and half flops, as his reputation tends to go. But this is truly a disaster! It's based on a stage play by Christopher Durang, who also adapted this screenplay with Altman. I just can't imagine anyone sitting in the audience watching this garbage thinking, "Oh, man, that would make a great movie!" unless the play was significantly different on stage. I kind of doubt it, though. It has such a peculiar energy, and it's not much like anything else Altman made. It feels like something pretentious people might have enjoyed on stage, more likely in the 60s than in the 80s, because it's just so odd. I'm usually a fan of odd, but this one almost made me violently angry at times. Jeff Goldblum stars as a bisexual man living with his boyfriend (Christopher Guest), but trying to branch out into women. He meets Julie Hagerty on a blind date, and they immediately hate each other. After therapy sessions and a second blind date (they both change their ads slightly but end up together again), they hit it off, much to Guest's chagrin. Every character in the movie is constantly going to their therapist (the two therapist characters are played by Glenda Jackson and Tom Conti). No one acts like a human being in this film, just weird simulacra making faces at each other. There's hardly a laugh in it, and the actors universally embarrass themselves. Better off completely forgotten.
Storyline
Did you know
- TriviaAltman made considerable changes to Christopher Durang's screenplay adaptation of his own play. Durang later described the film as "a very unhappy experience and outcome".
- ConnectionsFeatured in Entertainment Tonight: Episode dated 6 February 1987 (1987)
- How long is Beyond Therapy?Powered by Alexa
Details
Box office
- Budget
- $3,500,000 (estimated)
- Gross US & Canada
- $790,000
- Opening weekend US & Canada
- $286,840
- Mar 1, 1987
- Gross worldwide
- $790,000
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