The effects of a nuclear holocaust on the working class city of Sheffield, England and the eventual long-term effects of nuclear war on civilization.The effects of a nuclear holocaust on the working class city of Sheffield, England and the eventual long-term effects of nuclear war on civilization.The effects of a nuclear holocaust on the working class city of Sheffield, England and the eventual long-term effects of nuclear war on civilization.
- Won 4 BAFTA Awards
- 4 wins & 4 nominations total
David Brierly
- Mr. Kemp
- (as David Brierley)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
In Sheffield, ordinary people from the working class live their lives while the television news report the escalation of the tension between United States of America and Soviet Union after the invasion of Iran by the soviets. People in general do not pay much attention until the day they realize that a nuclear attack may happen and affect the mankind.
"Threads" is a realistic film still impressive in 2021. In 1984 it was scarier with the Cold War, but in the present days it is still frightening since unstable Powers that Be may press the feared button. The effects of the nuclear holocaust in the population of Sheffield is dreadful. My vote is eight.
Title (Brazil): "Catástrofe Nuclear" ("Nuclear Catastrophe")
"Threads" is a realistic film still impressive in 2021. In 1984 it was scarier with the Cold War, but in the present days it is still frightening since unstable Powers that Be may press the feared button. The effects of the nuclear holocaust in the population of Sheffield is dreadful. My vote is eight.
Title (Brazil): "Catástrofe Nuclear" ("Nuclear Catastrophe")
I was about eleven or twelve when this harrowing made-for-TV docu-drama was repeated by the BBC, back to back with 'The War Game'. 'The War Game' didn't faze me much, for various reasons, but 'Threads' - that grabbed me instantly and wouldn't let go. It was not only horribly real, seeing a lower-middle class family rather like my own suddenly plunged back into the dark ages by a nuclear holocaust, it was also entirely believable (the cold war was still very much an ongoing concern back in the eighties) and shockingly compelling. I wanted to look away, but couldn't. I wanted to run from the room in fright, but couldn't. For better or worse, this film showed in full, unflinching, uncompromising detail exactly what it would be like if your home town got nuked, and gave us graphic realism in spades. Melting milk-bottles, spontaneous urination, houses reduced to rubble in seconds, burning cats, dead kids, gore, vomit, armed traffic wardens shooting looters, filth, decay, disease...it's certainly not a barrel of laughs, but Mick Jackson's aim was to shut up all the ignorant gung-hos who believed a nuclear war could be "won". He succeeded, unequivocally. The scene that made the deepest impact on me was the ravaged makeshift classroom with a ragged bunch of shell-shocked adults dazedly watching an ancient videotape of a schools programme (Words and Pictures, in fact) in an attempt to regain their numeracy and literacy skills. That was a show we used to watch at school. Work it out for yourself. In short, this is a downbeat, depressing, bleak and utterly horrible film, but I recommend it wholeheartedly to everyone. The cold war may be gone, but the threats portrayed are still very real.
I first saw "Threads" in high school, and saw it again recently as a grown adult. It does make a measure how old you are when viewing this movie; you take the actions on screen more seriously.
"Threads" plays like BBC documentary about a catastrophic nuclear war, interjecting live scenes with a bland monologue and various statistics, although one wonders what audience would be viewing this documentary.
Since it does play like a documentary, it feels no need to either overplay events or sugarcoat things for our sensibilities. There's no speeches or heroic actions, everything occurs as it happens, no matter how horrifying.
The gore is moderate (it was a TV movie after all) but is unsettling because it's taken to be real. Throughout you look for some hopeful thought to intrude, even comic relief, but "Threads" stares you down, making you watch the horror and woe to the bitter end. There is no hope or salvation, only despair.
It's worth seeing a movie like this as a reminder of the horrors of nuclear war; the threat of a mututal destruction by superpowers seems to be fast fading, but there's always the possibility of terrorists or new enemies.
"Threads" is to nuclear war what "Saving Private Ryan" is to war movies, a landmark film that delivers a strong political message without ever really mentioning it.
"Threads" plays like BBC documentary about a catastrophic nuclear war, interjecting live scenes with a bland monologue and various statistics, although one wonders what audience would be viewing this documentary.
Since it does play like a documentary, it feels no need to either overplay events or sugarcoat things for our sensibilities. There's no speeches or heroic actions, everything occurs as it happens, no matter how horrifying.
The gore is moderate (it was a TV movie after all) but is unsettling because it's taken to be real. Throughout you look for some hopeful thought to intrude, even comic relief, but "Threads" stares you down, making you watch the horror and woe to the bitter end. There is no hope or salvation, only despair.
It's worth seeing a movie like this as a reminder of the horrors of nuclear war; the threat of a mututal destruction by superpowers seems to be fast fading, but there's always the possibility of terrorists or new enemies.
"Threads" is to nuclear war what "Saving Private Ryan" is to war movies, a landmark film that delivers a strong political message without ever really mentioning it.
This is perhaps one of the most masochistic films ever made. You are taken into the personal world of two British families in Sheffield (site of a major NATO installation), who have children that are about to be married. Thousands of miles away, World War 3 slowly starts, and the ultimate horror happens. Thermonuclear war breaks out. The world, literally, grinds to a halt, in one of the most scientifically accurate depictions of nuclear war since "War Game, The" (1965). Unlike the US film "Day After, The" (1983) (TV), the film gives detailed information as to what is happening on a scientific basis. You are shown how a worst-case scenario can happen, and what the effects are, as you follow the surviving members of the two families through the aftermath. The scenes of death, destruction and disease are so realistic, I had to shower after seeing this film for the first time. But what is most disturbing is that the film includes the long-term effects of global thermonuclear war, going into weeks, months, years, even decades. The film ends thirteen years after the nuclear attack, and the final frames of the film will burn into you like no other film ever will. There can be no question that this film MUST be re-released in the USA on DVD, so that it's message will be heard and felt.
The 80's were a different time. Everybody was making money, everybody was having a great time, things never looked better. Except there was always the threat of nuclear war hanging above our heads. This was more than just an idea. We felt it. It was always there just at the edges of your awareness and you could never really ignore it.
Enter "The Day After" which was an American made for TV movie showing what would happen. It was scary and it was effective but it showed an undercurrent of hope. That even in such a tragedy we could survive, pull together and win. Threads has no such message. It shows that even in a limited strike we are well and truly boned. No hope. No chance of a better world. The lucky ones would be the ones that died in the initial blast or that died shortly afterwards. The unlucky ones are the ones that would go on living and slowly get sick before dying.
This movie gave a detailed version of what would happen. From the initial blast to the radiation sickness to the lack of any kind of support or infrastructure afterwards. The worst part showing the long term effects of it. The birth defects, the lack of medicine and aid, the fact that suddenly food and clean water, things we take for granted becoming the most precious resources around.
This movie is a punch to the gut followed by a slow but deliberate beating until you are left spent on the ground quivering in fear. This needs to be required viewing by anybody in the East or West that might even consider that a nuclear strike is a good idea.
It's not. It would literally mean the end of life as we know it.
Enter "The Day After" which was an American made for TV movie showing what would happen. It was scary and it was effective but it showed an undercurrent of hope. That even in such a tragedy we could survive, pull together and win. Threads has no such message. It shows that even in a limited strike we are well and truly boned. No hope. No chance of a better world. The lucky ones would be the ones that died in the initial blast or that died shortly afterwards. The unlucky ones are the ones that would go on living and slowly get sick before dying.
This movie gave a detailed version of what would happen. From the initial blast to the radiation sickness to the lack of any kind of support or infrastructure afterwards. The worst part showing the long term effects of it. The birth defects, the lack of medicine and aid, the fact that suddenly food and clean water, things we take for granted becoming the most precious resources around.
This movie is a punch to the gut followed by a slow but deliberate beating until you are left spent on the ground quivering in fear. This needs to be required viewing by anybody in the East or West that might even consider that a nuclear strike is a good idea.
It's not. It would literally mean the end of life as we know it.
Storyline
Did you know
- TriviaIn the aftermath of the nuclear blast, footage of a cat supposedly "suffocating" outside in the extreme heat is shown. This is actually footage of a cat enjoying a hefty dose of catnip, then they just reversed the film to give the impression of the cat suffocating (the way the cat is rolling on the ground is the giveaway).
- GoofsToward the end of the film, when Ruth falls over while she and her daughter are working the fields, you can hear the director say "Look up nice and slow" to the actors. It's even included in the current closed captioning, with the speaker attributed as "Man."
- Alternate versionsIn the original broadcast version, the narration which opens the film is accompanied by a recording of Richard Strauss's "Alpine Symphony"; due to rights issues, the music was removed from most later home video releases. It was restored for Severin's Blu-ray release, as well as the UK Blu-ray release from Simply Media.
- ConnectionsFeatured in Secret Society: In Time of Crisis (1987)
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- £400,000 (estimated)
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