Racing with the Moon

It's 1942. Henry 'Hopper' Nash (Sean Penn) and Nicky (Nicolas Cage) are small town best friends drafted into the Marines. With deployment weeks away, they work at the local bowling alley setting pins and chase girls. Hopper is infatuated with rich newcomer Caddie Winger (Elizabeth McGovern) but she's secretly the maid's daughter. Nicky gets Sally Kaiser pregnant and needs $150 for the abortion. Hopper and Nicky get beaten by Navy sailors after trying to hustle them playing pool. Hopper asks Caddie for the money.

The first half is a slow coming-of-age romance. The second half takes some more intense turns. The problem is that Sally don't have much screen time before then. The movie doesn't invest that much in her plight. This is about Hopper and Caddie. Ultimately, it's a device to get at their own story. It's nice to see these great actors in their youth and there is a bitter sweet romance here.

I've always viewed Richard Benjamin as a sensitive, honest filmmaker. Sure, he's made some less-than-great films, but his directorial debut, `My Favorite Year' may be about the funniest film ever made.

Racing with the Moon--the boy, his friend, and the girl--a small town in the Midwest in 1942 and a few weeks before the young men are to be inducted in the service. Their lives will be changed unequivocally, and they will no longer be boys. This is all the time they have left to enjoy the freedom, the carefree wonderment that is youth.

Stevn Kloves first produced script (later The Fabulous Baker Boys) is right on target with smart roles for three young stars. Sean Penn had Taps, and Fast Times behind him, and was his career was flourishing, Nick Cage had done Valley Girl, and Birdy, but would languish for ten more years, before achieving stardom, and Elizabeth McGovern, who's wonderful as Caddie Winger, is still waiting her just recognition.

Benjamin was born and raised in New York City, but his age is appropriate to our main characters. I'm sure he smiled, over and over as he recalled his own youth. His heart is in Racing with the Moon, and its worth your time, to go back for a moment, and enjoy those times.

Unlike most Hollywood movies that must be pigeonholed into categories--comedy, drama, romance--this movie dared to be all of these. And it dared to be low-key, without large, manufactured tragedies or plot hooks. Rather, it had the elegiac mood and idiosyncratic details of a fine short story, with its characters neither good nor bad but human, their lives honestly and touchingly observed by a sensitive screenwriter and director.

Coming-of-age piece set in small town America during WWII. Sean Penn has seldom been so youthfully exuberant and amiable playing a young working-class man about to go off to war, finding love for the first time with a sweet lass he presumes is wealthy ("a Gatsby girl"). Richard Benjamin's direction is sensitive and breezy, and Elizabeth McGovern is a good romantic match for Penn (though sometimes she talks down to him, like a big sister might). Nicolas Cage is also fine as Sean's goof-off buddy, yet the slim screenplay hasn't enough meat on its bones and the middle portion of the film goes around in circles. The period flavor has been captured with non-showy flair, and Penn's exceptional performance is winning, making the film a nearly-satisfying nostalgic drama. *** from ****

... in this nostalgic romance from Paramount Pictures and director Richard Benjamin. It's 1942, and two friends (Sean Penn and Nicolas Cage) are looking forward to induction into the Marine Corps and going off to fight in WWII. They waste their last few weeks of freedom chasing girls, playing pool, getting drunk and working at the local bowling alley. Penn meets a nice girl (Elizabeth McGovern) who may be more than just a good time, but dealing with life's circumstances may be more than their fledgling romance can endure. Nicely written, with a gentle directorial touch that smooths the sometimes difficult subject matter. The performances are all fine, with Cage standing out in one of his first substantial roles.