The Lonely Guy

This movie started out with a bang when I first saw it as a child. I was really disappointed when I could not watch it in its entirety. So when I had a chance to rent it, I jumped at the chance and I am rather sad I did. The first half was still funny, but all the stuff I missed was sadly worth missing. Not that it was all bad mind you, there was a chuckle or two in this part of the movie, but nothing compared to the laughs found in the first half of the film from when Steve finds out his girlfriend has been cheating on him, to the restaurant, to the strange jogging using fake sweat. Then a bit before he writes his book on how to be a lonely guy the movie really slows down its pace and it becomes a bit to sentimental at times, while still showing a bit of the zaniness that made the first half of the film really good. The story is about a lonely guy who starts off with a girlfriend, but ends up alone in rather funny fashion. He makes friends with another lonely guy played very well by Charles Grodin and they proceed to try and help each other out. Like I said you get some great scenes during this time and Steve meets up with a girl he for some reason cannot hook up with due to one problem after another. So in the end an okay movie, that just needed some of that energy from the first half of the film to carry over to the second.

Other people here have commented on the unevenness of this movie. What an understatement. I found the first half of the movie funny, poignant, delightful. Then, all of a sudden, the movie becomes an unfunny, painful bore. It's amazing. The contrast between the two halves is so stark, it's hard to believe it's the same movie. I don't ever recall such a split between two halves of a movie. Ever.

And in the second half, there is a scene in bed involving the 'o' word, that is very painfully unfunny and completely inane.

But what do I know.

Two scenes that really stick out in my mind:

1. When the girl says to Steve: "Nice guys don't stay lonely for long" -- so sweet!

2. When Steve realizes he missed out on a golden opportunity to "get lucky" with a pretty woman. That was wickedly funny!

I'd call this a small masterpiece.

I usually watch just ten minutes of a movie, find it boring, then discard it. Or, I fast forward through great big sections of a film and get satisfaction from the leftover bits and pieces. With this one I never once reached for the fast forward button. It is charming, touching, lovely, hilarious and satisfying. One cares deeply for the characters played by Martin and Grodin and wants happiness to come their way.

The sadness never overwhelms because the lighthearted scenes make for a perfect balance.

You could go through a whole row at Blockbuster and not find a gem like this one. If you have even just a touch of a tender heart, by all means rent this one.

The Lonely Guy is often quite funny but unfortunately sometimes dreadfully dull. Like Jim Abrahams and later Mel Brooks movies, this is classic Neil Simon where he throws rapid-fire jokes at you. Some hit and some miss, but you don't have to wait long for the next one. The scene where he dines alone in a fancy restaurant was one of the funniest. Somebody else seemed to think so, too, as it was copied almost verbatim for an Australian TV commercial two years later. Imitation must be the sincerest form of flattery.

As a New Yorker, I liked seeing the city in this movie. It's a somewhat dirtier but more variegated New York than in movies like "Ghost" or "When Harry Met Sally," which spent too much time in tony neighborhoods like Tribeca, the Village and Midtown.

Unfortunately, the definitive home video version does not exist and probably never will. The laserdisc is marred by a bad transfer and excessive, very objectionable video and audio noise. This may be the dreaded laser rot in action or just bad production. The DVD is beautiful, with a crisp transfer and no noticeable noise. But its 1.85:1 widescreen presentation is in the form of matting/masking the 1.33:1 Academy Frame, so instead of showing more picture, it actually shows less than the cassette and the laserdisc. The matting makes the "widescreen" frame feel distractingly cramped, with characters' heads continually butting up against the top. One joke in particular suffers badly: When Larry is laying on a bed talking to a woman, he's bare-chested in his fantasy to imply they're in bed together. But the widescreen version shows only his head, so the joke is weakened. Too bad a full-frame DVD will probably never be made as this is one of the few times when a full-frame presentation would have been preferable.

You need to see this underrated Steve Martin comedy from the 80s called The Lonely Guy about a guy who lives by himself and wrote a bestseller about lonlieness and became a success. It's really funny.