
Joseph Wambaugh, the writer who mined his years as a Los Angeles Police Department patrolman for a series of bestselling crime books including The Onion Field, The New Centurions, The Blue Knight and The Glitter Dome, and whose literary works were adapted for feature films and television series, died today of esophageal cancer at his home in Rancho Mirage, California. He was 88.
His death was reported to The New York Times by a Wambaugh family friend.
In 1971, eleven years after joining the LAPD, Wambaugh saw his first novel, The New Centurions, published by Little, Brown and Co. The story of rookie LAPD cops in the early 1960s became his first bestseller and, the following year, the first movie based on his work. The film adaptation starred George C. Scott and Stacy Keach.
The New Centurions novel was followed by a string of police novels, including 1972’s The Blue Knight (later...
His death was reported to The New York Times by a Wambaugh family friend.
In 1971, eleven years after joining the LAPD, Wambaugh saw his first novel, The New Centurions, published by Little, Brown and Co. The story of rookie LAPD cops in the early 1960s became his first bestseller and, the following year, the first movie based on his work. The film adaptation starred George C. Scott and Stacy Keach.
The New Centurions novel was followed by a string of police novels, including 1972’s The Blue Knight (later...
- 2/28/2025
- by Greg Evans
- Deadline Film + TV


Joseph Wambaugh, who turned his experiences from 14 years with the Los Angeles Police Department into such gritty books as The Onion Field, The New Centurions, The Blue Knight and The Glitter Dome — all adapted for the screen — died Friday. He was 88.
Wambaugh, who also co-created the acclaimed 1970s anthology series Police Story for NBC, died at his home in Rancho Mirage of esophageal cancer, longtime family friend Janene Gant told The New York Times.
Wambaugh, who joined the LAPD as a patrolman in 1960, made a splash with his debut novel, The New Centurions, a sweeping tale that followed three young LAPD officers during a five-year period that led to the 1965 Watts riots. Published by Little, Brown and Co. in 1971, it was a hit, remaining on The New York Times Best Seller List for 32 weeks.
In his review for the Times, Thomas Fleming wrote: “Do you like cops? Read The New Centurions.
Wambaugh, who also co-created the acclaimed 1970s anthology series Police Story for NBC, died at his home in Rancho Mirage of esophageal cancer, longtime family friend Janene Gant told The New York Times.
Wambaugh, who joined the LAPD as a patrolman in 1960, made a splash with his debut novel, The New Centurions, a sweeping tale that followed three young LAPD officers during a five-year period that led to the 1965 Watts riots. Published by Little, Brown and Co. in 1971, it was a hit, remaining on The New York Times Best Seller List for 32 weeks.
In his review for the Times, Thomas Fleming wrote: “Do you like cops? Read The New Centurions.
- 2/28/2025
- by Chris Koseluk
- The Hollywood Reporter - Movie News
An Original Voice
“We didn’t get mad, we got smart,” HBO CEO Michael Fuchs said about hitting The Wall, looking back at HBO stalling in 1984 from the vantage of the early 1990s. Actually, a lot of the rank and file didn’t get mad or smart; we’d seen 125 of our friends and colleagues get shown the door when the company had suddenly flatlined after eight years of phenomenal growth, and what we got was scared.
But it’s to the credit of HBO’s execs that whatever anxieties they may have had, they showed no panic or even nervousness in public. Instead, they poured any concerns into energetically and immediately addressing the question of, “What do we do now?” The world we knew had changed and there was no going back to the Gold Rush days of the late 1970s and early 1980s. The company required a humongous...
“We didn’t get mad, we got smart,” HBO CEO Michael Fuchs said about hitting The Wall, looking back at HBO stalling in 1984 from the vantage of the early 1990s. Actually, a lot of the rank and file didn’t get mad or smart; we’d seen 125 of our friends and colleagues get shown the door when the company had suddenly flatlined after eight years of phenomenal growth, and what we got was scared.
But it’s to the credit of HBO’s execs that whatever anxieties they may have had, they showed no panic or even nervousness in public. Instead, they poured any concerns into energetically and immediately addressing the question of, “What do we do now?” The world we knew had changed and there was no going back to the Gold Rush days of the late 1970s and early 1980s. The company required a humongous...
- 10/11/2013
- by Bill Mesce
- SoundOnSight
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