Four horror and science fiction segments, directed by four famous directors, each of them being a new version of a classic story from Rod Serling's landmark television series.Four horror and science fiction segments, directed by four famous directors, each of them being a new version of a classic story from Rod Serling's landmark television series.Four horror and science fiction segments, directed by four famous directors, each of them being a new version of a classic story from Rod Serling's landmark television series.
- Awards
- 1 win & 8 nominations total
Rainer Peets
- German Officer (segment "Time Out")
- (as Remus Peets)
William S. Taylor
- G.I. (segment "Time Out")
- (as William B. Taylor)
Featured reviews
Five episodes realized as tribute to Rod Serling's Twilight zone, made by four known directors . It's is divided into 4 parts , three of them real remakes from classic television series, though starts in a prologue stars Albert Brooks and Dan Aykroyd . The best directed by John Landis is the first, where a bigot (played by Vic Morrow who died during filming by a helicopter crash accident) who becomes pursued of evil Nazis, Ku Klux Klan and American soldiers in Vietnam. The second segment directed by Steven Spielberg is a silly story about old people living in a retirement house who turn into little boys, thanks a strange visitor (Scatman Crothers). The third directed by Joe Dante concerns about a young woman (Kathleen Quinlan) encounters a kid with rare powers and some people (Kevin McCarthy, William Schallert,among them) closed at a strange house. And fourth episode titled 'Nightmare at 20.000 Feet' deals with a terrified passenger(John Lightow) who watch a creepy monster making rare issues on the wing of the plane.
The picture contains good special effects in traditional style without excessive computer generator as usual nowadays. The master Jerry Goldsmith composes a magic musical score particularly reflected on the second episode titled 'Kick the can' . Colorful and imaginative cinematography especially in the third segment titled 'It's a good life'. Rating : Acceptable and passable, the picture will appeal to fantastic genre buffs.
The classic long-running television series is formed by 156 episodes and its narrator , of course, Rod Serling. Later on, in 2002 are realized 44 new episodes with Forest Whitaker as host.
The picture contains good special effects in traditional style without excessive computer generator as usual nowadays. The master Jerry Goldsmith composes a magic musical score particularly reflected on the second episode titled 'Kick the can' . Colorful and imaginative cinematography especially in the third segment titled 'It's a good life'. Rating : Acceptable and passable, the picture will appeal to fantastic genre buffs.
The classic long-running television series is formed by 156 episodes and its narrator , of course, Rod Serling. Later on, in 2002 are realized 44 new episodes with Forest Whitaker as host.
An affectionate homage to the old TV series. Three old episodes were updated and a new one was written. It's also narrated by Burgess Meredith who starred in quite a few of the original TV series episodes.
It starts off with a quick little prologue with Albert Brooks and Dan Aykroyd. It's quick, funny and provides a nice little jolt.
The first segment was newly written for the movie. It involves a bitter and racist man (Vic Morrow) getting a taste of his own medicine. This episode is clouded by the three deaths it caused--Morrow was decapitated by a helicopter blade and two Vitenamese children were crushed. John Landis (who directed this) was found not guilty in the deaths. As it stands this isn't very good. It's simplistic and heavy-handed--like a bad Zone episode.
The second one is directed by Steven Spielberg. It involves an old man (Scatman Crothers) gently bringing to life the old people at a retirement home. I'll be the first to admit that this is way too syrupy--but I have a fondness for it. The acting is good, it has a great music score and, I admit, it leaves me a little misty-eyed.
The third is directed by Joe Dante. It's a remake about a little boy who can make all of his wishes come true. It's well-directed with some truly incredible special effects and a good performance by Kathleen Quinlan. But it's seriously damaged by a silly happy ending (the original didn't have that). Billy Mumy (the star of the original) has a bit part and Dante regular Dick Miller shows up as Walter Paisley.
The fourth is the best. It's directed by George Miller and is a remake of the William Shatner episode where he spots a gremlin tearing apart the plane he's flying on. The gremlin in the original looked pretty ridiculous--like a teddy bear. Here John Lithgow plays the passenger and the gremlin is more than a little scary-looking. This segment moves and has a few great jolts. Also Carol Serling (Rod Serling's wife I believe) has a bit part.
All in all an enjoyable film. I liked it when I saw it in a theatre in 1983 and it still holds up today. I give it an 8.
It starts off with a quick little prologue with Albert Brooks and Dan Aykroyd. It's quick, funny and provides a nice little jolt.
The first segment was newly written for the movie. It involves a bitter and racist man (Vic Morrow) getting a taste of his own medicine. This episode is clouded by the three deaths it caused--Morrow was decapitated by a helicopter blade and two Vitenamese children were crushed. John Landis (who directed this) was found not guilty in the deaths. As it stands this isn't very good. It's simplistic and heavy-handed--like a bad Zone episode.
The second one is directed by Steven Spielberg. It involves an old man (Scatman Crothers) gently bringing to life the old people at a retirement home. I'll be the first to admit that this is way too syrupy--but I have a fondness for it. The acting is good, it has a great music score and, I admit, it leaves me a little misty-eyed.
The third is directed by Joe Dante. It's a remake about a little boy who can make all of his wishes come true. It's well-directed with some truly incredible special effects and a good performance by Kathleen Quinlan. But it's seriously damaged by a silly happy ending (the original didn't have that). Billy Mumy (the star of the original) has a bit part and Dante regular Dick Miller shows up as Walter Paisley.
The fourth is the best. It's directed by George Miller and is a remake of the William Shatner episode where he spots a gremlin tearing apart the plane he's flying on. The gremlin in the original looked pretty ridiculous--like a teddy bear. Here John Lithgow plays the passenger and the gremlin is more than a little scary-looking. This segment moves and has a few great jolts. Also Carol Serling (Rod Serling's wife I believe) has a bit part.
All in all an enjoyable film. I liked it when I saw it in a theatre in 1983 and it still holds up today. I give it an 8.
Prologue: a driver has a big surprise with his passenger (8)
Segment 1 ("Time Out"): a bigot man hates Jews, Black and Asian people. One day he will live in the World War II, hunted down by KKK and attacked in Vietnam War and feel the effects of his hatred. Good episode with a surprising conclusion (7).
Segment 2 ("Kick the Can"): In a nursing home, the elder inhabitants learn that their minds can keep them young. Reasonable episode only with a great homage to "The Twilight Zone" (Episode 3.21) "Kick the Can". (6).
Segment 3 ("It´s a Good Life"): a traveler hits a boy in a bicycle with her car and takes the boy home. Soon she learns that the powerful boy brought her home indeed. Good episode with a silly and disappointing conclusion (7).
Segment 4 ("Nightmare at 20,000 feet"): a writer is scary to fly and soon he sees a monstrous creature destroying the airplane engines during a stormy night. Certainly the best episode (8).
Divided in prologue and four segments, "Twilight Zone: The Movie" is a tragic and cult movie. Tragic since Vic Morrow, the unforgettable Sgt. Saunders of "Combat!" series, died in a weird accident when the helicopter crashed on him and two children while making a scene. Directed by four great directors - Joe Dante (segment "It's a Good Life"); John Landis (prologue/segment "Time Out"); George Miller (segment "Nightmare at 20,000 Feet"); and Steven Spielberg (segment "Kick the Can") - and with great names in the cast - Vic Morrow, Dan Aykroyd, Albert Brooks, Kathleen Quinlan, John Lithgow among many others, "Twilight Zone: The Movie" is highly recommended for fans of sci-fi and horror. My vote is seven.
Title (Brazil): "No Limite da Realidade" ("In the Limit of Reality")
Note: On 31 July 2023, I saw this film again.
Segment 2 ("Kick the Can"): In a nursing home, the elder inhabitants learn that their minds can keep them young. Reasonable episode only with a great homage to "The Twilight Zone" (Episode 3.21) "Kick the Can". (6).
Segment 3 ("It´s a Good Life"): a traveler hits a boy in a bicycle with her car and takes the boy home. Soon she learns that the powerful boy brought her home indeed. Good episode with a silly and disappointing conclusion (7).
Segment 4 ("Nightmare at 20,000 feet"): a writer is scary to fly and soon he sees a monstrous creature destroying the airplane engines during a stormy night. Certainly the best episode (8).
Divided in prologue and four segments, "Twilight Zone: The Movie" is a tragic and cult movie. Tragic since Vic Morrow, the unforgettable Sgt. Saunders of "Combat!" series, died in a weird accident when the helicopter crashed on him and two children while making a scene. Directed by four great directors - Joe Dante (segment "It's a Good Life"); John Landis (prologue/segment "Time Out"); George Miller (segment "Nightmare at 20,000 Feet"); and Steven Spielberg (segment "Kick the Can") - and with great names in the cast - Vic Morrow, Dan Aykroyd, Albert Brooks, Kathleen Quinlan, John Lithgow among many others, "Twilight Zone: The Movie" is highly recommended for fans of sci-fi and horror. My vote is seven.
Title (Brazil): "No Limite da Realidade" ("In the Limit of Reality")
Note: On 31 July 2023, I saw this film again.
Feature film expansion of legendary TV series is uneven overall, but it does have its moments, and it does thankfully follow the rule of saving the best for last. Four prominent directors are brought together to create, in glorious colour, some classic episodes of the series, with an impressive roster of stars and character players. At least along the way it manages to create some enjoyable jolts. Burgess Meredith, star of 'Time Enough at Last', one of the best known and most beloved of all episodes, is the narrator for this trip into some bizarre places.
Unfortunately the movie will always have an enormous stigma attached to it due to the untimely and horrific death of actor Vic Morrow and two child extras during the shooting of Segment 1. That may very well leave a bad taste in the mouth of many people watching. It's up to the individual viewer as to how much this affects their enjoyment of the film.
The prologue and the first segment are actually originals written by director John Landis. Dan Aykroyd and Albert Brooks are fun as a passenger and driver who come up some with some amusing ways to entertain each other until Aykroyd decides it's time for Brooks to get a good scare. This gets us off to a good start because Landis does understand that with the TV show the payoff was a most important element.
Segment 1 sees Morrow playing an unrepentant bigot who gets a major dose of his own intolerance when he's mistaken for a Jew by Nazis, a black by KKK members, and a Vietnamese man by American troops in 'Nam. This is a very dark episode that doesn't end too satisfactorily, but Morrow is excellent, the look of Paris during WWII is nicely realized, the pacing is effective, and there's a great in joke referring back to Landis's "Animal House".
Segment 2, Steven Spielberg's remake of "Kick the Can", sees wonderfully genial Scatman Crothers injecting some magic into the lives of senior citizens in an old folks' home. Like Segment 1, it's unfortunately not subtle about its message, and is so syrupy sweet that it really doesn't fit in with the other segments here. The actors are very likable, fortunately; Crothers manages to make it worth sitting through.
Segment 3 tells the tale of "It's a Boy's Life", in which a creepy kid (Jeremy Licht) makes the acquaintance of travelling schoolteacher Kathleen Quinlan. This kid can bend reality to suit his whims, lives in a house with bizarre designs, likes his hamburgers with peanut butter topping, and lives for cartoons. And his "family" lives in mortal terror of him. The work of Joe Dante, this serves as a counterpoint to Spielberg's tale the way that it depicts childish fantasies run amok. Great cartoon style monster work by Rob Bottin helps in the enjoyment of this segment; this is where the film starts getting really good. Bill Mumy, the kid in the original episode, plays a diner patron.
Segment 4, directed by George Miller of the "Mad Max" series, is far and away the best, an over the top remake of "Nightmare at 20,000 Feet", in which terrified airplane passenger John Lithgow believes he sees a creature busy destroying the planes' engines as it flies through a storm. Lots of good atmosphere and intensity here, with a top notch unhinged performance by Lithgow and a great creature, designed by Craig Reardon & Michael McCracken and performed by actor Larry Cedar.
With a lot of familiar faces in the small roles (ex. Charles Hallahan, Doug McGrath, Bill Quinn, Selma Diamond, the almighty Dick Miller (once again playing 'Walter Paisley'), Kevin McCarthy, William Schallert, Cherie Currie, Nancy Cartwright, John Dennis Johnston, Eduard Franz, and Donna Dixon), and wonderful music by Jerry Goldsmith, this certainly remains an entertaining film to watch for its duration, if not a great one. Hopefully it will inspire people to check out the TV series and see why it's so admired.
Seven out of 10.
Unfortunately the movie will always have an enormous stigma attached to it due to the untimely and horrific death of actor Vic Morrow and two child extras during the shooting of Segment 1. That may very well leave a bad taste in the mouth of many people watching. It's up to the individual viewer as to how much this affects their enjoyment of the film.
The prologue and the first segment are actually originals written by director John Landis. Dan Aykroyd and Albert Brooks are fun as a passenger and driver who come up some with some amusing ways to entertain each other until Aykroyd decides it's time for Brooks to get a good scare. This gets us off to a good start because Landis does understand that with the TV show the payoff was a most important element.
Segment 1 sees Morrow playing an unrepentant bigot who gets a major dose of his own intolerance when he's mistaken for a Jew by Nazis, a black by KKK members, and a Vietnamese man by American troops in 'Nam. This is a very dark episode that doesn't end too satisfactorily, but Morrow is excellent, the look of Paris during WWII is nicely realized, the pacing is effective, and there's a great in joke referring back to Landis's "Animal House".
Segment 2, Steven Spielberg's remake of "Kick the Can", sees wonderfully genial Scatman Crothers injecting some magic into the lives of senior citizens in an old folks' home. Like Segment 1, it's unfortunately not subtle about its message, and is so syrupy sweet that it really doesn't fit in with the other segments here. The actors are very likable, fortunately; Crothers manages to make it worth sitting through.
Segment 3 tells the tale of "It's a Boy's Life", in which a creepy kid (Jeremy Licht) makes the acquaintance of travelling schoolteacher Kathleen Quinlan. This kid can bend reality to suit his whims, lives in a house with bizarre designs, likes his hamburgers with peanut butter topping, and lives for cartoons. And his "family" lives in mortal terror of him. The work of Joe Dante, this serves as a counterpoint to Spielberg's tale the way that it depicts childish fantasies run amok. Great cartoon style monster work by Rob Bottin helps in the enjoyment of this segment; this is where the film starts getting really good. Bill Mumy, the kid in the original episode, plays a diner patron.
Segment 4, directed by George Miller of the "Mad Max" series, is far and away the best, an over the top remake of "Nightmare at 20,000 Feet", in which terrified airplane passenger John Lithgow believes he sees a creature busy destroying the planes' engines as it flies through a storm. Lots of good atmosphere and intensity here, with a top notch unhinged performance by Lithgow and a great creature, designed by Craig Reardon & Michael McCracken and performed by actor Larry Cedar.
With a lot of familiar faces in the small roles (ex. Charles Hallahan, Doug McGrath, Bill Quinn, Selma Diamond, the almighty Dick Miller (once again playing 'Walter Paisley'), Kevin McCarthy, William Schallert, Cherie Currie, Nancy Cartwright, John Dennis Johnston, Eduard Franz, and Donna Dixon), and wonderful music by Jerry Goldsmith, this certainly remains an entertaining film to watch for its duration, if not a great one. Hopefully it will inspire people to check out the TV series and see why it's so admired.
Seven out of 10.
"Twilight Zone: The Movie" is a mostly entertaining anthology film based on Rod Serling's classic TV series of the 1960s. Four bizarre tales are told through the minds of four different filmmakers: John Landis, Steven Spielberg, Joe Dante, and George Miller (Landis and Spielberg also produced). "Twilight Zone: The Movie" starts with a brief prologue starring Dan Aykroyd and Albert Brooks. Then comes segment #1, directed by Landis. This is the part of the movie that made headlines around the world when a freak accident killed actor Vic Morrow and two children while shooting a helicopter scene (which is not seen in the film). This story is about an angry man (played by Morrow) who is not happy with America because of all the different races that are living in the country. Then something strange happens. When the man steps outside of a bar, he finds himself on a street in Nazi Germany; a few minutes later he's confronted by the Klu Klux Klan; then he discovers he's in the middle of the Vietnam War; and so on. As for how this segment goes, it's only so-so. However segment #2, directed by Spielberg, is the weakest story of the bunch. Scatman Crothers stars as an elderly man who comes to live at a retirement home. After making friends with some of the elderly people living there, he talks them into playing a spirited game of kick the can. This is no ordinary game. Let's just say that its a game with a fountain of youth twist to it. I found this segment real boring. Up to this point, "Twilight Zone: The Movie" is disappointing. But then the film picks up with the strong last two segments. Segment #3, directed by Dante, stars Kathleen Quinlan as a woman who meets a little boy after accidentally knocking him off of his bike with her car. She decides to give the boy a ride home. But this is no ordinary home. It's a house where every TV set has a cartoon on, and the boy's family act like a bunch of crazy people (like their cartoons themselves). Quinlan begins to realize that this kid is not normal. This segment works because it's creepy (the look of the house on the inside is fascinating) and funny (every member of the kid's family is a complete nut). Ah, but the best segment comes last. Segment #4, directed by Miller, is a truly scary tale starring John Lithgow (from TV's "3rd Rock From the Sun") as a terrified passenger of an airplane flying through a severe thunderstorm. Things get worse when Lithgow see's something on the wing of the plane. What is it? A man? Or is it a monster? This segment literally had me on the edge of my seat. It's an excellent finale to "Twilight Zone: The Movie". So my advice is skip the first two segments, but watch the last two.
Here's my separate ratings for each segment (out of four stars):
Segment #1: **1/2; Segment #2: *1/2; Segment #3: ***1/2; Segment #4: ****
This adds up for an estimated combined rating of *** stars.
Here's my separate ratings for each segment (out of four stars):
Segment #1: **1/2; Segment #2: *1/2; Segment #3: ***1/2; Segment #4: ****
This adds up for an estimated combined rating of *** stars.
Storyline
Did you know
- TriviaThe scene being shot at the time of Vic Morrow's fatal accident was added to the script late in the filming in an attempt to "soften" his bigoted character Bill Connor, and give him some redemption: while fleeing from an American helicopter attack on a deserted Vietnamese village, he sees two orphaned children. Bill decides to save them no matter what the cost, so he carries them under his arms and wades through the river to safety. He then finds himself back in Nazi-occupied France again, the two children having time-jumped with him. The two Nazi officers chasing Bill take the children away for execution, and take Bill to a train which ends the segment. Due to the helicopter accident that claimed the life of Morrow and child actors Renee Chen and My-ca Dinh Le, all scenes featuring the children were completely cut, and they do not appear in the film. Bill's original scripted ending was kept in, leaving Bill's character change largely unaddressed and his fate unknown.
- GoofsAn exterior shot of the airplane in Segment #4 shows the landing gear to be in the down position. The pilot later comments that the plane would be landing in twenty minutes, far too long for gear to be down prior to touchdown.
- Quotes
Car Passenger: Hey... you wanna see something really scary?
- Alternate versionsCBS edited 8 minutes from this film for its 1986 network television premiere.
- SoundtracksNights Are Forever
Performed by Jennifer Warnes
Music by Jerry Goldsmith
Lyrics by John Bettis
Produced by Bruce Botnick with James Newton Howard
[Segment #1: playing when William enters the bar]
Details
- Release date
- Country of origin
- Languages
- Also known as
- Al filo de la realidad
- Filming locations
- 15238 Victory Boulevard, Van Nuys, Los Angeles, California, USA(bar in segment #1; exterior & interior)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $29,450,919
- Opening weekend US & Canada
- $6,614,366
- Jun 26, 1983
- Gross worldwide
- $29,450,919
- Runtime1 hour 41 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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Top Gap
What is the Brazilian Portuguese language plot outline for Twilight Zone: The Movie (1983)?
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