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Diane Lane, Matt Dillon, and Mickey Rourke in Rumble Fish (1983)

Metacritic reviews

Rumble Fish

63

Metascore

8 reviews · Provided by Metacritic.com
  • 100
    TV Guide Magazine
    TV Guide Magazine
    Deliriously expressionistic visually and aurally.
  • 88
    Chicago Sun-TimesRoger Ebert
    Chicago Sun-TimesRoger Ebert
    I thought Rumble Fish was offbeat, daring, and utterly original.
  • 88
    The Globe and Mail (Toronto)Jay Scott
    The Globe and Mail (Toronto)Jay Scott
    The most amazing thing about this amazing movie may be that in the end it communicates the large uncertainties and small hopes of a twisted, inarticulate adolescent boy perfectly, and wordlessly. [14 Oct 1983]
  • 75
    Boston GlobeJay Carr
    Boston GlobeJay Carr
    A triumph of romantic impulse over stylistic indulgence. [21 Oct 1983]
  • 60
    The New York TimesJanet Maslin
    The New York TimesJanet Maslin
    The stunning black-and-white cinematography in Francis Coppola's Rumble Fish functions rather like a cold compress, subduing a film that is otherwise all feverish extremes.
  • 60
    TimeRichard Corliss
    TimeRichard Corliss
    Rumble Fish is the messiest, most provocative inkblot of the year.
  • 60
    Variety
    Variety
    Rumble Fish is another Francis Coppola picture that's overwrought and overthought with camera and characters that never quite come together in anything beyond consistently interesting.
  • 30
    Chicago ReaderDave Kehr
    Chicago ReaderDave Kehr
    The action is clotted and murky, and Coppola obviously hasn't bothered to clarify it for the members of his cast, who wander through the film with expressions of winsome, honest befuddlement.
  • See all 8 reviews on Metacritic.com
  • See all external reviews for Rumble Fish

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