Eyes of Fire

"Eyes of Fire" has a pretty impressive script to start out with. It lets the surreal events unfold in the most offbeat, unpredictable way, that you can easily view it several times and still discover things. The forest with its many "trees" is so vividly filmed; I never realized simple things like trees, bushes, and pure earth could be made so threatening!

The film is just drenched in atmosphere: The haunting sounds of the woods; the often off-kilter camera angles; and the excellent narration by a young lady with an accent so thick you could cut it with a knife! I loved listening to her.

The film has a logic and a language all its own. You have to pay attention to the film to appreciate all the developments of the highly "elemental" plot. This isn't a "brain candy" horror flick; you'll have to make an effort to understand certain things, but it's highly worth it.

My favorite performance in the film is Karlene Crockett as the fairy Leah. Many of the most beautiful moments in the film involve her, like where Leah crawls into a barrel with the children to keep out of the rain, and a rainbow appears beside it; and Leah playing joyfully in the field of feathers.

Then, of course, there's the dark scenes, like the ones where the grotesque figure in black roams the forest, sinking in and out of the ground; and Leah's numerous encounters with the elusive ghosts. I've heard people rag on the special effects, which are a mixed bag; but it's important to remember that this was 1983, and the filmmakers didn't have the budget of E.T. -- or anywhere near it. The effects serve their purpose, and are often quite creepy. They compliment the film, rather than overrun it like many films today.

This is a really great film to watch late at night; it has the atmosphere of one of those low-budget chillers network stations would show in the early morning hours before the age of the infomercial, only with more originality. I would rush out and buy this if it were released on DVD; for now I'll just have to settle for my Vestron Video copy. I think this little gem is a masterpiece in its own right; definitely thought-provoking horror, a genre that is too rarely explored.

My rating: 8.5/10

This motion picture is perhaps the most bizarre film I have ever seen for such a low budget. The film itself brings out more horror than what you would think. The film is about a group of western pioneers set in the early American Frontier around 1750, who travel into an uncharted land and forest and are haunted by evil spirits living in the trees. Director Avery Crounse and his team of special effects rely on old fashion suspense, which is way better than some of the films we have today. Composer Brad Fiedel (who also created the score for James Cameron's The Terminator) conducts a fascinating Irish musical score. The all star cast including Dennis Lipscomb (WarGames), Guy Boyd (Jagged Edge), Will Hare (Back to the Future), Fran Ryan (The Sure Thing) and Emmy award winning actress Karlene Crockett all do a wonderful job at acting. It's a shame that this film isn't around anymore, it should be released to DVD and it's obvioius that films like The Blair Witch Project and Ravenous ripped off this film. Eyes of Fire is highly recommended for fans of early ghost stories.

This is a very low-budget movie about demons in the American countryside two hundred years ago. It has a lot of the feel of a genuine folk tale: for instance the demons steal into farmers' barns by night and suck milk from cows' teats. The shadowy unpredictability of their comings and goings is well caught and strangely unnerving. The movie is too academic, as if it had been made to partially fulfill the requirements of a Master's in American Folklore, and most of the performances would fit right into a small-town little-theatre production, but those qualities help to set the movie apart from others. It's rather like "The Blair Witch Project" set in period, but with real spirits and a real story. It doesn't always escape absurdity but it seems to be communicating somebody's real and unusual vision. That's no mean achievement.

Taking place during the early colonization of America, "Eyes of Fire" is a remarkable hybrid of horror and mysticism within a western setting. Will Smythe (Dennis Lipscomb) is a hypocritical, but charismatic preacher who is relatively new to the small settlement of Dalton's Ferry. Traveling with him is Leah, an odd girl, who seemingly possesses otherworldly powers. Her mother, suspected of being a witch, was burned alive. While residing in the settlement, Smythe beds a bevy of women, among them the wife of Marion Dalton (Guy Boyd), a trapper spending most of his time away from home. The townsfolk disapprove of Smythe's extracurricular activities and attempt to hang him, but he's rescued by both Leah and a small group of the settlers who see something in the man. They flee the township, hoping to find their own personal "promised land" in which to settle down. Eventually forced into a valley by marauding Indians, Smythe promptly declares it to be the sanctuary they've been seeking. As they begin to start a new life, little do they know that this place is already inhabited by a devil witch and her ghastly minions.

Filmed in the wilds of Missouri, Avery Crounse's wondrously offbeat gem is one of the most beautifully photographed horror films of the 80's, American or otherwise. The dense woodlands are naturally pleasing to the eye, but they become something else entirely when seen through the stunning direction of Crounse. His style combines the contemplative visual poetry of a Terrence Malick with truly nightmarish imagery and acidic color fades. He makes sure that, while lovely in appearance, these woods are deeply foreboding. There's an eeriness in the air, one that never quite goes away. Brad Fiedel's score adds to the unease of the situation and gives off an otherworldly vibe to match.

In spite of a low budget, the period setting feels authentic. You never once believe that these people aren't living in the colonial era. What a fascinating period that was, and I feel that more horror films should be set in and around that time. The all-encompassing isolation, the lack of modern weapons or technology and the endless amount of rich history are all elements which are positively ripe for tales of the macabre. Most of all, though, there are the superstitions and folklore which were so rampant back in those days. This continent was still a relatively unknown place then, none of the settlers really having a clue as to what they might encounter. I don't think there is anything more terrifying than the unknown, so what better time than the days of the unknown to tell a story of this nature? Crounse certainly realizes this, as he milks the period setting and the olden days mythology for all that they're worth.

I've seen many reviews deriding the special effects, which is absurd. They are not only perfectly believable, but quite well-done at that. The hideous look of the devil witch herself and the surprisingly numerous explosions were especially impressive. On the acting front, Lipscomb plays slimy as if it were second nature to him. Boyd is strong in the role of foil, while Kathleen Crockett steals the show as Leah, a character that could have fallen into camp if not played correctly.

"Eyes of Fire" is right up there with "Black Rainbow" as one of the unsung genre classics of the 80's. It's a one-of-a-kind experience in desperate need of a proper release, one which preferably restores the original "Cry Blue Sky" cut, an ultimate holy grail for me, and allows the film's brilliant photography to shine through to it's fullest extent. The work of a true visionary, gems like this one shouldn't be forgotten.

Some movies haunt me for long after I see them. In the case of Eyes of Fire, this isn't because the movie is all that hot, but because I haven't been able to get the darn thing out of my brain since I saw it.

Plot: It's been a while, but right off the top of my head, Eyes of Fire is set during days of early American life. A "wicked" polygamist dude is kicked out of his village for his ways, so he packs up his stuff, and leaves town, taking his flock of naive followers with him.

He promises to find them a new place to live where they can all start a new society of sorts where they can live their lives the way they want to. But he ignores his Native American tourguide, and chooses to set up shop in a spooky, foreboding area of the woods which is supposedly cursed by evil spirits.

After that, I can't really remember too much about the plot, other than that it dissolves into nothingness, and in its place we get quite a bit nightmarish images of ghosts, slime, and spectral zap rays, all backed with a lot of screaming.

I tend to remain fascinated with movies that seem to exist in their own world of reality, where our rules of logic don't always apply. If the world of movies were a giant city, these films would be brief snapshots of dangerous streets you don't want to drive down. These don't always have to be horror movies; Over the years I can think of several examples of these kind of films; Gummo, Elephant, The Toolbox Murders (the 70's one), and Impulse (the meg tilly one) all come to mind off hand. These movies all have a worldview that depressed me enough that I just cant shake the characters and their environment afterwards.

Eyes of Fire is like that, really. I don't recall one character, actor, or line of dialog. Nor am I really sure I've got the story down right. But the memory of being totally freaked out by it has stuck with me ever since.