Night Shift

A bit before my time as I was 13 when it came out, I picked it up for $2 a few weeks ago and had no expectations other than my mother said it was funny, Micheal Keaton had me thinking it was Cheech who was singing in his opening scene behind the door, I was surprised when he walked in tbh, it reminded me of Marin's "I'm just a love ma-chine" vibe from Cheech and Chong lol. Winkler was his best nerdy self and Keaton playing the kook was perfect, Long was her usual self, likable and cute and wow in underwear! Lol, can't believe she's 70 now watching the old stuff from my youth like Troop Beverly Hills etc,. This is the role that worked her up to her role in Cheers and the Money Pit with Tom Hanks a few yrs later. Fun and insolent 80s fun, along with Trading Places, Easy Money, Back To School, Weird Science and Adventures in Babysitting, Survivors and so many more silly movies that turned up the silly factor and made you forget your troubles for an hour or so.

NIGHT SHIFT (1982) ***1/2 Henry Winkler, Shelley Long, Michael Keaton, Richard Belzer, Clint Howard. Fast paced and funny black comedy about a prostitution ring run from a NYC morgue and odd couple attendants Winkler and Keaton (in an amazing and hysterical film debut) as their pimps. Great dialogue and sharp direction by Ron Howard in this, his first big-budgeted directorial debut*. Look sharply for Kevin Costner as a frat boy in the morgue party scene. Best line: Keaton's Billy Blazejowski: "Is this a great country or what?!" Interesting note: closing song "That's What Friends Are For" sung by Rod Stewart is the same song later sung by Elton John & co. for AIDS benefit proceeds. * I know... Howard directed previously "Grand Theft Auto" for Roger Corman, so lighten up , Francis!

Very funny comedy from Ron Howard. Winkler and Keaton are a great duo and they team up very successfully from what I see. The whole premise is completely absurd, but you never know, it could happen. Nonetheless, engaging performances and great humor serve up a very good film. 9/10

Adam Sandler and Pauly Shore can only DREAM of being as funny as Michael Keaton in "Night Shift." Keaton's hilarious performance only serves to underscore the fact that he's never been near as funny since.

Sure, the movie will never be in the AFI's top 100 list. But when I was 18, a loony pre-college me dreamed of being as funny as Billy Blaizejowski, Keaton's character in the film. I credit the script for great lines, but I doubt anyone could have made an annoying character like Billy loveable - except Keaton.

Henry Winkler does a bang-up job with a straight role that affords audiences little to get excited about. He is completely convincing as an in-over-his-head nebbish with a nervous stomach, and deserves credit for pulling it off without seeming whiny. We identify with Winkler's character even though we can see how cowardly he is.

The plot, of course, is contrived, as is any plot involving hookers with hearts of gold. It's hard to see Shelly Long as a prostitute, but she plays it gamely and has fun with the role.

I recommend this film if you have any craziness to your sense of humor, or just if you're a male between the ages of 17 and 25. That's the target audience, but even in my mid-30's, I still find Keaton's performance refreshing and laugh-out-loud funny.

I was watching this for the second time on the telly when my dad came in after a hard day's work to wish me good night. He started watching, sat down and stayed transfixed to the end, finally declaring it one of the funniest films he had ever seen. I agreed with him. Then I sent him off to bed. I couldn't bear to look at those red spandex trousers for a minute longer.