The Best Little Whorehouse in Texas

Dolly Parton and Burt Reynolds star in this outrageous tale of a house of ill repute in Texas, which is supposedly based on a true story. The story goes that this bedlam has been in existence with no problems (or complaints) for years, I mean YEARS, decades, generations, until Dom DeLuise, a TV host/reporter (with a bad hair day everyday) hears about it and decides that this an immoral wart on the face of Texas and it needs to be closed down to bring some semblance of integrity back to the people of Texas. But people in high places not only have let this go on, but have been patrons in more ways than one. And, Burt is the sheriff who has to deal with all the hoopla Dom creates. What will become of "The Best Little Whorehouse in Texas?" This was the basis of a stage play, and then the idea was turned into this movie musical. Some people, not having seen it and given the subject matter, may be turned off by its supposed perverseness. Others may be turned on by the novelty of it. Most guys wanting to see it as a possible skin flick may be turned off by the musical side of it. But enough supposing. Granted, this may not be the kind of movie you'd admit to watching, but this is a highly entertaining film, if not altogether a very laugh-out-loud funny movie. But in fact its outlandish and unashamed humor is what sustains the movie and keep the viewers' interest, knowing anything can happen and probably will. The back story of why I saw this was the passing of Charles Durning. I heard at that time that he was nominated for his brief appearance in this, so I bought a cheap copy of this to see him. I was way past the halfway point in the movie and thinking that this wasn't that funny, when, lo and behold there's Mr. Durning. He was absolutely hilarious, as a governor who loves to side step the press on the issues. He was so good, that once he's gone, you keep hoping you'll see him again. But alas. But, I'm so glad I own this now. This may be a far-from-perfect film, with flaws and loopholes abound, but if you jump in and let its muck engulf you, you'll really get into the spirit into which it was made, and you will feel really good after seeing this, with very enjoyable songs, skin for both sexes to see and it even has serious meaningful moments too. Surprise! Surprise! Costarring Jim Nabors as the narrator of the story and Burt's deputy, this is one film you'd have to see to believe. And then, you'll wallow in it over and and over again.

How could anyone not love this movie? Being a big fan of musicals myself, I love this movie for the fun, campy performances, larger then life, sassy, characters,smalltown southern charm, the surprisingly sweet romance between Reynolds and Parton(I'm a big fan of both) and the homage to the south in general-YEEHAW!!! This is a perfect movie to watch directly after you've watched a heavy movie and want to "come down". It's bright, fun and filled with wicked gaiety. Anyone who's a fan of musicals should see this, I've seen many a stage show as well, my one big regret is I never saw the play version of this.

I don't see how anyone could fault Burt Reynolds performance in this, in my opinion the casting choices-all of them-were as close to perfect as there is. Although I do not live in Texas, I have visited and hold a deep admiration for Texas and all it has to offer. I love movies about one of my favorite states in the country, as well as musicals, so this was a double plus. And everyone played their roles with such charm, Dolly was so lovable, Reynolds, the tough sheriff yet so decent at heart and Charles Durning as mentioned by nearly EVERYBODY was amazing.

This ranks up there as one of my all time top musicals, it's got so much gaiety and is so infectiously warm, inviting and a celebration of fun! A must see. 8 of 10.

Big, splashy, fun musical about a whorehouse (the Chicken Ranch) in Texas run by Miss Mona (Dolly Parton). She's in love with the sheriff (Burt Reynolds) and the town has no problem with the house. Then a sleazy TV showman (Dom DeLuise) exposes the ranch and all hell breaks lose.

This was a modest hit in 1982. It's easy to see why--it's full of energy and enthusiasm, has great songs and some fantastic all out production numbers. Reynolds is just OK but Parton is an absolute joy--she gives one of her best performances and even sings "I Will Always Love You" (I prefer Whitney's version). Also there is equal amounts of male and female nudity and has a healthy attitude about sex (this was made before AIDS was well-known about). And Charles Durning stops the show with his "sidestepping" number...he was nominated for Best Supporting Actor for this.

Only complaint is the ending. It's way too serious and realistic--I wish they had opted for a fairy tale like ending. Also Lois Nettleton's subplot is seriously underdeveloped--I assume it was shot but cut out for the running time.

See it and enjoy!

The pure part of this film is Dolly's voice, with its warble, its touch of yodel, its complete inability to resists little trills, mordents, all the musical embellishments that are mirrored in her visual presence, her couture. And since the sumptuous breasts are maybe even a bit too much here--with many gown changes in the big numbers--that is all the more striking that it is still the singing that stands out. Jim Nabors, for example, takes some time to seem bearable to me, but finally the whole context works; but the movie seems like it is going to be horrible till Dolly's first phrase in the "Pissant Country Place" song.

Carol Hall's "Rock Candy Christmas" is a good number, but putting Dolly's "I Will Always Love You" was the smartest thing done musically here; in no way is the subsequent Whitney Houston version comparable in either sincerity or just naturalness of lovely sound--she uses little ornaments, too, but changes them as if to be original; all you really notice is that she didn't use the ones Dolly had already made perfect, as if they were as firm and fixed as the melody line itself. It was a considerably smarter thing than using "My Man" in 'Funny Girl', when "The Music that Makes Me Dance" would have made the show keep its original musical integrity; and leaving out the Ziegfeld Follies type numbers "Cornet Man" and "Rat-tat-tat" depleted this film, leaving it only great in moments ('Don't Rain on My Parade' is really the only great one.)

Burt Reynolds is a charmer as the sheriff and his and Dolly's affection for each other is sweet and moving. All of their scenes together work because they fully enjoy them, enjoy each other.

Certain big production numbers--the Aggies football players dancing in the locker room, then when they get to the Chicken Ranch, for example--seem to be low imitations of old Agnes de Mille choreography in 'Oklahoma', full of old-fashioned "cowboy high spirits" (one cannot keep from enjoying how non-cowboy most of the dancers must surely be) that have nothing new in them and merely seem mechanical.

It's a better Dolly Parton movie--though certainly not great--as a whole than 'Nine to Five', but nothing has ever quite surpassed the poetic genius of that picture's title song, in which Dolly has captured so basic a part of most people's daily life that you can hardly believe that the song is actually there to question its very validity, which it does with no qualms at all.

"Workin' nine to five, what a way to make a livin'... and later: "You would think that I would deserve a fat promotion... They just use your mind, and they never give you credit, It's enough to drive you crazy if you let it."

The real artist that she is peers through all the fluff from time to time, perhaps getting it through the fluff is the way it is proved.

Finally watched "The Best Little Whorehouse in Texas" and I must say fun musical with a story that's funny and the acting was true to heart with a theme that's real. And that is who really cares that the world's oldest profession exist hey legalize it! Based on a play set in Texas a house of prostitution known as the Chicken Ranch is on the verge of being shut down by a gossip type TV traveling hype salesman named Melvin Thorpe(Dom DeLuise)as it's his first goal to expose it's scandal. Yet the house's leading lady Miss Mona(Dolly Parton)joins forces with the local sheriff Earl Dodd(Burt Reynolds)to stop it's closing yet along the way the two join in a romance hopefully this all works out to save the girls and their jobs as they need to shine in their sexy colored bras and attractive underwear! Overall it's a fun journey with some great tunes the Parton and Reynolds chemistry is unmatched and the wonderful Jim Nabors is a treat as the narrator and future sheriff. Overall good little fun comedy!