Hamlet suspects his uncle has murdered his father to claim the throne of Denmark and the hand of Hamlet's mother, but the Prince cannot decide whether or not he should take vengeance.Hamlet suspects his uncle has murdered his father to claim the throne of Denmark and the hand of Hamlet's mother, but the Prince cannot decide whether or not he should take vengeance.Hamlet suspects his uncle has murdered his father to claim the throne of Denmark and the hand of Hamlet's mother, but the Prince cannot decide whether or not he should take vengeance.
Peter Richard
- Player in the mime, Queen
- (as Peter Richards)
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I saw this version of Hamlet on television many years ago, and have seen every other version since, whether television or movie. However, this is the one that remains the truest depiction of the story for me. Most excellent Derek Jacobi made Hamlet *real* for me. Before I saw this version, Shakespeare was simply gibberish to me and I never tried to understand the Elizabethan English. Having seen Jacobi's Hamlet several times not only increased my knowledge of literature, but also that of my family. I promptly checked the play out of Library and read it, and poured over the accompanying recording. Jacobi's rendition attracted me to a deeper knowledge. And yet, I have been searing for a video of it for years and years to no avail. It gets a very high rating from viewers. Why, then, has it not been released on video? It's the only Hamlet that I'd invest in...
Let's face it, there is no perfect production of Hamlet, it's simply far too long and varied and cerebral to get completely perfect across the board, especially what with the challenges of Elizabethan English and Shakespeare's abstruse dialogue. In any staging of it, there are bound to be certain moments, scenes, or intonations that one disagrees with. I've seen a lot of filmed Hamlet productions: Olivier, Gibson, Branagh, Scott, and now this BBC film with Jacobi. In terms of faithful, full-length productions, this one ranks up there with the very best.
Most Hamlet productions are drastically cut, because to perform the entire play takes a stage-time of four to five hours. This production appears to be complete -- that is, ALL of the original Shakespeare dialogue is intact -- and so it's essential for scholars and Shakespeare-lovers. And though the lines seemed rushed on rare occasion (for those less completely familiar with the text), for the most part the script is well-acted, well-spoken, and well-performed. Subtitles are available and very helpful, although upon occasion they lag slightly behind.
Jacobi does a quite admirable job with theatre's longest and most impossible role. I actually cried when Hamlet dies, and I don't think I've done that before. Patrick Stewart (as Claudius) and Claire Bloom (as Gertrude) are excellent, as are Lalla Ward (Ophelia) and David Robb (Laertes), and the rest of the very on-point cast. Sets are minimal, so we can thankfully concentrate on the play without distraction or attention paid to non-essentials.
At 3 hours and 45 minutes, this full-length Hamlet is a long haul to sit through, but again, if you want the real deal, it's 100% worth it, even if one needs to take an intermission for oneself. I highly recommend this production to all Shakespeare lovers and scholars.
Most Hamlet productions are drastically cut, because to perform the entire play takes a stage-time of four to five hours. This production appears to be complete -- that is, ALL of the original Shakespeare dialogue is intact -- and so it's essential for scholars and Shakespeare-lovers. And though the lines seemed rushed on rare occasion (for those less completely familiar with the text), for the most part the script is well-acted, well-spoken, and well-performed. Subtitles are available and very helpful, although upon occasion they lag slightly behind.
Jacobi does a quite admirable job with theatre's longest and most impossible role. I actually cried when Hamlet dies, and I don't think I've done that before. Patrick Stewart (as Claudius) and Claire Bloom (as Gertrude) are excellent, as are Lalla Ward (Ophelia) and David Robb (Laertes), and the rest of the very on-point cast. Sets are minimal, so we can thankfully concentrate on the play without distraction or attention paid to non-essentials.
At 3 hours and 45 minutes, this full-length Hamlet is a long haul to sit through, but again, if you want the real deal, it's 100% worth it, even if one needs to take an intermission for oneself. I highly recommend this production to all Shakespeare lovers and scholars.
This production of Hamlet, Prince of Denmark is by far the best that I have seen. Although it may not have the production value of some of the more recent adaptations, it does have the most important element: Sir Derek Jacobi as Hamlet.
Jacobi's portrayal of the disturbed Prince is multi-layered and riveting. His displays of emotion swing from hatred to sorrow, love to vengefulness and everywhere else on the map, but without seeming forced or over-the-top. In fact, some of the more powerful sequences occur when he underplays them, with stillness, soft speech and thoughtful expression. As to whether or not he interprets Hamlet as mad or sane...well, you should decide for yourselves; I changed my mind more than once. At one point it seems he has thought himself sane and merely playing at madness, but suspects that he is actually mad after all...a revelation to himself, captured beautifully. Having performed the part of Hamlet on stage more times than any other actor in history, Jacobi's affinity for the role then comes as little surprise.
As for the production itself, it is presented as a kind of "filmed-copy" of the stage play, with little special effects or fancy camera work, minimal sets and no musical accompaniment to speak of. This production relies on the acting prowess of the cast, and the words of Shakespeare, to evoke the emotion and interest of its audience. And it works. The other players are top-notch as well, particularly Patrick Stewart's "Claudius" and Claire Bloom's "Gertrude." Together the cast present a seamless ensemble.
The last (but far from least) element that makes this production stand out is the play itself. Here it is presented in its entirety, a rarity on film. But, oddly enough, I never noticed the time. I was too busy getting caught up in the story. I suspect that you will, too.
Jacobi's portrayal of the disturbed Prince is multi-layered and riveting. His displays of emotion swing from hatred to sorrow, love to vengefulness and everywhere else on the map, but without seeming forced or over-the-top. In fact, some of the more powerful sequences occur when he underplays them, with stillness, soft speech and thoughtful expression. As to whether or not he interprets Hamlet as mad or sane...well, you should decide for yourselves; I changed my mind more than once. At one point it seems he has thought himself sane and merely playing at madness, but suspects that he is actually mad after all...a revelation to himself, captured beautifully. Having performed the part of Hamlet on stage more times than any other actor in history, Jacobi's affinity for the role then comes as little surprise.
As for the production itself, it is presented as a kind of "filmed-copy" of the stage play, with little special effects or fancy camera work, minimal sets and no musical accompaniment to speak of. This production relies on the acting prowess of the cast, and the words of Shakespeare, to evoke the emotion and interest of its audience. And it works. The other players are top-notch as well, particularly Patrick Stewart's "Claudius" and Claire Bloom's "Gertrude." Together the cast present a seamless ensemble.
The last (but far from least) element that makes this production stand out is the play itself. Here it is presented in its entirety, a rarity on film. But, oddly enough, I never noticed the time. I was too busy getting caught up in the story. I suspect that you will, too.
Derek Jacobi's idea of Hamlet is a dreamer, a plotter, a voyeur in the corrupt court of Denmark, and it is an interesting variation on other versions. The downside is the traditional costume so he's in tights, not the best idea, but these things can be ignored. Gertrude is the great Claire Bloom, who is excellent in this, while Patrick Stewart is a nasty-minded letch as Claudius. Lalla Ward from Dr Who is an ok Ophelia but not wonderful.
Aside from Jacobi there are two other great acting performances in this - Eric Porter is a busy Polonius, and Patrick Allen is a suitably sinister Ghost. The BBC staging is sparse, which suits this play very well and brings scenes such as Claudius praying, and Hamlet's scene with his mother, more intimate and effective.
Aside from Jacobi there are two other great acting performances in this - Eric Porter is a busy Polonius, and Patrick Allen is a suitably sinister Ghost. The BBC staging is sparse, which suits this play very well and brings scenes such as Claudius praying, and Hamlet's scene with his mother, more intimate and effective.
Havn't seen Branagh or Mel Gibson, & Olivier is a distant b&w teenage memory, but this is GOOD. The cast is awesome & lives upto its billing. Patrick Stewart is a great 'villain' (I havn't seen Conspiracy Theory, so I don't know how good a villain he is in movies), Claire Bloom is a sexy queen (she was one short of 50 when this was made, but very oomph). The sexual tension between she & Hamlet crackles. Stretches in between drag things down a bit (even Shakespeare was indecisive when he wrote it?) but the last hour is electrifying. As for Derek Jacobi, what do I say? Worth keeping the telly running for 4 hours.
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Did you know
- TriviaSir Patrick Stewart played Sir Derek Jacobi's stepfather despite being two years younger.
- GoofsWhen the grave diggers have dug the grave, they lay planks upon the hole and upon those planks spread straps. Upon these planks and straps Ophelia's body is laid. However, when the burial proceeds and her body is put into the grave, the planks have strangely disappeared and Ophelia's dead body is lowered into the earth.
- Alternate versionsThe version shown on PBS omitted the scene in which Hamlet "baits" Polonius ("Do you know me, my lord?" "Excellent well. You are a fishmonger", etc.). It cut straight from Polonius and Claudius considering how to prove that Hamlet is mad to Rosencrantz and Guildenstern's greeting Hamlet at the castle.
- ConnectionsFeatured in Shakespeare's Women & Claire Bloom (1999)
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- The Complete Dramatic Works of William Shakespeare: Hamlet, Prince of Denmark
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What is the broadcast (satellite or terrestrial TV) release date of Hamlet, Prince of Denmark (1980) in Australia?
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