IMDb RATING
5.1/10
8.9K
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The U.S. must join forces with the U.S.S.R. in order to destroy a gigantic asteroid heading straight for Earth.The U.S. must join forces with the U.S.S.R. in order to destroy a gigantic asteroid heading straight for Earth.The U.S. must join forces with the U.S.S.R. in order to destroy a gigantic asteroid heading straight for Earth.
- Nominated for 1 Oscar
- 1 nomination total
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This film essentially begins with a scientist by the name of "Dr. Paul Bradley" (Sean Connery) being notified that there is an emergency of a top-secret nature which requires his presence in Washington D.C. for further clarification. When he gets there he is told that a comet has hit one of the largest meteors in the Asteroid Belt and has sent it hurling toward earth at 30,000 miles per hour. Recognizing the serious implications this would have for the entire world he immediately agrees to lend his expertise and is subsequently teamed with his counterpart in the Soviet Union "Dr. Dubov" (Brian Keith) in an effort to save mankind from possible extinction. Now rather than reveal any more I will just say that I remember watching this film when it first came out and my opinion of it has somewhat lessened in my opinion upon recent viewing. Obviously, the special effects weren't nearly as good but considering this film was made over 40 years ago that shouldn't be held against it. I can't say the same, however, for the acting, as it wasn't nearly as good as it should have been considering the talent on hand. Natalie Wood (as the Russian interpreter "Tatianna Donskaya") was especially miscast. Likewise, the ending could have used some serious improvement as well. Be that as it may, this wasn't necessarily a bad film, all things considered, and for that reason I have rated it accordingly. Average.
Meteor and When Time Ran Out marked the end of the decade of the disaster epic. I guess that Hollywood was just running out of ideas and that the formula of getting a bunch of big name players and put them in harm's way was wearing thin.
You can see that just about everybody here is bored, they all say the lines without any real conviction. Except for Martin Landau. As an Air Force General and Cold Warrior of the first order, he's extremely upset that the USA and the USSR have buried their differences to work on a real immediate problem. He resents Russians Brian Keith and Natalie Wood in the war room and Landau overacts outrageously.
A comet hurtling through the asteroid belt hit one of the big asteroids and sent one big chunk of rock and a whole bunch smaller ones as space calling cards speeding to Earth. That big guy if it hits spells the end of life on the planet.
Some criticism has been made that the special effects were a bit cheesy. By today's standards of course they were. So are some of those of the great Cecil B. DeMille. That's progress for you.
I'm not sure but this may have been the first time that Natalie Wood played someone of her own ancestry on film. Too bad she and Sean Connery as the NASA scientist didn't get to do something better before she passed away.
All the stars got a good pay day out of this though Sean Connery said there were some real scary moments with the cast trying to escape through the subway system with all the mud. A few times some people came close to really being buried in it for art's sake.
And this isn't a film to give your life for.
You can see that just about everybody here is bored, they all say the lines without any real conviction. Except for Martin Landau. As an Air Force General and Cold Warrior of the first order, he's extremely upset that the USA and the USSR have buried their differences to work on a real immediate problem. He resents Russians Brian Keith and Natalie Wood in the war room and Landau overacts outrageously.
A comet hurtling through the asteroid belt hit one of the big asteroids and sent one big chunk of rock and a whole bunch smaller ones as space calling cards speeding to Earth. That big guy if it hits spells the end of life on the planet.
Some criticism has been made that the special effects were a bit cheesy. By today's standards of course they were. So are some of those of the great Cecil B. DeMille. That's progress for you.
I'm not sure but this may have been the first time that Natalie Wood played someone of her own ancestry on film. Too bad she and Sean Connery as the NASA scientist didn't get to do something better before she passed away.
All the stars got a good pay day out of this though Sean Connery said there were some real scary moments with the cast trying to escape through the subway system with all the mud. A few times some people came close to really being buried in it for art's sake.
And this isn't a film to give your life for.
Ill-fated disaster film about a five mile long meteor heading straight for Earth. Sean Connery heads an all-star cast trying to prevent the meteor with "hidden" space weapons owned by the Americans and the Russians. Lots of Cold War drama here in the film's backdrop, and while I do confess this film isn't particularly good - it isn't nearly as bad as many would have you believe. In point of fact, I found it entertaining. Ronald Neame directs with rather pedestrian flair, but the film is what it aims to be. A big budget, star laden disaster film with moments of suspense and a decent story with little depth. Connery isn't great but many of the cast do able jobs. I really liked Karl Malden's performance and Brian Keith's as a Russian scientist no less. The acting keeps this one from plummeting too far down, and the scenes with destruction are well-shot. The scene of the twin towers being destroyed even made me wince. What is wrong with the movie? Where in the world did the filmmakers get that awful soundtrack every time the meteor was shown? How about those crazy letters used for the opening credits and every day that passed by until the meteor was to hit? Much of these things give this film a very cheesy quality, but the acting and solid if nothing else direction make this better than one might hope. Perhaps. I got involved, enjoyed some of the characters, and let logic ease into a soft slumber. This is an old-fashioned popcorn movie from a bygone era. It will have little meaning to anyone who didn't grow up in the Cold War era as that plays very heavily in the story line. Richard Dysart, Martin Landeau(incredibly overacting), Sybil Danning, Trevor Howard, Natalie Wood, and even a brief visit from Henry Fonda as the president help make this such entertainment.
With the hoopla surrounding the 1998 releases of 'Armageddon' and 'Deep Impact', many have forgotten that Hollywood had done a previous big screen version of the 'Asteroid on Collision Course with Earth' premise, the 1979 Samuel Z. Arkoff production of 'Meteor'. Panned when first released, the film is dated (Cold War tensions with the Soviet Union are a major plot device), and has some unintentionally campy moments, but is still GREAT fun, with a fabulous cast!
Sean Connery stars, as an American scientist who had left NASA when his designs for a 'asteroid-killer' space missile platform were turned into a weapon aimed at the Soviet Union. After a comet passing through the Asteroid Belt collides with a a city-sized chunk, releasing a five-mile large rock, and launching it towards Earth, he is drafted into leading the American team assigned to turn the platform around, and fire our missiles at the deadly visitor.
Unfortunately, the combined nuclear capacity of the U.S. space arsenal isn't great enough to deflect it from it's path, so an uneasy alliance with the Russians, who ALSO have illegal strategic missiles in space, is achieved. It then becomes a race against time, as pieces of the asteroid obliterate various parts of earth, to coordinate the two missile systems, and launch a strike at the huge rock.
The cast is first-rate; Natalie Wood (in one of her final roles) plays a Russian scientist/interpreter, who is romantically drawn towards Connery; Brian Keith nearly steals the picture as the gregarious Russian team leader; Karl Malden is warm and winning as Connery's best friend, and NASA liason; Martin Landau does a campy bit as a paranoid military liason; and Henry Fonda, looking haggard, appears in a small role as the President. Watch for Sybil Danning (before B-movie stardom), in a cameo, as a doomed Swiss skier!
The FX range from excellent (some of the space scenes), to hokey (the tidal wave in Hong Kong); among the film's pluses is a stirring, beautiful (if at times, overpowering) score by Laurence Rosenthal ('Fantasy Island').
Is 'Meteor' a classic? Certainly not! But it is no worse than the later asteroid films, and Sean Connery is ALWAYS a joy to watch! Take a chance on 'Meteor'...I like it, and I think you will, too!
Sean Connery stars, as an American scientist who had left NASA when his designs for a 'asteroid-killer' space missile platform were turned into a weapon aimed at the Soviet Union. After a comet passing through the Asteroid Belt collides with a a city-sized chunk, releasing a five-mile large rock, and launching it towards Earth, he is drafted into leading the American team assigned to turn the platform around, and fire our missiles at the deadly visitor.
Unfortunately, the combined nuclear capacity of the U.S. space arsenal isn't great enough to deflect it from it's path, so an uneasy alliance with the Russians, who ALSO have illegal strategic missiles in space, is achieved. It then becomes a race against time, as pieces of the asteroid obliterate various parts of earth, to coordinate the two missile systems, and launch a strike at the huge rock.
The cast is first-rate; Natalie Wood (in one of her final roles) plays a Russian scientist/interpreter, who is romantically drawn towards Connery; Brian Keith nearly steals the picture as the gregarious Russian team leader; Karl Malden is warm and winning as Connery's best friend, and NASA liason; Martin Landau does a campy bit as a paranoid military liason; and Henry Fonda, looking haggard, appears in a small role as the President. Watch for Sybil Danning (before B-movie stardom), in a cameo, as a doomed Swiss skier!
The FX range from excellent (some of the space scenes), to hokey (the tidal wave in Hong Kong); among the film's pluses is a stirring, beautiful (if at times, overpowering) score by Laurence Rosenthal ('Fantasy Island').
Is 'Meteor' a classic? Certainly not! But it is no worse than the later asteroid films, and Sean Connery is ALWAYS a joy to watch! Take a chance on 'Meteor'...I like it, and I think you will, too!
As a person who loves disaster movies (in spite of it being a basically flawed genre), I could not hate this movie as much as most people seem to. It is a big budget disaster about a disaster and much about its construction is highly flawed, and yes the acting is mostly weak, and yes the effects are often obvious, and yes that was stock footage, but, BUT, this movie does deliver in one vital department: it blows sh*t up!
I'm sure by now most people are familiar with this as a folly for Sean Connery, and Henry Fonda, and the rest of the all star cast. It pretty much is, but that doesn't mean it isn't somewhat enjoyable. Some of the disaster and action sequences are quite good. And the special effects are really not so terrible for 1979 (not that special effects today are at all convincing by comparison). The score is really something hilarious to behold and the space photography is pretty overwrought (as if the movie were saying "holy crap, dude, look at this awesome spaceship!"). It is kind of neat to see Brian Kieth as a Russian. It's also a bit refreshing to see a movie pose a more plausible solution to meteors that landing a space shuttle full of oil drillers on one. It's also funny that a movie that precedes Reagan's Star Wars Project proposes a far better use for it. Another interesting prophetic note: the first thing destroyed in the USA in this film is the world trade center.
And if you still think this is the worst disaster movie ever, go and watch "Beyond The Posiedon Adventure" or "Raise The Titanic". Hell, even "Earthquake" was pretty damn bad in spite of it's "revolutionary" contribution to cinema. And besides, what other disaster movie has its heroes threatened by sewage? Now, I think that I could have made a better film out of this story, but that doesn't mean we can't watch this version and laugh. And besides, sh*t blows up!
I'm sure by now most people are familiar with this as a folly for Sean Connery, and Henry Fonda, and the rest of the all star cast. It pretty much is, but that doesn't mean it isn't somewhat enjoyable. Some of the disaster and action sequences are quite good. And the special effects are really not so terrible for 1979 (not that special effects today are at all convincing by comparison). The score is really something hilarious to behold and the space photography is pretty overwrought (as if the movie were saying "holy crap, dude, look at this awesome spaceship!"). It is kind of neat to see Brian Kieth as a Russian. It's also a bit refreshing to see a movie pose a more plausible solution to meteors that landing a space shuttle full of oil drillers on one. It's also funny that a movie that precedes Reagan's Star Wars Project proposes a far better use for it. Another interesting prophetic note: the first thing destroyed in the USA in this film is the world trade center.
And if you still think this is the worst disaster movie ever, go and watch "Beyond The Posiedon Adventure" or "Raise The Titanic". Hell, even "Earthquake" was pretty damn bad in spite of it's "revolutionary" contribution to cinema. And besides, what other disaster movie has its heroes threatened by sewage? Now, I think that I could have made a better film out of this story, but that doesn't mean we can't watch this version and laugh. And besides, sh*t blows up!
Storyline
Did you know
- TriviaPrincipal photography was shut down for two days when Sir Sean Connery contracted a respiratory condition during the filming of the mud sequence. The mud also knocked Connery off his feet, buried Karl Malden twice, while Natalie Wood was almost sucked into one of the pumps. During the mud filming, the actors and actresses would stuff their ears with cotton-wool, and had to have their eyes washed out, at the completion of each take.
- GoofsComet tails do not automatically trail behind them; they are always pointed away from the Sun.
- Quotes
Paul Bradley: Why don't you stick a broom up my ass? I can sweep the carpet on the way out.
- Crazy creditsInfo panel and Voice Over about a real defence project Icarus, similar to the one in the film.
- Alternate versionsIn early television broadcasts, the "Fuck the Dodgers!" line was overdubbed by coughing or the entire toast was simply cut.
- ConnectionsEdited from Avalanche (1978)
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Meteoro
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $16,000,000 (estimated)
- Gross US & Canada
- $8,400,000
- Opening weekend US & Canada
- $2,250,000
- Oct 21, 1979
- Gross worldwide
- $8,400,000
- Runtime1 hour 48 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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