User reviews

After a decade of turbulent unrest, American movies began to switch gears and turn their cameras away from war-torn battlefields, political corruption, and general social unease to the more intimate world of family dysfunction. The toll the selfish Baby Boomers began to take on the American family as they grew up and had kids of their own was making itself felt.

"Kramer vs. Kramer" is one of the first of these dysfunctional family dramas that would continue to be so popular throughout the 1980s, and it's one of the best. It gets a rather bum rap now, because it's known as the film that beat "Apocalypse Now" for the 1979 Best Picture Academy Award, but comparing these two films is like comparing a banana to a marinated chicken breast: they're not remotely the same, but can't we enjoy them both? Director/writer Robert Benton doesn't try to do anything fancy with his movie; its strength lies in its performances, those of Dustin Hoffman and Meryl Streep particularly, playing a divorced couple fighting childishly and selfishly over their son. The courtroom scene in which they duke it out for custody, and in which each is forced to hurt the other in terrible ways, is devastating, and feels authentic. The movie doesn't present Hoffman's solid dad as a hero, or Streep's straying mom as a villain. They're neither good or bad as people -- they're simply bad at being married.

The film is tear-jerky at the finale, but not in a manipulative way. It earns its right to elicit sobs.

Grade: A

This was one movie that I always wanted to watch but never got around to it. I have just finished it, and the main thing that caught my attention was how neutral and unjudgmental this movie was, because it would have been very easy, and I would say easier, for the director to give us a more biased view of the happenings on the screen. However, I strongly am sided with one of the parents, but the inner dialogues I had with myself during the movie were very interesting to observe.

Overall, nice story, beautifully scripted and superbly acted. A must watch.

I consider myself lucky that I got to view a wonderful movie with two marvelous actors. "Kramer vs. Kramer" was great to me because I think I could relate to it.

Unfortunately, my parents are divorced. Even though I was older than Billy in this movie, I felt his pain and confusion. Having two parents who you thought were happy and end up hating each other is the worst. Through this movie, actually, I think it made me realize that my parents are people too, and they had as just much pain as my sister and I had.

Back to the movie, this was a good one. Yes, it's dated and Meryl and Dustin are very young. But I would recommend this for a lot of people, because I think most can relate in some way. There are funny, sad, happy, and relieving moments that are carried away terrificly by these great actors. It's a good movie and deserves more credit than a 7.5.

9/10

A beautifully done film rich with symbolisms that could be invisible to the unaware eyes. The elevator scene for example symbolizes two main themes of the movie, separation and emotion. One could notice that the first scene showed Joanna going down the elevator, symbolizing her feeling of depression, likewise Ted goes down the elevator after the last trial scene - knowing that he probably lost the case. On the other hand, Ted brings Billy to see his new office and it was another elevator trip but this time going up, showing the joy and excitement both have. Lastly, one could notice that both Ted and Joanna never are together in one elevator - with this we can foresee that they will never get together even in the end. The symbolism of separation with the use of the elevator shows this even though we never find out in the end.

"Kramer vs. Kramer" is a terrific drama about an unhappy woman who walks out on her husband and young son. The husband now has to take up the responsibilities of taking care of the boy. As he does, they get to know each other better. But then, the mother and wife returns, and she wants custody of the boy. "Kramer vs. Kramer" has lots of drama with some wonderful bits of comedy thrown in for good measure. Dustin Hoffman won his first Best Actor Oscar for his brilliant performance here. Most people say his performance in "Rainman", which won him his second Oscar, is his best. He was great in that film, but I disagree that its his best. In my opinion, the best performance of Hoffman's career is in this movie. Scene after scene shows us why Hoffman is one of the best American actors working today. He's also funny at times. Also giving a terrific performance is Meryl Streep, who wasn't as well known when she made this film like she is today. Streep, like Hoffman, also won her first Oscar (for Best Supporting Actress) for her work in "Kramer vs. Kramer" as the wife and mother who tries to find herself after walking out on her family. Justin Henry, who was only 8 years old when the film came out, is wonderful as Hoffman and Streep's son. He won an Oscar nomination for his role here, and still to this day he is the youngest performer to receive an Oscar nomination in a competitive category (Best Supporting Actor). Jane Alexander is also fine as a conserned family friend. She too got an Oscar nomination (for Supporting Actress where she lost to co-star Streep). "Kramer vs. Kramer" is a great film from start to finish. Writer-director Robert Benton has made a film that's absolutely unforgettable.

**** (out of four)

This outstanding film has about the best acting that you'll ever see, and that alone makes this a must-see. The entire cast is excellent, but then again, it had to be in order to keep up with Dustin Hoffman and Meryl Streep. It didn't take me long to get hooked on this film, and aside from a courtroom scene that is merely good, this is top-notch entertainment. This is a rare film that actually deserved all the Oscar recognition that it received. See it for yourself and you will definitely not be disappointed.

Robert Benton's Kramer vs. Kramer is a character based story just like his "Human Stain(2003)" and "The Late Show(1977)". 2 of his 3 Oscar awards are belong to Kramer vs. Kramer, for his success on directing and writing; thus making his film bringing a real life drama with the real life characters so close to us. It's all about ordinary people with our problems. What's different and catchy about Robert Benton's film-making was here we are not trying to put ourselves in the actors' shoes, the actors are trying to put themselves in our shoes.

The story is about the Kramer family which is broken, father and mother are separated, and they have to fight for their son's custody in court against each other. After his wife walks out on him, Ted Kramer's life completely turns upside down. He has to take care of his son, Billy; but at the same time he's very busy with his position in an advertising company. Soon, he loses his job; Billy has an accident; his wife wants Billy to live with her. Against all the problems Ted is facing, he always fought with his heart. Ted's a very emotional and sensitive man, but a strong person at the same time.

Ted Kramer character was a new model for Dustin Hoffman. But since the late 1950s' Elia Kazan's pioneer approach of modern drama making on film, with the basic instalment of the leading actor into a conflict, Ted Kramer's strong character raised Dustin Hoffman's acting to become a legend ; just like it did to Marlon Brando, Sylvester Stallone, Al Pacino and Jack Nicholson with 1970s'.

Something more about the movie; the linear cut has been 43 minutes longer than the theatrical release. Most of this cut has included Meryl Streep's deleted scenes. Also Meryl Streep has been originally cast in the role of Ted's one night stand, eventually played by second supporting actress Jobeth Williams. Meryl Streep's role as Joanna Kramer has been primarily offered to Kate Jackson; but due to her contract rules with the TV-series Charlie's Angels, she hasn't been able to accept this role. Joanna Kramer character has been designed to be the leading actress and subject to have more scenes, before director Benton making the last decision of the plot's focus point.

Both Meryl Streep and Dustin Hoffman today have splendid fame on movie career, and Kramer vs. Kramer was an important milestone for both of their careers. Dustin Hoffman's Oscar speech winning the best actor at the 1979 Academy Awards ceremony is one of the best Oscar speeches of all Academy Awards history; like the movie Hoffman's Oscar speech is also available to watch on Youtube.

Certainly when I saw this movie at HBO, I was bit erratic in following the plot, but it catches my attention when seeing Dustin Hoffman in it. Honestly I'm not enthralled watching old movies, but then in the long run it changes my point of view. Seeing this stirring film made me experience once again couching at my seat not noticing my tears suddenly roll down my cheek, and then after, let loose a heavy sigh in realizing the impact of what I've just witness. Kramer vs Kramer was indeed one of the best classical drama movies I've witnessed for a long time that even I, myself couldn't imagine how it touched me. The story was strongly emotional, but is not saturated with such. The characters weren't unrealistic for their roles; they possess qualities that make viewers like them whatever position they have in the film, like the role of Meryl Streep, she was a mother who honestly concede her mistakes at the past but then she's confident to stand up her emotional motives to get what she desires in a fair and square battle. Dustin Hoffman was way too outstanding, I can't even fathom how this guy could play seriously difficult roles and suddenly jump into another role which is completely different, then performed it well. Even though I have already seen the movies a lot of times, when I seat back and lounge at my home scanning worth movies to peer and buy a time for it, catching a glimpse for Kramer vs Kramer will make my experience another worthwhile moment.

This was my first movie date with a lovely lady who became my wife. I really wasn't that impressed with KVK in 1980, last night we again viewed it on Prime. Once again, same reaction. A pair of great actors, Hoffman and Streep (who cries a lot, as always) and good supporting performances by Jane Alexander and Howard Duff. It's hard to feel any sympathy for Streep's character-I believe an alternative to walking on her spouse and son would to have given an ultimatum to Mr. K-either let me go back to work or I'm gone. In fact the two of them could have saved a bundle on attorney fees by either going to counseling or mutually agreeing to a shared custodial arrangement. But then we wouldn't have much of a movie, would we? In any case, the ending leaves you wondering why the two of them, especially Mrs K, couldn't come to this solution earlier. No way in the world this should have cleaned up at The Oscars. Then again there have been a number of pedestrian films that have been honored.

What strikes is the impeccable acting of Dustin Hoffman in the role of the father and the incredibly natural young Justin Henry (Billy), largely contributing to the quality of this feature. A lot of people rave about Meryl Streep's performance when she isn't very present and has only a good scene at the courthouse... and that's it.

As for the scenario, the story is quite banal — maybe less at the time — but very accurate: the situations, the dialogues ring true which is already remarkable. But the movie suffers from a badly structured plot: the story is set too quickly with no proper pre-split introduction which among others biases the viewer's judgement on Joana; then, the first part seems a bit too long and sometimes not enough dynamic whereas the legal outcome is expeditious. There is also a certain coldness towards the characters, to whom you hardly get attached to despite some very touching scenes.

One can also regret the cinematography a bit too academic, with no big flaw but no particular cachet, which emphasizes a bit more the convenient aspect of the movie, still good but from which no real power emerges.

This is probably the best cinematic depiction of life in a Manhattan ad agency: the pressure to perform; client and agency demands; the parties; the creativity; the money; the cool surface with powerful corporate undercurrents.

Toss in parenthood for Dustin Hoffman.

The movie is textured and deep. It follows his internal relationship as he tries to understand and live with what's going on; his relationship with Meryl Streep (and her friend, who becomes his friend), and his the relationship with his son.

While Meryl Streep was great, did she set the record for least screen time to win an Oscar? She sure can deliver when she is on, though.

"Kramer Vs. Kramer" is a movie-of-the-week made moving by grade A+ actors. This is not to discount the film... it isn't terrible, but without the great performances by both Dustin Hoffman and Meryl Streep- who flesh out their rather-thin characters into nearly realistic people- it is much ado about nothing.

I was disappointed watching the film because there was nothing memorable about it... it was a slight experience marked by a lack of substance. Even on the second viewing many years later I had forgotten the film as quickly as the end credits had rolled.

What WAS important about this movie was that it represented the first-time Hollywood really acknowledged the downfall of the American family, an endangered species being increasingly torn apart by divorce in which the children emerged as victims and pawns. I'm sure it was more sensational at the time of it's release... but today a woman leaving her husband and forcing him to raise their son alone is not going to win Best Picture... a film today with a plot that tame might never get made.

I suspect in fact that "Kramer's" Oscar sweep was due more to the film's amazingly talented actors- both at the top of their game- than the actual film itself. Streep is very good in a role that is *entirely* unsympathetic... we're given no reason for her departure and no rationale for abandoning her child. A lesser actress in this role would have had the audience hissing, but Meryl Streep gives us at least some insight as to Mrs. Kramer's motivations. Dustin Hoffman is great, believable as a father and human enough to engage anyone. The film sidesteps many key issues very cleverly, such as never showing us Mr. & Mrs. Kramer happy together, a necessity since Hoffman and Streep are not only unlikely as man and wife, they also share zero chemistry, unless of course they're out-acting one another from opposite sides of the courtroom.

A film that stands the test of time will linger on your mind, bear repeated viewings, and be just as vital today as the day it was made... "Kramer Vs. Kramer" is long past its expiration date. The performances are still watchable, but not essential in either actor's canon; Hoffman and Streep have both been in many timeless films... "Kramer Vs. Kramer" is not one of them.

"Kramer vs. Kramer" is probably the weakest winner of the Best Picture Oscar in the 1970s, but that does not mean that this it is not an excellent film that more than delivers. The film deals with a career man (Oscar-winner Dustin Hoffman) who must rear his young son (Justin Henry, the youngest Oscar-nominee ever) after his wife (Oscar-winner Meryl Streep) leaves them with no real explanation. What follows is a heart-touching story about the man who finally learns what it means to be a father and a boy who learns who his father really is. Of course the film becomes heart-rending later as Streep returns after a long absence and wants to take Hoffman to court for custody of their son. "Kramer vs. Kramer" then becomes an intense courtroom drama that has few equals. Robert Benton's Oscar-winning direction and screenplay could have fallen flat several times, but he stays focused throughout and his plan works to near perfection. Of course the aforementioned performances and the performance of Oscar-nominee Jane Alexander are the primary calling cards of the film. Hoffman and Streep are at the top of their careers here and their acts are electric and thunderous from start to finish. All in all, "Kramer vs. Kramer" could have been unintentionally funny or even down-right dull, but the film is so well-made and acted that it succeeds with stunning results. 5 stars out of 5.

Inexplicably, I watched this movie for the very first time just a couple of days ago, and understood from the very beginning what all the fuss is about. This movie held my attention from beginning to end, and ran me through the whole range of emotions (and might have helped me discover a few I never knew about.)

Dustin Hoffman absolutely shines as Ted Kramer. He is absolutely convincing as a man having to juggle at least three different challenges in life: jilted husband, workaholic ad executive and loving father. Meryl Streep as Joanna Kramer was less central to the movie simply because Joanna was absent for a good part of it, but when she was on screen she gave Hoffman a run for his money. The true standout, though, (in my opinion) had to be young Justin Henry as Billy Kramer. Children are always the innocent victim in a marital breakdown, and Justin seemed absolutely natural and completely believable in this role as he deals with the conflicting emotions around his mother and his adjustment to life with Dad, only then to have the confusion around why he should have to leave his Dad when it was his Mom who walked out on him. Young Justin didn't seem to miss a beat in this very difficult role.

All in all, this is an excellent, Oscar-worthy movie whose only weak point was what I thought to be a truly disappointing decision to go for the sappy and happy ending, which was totally unrealistic considering the destructive custody battle Ted and Joanna had gone through. But there's not much else to complain about here.

9/10

Kramer vs. Kramer is one film to hold on too and not forget. It isn't one of the most popular films ever made and is certainly one of the weakest best picture films, but it does not mean it still isn't important. I thought the movie was well done and made you just want to watch more and more of it. The performances were the best positive for the film and Dustin Hoffman played one of his best roles he's ever done as the lonely workaholic who has to take care of his son, as his wife separates from him. Billy, who is Hoffman's son, played another great performance along with Meryl Streep, playing the depressed mother of Billy. Kramer vs. Kramer is not one of the greatest films and is not a perfect 10, but it succeeds in making the film worth watching and worth caring about it. Certainly, one of Hoffman's best films he's ever done. I highly recommend it.

Hedeen's Outlook: 9/10 ***+ A-

When it was first released, the subject matter of Kramer Vs. Kramer was not as commonplace as it is today, and so there was some shock value in it. As a viewer today, since something like fifty percent of marriages end in divorce, that shock, small as it was, has now completely disappeared. Maybe that's lost the film a sliver of its power, but, there is still enough here to make it compelling.

The performances of Hoffman and Streep are utterly brilliant, conveying comprehensively the raw emotion involved in such a set of circumstances, and Justin Henry is outstanding as Billy.

This is a tearjerker, but the tears come organically as a result of the story being told, and it never feels mawkish or manipulative in any way.

So many films like this have resorted to sentimentality and to taking sides, but Kramer Vs. Kramer doesn't do that. It just uses a careful script, enhanced by deft direction, performed by truly great actors, to tell an honest and affecting story. If you haven't seen it, firstly, where have you been? And secondly, search it out and was it. It's pretty wonderful.

Although credit should have been given to Dr. Seuess for stealing the story-line of "Horton Hatches The Egg", this was a fine film. It touched both the emotions and the intellect. Due especially to the incredible performance of seven year old Justin Henry and a script that was sympathetic to each character (and each one's predicament), the thought provoking elements linger long after the tear jerking ones are over. Overall, superior acting from a solid cast, excellent directing, and a very powerful script. The right touches of humor throughout help keep a "heavy" subject from becoming tedious or difficult to sit through. Lastly, this film stands the test of time and seems in no way dated, decades after it was released.

When I first saw Kramer vs. Kramer, it was extremely painful for me. And that's a good thing. The movie covers its difficult topic about as well as it can be covered. It doesn't offer any easy answers, like so many similar movies. Thus it respects the subject matter and presents hard emotional truths for us to swallow. And that is how a person can develop a wise heart. Ideally, all movies would be working toward promoting the right emotional and intellectual responses in all of us, instead of desensitizing us toward serious human issues and rendering us apathetic and stupid. Kramer vs. Kramer demonstrates how a movie, simply by provoking the right questions and framing issues discerningly, does not have to offer many explicit answers to be extremely meaningful and constructive. And, in a way, doing that is an answer to life's problems. Perhaps one of the most important kinds of answers of all. Marvelous leading performances by Meryl Streep and Dustin Hoffman and Justin Henry. Great character acting from the rest of the cast. A superb movie in every respect.

This family drama results to a highly acclaimed film that deal with Ted (Dustin Hoffman, James Caan was offered the role of Ted Kramer, but turned it down) , a just-divorced man who must learn to care for his son (Justin Henry) on his own when their wife (Meryl Streep shot her scenes for Manhattan during breaks in filming and Meryl was originally cast in the role of Ted's one-night-stand, eventually played by JoBeth Williams) and mother leaves . There subsequently takes place the ordinary battle for custody when she returns . And then must fight in court to keep custody of him .

Moving and dramatic picture based on the novel by Avery Corman with an excellent plethora of players who give exacting interpretations . It successfully moves you from laughter to tears and back again . Very good acting by Dustin Hoffman as an adverting executive husband , he deservedly won Academy Award and Meryl Streep as his wife and mother who leaves on quest to find herself and also won Oscar to best support actress . Justin Henry was Oscar nominated for the Best Supporting Actor Academy Award, Henry at age 8 became the youngest ever person to be nominated for this award as well as the youngest ever Oscar nominee in any category, a record which still stands today . Magnificent support cast , such as Jane Alexander as Margaret Phelps , Howard Duff as John Shaunessy , George Coe as Jim O'Connor and JoBeth Williams , whose funny nude scene was optically darkened for the film's theatrical run, to avoid an R rating. Classic soundtrack , as the music played during the opening credits is Antonio Vivaldi's Mandolin Concerto . Colorful cinematography by Nestor Almendros ; director Robert Benton advised cinematographer to base the look and color of the film on the paintings of Piero Della Francesca , Almendros also used the work of David Hockney as an inspiration, and designed a realistic look, using source lighting in rooms with ceilings and available light in exteriors . First of two back-to-back consecutive movies to win the Academy Award for Best Picture that was a contemporary film drama about interpersonal relationships and family bonds , the next year's winner was Ordinary People directed by Robert Redford . Ranked #3 on the American Film Institute's list of the 10 greatest films in the genre "Courtroom Drama" and was the highest-grossing movie of 1979.

The motion picture was compellingly directed by Robert Benton . Texas director has a varied career as he was an editor of magazine , production designer , set decorator and has written a number of imaginative stories for children . He realized few movies even accounting for those in whose screenplays he wrote as ¨Bonnie and Clyde¨ , ¨There was a crooked man¨ , ¨What's up doc ?¨ , ¨Superman¨ and even ¨Still of the night¨ . His big hit as director was this Weepie ¨Kramer vs Kramer¨ and won him the Oscar for writing and direction , the next was warm-hearted ¨Places in the heart¨ with basic human values and revealed his softer side . Following filmmaking the underrated ¨Nadine¨ , a comic-strip comedy with Jeff Bridges and Kim Basinger and ¨Still of the night¨ was a failure and turned out to be a flop at the box office . After that , he directed a gangster movie ¨Billy Bathgate¨ with Nicole Kidman and Dustin Hoffman , ¨Nobody's fool¨ which won Paul Newman an Academy Award nomination and he worked again with Benton four years later on ¨Twilight¨ . Rating : Notable ,above average . The picture will appeal to Dustin Hoffman and Meryl Streep fans .

This is a wonderful movie about the trials and tribulations of divorce and its often shattering effect on a broken family with their young son caught up in a bitter custody battle. The greatest scenes are the beautifully moving interactions with Dustin Hoffman and his adoring 6-year son, played magnificently by young Justin Henry. The performances are very realistic. The directing is face-paced, and no one at any time seems superficial in their roles. Anyone who has gone through, or is going through a divorce, or even a bad marriage, will find some great meaning and insight from this movie.

The only drawback is Meryl Streep. I always believed that she was an over-rated actress. But in Kramer vs. Kramer, there is something missing from her character that I think creates an aloofness in the scenes that she is in. I could tell from her body language very early on in this movie that she had strong emotional problems. Throughout the film, she seems so quiet and unsure of herself that you begin to feel even MORE sensitivity for the real troubling issues facing Ted (Dustin) and Billy. (Justin) Their scenes together are SOOOO well done that you really see them as a father and son and not actors. There is also no sappiness or soap opera dialog to muddle this fine story. I must also give credit to director Robert Benton for a movie that pulls at the heart strings many times.

This is a very fine film.

Forced to take care of his young son when his wife walks out on him, a workaholic finds himself in a custody battle when his wife returns eighteen months later in this emotionally charged drama. Dustin Hoffman is excellent in the lead role with many remarkable moments throughout, mostly notably the way he slowly comes apart while making breakfast for his son for the first time. The film is shot with a number of superb subtle touches too, such as the camera every so slowly zooming in on Hoffman in the scene where he is fired. While many of the themes here are nothing new (juggling family and work; single parenting), the quality of acting from all concerned elevates the material. The best aspect of the film is probably how we are given a chance to hear the mother/wife's side of the story in the second half of the movie. While the movie is nowhere near as two-sided as it could have been, there is something touching in how the mother/wife is never turned into a villain - especially since her request to have her son back initially seems plain selfish. Meryl Streep is very good in the part too, turning what could have easily been a detestable character into a relatable human being. The conclusion here might not be particularly realistic, but with a sensational closing shot and memorable final dialogue exchange between the two leads, it is hard to resent the choice of ending.

A couple of great actors and a film that was well-made, but it was irritating to me that its narrative was so dominated by the male point of view. Meryl Streep disappears for about half of the movie and we're told about her character's perspective, but it just doesn't compare to everything we see happening with Dustin Hoffman, whose character juggles a demanding job, single parenting, and dating, and comes out looking like a saint by the time the film's done. Both come to self-realizations of sorts and own up to their shortcomings I guess, but overall, I felt more bias than authenticity in the script. I disliked the weakness in Streep's character, felt the film was manipulative/melodramatic in pushing all those emotional buttons, and hated the ending.