The One and Only

"The One and Only" is a movie that most likely had a difficult time finding an audience. It really is more a "chick flick" than a wrestling film. The first third relies on a lot of slapstick, but once Henry Winkler enters the ring, the frantic pace settles down somewhat. Quite a few character actors contribute, including Mary Woronov as a bar trollop, Henry Villechaize as a midget wrestler, and Gene Saks as a manager. The theme song "The One and Only" is quite good, as is the trip down wrestling's memory lane. Most of the laughs come from Winkler's enormous ego, and interactions with Kim Darby's Mother and Father (Mom and Tom). - MERK

While this movie isn't a classic by any stretch, it is very entertaining as I remember it. I saw it about 15 years ago on HBO and loved the movie. It was written by the same guy that wrote and directed "Arthur" and though it isn't as funny as that movie, it does show the potential that Steve Gordon reached with "Arthur".

When this film hit the theaters in 1978, I saw it three times. But when I watched it again recently on video (a video that I BOUGHT), I couldn't believe that I at one time LIKED this movie. Winkler plays a totally unlikable character who never gets any better. Darby plays a dopey girl who, for reasons not addressed in this movie, falls for the obnoxious egocentric jerk.

I chuckled maybe twice during the whole movie. The rest of the time I was wondering how anyone could fall in love with someone who cares about no one on earth except themselves and how Carl Reiner got mixed up in this mess.

I was embarrassed to admit to my wife that in the late 70's I actually paid to sit through this tripe... three times! Foolish youth.

Two years before he wrote and directed "Arthur", Steve Gordon had a minor hit with his screenplay for this crackpot comedic vehicle for Henry Winkler, then-star of TV's "Happy Days" as the Fonz. A 1950s college thespian (and all-around jerk) woos a co-ed and gets married without any employment prospects on the horizon; to make ends meet, he turns to the flamboyant world of wrestling, eventually becoming a "Gorgeous George"-like celebrity. Turning likable Winkler into an obnoxious goof-off probably sounded like an interesting idea at the time (and a sure way to separate him from his television alter-ego), but the jokes and situations are often wrong-headed and mean, staged rather sloppily by director Carl Reiner. Particularly crude is a wincing bit involving Hervé Villechaize (of "Fantasy Island") putting the moves on Polly Holliday (Flo from "Alice"). As Henry's beloved, Kim Darby looks a little out of her element--particularly when surrounded by all these TV hams--rendering the romance aspect of the script inconsequential. *1/2 from ****

Caught this on the french cable a few weeks ago and instantly felt "at home" with this films' characters and story. As I gradually found out, there's a reason for this : The One and Only is a straight retake of Fred Coe's A Thousand Clowns (1964), one of my favorite films ! Two of the original actors were even imported : Gene Saks and William Daniels, the latter having been in the original cast of the Herb Gardner play (if I remember correctly).

The global plot and situations are altered but the result is the same : how to (try to) keep youth spirit in a grim and conventional world... and make it alive ! Not as memorable as the original film (or the play) but just as lovely.