The Turning Point is one of the best films of its era. It's that rare example of synergy in which every key element is excellent and the ensemble is an absolute triumph.
The Turning Point is entertaining, not for discovering new material, but for treating old material with style and romantic feeling that, in this day and age, seem remarkably unafraid.
It is hard to imagine anyone, with the possible exception of preadolescent males, who will not, in the end turn on to Turning Point.
80
Washington PostGary Arnold
Washington PostGary Arnold
The most attractive and persuasive movie about ballet performers ever created for a mass audience.
80
Time Out
Time Out
There's some beautiful dancing and a wealth of detail about the world of classical ballet. Interesting and entertaining.
70
NewsweekDavid Ansen
NewsweekDavid Ansen
The Turning Point has its flaws - some overwritten scenes and lapses into staginess and sentimentality - but they are those of heady excess and are easily forgiven. One has the sense of a project perfectly matched to the people who made it. [28 Nov 1977, p.97]
63
The Globe and Mail (Toronto)
The Globe and Mail (Toronto)
The dancing is lovely, the story is secondary. [17 Nov 1977]
60
TV Guide Magazine
TV Guide Magazine
The Turning Point features a few laughs, lots of maudlin moments, superior dancing from a host of real ballerinas, and an occasionally perceptive script.
50
Chicago ReaderDave Kehr
Chicago ReaderDave Kehr
For a film ostensibly dedicated to physical grace, Ross's images are unforgivably clumsy. MacLaine and Bancroft, though, work up some sparks in the last two reels.
50
The New YorkerPauline Kael
The New YorkerPauline Kael
Herbert Ross directed, unexcitingly; there's no visual sweep, no lift.