Bound for Glory

If you would've asked me, what I thought of the movie, right after I saw it, I would've probably gave it a lower rating. But the movie grows on you. Carradine's performance is mesmerizing to say the least and his underdog is more than likable. You can see that he has his priorities straight, even if they get him in all sorts of trouble, be it at home or at work.

The problem of the movie is, that it tries so hard to depict a historical character in a short period of time. Well "short" might be a stretch here, seeing that the pace of the movie itself is pretty slow, which make you think, the movie is longer than it actually is. Not really much is happening and the same issues get played twice or more times, with almost the same conclusion. The stoic Carradine character remains the same. This might be truthful (I can't say, because I haven't read any bios on the real man portrayed here), but could also become boring after awhile for quite a few people.

At its base, Bound for Glory is just a simple biopic about Woody Guthrie. In execution, it turns out to be a lot more. We actually learn very little about Woody Guthrie's life. I don't know the exact statistic, but I would guess that it covers no more than a few years, with an end title that tells us briefly of his death. And basically all of the experiences shown onscreen can be seen in other films, most notably John Ford's brilliant American masterpiece The Grapes of Wrath. To be absolutely fair, the scenes of migrant workers' woes are at least equal to those in its predecessor. A good one-line summary of Bound for Glory might read "a modernist equivalent of The Grapes of Wrath told from the point of view of folk singer Woody Guthrie." But Bound for Glory has a few things that make it stand out from other films, that make it as memorable as The Grapes of Wrath.

First and maybe foremost, you have the brilliant and gorgeous cinematography of the great Haskell Wexler. I'm no expert on cinematographers, but Wexler is one of only three I can name offhand (the other two being, if you are interested, Vittorio de Sica and Sven Nykvist). I love Wexler's work in films like Who's Afraid of Virginia Woolf? and Matewan (a thematically similar film directed by the great John Sayles). But what Bound for Glory most resembles is Wexler's very controversial cinematography on Days of Heaven. Not controversial because of anything specifically photographed, of course, but, if you know the story, a different cinematographer took credit as lead DP, leaving Wexler with a credit that was something along the lines of "with additional photography by". Wexler claims to have photographed more than 50% of the scenes in the finished film. He has sat through the film several times, I have heard, with a stopwatch. Bound for Glory, at any rate, is one of the most beautiful films you're ever likely to see. It's golden colors are beautiful, and the camera is moved gently, but with precision. This film actually has the first shot that used a steadicam, although I had forgotten to keep an eye out for it when the film was playing (I was far too engrossed). My favorite scene is one where Guthrie and a black hobo have left the boxcar of a train and move to the top of it. There they sit and converse as the most beautiful landscapes in our country pass by behind them. These are some of the best shots I've ever seen. And just because of those shots, even if the film didn't contain a plethora of other relevant materials, I would call this film one of the best ever made about the United States.

Secondly and thirdly, this film is about Woody Guthrie, one of the greatest American artists of the past century. David Carradine, who, in other performances, has never convinced me that he was as good as his father, John (who was in Grapes of Wrath, incidentally), or his brother, Keith, breaks apart my former opinion of him and delivers a masterful performance. I don't know whether I could identify why he is so good in this film. It's as if he has an aura about him. He really does, however, seem to enbody Guthrie's convictions. Throughout the film, Guthrie's music is played, whether sung or as an extra-diagetic score. This is great American music. So much of it has become part of the soundtrack to the American life. I mean, I remember learning songs like "This Land is Your Land" and "This Train" in elementary school music class. In his day, Guthrie had difficulty in getting those kind of songs out to the public. His bosses were constantly ordering him to tone down the political edge of his music. Luckily for America, he steadfastly refused to do so. Woody Guthrie was a true American hero. Bound for Glory depicts that as much as he could have hoped for.

Is there any other musical figure in history who can be called as heroic as Woody Guthrie? The man was a musical genius, a visionary songwriter, and a great man, a man who never gave up on his dream, a man who gave up a lot of money so he could take his songs to the people, the people the songs were written by, and for, in the first place. Woody Guthrie was integrity personified, a great American hero. "Bound for Glory" is quite appropriately one of the greatest American films of all time, as well as one of the most criminally overlooked, despite two Academy Awards for cinematography and score, and four more nominations including 'Best Picture' (losing in that category to "Rocky").

Astonishingly accomplished cinematography from legend Haskell Wexler as well as some great editing and a stunning score in addition to Hal Ashby's (Harold and Maude) excellent direction make this a beautiful, haunting, and brilliant film. The performances carry the film, with David Carradine turning in what is surely his greatest ever performance, a stunning, passionate, beautiful portrayal of Guthrie which fully captures the man's spirit. Ronny Cox and Melinda Dillon are also superb in their roles. Ashby gets a sort of realism from his actors that is sorely missed today, and any other method of portrayal would make this film far less captivating and beautiful than it is. Screenwriter Robert Getchell adapts his script very well from Guthrie's autobiography, choosing the correct parts to tell. In many senses this feels less like a biopic and more like a story about working class America. Maybe that's why this is probably the greatest biopic of all time.

In terms of technical accomplishment, this is easily among the top 100 films of all time. It's a great American film about a great American hero. It tells the story of not only Guthrie, but also those who surrounded him and the people he sung to. It's a beautiful, emotional, and arresting film that is surely essential viewing. One of the most criminally overlooked films of all time.

A resounding 10/10

This film is about a guy who had integrity. He couldn't be bought off. He didn't sell out. Woody Guthrie felt his music. It came from a sense of caring about people. As a film, "Bound for Glory" does a ten-star job of conveying the spirit of a man who could joke when the chips were down and who could sing out with an affection his listeners could believe. Guthrie made music move people to see themselves as worthwhile, as creators of vitality, gusto and dignity. And he did this during the Great Depression.

People, especially people in the industrial world, feel less and less a sense of connectedness to each other. Community tends to lose quality as the rule of quantitative cheapness triumphs. The more the narrow, modern sort of individualism envelops them, the more humans slip into an alienation reinforced by commodified cocoons.

Wage-slaves we are and wage-slaves we were in the 1930s. Only back then, we still had some remnant of solidarity, some spark of humanity to touch each other with. We still do, but it's fading fast. Woody's life was about fanning those embers into flames as people worked for wages, while others, the unemployed and under paid caught up in the depression of the Great Depression, wondered whether their families and other families like them would ever make it. Woody came from them and he sang for them. Woody was a working class hero, a modern day troubadour. He infused his listeners with his humorous, never give-up gumption, which, if you weren't lucky enough to know him personally, came out in waves as you drank in his warm words and tunes. Woody made them feel that maybe they could be bound for glory!

If you find this movie on the rental shelf, pick it up and see it. It's great. I especially loved the scenes with Ozark Bule (played by Ronnie Cox). He must have been something. The first time you see him, he stands up on his vehicle near some unemployed field workers and sings the old IWW song composed by Joe Hill: ************************************************** Long-haired preachers come out every night Try to tell you what's wrong and what's right But when asked about something to eat They will answer in voices so sweet

'You will eat, by and by, In that glorious land above the sky Work and pray, live on hay - You'll get pie in the sky when you die' - that's a lie!

And the Starvation Army they play And they sing and the clap and they pray Till they get all your coin on the drum Then they'll tell you when you're on the bum . . .

Holy Rollers and Jumpers come out And they sing and they clap and they shout 'Give your money to Jesus,' they say, 'He will cure all diseases today . . .

Working folks of all countries, unite Side by side we for freedom will fight When the world and it's wealth we have gained To the grafters we'll sing this refrain:

You will eat, by and by, When you've learned how to cook and how to fry Chop some wood, it'll do you good Then you'll eat in the sweet by and by - that's no lie! ************************************************************

And David Carradine (Bill of "Kill Bill" fame) would never do acting as fine as this again. His Guthrie is near perfect, one level above Gary Cooper's portrayal of Sergeant York. Hal Ashby got the most from his acting company. They all look and act like real people with real lives, not stars. And Haskell Wexler's camera work is as artistically brushed as Woody's best known song:

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THIS LAND IS YOUR LAND words and music by Woody Guthrie

Chorus: This land is your land, this land is my land From California, to the New York Island From the redwood forest, to the gulf stream waters This land was made for you and me

As I was walking a ribbon of highway I saw above me an endless skyway I saw below me a golden valley This land was made for you and me

Chorus

I've roamed and rambled and I've followed my footsteps To the sparkling sands of her diamond deserts And all around me a voice was sounding This land was made for you and me

Chorus

The sun comes shining as I was strolling The wheat fields waving and the dust clouds rolling The fog was lifting a voice come chanting This land was made for you and me

Chorus

As I was walkin' - I saw a sign there And that sign said - no tress passin' But on the other side .... it didn't say nothing! Now that side was made for you and me!

Chorus

In the squares of the city - In the shadow of the steeple Near the relief office - I see my people And some are grumblin' and some are wonderin' If this land's still made for you and me

An unusual film, it starts by depicting the harsh life that many had to live during the Depression era, but then about halfway through it takes a sharp turn to become a biography of a musician. This change is rather jarring, as it comes unexpected. It manages to paint the glumness and the poverty of the Depression era so well that the sudden change in story direction just about violates what has gone before. In fairness, it does give us an idea of what the protagonist went through and what motivated his career, but is there not too much time spent on it? There is relatively little in the way of story until the music side enters in. It is quite meandering, and full of characters that have no importance later on, there is cause to wonder whether it could have been compressed down. For the adventure genre that the film best fits into, it is also relatively unexciting. The film is rather awkwardly put together, and it could do with a few events removed, but there are still a lot of good points to it. The cinematography won the film an Academy Award, as did the adapted music soundtrack, and both these elements are good. Haskell Wexler has chosen some interesting angles to shoot the film from, and the songs are fitted into the material quite well. Overall it is a good film, but a difficult one too. It takes patience to get through, but there are some good things in the end.