A vaudeville duo agree to reunite for a television special, but it turns out that they can't stand each other.A vaudeville duo agree to reunite for a television special, but it turns out that they can't stand each other.A vaudeville duo agree to reunite for a television special, but it turns out that they can't stand each other.
- Won 1 Oscar
- 5 wins & 8 nominations total
- Odessa - Willy's Nurse
- (as Rosetta Le Noire)
- Helen Clark
- (as Jennifer Lee)
Featured reviews
Walter Matthau can't stop working, the man has never learned to relax, take some time and smell the roses. He's a crotchety old cuss whose best days are behind him and his nephew and agent Richard Benjamin is finding less and less work for him.
What hurt him badly was that some 15 years earlier his partner George Burns decided to retire and spend some time with his family. A workaholic like Matthau can't comprehend it and take Burns's decision personally.
Benjamin hits on a brain storm, reunite the guys and do it on a national television special. What happens here is pretty hilarious.
The Sunshine Boys is also a sad, bittersweet story as well about old age. Matthau is on screen for most of the film, but it's Burns who got the kudos in the form of an Oscar at the ripe old age of 79.
Burns brought a bit of the personal into this film as well. As we all know he was the straight man of the wonderful comedy team of Burns&Allen who the Monty Python troop borrowed a lot from. In 1958 due to health reasons, Gracie Allen retired and George kept going right up to the age of 100. Or at least pretty close to as an active performer.
The Sunshine Boys is based on the team of Smith&Dale however and if you like The Sunshine Boys I strongly recommend you see Two Tickets to Broadway for a look at a pair of guys who were entertaining the American public at the turn of the last century. The doctor sketch that Matthau and Burns do is directly from their material.
And I do think you will like The Sunshine Boys.
With all due respect to George Burns (RIP), Walter Matthau really deserved the Oscar for this film. His performance is amazing--given the fact that he was 20 years younger than his character, Willie Clark. His mannerisms are first-rate. ("You know what kind of songs he wrote? Sh*t!" and when speaking to the Spanish-speaking guy at the front desk: "No! No! No enchilada!!") Absolutely hilarious!
Kudos to Richard Benjamin, who played straight man to Matthau.
I just wish this was on DVD, because my VHS recording is getting a bit old.
I had no interest in seeing the remake with Woody Allen, because in no way can it match the original.
Now a lot of the reviews here mentioned the wonderful performances of the leads. Matthau was brilliant, but had the misfortune of being nominated against Jack Nicholson's Oscar winning performance of Randall P. MacMurphy in "One Flew Over the Cuckoo's nest. Burns did win, though Richard Benjiman deserved at least to be nominated as well. Even the smallest roles were played to perfection, like Fritz Feld auditioning for the potato chips commercial.
Which brings me to my reason for reviewing this film, the direction of the greatly underrated Herbert Ross. Ross who previously brought a two person play, "The Owl And The Pussycat" to the screen and made a full movie out of it, does it again. He opens the plays out without making them look like a photographic stage play. He fleashens out the story and the characters.
Here we're 20 minutes into the film before we get to the scene that opens the play, where Ben Clark comes to see his uncle and tell him about the comedy special. Though there are dialogue from the play during the first twenty minutes, the sequence itself is totally new. A few years ago I did see at the broadway revival of the play with Jack Klugman and Tony Randall, which was wonderful. But I think that Ross and screenwriter, playwright Simon improved on it. It's just a wonderful film.
Murray Abraham.
Storyline
Did you know
- TriviaGeorge Burns turned up at rehearsals having learned the entire film script by heart. Burns figured that this would make it harder for the producers to fire him if they wanted to.
- GoofsBen refers to the Actors' Home as being in New Brunswick, NJ. It is, in fact, in Englewood.
- Quotes
Willy Clark: [arguing over changing a line in their sketch] What's wrong with saying "enter" instead of "come in?"
Al Lewis: Because it's different. Do you know why we did this sketch for 43 years, Willy? Because it's good.
Willy Clark: And do you know why we're not doing it anymore? Because we've been doing it for 43 years.
Al Lewis: If we're not doing it anymore, why are we changing it?
Willy Clark: You know what's wrong with you, Lewis? You've been sitting on a New Jersey porch for too long. You're out of touch. From my window here
[opens up window]
Willy Clark: I see everything that's going on in the world. Look! I see old people, I see young people, nice people, bad people. I see hold-ups! I see drug addicts! Ambulances! Car crashes! Jumpers from buildings! I see everything! You see... a lawn mower... and the milkman.
Al Lewis: That's why you want to say "enter" instead of "come in?"
- ConnectionsFeatured in The Sunshine Boys (1975)
- SoundtracksMake 'Em Laugh
(uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
Arranged by Conrad Salinger
- How long is The Sunshine Boys?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- La pareja chiflada
- Filming locations
- Ansonia Hotel - 74th & Broadway, Manhattan, New York City, New York, USA(exteriors of Willy's apartment)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $3,500,000 (estimated)
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