Executives will be based in Los Angeles.
Heading into TIFF with a slate of rom-coms and thrillers Msr Media International has hired Ariel Veneziano and Robby Amar to spearhead sales.
Both executives are named co-vice presidents of international distribution and sales and report to Msr Media International CEO Karinne Behr.
They will be on the ground in Toronto where Msr will be talking to buyers about rom-coms Christmas In The Caribbean starring Elizabeth Hurley, Caroline Quentin, Nathalie Cox and Downtown Julie Brown; A Week In Paradise with Malin Akerman, Connie Nielsen, Philip Winchester and Jack Donnelly; and One Year Off featuring Ray Fearon,...
Heading into TIFF with a slate of rom-coms and thrillers Msr Media International has hired Ariel Veneziano and Robby Amar to spearhead sales.
Both executives are named co-vice presidents of international distribution and sales and report to Msr Media International CEO Karinne Behr.
They will be on the ground in Toronto where Msr will be talking to buyers about rom-coms Christmas In The Caribbean starring Elizabeth Hurley, Caroline Quentin, Nathalie Cox and Downtown Julie Brown; A Week In Paradise with Malin Akerman, Connie Nielsen, Philip Winchester and Jack Donnelly; and One Year Off featuring Ray Fearon,...
- 9/7/2022
- by Jeremy Kay
- ScreenDaily
We have to go back, /Film readers! Back to the Island filled with research stations, smoke monsters, birds that shout "Hurley!," eerie whispers, and mystical electromagnetic fields that heal paralysis. Although "Lost" premiered almost two decades ago, it left a lasting impact on television -- inspiring a plethora of mystery shows, including everything from ABC's "Flashforward" and Epix's "From." The ABC show fueled the audience's appetite for serialized and mystery-forward storytelling. Additionally, "Lost" launched the careers of many people involved -- not least of all "Watchmen" showrunner Damon Lindelof.
Looking back at "Lost," it's incredible to track where the show began and how its twists forever altered characters' fates. While the series occasionally meandered -- frustrating viewers with more questions than answers -- its characters were the show's beating heart. Let's take a trip down memory lane to revisit some old friends. Crank Petula Clark's "Downtown," climb on...
Looking back at "Lost," it's incredible to track where the show began and how its twists forever altered characters' fates. While the series occasionally meandered -- frustrating viewers with more questions than answers -- its characters were the show's beating heart. Let's take a trip down memory lane to revisit some old friends. Crank Petula Clark's "Downtown," climb on...
- 8/24/2022
- by Eric Langberg
- Slash Film
Spider-Man: No Way Home and HBO’s Euphoria were crowned the best of movie and television, respectively, at tonight’s MTV Movie & TV Awards.
Hosted by Vanessa Hudgens, MTV tonight combined the annual Movie & TV and Unscripted award shows into one event at the Barker Hanger in Santa Monica.
Additionally, Tom Holland nabbed an award for his performance in Spider-Man, while his co-star Zendaya also won, but for her performance in Euphoria.
Jack Black was anointed with the Comedic Genius award and Jennifer Lopez accepted the Generation Award, which, according to MTV, celebrates “beloved actors whose diverse contributions to both film and television have turned them into household names.”
For the combined show, MTV’s Bruce Gillmer, Wendy Plaut and Vanessa Whitewolf and Den of Thieves’ Jesse Ignjatovic and Barb Bialkowski are executive producers. Jackie Barba and Alicia Portugal are executives in charge of production and Lisa Lauricella is the...
Hosted by Vanessa Hudgens, MTV tonight combined the annual Movie & TV and Unscripted award shows into one event at the Barker Hanger in Santa Monica.
Additionally, Tom Holland nabbed an award for his performance in Spider-Man, while his co-star Zendaya also won, but for her performance in Euphoria.
Jack Black was anointed with the Comedic Genius award and Jennifer Lopez accepted the Generation Award, which, according to MTV, celebrates “beloved actors whose diverse contributions to both film and television have turned them into household names.”
For the combined show, MTV’s Bruce Gillmer, Wendy Plaut and Vanessa Whitewolf and Den of Thieves’ Jesse Ignjatovic and Barb Bialkowski are executive producers. Jackie Barba and Alicia Portugal are executives in charge of production and Lisa Lauricella is the...
- 6/6/2022
- by Brandon Choe
- Deadline Film + TV
More than two dozen Golden Popcorn buckets — arguably the tastiest of trophies — were handed out during Sunday’s three-hour broadcast of the 2022 MTV Movie & TV Awards: Unscripted.
Hosted by Vanessa Hudgens and Tayshia Adams, the ceremony celebrated fans’ favorite shows, stars and films, with both halves of the event (scripted and unscripted) airing back-to-back beginning at 8/7c.
More from TVLineTVLine Items: Speed Racer Live-Action Series, Cobra Kai Promotion and MoreTVLine Items: Taran Killam Rom-Com, Station 19 Vet's New Role and MoreTVLine Items: Shameless Vet's NBC Gig, Couples Therapy Returns and More
Spider-Man: No Way Home and Euphoria entered Sunday...
Hosted by Vanessa Hudgens and Tayshia Adams, the ceremony celebrated fans’ favorite shows, stars and films, with both halves of the event (scripted and unscripted) airing back-to-back beginning at 8/7c.
More from TVLineTVLine Items: Speed Racer Live-Action Series, Cobra Kai Promotion and MoreTVLine Items: Taran Killam Rom-Com, Station 19 Vet's New Role and MoreTVLine Items: Shameless Vet's NBC Gig, Couples Therapy Returns and More
Spider-Man: No Way Home and Euphoria entered Sunday...
- 6/6/2022
- by Andy Swift
- TVLine.com
The MTV Movie and TV Awards crowned its 2022 winners on Sunday night!
Find out who took home the golden popcorn below!
Jack Black was presented with the Comedic Genius Award and Jennifer Lopez the Generation Award.
Jack Black (Getty Images)
Best Movie
“Dune”
“Scream 5”
“Shang-Chi and the Legend of the Ten Rings”
“Spider-Man: No Way Home” (Winner)
“The Adam Project”
“The Batman”
Best Show
“Euphoria” (Winner)
“Inventing Anna”
“Loki”
“Squid Game”
“Ted Lasso”
“Yellowstone”
Best Performance in a Movie
Lady Gaga — “House of Gucci”
Robert Pattinson — “The Batman”
Sandra Bullock — “The Lost City”
Timothée Chalamet — “Dune”
Tom Holland — “Spider-Man: No Way Home” (Winner)
Also Read:
MTV Movie & TV Awards: Red Carpet Style (Photos)
Best Performance in a Show
Amanda Seyfried — “The Dropout”
Kelly Reilly — “Yellowstone”
Lily James — “Pam & Tommy”
Sydney Sweeney — “Euphoria”
Zendaya — “Euphoria” (Winner)
Best Hero
Daniel Craig — “No Time to Die”
Oscar Isaac — “Moon Knight”
Scarlett Johansson...
Find out who took home the golden popcorn below!
Jack Black was presented with the Comedic Genius Award and Jennifer Lopez the Generation Award.
Jack Black (Getty Images)
Best Movie
“Dune”
“Scream 5”
“Shang-Chi and the Legend of the Ten Rings”
“Spider-Man: No Way Home” (Winner)
“The Adam Project”
“The Batman”
Best Show
“Euphoria” (Winner)
“Inventing Anna”
“Loki”
“Squid Game”
“Ted Lasso”
“Yellowstone”
Best Performance in a Movie
Lady Gaga — “House of Gucci”
Robert Pattinson — “The Batman”
Sandra Bullock — “The Lost City”
Timothée Chalamet — “Dune”
Tom Holland — “Spider-Man: No Way Home” (Winner)
Also Read:
MTV Movie & TV Awards: Red Carpet Style (Photos)
Best Performance in a Show
Amanda Seyfried — “The Dropout”
Kelly Reilly — “Yellowstone”
Lily James — “Pam & Tommy”
Sydney Sweeney — “Euphoria”
Zendaya — “Euphoria” (Winner)
Best Hero
Daniel Craig — “No Time to Die”
Oscar Isaac — “Moon Knight”
Scarlett Johansson...
- 6/6/2022
- by Jolie Lash
- The Wrap
Downtown Los Angeles is a very different place than it was when the Los Angeles Conservancy kicked off its “Last Remaining Seats” film screenings in movie palaces 35 years ago. When the annual series hits key theaters this month (after taking the last couple of Junes off for the pandemic), there will be far less trepidation in the air about the fate of some of the key theaters and the neighborhoods they’re in than there was back in 1987. One thing that’s very different, now versus then: the number of filmgoers who’ll be walking to the Orpheum and the Los Angeles, the two theaters that will host five of the six screenings.
Meanwhile, perhaps ironically, the Lrs series kicks off Saturday with a field trip to a neighborhood that was seen as deeply thriving 35 years ago, but could use its own boost now: Westwood, where the venerable 1931 Village Theater...
Meanwhile, perhaps ironically, the Lrs series kicks off Saturday with a field trip to a neighborhood that was seen as deeply thriving 35 years ago, but could use its own boost now: Westwood, where the venerable 1931 Village Theater...
- 6/5/2022
- by Chris Willman
- Variety Film + TV
Sheryl Crow’s earliest musical memory begins in the backseat of a powder blue Plymouth Station Wagon. Only three years old at the time, she was being driven by her parents into the heart of her hometown’s commercial district when, fortuitously, Petula Clark’s “Downtown” came on the radio. Young Sheryl sang at the top of her lungs the whole way home.
It was the beginning of a lifetime of music that’s followed Crow from those simpler Kennett, Missouri origins to the height of musical superstardom in the 1990s, 2000s, and on through to today. When Crow speaks about those formative years now, it’s with affection for her hearth and kin, her parents’ musical tastes, and their encouragement for her to play piano for friends. But her favorite early singing memories of that time?
“It was really the quiet times when I could go sit at the piano by myself,...
It was the beginning of a lifetime of music that’s followed Crow from those simpler Kennett, Missouri origins to the height of musical superstardom in the 1990s, 2000s, and on through to today. When Crow speaks about those formative years now, it’s with affection for her hearth and kin, her parents’ musical tastes, and their encouragement for her to play piano for friends. But her favorite early singing memories of that time?
“It was really the quiet times when I could go sit at the piano by myself,...
- 5/5/2022
- by David Crow
- Den of Geek
Fantaspoa 2022 Announced: "After two years of successful online editions, the 18th edition of the beloved Brazilian genre festival Fantaspoa will return to the cinemas from April 15th through May 1st. This year, attendees will discover a very different Fantaspoa from its last on-site edition (a very distant 2019): instead of its usual two venues, the fest will take place simultaneously in five cinemas, with part of its program also being available online, geo-blocked for viewers within Brazil.
The poster for this year’s festival was conceived by the festival’s art director Thalles Mourão, with the drawing from local artist Fernanda Moreira. The striking image is a mashup of two centenary anniversaries: The Modern Art Week, one of Brazil’s greatest art movements, and F. W. Murnau’s 1922 masterpiece of cinema, Nosferatu: A Symphony Of Horror.
Nosferatu will also have a very special screening on the opening night of the festival,...
The poster for this year’s festival was conceived by the festival’s art director Thalles Mourão, with the drawing from local artist Fernanda Moreira. The striking image is a mashup of two centenary anniversaries: The Modern Art Week, one of Brazil’s greatest art movements, and F. W. Murnau’s 1922 masterpiece of cinema, Nosferatu: A Symphony Of Horror.
Nosferatu will also have a very special screening on the opening night of the festival,...
- 3/23/2022
- by Jonathan James
- DailyDead
1960s Soho, London comes back to life in Edgar Wright’s Last Night in Soho. You can’t visit without paying a price though, as Eloise (Thomasin McKenzie) finds out in the period psychological thriller.
Krysty Wilson-Cairns wrote the screenplay with Wright based on Wright’s story. Ellie is an American girl coming to London for fashion school. She rents a room from Ms. Collins when she doesn’t get along with her roommates. Every night, though, she wanders into the Soho night life district, and into the past.
Ellie witnesses the rise and fall of an aspiring singer, Sandie (Anya Taylor-Joy). Given a shot by a talent manager (Matt Smith), Sandie also finds herself prey to unwanted advances and violence. With her tenuous connection to the past, Ellie tries to find out what happened to Sandie.
British director Wright loaded Last Night in...
Krysty Wilson-Cairns wrote the screenplay with Wright based on Wright’s story. Ellie is an American girl coming to London for fashion school. She rents a room from Ms. Collins when she doesn’t get along with her roommates. Every night, though, she wanders into the Soho night life district, and into the past.
Ellie witnesses the rise and fall of an aspiring singer, Sandie (Anya Taylor-Joy). Given a shot by a talent manager (Matt Smith), Sandie also finds herself prey to unwanted advances and violence. With her tenuous connection to the past, Ellie tries to find out what happened to Sandie.
British director Wright loaded Last Night in...
- 12/22/2021
- by Fred Topel
- Deadline Film + TV
“Music is really running through the core of the film,” explains Oscar-winning composer Steven Price of “Last Night in Soho.” It’s his latest collaboration with director Edgar Wright, after previously contributing music for “The World’s End,” “Scott Pilgrim vs. The World,” and “Baby Driver.” This time, Price was tasked with a 1960’s inspired score that had elements of horror. Music is a central force in the film, like most of Wright’s creations, and Price was excited that they were being “really ambitious in the way music was going to be used.” Watch the exclusive video interview above.
When taking a first stab at a film score, Price says he writes music from a character-based perspective. “It’s an empathetic approach,” says the composer, “trying to feel as the character feels. Often my first take is really close to the individual characters.” As he completes more of the score,...
When taking a first stab at a film score, Price says he writes music from a character-based perspective. “It’s an empathetic approach,” says the composer, “trying to feel as the character feels. Often my first take is really close to the individual characters.” As he completes more of the score,...
- 11/8/2021
- by Sam Eckmann
- Gold Derby
Best original song Oscar contenders Beyoncé and Van Morrison are among those who received nominations in the visual media categories at the Hollywood Music in Media Awards (Hmma). Composers Hans Zimmer and Nicholas Britell were included among the familiar names picking up nods in the score categories.
The awards will be presented Nov. 17. The HMMAs honor composers, songwriters, and music supervisors for their work in music for film, television, and videogames.
Nominations here have historically been a harbinger or guide for what nominees and winners will pop up in the Golden Globes, Oscars, Grammys and Emmys that occur later in awards season, although there is a much wider field in the HMMAs, since there are separate divisions for sci-fi, animation, documentary and independent films in the score categories. The Hollywood Music in Media Awards will feature music performances, celebrity presenters, tributes to music industry icons, awards for composers, songwriters and...
The awards will be presented Nov. 17. The HMMAs honor composers, songwriters, and music supervisors for their work in music for film, television, and videogames.
Nominations here have historically been a harbinger or guide for what nominees and winners will pop up in the Golden Globes, Oscars, Grammys and Emmys that occur later in awards season, although there is a much wider field in the HMMAs, since there are separate divisions for sci-fi, animation, documentary and independent films in the score categories. The Hollywood Music in Media Awards will feature music performances, celebrity presenters, tributes to music industry icons, awards for composers, songwriters and...
- 11/4/2021
- by Jazz Tangcay
- Variety Film + TV
The beginning of autumn is supposed to be spooky season, particularly in the U.S. where Halloween is treated with more reverence than most national holidays. It’s that time of year where children go trick ‘r treating and adults also dress up as ghosts and goblins—seeking out out new chillers and thrillers of every stripe. Even so, that setting was no help to Last Night in Soho and Antlers, two new horror movies that sank like bewitched stones at the box office.
Grossing a near identical cume of $4.16 million over the weekend—with Edgar Wright’s Last Night in Soho squeaking out the higher estimated final tally—both films opened below $5 million in their first three days of theatrical release in the U.S., and both failed to crawl into even the top five earners of the weekend. While Soho and Antlers dueled it out for sixth place,...
Grossing a near identical cume of $4.16 million over the weekend—with Edgar Wright’s Last Night in Soho squeaking out the higher estimated final tally—both films opened below $5 million in their first three days of theatrical release in the U.S., and both failed to crawl into even the top five earners of the weekend. While Soho and Antlers dueled it out for sixth place,...
- 11/1/2021
- by David Crow
- Den of Geek
Sunday Am Writethru after Saturday Am update: The first full Halloween celebration in two years is taking its toll on the domestic box office, a grey cloud which many saw coming, with many trick-or-treating or attending parties last night. Essentially, whenever the holiday falls on a Sunday, it’s poised to gut the weekend as everyone celebrates on Saturday. On the bright side, Comscore is reporting that October rang up the best month to date during the pandemic with $638M, beating July’s $583.8M.
And, yes, we can blame HBO Max, too, when it comes to Legendary/Warner Bros.’ expected -62% decline for Dune, which looks to be filing $15.5M for the weekend. The Denis Villeneuve-directed reboot of the Frank Herbert novel, which Warners and Legendary have already greenlit a theatrical windowed sequel for, had a solid week of $53.8M. After a $5M Friday, Dune saw a 32% surge on Saturday with $6.6M.
And, yes, we can blame HBO Max, too, when it comes to Legendary/Warner Bros.’ expected -62% decline for Dune, which looks to be filing $15.5M for the weekend. The Denis Villeneuve-directed reboot of the Frank Herbert novel, which Warners and Legendary have already greenlit a theatrical windowed sequel for, had a solid week of $53.8M. After a $5M Friday, Dune saw a 32% surge on Saturday with $6.6M.
- 10/31/2021
- by Anthony D'Alessandro
- Deadline Film + TV
Focus Features presents Edgar Wright’s Last Night in Soho, a twisty psycho-thriller with a great soundtrack, as Wes Anderson’s The French Dispatch goes wider, testing the appeal of a director whose films have been called the arthouse equivalent of Marvel.
Last Night, a time-bending genre tale, unspools on just over 3,000 screens — not exactly specialty but it’s from a writer-director who “can dip his toe into anything, a true specialty film, a more commercial film like Baby Driver, and now a psychological thriller that harkens back to Hitchcock, Brian De Palma and David Lynch,” said Focus distribution president Lisa Bunnell. It’s “more than a typical commercial slasher movie. It takes the thriller genre to a new level.”
The film premiered at the Venice Film Festival and screened at TIFF, where it resonated strongly with preview and festival audiences. Deadline’s review “called it a dark and delicious trip.
Last Night, a time-bending genre tale, unspools on just over 3,000 screens — not exactly specialty but it’s from a writer-director who “can dip his toe into anything, a true specialty film, a more commercial film like Baby Driver, and now a psychological thriller that harkens back to Hitchcock, Brian De Palma and David Lynch,” said Focus distribution president Lisa Bunnell. It’s “more than a typical commercial slasher movie. It takes the thriller genre to a new level.”
The film premiered at the Venice Film Festival and screened at TIFF, where it resonated strongly with preview and festival audiences. Deadline’s review “called it a dark and delicious trip.
- 10/29/2021
- by Jill Goldsmith
- Deadline Film + TV
Oscar and Emmy-winning composer Steven Price channeled his love of music from the ‘60s in his latest work on Edgar Wright’s thriller Last Night in Soho.
The film follows Ellie, played by Thomasin McKenzie, who begins to find herself transported between the present day and London in the 1960s, where she enters the body of a singer played by Anya Taylor-Joy. Price, the film’s composer who additionally produced extended versions of “Downtown” performed by Taylor-Joy, is the guest in a new episode of The Hollywood Reporter‘s Behind the Screen.
“At the script stage I was aware there was this ...
The film follows Ellie, played by Thomasin McKenzie, who begins to find herself transported between the present day and London in the 1960s, where she enters the body of a singer played by Anya Taylor-Joy. Price, the film’s composer who additionally produced extended versions of “Downtown” performed by Taylor-Joy, is the guest in a new episode of The Hollywood Reporter‘s Behind the Screen.
“At the script stage I was aware there was this ...
- 10/28/2021
- The Hollywood Reporter - Film + TV
Oscar and Emmy-winning composer Steven Price channeled his love of music from the ‘60s in his latest work on Edgar Wright’s thriller Last Night in Soho.
The film follows Ellie, played by Thomasin McKenzie, who begins to find herself transported between the present day and London in the 1960s, where she enters the body of a singer played by Anya Taylor-Joy. Price, the film’s composer who additionally produced extended versions of “Downtown” performed by Taylor-Joy, is the guest in a new episode of The Hollywood Reporter‘s Behind the Screen.
“At the script stage I was aware there was this ...
The film follows Ellie, played by Thomasin McKenzie, who begins to find herself transported between the present day and London in the 1960s, where she enters the body of a singer played by Anya Taylor-Joy. Price, the film’s composer who additionally produced extended versions of “Downtown” performed by Taylor-Joy, is the guest in a new episode of The Hollywood Reporter‘s Behind the Screen.
“At the script stage I was aware there was this ...
- 10/28/2021
- The Hollywood Reporter - Movie News
Before she played The Queen Gambit‘s Beth Harmon in 1960s Kentucky, Last Night in Soho star Anya Taylor-Joy portrayed Sandie in Edgar Wright’s take on 1960s London. Wright’s psychological horror film revolves around Thomasin McKenzie’s Ellie in the present day, as she begins having vivid dreams involving a talented 1960s singer played by Taylor-Joy. The latter not only shows off her dancing prowess in the film, but she also turns heads with an a cappella performance of Petula Clark’s “Downtown.” Taylor-Joy credits Wright for directing “in beats,” as well as his vast music knowledge ...
- 10/27/2021
- The Hollywood Reporter - Movie News
Before she played The Queen Gambit‘s Beth Harmon in 1960s Kentucky, Last Night in Soho star Anya Taylor-Joy portrayed Sandie in Edgar Wright’s take on 1960s London. Wright’s psychological horror film revolves around Thomasin McKenzie’s Ellie in the present day, as she begins having vivid dreams involving a talented 1960s singer played by Taylor-Joy. The latter not only shows off her dancing prowess in the film, but she also turns heads with an a cappella performance of Petula Clark’s “Downtown.” Taylor-Joy credits Wright for directing “in beats,” as well as his vast music knowledge ...
- 10/27/2021
- The Hollywood Reporter - Film + TV
Last Night In Soho Soundtrack Features '60s Deep Cuts: Listen To Anya Taylor-Joy's Cover Of Downtown
In tandem with Edgar Wright's latest feature, "Last Night In Soho," Back Lot Music has dropped a single, sung by none other than the film's star. Anya Taylor-Joy ("The Witch") steps behind the microphone and croons a soulful, downtempo cover of Petula Clark's '60s chart-topper, "Downtown," in a crisp new music video dropped first on Taylor-Joy's Instagram, then on Focus Features' YouTube channel. Mondo Music and Death Waltz Recording Co. will also release a 7-inch record of the single, with an uptempo version of "Downtown" on the B-side.
Each extended version of the classic pop song is produced...
The post Last Night in Soho Soundtrack Features '60s Deep Cuts: Listen to Anya Taylor-Joy's Cover of Downtown appeared first on /Film.
Each extended version of the classic pop song is produced...
The post Last Night in Soho Soundtrack Features '60s Deep Cuts: Listen to Anya Taylor-Joy's Cover of Downtown appeared first on /Film.
- 10/21/2021
- by Anya Stanley
- Slash Film
Watch above as Anya Taylor-Joy performs the recently-released song from the Last Night In Soho soundtrack, “Downtown (Downtempo).”
In acclaimed director Edgar Wright’s psychological thriller, Eloise, an aspiring fashion designer, is mysteriously able to enter the 1960s where she encounters a dazzling wannabe singer, Sandie. But the glamour is not all it appears to be and the dreams of the past start to crack and splinter into something far darker.
About The Film Genre: Drama, Horror, Mystery, Thriller Running Time: 116 minutes Cast: Anya Taylor-Joy, Thomasin Harcourt McKenzie, Matt Smith, Terence Stamp, Diana Rigg, Rita Tushingham, Michael Ajao, Synnøve Karlsen Director: Edgar Wright Screenplay: Edgar Wright, Krysty Wilson-Cairns Producers: Nira Park, Tim Bevan, Eric Fellner, Laura Richardson, Edgar Wright
Focus Features will release Last Night In Soho in theaters on October 29, 2021!
For More Information, Please Visit:
Official Site / Facebook / Twitter / Instagram / #LastNightInSoho
The post Anya Taylor-Joy Sings in Last Night in Soho...
In acclaimed director Edgar Wright’s psychological thriller, Eloise, an aspiring fashion designer, is mysteriously able to enter the 1960s where she encounters a dazzling wannabe singer, Sandie. But the glamour is not all it appears to be and the dreams of the past start to crack and splinter into something far darker.
About The Film Genre: Drama, Horror, Mystery, Thriller Running Time: 116 minutes Cast: Anya Taylor-Joy, Thomasin Harcourt McKenzie, Matt Smith, Terence Stamp, Diana Rigg, Rita Tushingham, Michael Ajao, Synnøve Karlsen Director: Edgar Wright Screenplay: Edgar Wright, Krysty Wilson-Cairns Producers: Nira Park, Tim Bevan, Eric Fellner, Laura Richardson, Edgar Wright
Focus Features will release Last Night In Soho in theaters on October 29, 2021!
For More Information, Please Visit:
Official Site / Facebook / Twitter / Instagram / #LastNightInSoho
The post Anya Taylor-Joy Sings in Last Night in Soho...
- 10/20/2021
- by Editor
- CinemaNerdz
aka Frauen Ohne Unschuld
Stars: Lina Romay, Nanda Van Bergen, Michael Maien, Esther Studer, Kurt Meinicke, Brigitte Meyer, Monica Swinn, Peggy Markoff, Peter Baumgartner, Dagmar Bürger | Written by Erwin C. Dietrich, Jesús Franco | Directed by Jess Franco
Lina Romay (Downtown, Barbed Wire Dolls) stars as Margarita, a young woman who is discovered by police naked amongst a scene of bloody carnage. Unable to speak due to the trauma, she is sent to a nearby all women asylum. Unfortunately for her, the staff aren’t exactly too interested in her well being or recovery. When they aren’t trying to seduce Margarita or the other patients, they’re trying to figure out Margarita’s dark secret. You see, Margarita was involved in what she believed to be a harmless love triangle with a well to do couple. Unbeknownst to her, they were using her for more than just her looks, they...
Stars: Lina Romay, Nanda Van Bergen, Michael Maien, Esther Studer, Kurt Meinicke, Brigitte Meyer, Monica Swinn, Peggy Markoff, Peter Baumgartner, Dagmar Bürger | Written by Erwin C. Dietrich, Jesús Franco | Directed by Jess Franco
Lina Romay (Downtown, Barbed Wire Dolls) stars as Margarita, a young woman who is discovered by police naked amongst a scene of bloody carnage. Unable to speak due to the trauma, she is sent to a nearby all women asylum. Unfortunately for her, the staff aren’t exactly too interested in her well being or recovery. When they aren’t trying to seduce Margarita or the other patients, they’re trying to figure out Margarita’s dark secret. You see, Margarita was involved in what she believed to be a harmless love triangle with a well to do couple. Unbeknownst to her, they were using her for more than just her looks, they...
- 2/9/2015
- by Mondo Squallido
- Nerdly
Jess Franco (99 Women, Vampyros Lesbos) stars as Al Pereia, a private detective who is down on his luck and waiting for that next big job. Thankfully for him, he gets a job from a glamorous young woman by the name of Cynthia, played by the ever lovely Lina Romay (Female Vampire, Lorna the Exorcist). She wants him to photograph her husband Carlos Rivas, a nightclub owner played by Erik Falk (Barbed Wire Dolls) who has an eye for the ladies. Good old Al accepts and begins his newest assignment. Unfortunately, things get a little complicated when Carlos is found dead. Al becomes the prime suspect and on his quest to clear his name, discovers that Cynthia isn’t actually the wife of Carlos. It turns out that she and her lover Lola played by Martine Stedil (Women Behind Bars) are working for Carlos’s real wife Olga, played by Monica Swinn...
- 10/7/2014
- by Mondo Squallido
- Nerdly
The best movie culture writing from around the internet-o-sphere. There will be a quiz later. Just leave a tab open for us, will ya? “Passing of a Video Store and a Downtown Aesthetic” — Tom Roston at The New York Times profiles the famous Kim’s Video on the edge of its demise, tying its end to the loss of a cultural tidal pool of appreciation and quirk. It’s a bittersweet read, but the money quote is undoubtedly and without surprise: “I am the loser. Netflix is the winner.” “Lucy is the shot in the arm the superhero genre needs” — Monika Bartyzel at The Week relates Scarlett Johansson’s mind-accessing badass to Dr. Manhattan’s loss of humanity. “Let’s Talk About Sex: Pier Paolo Pasolini’s ‘Love Meetings,’ 50 Years Later” — Daniel Walber at Nonfics attempts to discover why a documentary that shouldn’t feel anywhere close to taboo today still feels fresh and challenging. “How...
- 7/28/2014
- by Scott Beggs
- FilmSchoolRejects.com
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