NYC Weekend Watch is our weekly round-up of repertory offerings.
Film Forum
Films by Oshima, Tony Scott, Alex Cox, John Carpenter, Abel Ferrara, and Tobe Hooper play in “Out of the 80s“; Le Samouraï continues in a new 4K restoration; Back to the Future plays on Sunday.
Museum of Modern Art
A massive overview of Bulle Ogier has its final weekend with two films by Rivette.
Museum of the Moving Image
The Thin Red Line, The Big Lebowski, and Defending Your Life all play on 35mm as part of “See It Big at the ’90s Multiplex.”
Bam
The rarely screened films of György Pálfi are given a retrospective.
Metrograph
Films by Haneke, Kiarostami, and more play in an mk2 retrospective; Saturday brings Three Days of the Condor on 35mm; ’90s Noir, Euro-Heists, Dream with Your Eyes Open, and Ethics of Care, continue, while a Chris Marker series includes Sans Soleil and a shorts program.
Film Forum
Films by Oshima, Tony Scott, Alex Cox, John Carpenter, Abel Ferrara, and Tobe Hooper play in “Out of the 80s“; Le Samouraï continues in a new 4K restoration; Back to the Future plays on Sunday.
Museum of Modern Art
A massive overview of Bulle Ogier has its final weekend with two films by Rivette.
Museum of the Moving Image
The Thin Red Line, The Big Lebowski, and Defending Your Life all play on 35mm as part of “See It Big at the ’90s Multiplex.”
Bam
The rarely screened films of György Pálfi are given a retrospective.
Metrograph
Films by Haneke, Kiarostami, and more play in an mk2 retrospective; Saturday brings Three Days of the Condor on 35mm; ’90s Noir, Euro-Heists, Dream with Your Eyes Open, and Ethics of Care, continue, while a Chris Marker series includes Sans Soleil and a shorts program.
- 5/31/2024
- by Nick Newman
- The Film Stage
by Cláudio Alves
Last weekend, on Mother's Day of all days, Alice Doesn't Live Here Anymore celebrated its 50th anniversary. The occasion calls for some acknowledgment here at The Film Experience, where actressexual Oscar obsessives abound. After all, Ellen Burstyn won the Best Actress race at the 47th Academy Awards, triumphing over what could be described as the greatest lineup in the category's history. Along with the eventual victor, AMPAS nominated Diahann Carroll in Claudine, Faye Dunaway in Chinatown, Valerie Perrine in Lenny, and Gena Rowlands in A Woman Under the Influence. They might have also nominated Liv Ullmann in Scenes from a Marriage had she been eligible, but we'll get there in time.
As Faye Dunaway presents a new doc at Cannes, the stars have aligned to relitigate the 1974 Best Actress race. Are you ready? Let's go…...
Last weekend, on Mother's Day of all days, Alice Doesn't Live Here Anymore celebrated its 50th anniversary. The occasion calls for some acknowledgment here at The Film Experience, where actressexual Oscar obsessives abound. After all, Ellen Burstyn won the Best Actress race at the 47th Academy Awards, triumphing over what could be described as the greatest lineup in the category's history. Along with the eventual victor, AMPAS nominated Diahann Carroll in Claudine, Faye Dunaway in Chinatown, Valerie Perrine in Lenny, and Gena Rowlands in A Woman Under the Influence. They might have also nominated Liv Ullmann in Scenes from a Marriage had she been eligible, but we'll get there in time.
As Faye Dunaway presents a new doc at Cannes, the stars have aligned to relitigate the 1974 Best Actress race. Are you ready? Let's go…...
- 5/16/2024
- by Cláudio Alves
- FilmExperience
Before we can even get on the record, before that most familiar robot warning of “This meeting is being recorded,” Frederick Elmes is swapping stories about Albert Brooks. After greeting me by name, he mentions a news piece I had written––a blurb about the recent Brooks documentary Defending My Life. He worked with Brooks some, he says, as a camera operator, goes on to speak generously and thoughtfully about the atmosphere the director cultivated and maintained on set, what that meant in turn to his work as a cinematographer, to the cast and crew more generally. I am sitting and grinning like an idiot, not unlike an ancillary Brooks character––maybe Bruno Kirby in Modern Romance. It strikes me that this moment represents Elmes’ approach to tending the moving image: careful research, a focus on listening, the sharing of ideas stemming from observation, and an immediate instinct for collaborative thinking.
- 4/11/2024
- by Frank Falisi
- The Film Stage
How many great films does it take to designate a director as a historically significant auteur? Jean Vigo only directed a few shorts and one feature, but they were enough to make him a hero to the pioneers of the French New Wave. Actor-turned-helmer Charles Laughton directed just one movie — “The Night of the Hunter” — but it was such a haunting and singular masterpiece that few would argue that Laughton was one of the medium’s masters. Elaine May stopped directing after four movies, but she’d probably be considered one of the greatest directors who ever lived if she had only made “Mikey and Nicky.”
Christina Hornisher is nowhere near as well known as Vigo, Laughton, or May, but she should be — and now, thanks to a pristine restoration of her sole feature, “Hollywood 90028,” perhaps she will. Released in 1974 after Hornisher earned critical accolades for her UCLA film school shorts,...
Christina Hornisher is nowhere near as well known as Vigo, Laughton, or May, but she should be — and now, thanks to a pristine restoration of her sole feature, “Hollywood 90028,” perhaps she will. Released in 1974 after Hornisher earned critical accolades for her UCLA film school shorts,...
- 4/8/2024
- by Jim Hemphill
- Indiewire
Exclusive: Celebrating his 50th year as an indie filmmaker and distributor, Jeff Lipsky is prepping the release of his eighth feature as director. Goldilocks and the Two Bears is due to open domestically via Glass Half Full Media in July for a limited theatrical run, followed by a general release in late summer/early fall. Check out an exclusive clip above.
Goldilocks introduces a trio of new actors: Claire Milligan, Serra Naiman and Bryan Mittelstadt. It’s directed and written by Lipsky, produced by longtime collaborator Nick Athas and shot by Zak Ray with production sound mixed by Caleb Mose (O.J.: Made in America).
Filmed entirely in Las Vegas, the movie centers on a man and a woman – travelers who’ve all but given up on futures that might have been glorious. When a stranger enters their midst, a woman on the run from her own demons, the...
Goldilocks introduces a trio of new actors: Claire Milligan, Serra Naiman and Bryan Mittelstadt. It’s directed and written by Lipsky, produced by longtime collaborator Nick Athas and shot by Zak Ray with production sound mixed by Caleb Mose (O.J.: Made in America).
Filmed entirely in Las Vegas, the movie centers on a man and a woman – travelers who’ve all but given up on futures that might have been glorious. When a stranger enters their midst, a woman on the run from her own demons, the...
- 3/14/2024
- by Nancy Tartaglione
- Deadline Film + TV
Netflix is bringing 1974 back to theaters thanks to rare archival prints, restorations, and select 35mm screenings of the curated “Milestone Movies” streaming collection.
The streaming platform debuts a slew of classic films across its trio of theaters in Los Angeles and New York City. The rarely screened archival prints for Martin Scorsese’s “Alice Doesn’t Live Here Anymore” and John Cassavetes’ “A Woman Under the Influence” are among the selected titles, as well as the premiere of the Dcp restoration of iconic Blaxploitation film “Foxy Brown” starring Pam Grier.
The screening series marks the 50th anniversaries of the 1974 films, which were unveiled as part of Netflix’s inaugural (and Criterion Channel-esque) curation channel “Milestone Movies: The Anniversary Collection,” which was unveiled in January 2024. Fifteen films will screen at the Paris Theater in New York from March 22 through 28, as 12 films screen at the Egyptian Theatre in Los Angeles from March 11 through...
The streaming platform debuts a slew of classic films across its trio of theaters in Los Angeles and New York City. The rarely screened archival prints for Martin Scorsese’s “Alice Doesn’t Live Here Anymore” and John Cassavetes’ “A Woman Under the Influence” are among the selected titles, as well as the premiere of the Dcp restoration of iconic Blaxploitation film “Foxy Brown” starring Pam Grier.
The screening series marks the 50th anniversaries of the 1974 films, which were unveiled as part of Netflix’s inaugural (and Criterion Channel-esque) curation channel “Milestone Movies: The Anniversary Collection,” which was unveiled in January 2024. Fifteen films will screen at the Paris Theater in New York from March 22 through 28, as 12 films screen at the Egyptian Theatre in Los Angeles from March 11 through...
- 2/20/2024
- by Samantha Bergeson
- Indiewire
Although his name might be unfamiliar to a young generation of moviegoers, John Cassavetes was a giant in raising the profile of independent film in America. As a young man, after enrolling in the American Academy of Dramatic Arts, he took on small parts in films and appeared in episodic television until he picked up a camera and exploded onto the indie film scene with his 1959 film “Shadows.” From there, he went on to write and direct “Faces” (1968), which earned three Oscar nominations and eventually to 1974’s “A Woman Under the Influence,” which starred his wife Gena Rowlands (whom he met at the American Academy) in arguably her most triumphant performance. Cassavetes is such an important figure in independent cinema that every year, the Independent Spirit Awards present the John Cassavetes Award to the year’s best film that cost less than $500,000.
While he was directing, Cassavetes continued his acting career,...
While he was directing, Cassavetes continued his acting career,...
- 12/1/2023
- by Tom O'Brien and Misty Holland
- Gold Derby
In the most shockingly funny moment of Alexander Payne’s “Sideways,” Miles Raymond, the desperate English teacher and wine aficionado played by Paul Giamatti, has just learned that his book was turned down by the publisher he had his hopes pinned on. It’s more than a rejection; it’s the death of his dream. Miles is in the middle a chi-chi Napa Valley wine tasting, and suddenly he’s in dire need of a drink. He asks the bartender for a glass of red, but all the man will pour him is a “taste.” Miles offers to pay for a full glass, but no go: That would be breaking the rules. It’s like the side-order-of-toast scene in “Five Easy Pieces,” only what happens here is three times as explosive. Miles grabs the bottle on the bar and pours himself a drink, and he and the bartender wind up wrestling over it.
- 11/12/2023
- by Owen Gleiberman
- Variety Film + TV
Sofia Coppola, whose awards contender “Priscilla” is now in theaters, is just one of several filmmakers whose parents were already major names in the industry. Both her father, Francis Ford Coppola, and her mother, Eleanor Coppola, are directors, as is her brother Roman.
Here are some of the most notable second-generation directors in Hollywood, including Jason Reitman, Rob Reiner, Mario Van Peebles and Colin Hanks.
We’re also a big fan of Francesca Scorsese’s TikTok videos with her dad, Martin Scorsese, especially the one where he auditions the family dog.
Photo credit: Getty Images
Ivan and Jason Reitman
Jason has picked up the “Ghostbusters” mantle from his father, who died in Feb. 2022. He directed “Ghostbusters: Afterlife” and the fourth film in the franchise is due in 2024. Jason’s films include “Up in the Air,” “Juno” and “Thank You For Smoking.”
Photo credit: Getty Images
Brandon and David Cronenberg
The...
Here are some of the most notable second-generation directors in Hollywood, including Jason Reitman, Rob Reiner, Mario Van Peebles and Colin Hanks.
We’re also a big fan of Francesca Scorsese’s TikTok videos with her dad, Martin Scorsese, especially the one where he auditions the family dog.
Photo credit: Getty Images
Ivan and Jason Reitman
Jason has picked up the “Ghostbusters” mantle from his father, who died in Feb. 2022. He directed “Ghostbusters: Afterlife” and the fourth film in the franchise is due in 2024. Jason’s films include “Up in the Air,” “Juno” and “Thank You For Smoking.”
Photo credit: Getty Images
Brandon and David Cronenberg
The...
- 11/9/2023
- by Sharon Knolle
- The Wrap
Amid their break up rumours, Malaika Arora has unfollowed actor Arjun Kapoor’s family members including father Boney Kapoor, sisters Anshula, Janhvi and Khushi Kapoor. A Reddit user has claimed that Malaika Arora has unfollowed Arjun’s family. However, she is still following the actor, Sonam Kapoor and Rhea Kapoor.
She even shared a cryptic Instagram story, which read: “Change is the law of life. And those who look only to the past or present are certain to miss the future.”
Malaika then shared another post featuring two sunglasses kept on a dining table and wrote: “Sunny days r here again…”
Arjun took to Instagram, where he shared a cryptic post, which read: “Garbage, the one thing we can always count on in this world.”
Actress Janhvi posted a poster of the 1974 film ‘A Woman Under The Influence’ written and directed by John Cassavetes. The filmrevolves around a woman whose...
She even shared a cryptic Instagram story, which read: “Change is the law of life. And those who look only to the past or present are certain to miss the future.”
Malaika then shared another post featuring two sunglasses kept on a dining table and wrote: “Sunny days r here again…”
Arjun took to Instagram, where he shared a cryptic post, which read: “Garbage, the one thing we can always count on in this world.”
Actress Janhvi posted a poster of the 1974 film ‘A Woman Under The Influence’ written and directed by John Cassavetes. The filmrevolves around a woman whose...
- 8/26/2023
- by Agency News Desk
- GlamSham
Gena Rowlands is the Ocar-nominated thespian who made a name for herself thanks to a series of manic, high-wire performances in several films, many of them directed by her late husband, indie maverick John Cassavetes. But how many of her titles remain classics? Let’s take a look back at 12 of Rowlands’s greatest films, ranked worst to best.
After making a name for herself with bit parts onstage and onscreen, Rowlands flourished when she became the muse of Cassavetes, who she married in 1954. A fellow performer, Cassavetes would raise money from appearing in movies like “The Dirty Dozen” (1967) and “Rosemary’s Baby” (1968), immediately funneling the funds into his own projects. His wife was usually front and center, as were their family members and friends.
Rowlands’s operatic performances were a perfect match for her husband’s improvisational, energetic films, including “Faces” (1968), “Minnie and Moskowitz” (1971), “Opening Night” (1977) and “Love Streams” (1984). Her...
After making a name for herself with bit parts onstage and onscreen, Rowlands flourished when she became the muse of Cassavetes, who she married in 1954. A fellow performer, Cassavetes would raise money from appearing in movies like “The Dirty Dozen” (1967) and “Rosemary’s Baby” (1968), immediately funneling the funds into his own projects. His wife was usually front and center, as were their family members and friends.
Rowlands’s operatic performances were a perfect match for her husband’s improvisational, energetic films, including “Faces” (1968), “Minnie and Moskowitz” (1971), “Opening Night” (1977) and “Love Streams” (1984). Her...
- 6/17/2023
- by Zach Laws and Chris Beachum
- Gold Derby
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI, and sign up for our weekly email newsletter by clicking here.NEWSStanley Kubrick in Filmworker.Stanley Kubrick’s long-lost passion project, a biopic of Napoleon Bonaparte, may soon be realized. This week at the Berlinale, Steven Spielberg expanded on plans to executive-produce a seven-part series for HBO based on Kubrick’s original script.In June, Terence Davies will begin filming an adaptation of Stefan Zweig’s The Post-Office Girl. According to a production announcement, the cast includes Sophie Cookson, Richard E. Grant, and Verena Altenberger.Recommended VIEWINGWe’ve been enjoying the “redefining the food film” video-essay series on Vittles, a food and culture newsletter. Below is Andrew Key’s discussion of A Woman Under the Influence, and the ways that food can tear us apart:Shellac has shared a first trailer for Angela Schanelec’s Music,...
- 2/22/2023
- MUBI
Natasha Lyonne's leading roles are pretty unconventional female characters. They have a rugged androgyny that comes naturally to the actress, but it's not just Lyonne that gives them a sort of gender-transcendent quality. These characters break out of the traditional archetypes that most actresses are restricted by. In fact, they more closely resemble classic male characters — like Martin Sheen's Benjamin Willard in "Apocalypse Now."
Willard's descent into madness is memorable because it happens inwardly. We've seen women devolve into hysteria in cinematic masterpieces like "A Woman Under the Influence," but rarely do we take a female character's passivity to indicate introspection. Lyonne hoped to break out of this trope when she took the creative reigns on projects like "Russian Doll" and Rian Johnson's new series "Poker Face."
Even when women are protagonists, they are often "defined by an outer life," Lyonne pointed out in an interview with Time.
Willard's descent into madness is memorable because it happens inwardly. We've seen women devolve into hysteria in cinematic masterpieces like "A Woman Under the Influence," but rarely do we take a female character's passivity to indicate introspection. Lyonne hoped to break out of this trope when she took the creative reigns on projects like "Russian Doll" and Rian Johnson's new series "Poker Face."
Even when women are protagonists, they are often "defined by an outer life," Lyonne pointed out in an interview with Time.
- 2/1/2023
- by Shae Sennett
- Slash Film
Disability is usually the last identity category most people think of when we talk collectively about bolstering diversity, equity and inclusion across institutions — yet disabled people comprise the most diverse minoritized population in the world. After all, anyone can become disabled at any time. Disability is also often invisible: Think of how many people you know who live with chronic illness, chronic pain, or learning and cognitive conditions. Even more invisible within the disabled population, however, are those who experience mental health difficulties. Despite the fact that one in five adults in the U.S. experiences mental illness, it remains a silenced and stigmatized subject.
Last year, when Coda‘s Oscar buzz was growing, many commentators reflected on the relative dearth of films that accurately depict disabilities, the fact that an even smaller number of those films actually receive awards consideration at all, and the perennial question of who, exactly,...
Last year, when Coda‘s Oscar buzz was growing, many commentators reflected on the relative dearth of films that accurately depict disabilities, the fact that an even smaller number of those films actually receive awards consideration at all, and the perennial question of who, exactly,...
- 1/23/2023
- by Robyn Bahr
- The Hollywood Reporter - Movie News
Tár writer/director Todd Field discusses a few of his favorite movies with Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
You Only Live Twice (1967) – Dana Gould’s trailer commentary
Tár (2022)
Man With A Movie Camera (1929)
Battleship Potemkin (1925)
Koyaanisqatsi (1982)
The Big Parade (1925)
Lawrence Of Arabia (1962)
The Crowd (1928)
Star Wars (1977)
The Servant (1963)
Parasite (2019) – Glenn Erickson’s Blu-ray review, Dennis Cozzalio’s review
The Three Musketeers (1973) – Josh Olson’s trailer commentary
Figures In A Landscape (1970)
M (1931)
M (1951)
I Am Cuba (1964)
The Cranes Are Flying (1957) – Glenn Erickson’s Criterion Blu-ray review
Letter Never Sent (1960)
Shadows of Forgotten Ancestors (1965)
Butch Cassidy And The Sundance Kid (1969)
The Towering Inferno (1974) – George Hickenlooper’s trailer commentary
The Great Waldo Pepper (1975)
The Sting (1973)
The World of Henry Orient (1964) – Larry Karaszewski’s trailer commentary
Thelma And Louise (1991)
Murmur Of The Heart (1971)
The Silent World (1956)
Opening Night (1977)
The Killing Of A Chinese Bookie (1976) – Larry Karaszewski’s...
Show Notes: Movies Referenced In This Episode
You Only Live Twice (1967) – Dana Gould’s trailer commentary
Tár (2022)
Man With A Movie Camera (1929)
Battleship Potemkin (1925)
Koyaanisqatsi (1982)
The Big Parade (1925)
Lawrence Of Arabia (1962)
The Crowd (1928)
Star Wars (1977)
The Servant (1963)
Parasite (2019) – Glenn Erickson’s Blu-ray review, Dennis Cozzalio’s review
The Three Musketeers (1973) – Josh Olson’s trailer commentary
Figures In A Landscape (1970)
M (1931)
M (1951)
I Am Cuba (1964)
The Cranes Are Flying (1957) – Glenn Erickson’s Criterion Blu-ray review
Letter Never Sent (1960)
Shadows of Forgotten Ancestors (1965)
Butch Cassidy And The Sundance Kid (1969)
The Towering Inferno (1974) – George Hickenlooper’s trailer commentary
The Great Waldo Pepper (1975)
The Sting (1973)
The World of Henry Orient (1964) – Larry Karaszewski’s trailer commentary
Thelma And Louise (1991)
Murmur Of The Heart (1971)
The Silent World (1956)
Opening Night (1977)
The Killing Of A Chinese Bookie (1976) – Larry Karaszewski’s...
- 1/10/2023
- by Kris Millsap
- Trailers from Hell
NYC Weekend Watch is our weekly round-up of repertory offerings.
Anthology Film Archives
On Sunday, Courtney Stephens gives a live performance of her archival doc Terra Femme.
Film at Lincoln Center
New 4K restorations of the Infernal Affairs trilogy start screening this weekend.
Museum of the Moving Image
The Caan Film Festival returns with 35mm prints of The Godfather, El Dorado, and Games, while Safety Last! screens this Saturday.
Roxy Cinema
The series “Woman as Witch” offers 35mm prints of Morvern Callar and A Woman Under the Influence, while Godard’s King Lear screens.
Film Forum
A Miloš Forman retrospective celebrates the filmmaker’s 90th birthday; the restoration of Carnal Knowledge continues.
IFC Center
“World of Wong Kar-wai” returns; the 4K Daisies restoration continues, as does the new restoration of Heat; Beaches of Agnes, Bottle Rocket, Aliens, Blue Velvet, The Holy Mountain, El Topo, Taxi Driver, The Shining, and The Silence of the Lambs...
Anthology Film Archives
On Sunday, Courtney Stephens gives a live performance of her archival doc Terra Femme.
Film at Lincoln Center
New 4K restorations of the Infernal Affairs trilogy start screening this weekend.
Museum of the Moving Image
The Caan Film Festival returns with 35mm prints of The Godfather, El Dorado, and Games, while Safety Last! screens this Saturday.
Roxy Cinema
The series “Woman as Witch” offers 35mm prints of Morvern Callar and A Woman Under the Influence, while Godard’s King Lear screens.
Film Forum
A Miloš Forman retrospective celebrates the filmmaker’s 90th birthday; the restoration of Carnal Knowledge continues.
IFC Center
“World of Wong Kar-wai” returns; the 4K Daisies restoration continues, as does the new restoration of Heat; Beaches of Agnes, Bottle Rocket, Aliens, Blue Velvet, The Holy Mountain, El Topo, Taxi Driver, The Shining, and The Silence of the Lambs...
- 9/16/2022
- by Nick Newman
- The Film Stage
Click here to read the full article.
Immediately joining the first ranks of artists’ memoirs, Steven Spielberg’s The Fabelmans is both a vivid capturing of the auteur’s earliest flashes of filmmaking insight and a portrait, full of love yet unclouded by nostalgia, of the family that made him.
Brought to life by heart-grabbing performances from Michelle Williams, Paul Dano and relative newcomer Gabriel Labelle, it brims with compassion and understanding for both of his parents, whose divorce split their tight-knit family when he was a teen.
It begins with little Sammy Fabelman (Mateo Zoryan Francis-DeFord), about to see his first movie, standing apprehensively outside the cinema. He’s scared to go inside, where he’s heard the stories are told by giant people, and his parents (Mitzi and Burt, played by Williams and Dano) try to assuage his fears. Amid their soothing assurances, Burt crouches down and tries...
Immediately joining the first ranks of artists’ memoirs, Steven Spielberg’s The Fabelmans is both a vivid capturing of the auteur’s earliest flashes of filmmaking insight and a portrait, full of love yet unclouded by nostalgia, of the family that made him.
Brought to life by heart-grabbing performances from Michelle Williams, Paul Dano and relative newcomer Gabriel Labelle, it brims with compassion and understanding for both of his parents, whose divorce split their tight-knit family when he was a teen.
It begins with little Sammy Fabelman (Mateo Zoryan Francis-DeFord), about to see his first movie, standing apprehensively outside the cinema. He’s scared to go inside, where he’s heard the stories are told by giant people, and his parents (Mitzi and Burt, played by Williams and Dano) try to assuage his fears. Amid their soothing assurances, Burt crouches down and tries...
- 9/11/2022
- by John DeFore
- The Hollywood Reporter - Movie News
Writer / Director / Actor Halina Reijn discusses some of her favorite movies with Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
Rrr (2022)
Bodies Bodies Bodies (2022)
Gothic (1986)
Warlock (1989)
Annie (1982)
Midsommar (2019) – Dennis Cozzalio’s 2019 year-end movie roundup
Bambi (1942) – Brian Trenchard-Smith’s trailer commentary
Annie (2014)
A Woman Under The Influence (1974)
Husbands (1970) – Glenn Erickson’s Criterion Blu-ray review
Opening Night (1977)
The Piano Teacher (2001) – Charlie Largent’s Criterion Blu-ray review
Black Book (2006)
Elle (2016) – Charlie Largent’s Blu-ray review, Dennis Cozzalio’s 2016 year-end movie roundup
The Fourth Man (1983)
Basic Instinct (1992) – Dan Ireland’s trailer commentary
Showgirls (1995)
Indecent Proposal (1993)
Fatal Attraction (1987) – Allan Arkush’s trailer commentary
9 ½ Weeks (1986)
Fifty Shades Of Grey (2015)
365 Days (2020)
A History Of Violence (2005)
Last Tango In Paris (1972) – Larry Karaszewski’s trailer commentary
Chinatown (1974) – Ernest Dickerson’s trailer commentary
Marathon Man (1976)
The Abyss (1989)
Apocalypse Now (1979) – Josh Olson’s trailer commentary, Glenn Erickson’s Blu-ray review
Who’s Afraid Of Virginia Woolf?...
Show Notes: Movies Referenced In This Episode
Rrr (2022)
Bodies Bodies Bodies (2022)
Gothic (1986)
Warlock (1989)
Annie (1982)
Midsommar (2019) – Dennis Cozzalio’s 2019 year-end movie roundup
Bambi (1942) – Brian Trenchard-Smith’s trailer commentary
Annie (2014)
A Woman Under The Influence (1974)
Husbands (1970) – Glenn Erickson’s Criterion Blu-ray review
Opening Night (1977)
The Piano Teacher (2001) – Charlie Largent’s Criterion Blu-ray review
Black Book (2006)
Elle (2016) – Charlie Largent’s Blu-ray review, Dennis Cozzalio’s 2016 year-end movie roundup
The Fourth Man (1983)
Basic Instinct (1992) – Dan Ireland’s trailer commentary
Showgirls (1995)
Indecent Proposal (1993)
Fatal Attraction (1987) – Allan Arkush’s trailer commentary
9 ½ Weeks (1986)
Fifty Shades Of Grey (2015)
365 Days (2020)
A History Of Violence (2005)
Last Tango In Paris (1972) – Larry Karaszewski’s trailer commentary
Chinatown (1974) – Ernest Dickerson’s trailer commentary
Marathon Man (1976)
The Abyss (1989)
Apocalypse Now (1979) – Josh Olson’s trailer commentary, Glenn Erickson’s Blu-ray review
Who’s Afraid Of Virginia Woolf?...
- 9/6/2022
- by Kris Millsap
- Trailers from Hell
Actress Tatiana Maslany nearly gave up acting at the age of 20. Starting work as a child actor when she was 11 and landed a full time job in Canadian kids TV show a2030 Ce’ as a teenager, the ‘Orphan Black’ actress revealed she almost walked away from her career after becoming disillusioned with her life choices, reports aceshowbiz.com.
“I suddenly had this urge to re-evaluate why I was doing it (acting). Was I just doing it because it was this thing I did as a kid?” she explained to The Guardian.
However, she changed her mind and decided to commit to her career after watching Gena Rowlands’ 1974 film ‘A Woman Under the Influence’.
Tatiana went on, “I thought, ‘Yes, that’s it! That’s what I want!’ I wanted that level of freedom and inventiveness and presence and connection. It was so powerful to watch. That movie showed me what was possible.
“I suddenly had this urge to re-evaluate why I was doing it (acting). Was I just doing it because it was this thing I did as a kid?” she explained to The Guardian.
However, she changed her mind and decided to commit to her career after watching Gena Rowlands’ 1974 film ‘A Woman Under the Influence’.
Tatiana went on, “I thought, ‘Yes, that’s it! That’s what I want!’ I wanted that level of freedom and inventiveness and presence and connection. It was so powerful to watch. That movie showed me what was possible.
- 8/16/2022
- by Glamsham Bureau
- GlamSham
The Emmy-winning Orphan Black star on taking on tokenism – and bad guys – as She-Hulk in Marvel’s latest TV adventure
When Tatiana Maslany was 20, she wondered whether acting was really for her. The Canadian was already 11 years into her career, having begun working as a child, and had recently relocated from Regina in Saskatchewan to Toronto in order to be where the jobs were. “I suddenly had this urge to re-evaluate why I was doing it,” she says. “Was I just doing it because it was this thing I did as a kid?” But then she watched John Cassavetes’ 1974 film A Woman Under the Influence, in which Gena Rowlands’ suburban housewife reaches breaking point. “And I thought: ‘Yes, that’s it! That’s what I want!’” she exclaims. “I wanted that level of freedom and inventiveness and presence and connection. It was so powerful to watch. That movie showed me what was possible.
When Tatiana Maslany was 20, she wondered whether acting was really for her. The Canadian was already 11 years into her career, having begun working as a child, and had recently relocated from Regina in Saskatchewan to Toronto in order to be where the jobs were. “I suddenly had this urge to re-evaluate why I was doing it,” she says. “Was I just doing it because it was this thing I did as a kid?” But then she watched John Cassavetes’ 1974 film A Woman Under the Influence, in which Gena Rowlands’ suburban housewife reaches breaking point. “And I thought: ‘Yes, that’s it! That’s what I want!’” she exclaims. “I wanted that level of freedom and inventiveness and presence and connection. It was so powerful to watch. That movie showed me what was possible.
- 8/13/2022
- by Fiona Sturges
- The Guardian - Film News
Sterlin Harjo, co-creator of FX’s Reservation Dogs, discusses a few of his favorite movies with hosts Josh Olson and Joe Dante.
Show Notes: Movies Referenced In This Episode
Mekko (2015)
Boy (2010)
Cool Hand Luke (1967) – Larry Karaszewski’s trailer commentary, Randy Fuller’s wine pairings
Being There (1979) – Alan Spencer’s trailer commentary, Charlie Largent’s Blu-ray review
The Outlaw Josey Wales (1976) – Josh Olson’s trailer commentary
A Woman Under The Influence (1974)
Husbands (1970) – Glenn Erickson’s Blu-ray review
Stand By Me (1986)
Hamburger: The Motion Picture (1986)
This Is Spinal Tap (1984) – John Landis’s trailer commentary
The Princess Bride (1987) – Glenn Erickson’s Blu-ray review
Friday (1995)
One Flew Over The Cuckoo’s Nest (1975) – Adam Rifkin’s trailer commentary
Dead Man (1995)
Powwow Highway (1989)
Airplane! (1980) – Glenn Erickson’s Blu-ray review
Ghost Dog: Way Of The Samurai (1999)
Stalker (1979) – Glenn Erickson’s Criterion Blu-ray review
Come And See (1985) – Larry Karaszewski’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review
A Clockwork Orange...
Show Notes: Movies Referenced In This Episode
Mekko (2015)
Boy (2010)
Cool Hand Luke (1967) – Larry Karaszewski’s trailer commentary, Randy Fuller’s wine pairings
Being There (1979) – Alan Spencer’s trailer commentary, Charlie Largent’s Blu-ray review
The Outlaw Josey Wales (1976) – Josh Olson’s trailer commentary
A Woman Under The Influence (1974)
Husbands (1970) – Glenn Erickson’s Blu-ray review
Stand By Me (1986)
Hamburger: The Motion Picture (1986)
This Is Spinal Tap (1984) – John Landis’s trailer commentary
The Princess Bride (1987) – Glenn Erickson’s Blu-ray review
Friday (1995)
One Flew Over The Cuckoo’s Nest (1975) – Adam Rifkin’s trailer commentary
Dead Man (1995)
Powwow Highway (1989)
Airplane! (1980) – Glenn Erickson’s Blu-ray review
Ghost Dog: Way Of The Samurai (1999)
Stalker (1979) – Glenn Erickson’s Criterion Blu-ray review
Come And See (1985) – Larry Karaszewski’s trailer commentary, Glenn Erickson’s Criterion Blu-ray review
A Clockwork Orange...
- 8/2/2022
- by Kris Millsap
- Trailers from Hell
Above: 2021 UK quad poster for 4K restoration of The 400 Blows. Design by The Posterhouse.50,000 Movie Poster of the Day fans can’t be wrong. Yes, just this week my Movie Poster of the Day Instagram—a feed that was a spin-off from this column—surpassed 50,000 followers, which is a little ways off Cristiano Ronaldo’s 411 million and still a tenth of the half a million that Movie Poster of the Day used to have on Tumblr, though I never quite believed those numbers. But I put a lot of faith in my Movie Poster of the Day followers and so every six months I like to collect and rank the most “liked” posters that I have posted in the previous 26 weeks as some sort of bellwether of popular taste.The 400 Blows poster above racked up 3,168 likes earlier this year, making it the third most-liked poster I’ve ever posted (for...
- 3/11/2022
- MUBI
Kristen Stewart takes method acting all the way to the bathroom.
The “Spencer” star, who is nominated for Best Actress at the 2022 Oscars, set out to fully embody Princess Diana’s bulimia and actually make herself throw up while in character.
“I’ll fucking do anything,” Stewart told Vanity Fair as part of their annual Hollywood Issue. “I wanted to make sure that was not glossed over.”
Director Pablo Larraín filmed Stewart as she struggled to vomit; it seems like the take was kept in the final film.
“I couldn’t throw up on this movie, even when I really should have,” Stewart said. “I felt like absolute shit and I could not get it up, and I know it was because my body was just like…the idea of that was so untouchable.”
Many of the film’s key dramatic scenes feature Stewart’s Diana struggling in private with her eating disorder.
The “Spencer” star, who is nominated for Best Actress at the 2022 Oscars, set out to fully embody Princess Diana’s bulimia and actually make herself throw up while in character.
“I’ll fucking do anything,” Stewart told Vanity Fair as part of their annual Hollywood Issue. “I wanted to make sure that was not glossed over.”
Director Pablo Larraín filmed Stewart as she struggled to vomit; it seems like the take was kept in the final film.
“I couldn’t throw up on this movie, even when I really should have,” Stewart said. “I felt like absolute shit and I could not get it up, and I know it was because my body was just like…the idea of that was so untouchable.”
Many of the film’s key dramatic scenes feature Stewart’s Diana struggling in private with her eating disorder.
- 2/17/2022
- by Samantha Bergeson
- Indiewire
Movie theaters are reopening and audiences are creeping back, but that’s only part of the story. As with last year’s shocking changes to the media landscape, no amount of shutdowns and shifting distribution paradigms could stop movies from getting out there, whether they came to small VOD entities or the biggest streaming platforms. And while the “movies versus TV” debate rages on, the cinema one hasn’t.
This year’s release calendar has been so loaded with feature-length wonders, many of which push the boundaries of art form, that even as we head straight into the belly of the “awards season” beast, our usual edict remains intact: Anyone who thinks this has been a bad year for movies simply hasn’t seen enough of them. And there are only more goodies to come.
Our list of the best movies of the year so far follows the same basic rules: In order to qualify,...
This year’s release calendar has been so loaded with feature-length wonders, many of which push the boundaries of art form, that even as we head straight into the belly of the “awards season” beast, our usual edict remains intact: Anyone who thinks this has been a bad year for movies simply hasn’t seen enough of them. And there are only more goodies to come.
Our list of the best movies of the year so far follows the same basic rules: In order to qualify,...
- 11/2/2021
- by Kate Erbland, David Ehrlich and Eric Kohn
- Indiewire
The director of Spencer, Pablo Larraín, discusses a few of his favorite movies with host Josh Olson.
Show Notes: Movies Referenced In This Episode
Spencer (2021)
Jackie (2016)
Tony Manero (2008)
Eyes of Laura Mars (1978) – David DeCoteau’s trailer commentary
Back To The Future (1985) – Tfh’s time-traveling quiz
Fitzcarraldo (1982) – Dennis Cozzalio’s Herzog guide
Burden of Dreams (1982)
Aguirre: The Wrath Of God (1972)
Paris, Texas (1984) – Karyn Kusama’s trailer commentary
Eyes Wide Shut (1999) – Dan Ireland’s trailer commentary
Barry Lyndon (1975) – Glenn Erickson’s Criterion Blu-ray review
The Shining (1980) – Adam Rifkin’s trailer commentary
Dr. Strangelove (1964) – Michael Lehman’s trailer commentary, Glenn Erickson’s Blu-ray review
Full Metal Jacket (1987)
A Woman Under The Influence (1974)
Salò, Or The 120 Days of Sodom (1975) – Larry Karaszewski’s trailer commentary
Theorem (1968)
Medea (1969)
Naked (1993)
Secrets And Lies (1996) – Glenn Erickson’s Blu-ray review
Vera Drake (2004)
Topsy-Turvy (1999)
Happy-Go-Lucky (2008)
A History Of Violence (2005)
There Will Be Blood (2007)
The Master (2012)
Phantom Thread (2017) – Dennis...
Show Notes: Movies Referenced In This Episode
Spencer (2021)
Jackie (2016)
Tony Manero (2008)
Eyes of Laura Mars (1978) – David DeCoteau’s trailer commentary
Back To The Future (1985) – Tfh’s time-traveling quiz
Fitzcarraldo (1982) – Dennis Cozzalio’s Herzog guide
Burden of Dreams (1982)
Aguirre: The Wrath Of God (1972)
Paris, Texas (1984) – Karyn Kusama’s trailer commentary
Eyes Wide Shut (1999) – Dan Ireland’s trailer commentary
Barry Lyndon (1975) – Glenn Erickson’s Criterion Blu-ray review
The Shining (1980) – Adam Rifkin’s trailer commentary
Dr. Strangelove (1964) – Michael Lehman’s trailer commentary, Glenn Erickson’s Blu-ray review
Full Metal Jacket (1987)
A Woman Under The Influence (1974)
Salò, Or The 120 Days of Sodom (1975) – Larry Karaszewski’s trailer commentary
Theorem (1968)
Medea (1969)
Naked (1993)
Secrets And Lies (1996) – Glenn Erickson’s Blu-ray review
Vera Drake (2004)
Topsy-Turvy (1999)
Happy-Go-Lucky (2008)
A History Of Violence (2005)
There Will Be Blood (2007)
The Master (2012)
Phantom Thread (2017) – Dennis...
- 11/2/2021
- by Kris Millsap
- Trailers from Hell
Like its enigmatic leads, “Passing” wastes no time wading into thorny territory. Employing a theatrical economy of space, the film’s opening scene tumbles seamlessly into in one of its most arresting moments, one that leaves a lasting impression. After running into an old school friend Clare (Ruth Negga) while out shopping, Irene (Tessa Thompson) reluctantly visits the hotel room Clare shares with her unnervingly white husband John (Alexander Skarsgård). Though viewers may guess at the film’s premise from its plumb title (which is both ambiguous and direct), we observe rapt as Irene politely pieces together the details of Clare’s unusual lifestyle.
When John reveals the racist origins of his nickname for his blonde wife (whom he thinks is white), without the faintest hint of shame, Irene cannot stop herself from bursting out in a fit of nervous laughter. The spell goes on slightly too long for comfort,...
When John reveals the racist origins of his nickname for his blonde wife (whom he thinks is white), without the faintest hint of shame, Irene cannot stop herself from bursting out in a fit of nervous laughter. The spell goes on slightly too long for comfort,...
- 10/29/2021
- by Jude Dry
- Indiewire
The 4K restoration (released this month by Cohen Media and featured at the New York Film Festival) of Joan Micklin Silver’s 1975 “Hester Street” is getting deserved credit as a rare female-directed American film from its era. The black and white feature, set in the mostly Jewish immigrant community in New York’s Lower East side in the 1890s, overcame tough odds on multiple fronts to become a significant financial success.
The film grossed $5 million by the end of its run, the equivalent of over $22 million today. All this on a budget of $375,000 (about $1.7 million now). That was a significant success, even if at the time it wasn’t supplemented by home video, and as a black and white film it had limited interest for broadcast television.
Micklin Silver’s film is getting renewed credit for its quality, as well as for being the debut film that caused her to break out as a director.
The film grossed $5 million by the end of its run, the equivalent of over $22 million today. All this on a budget of $375,000 (about $1.7 million now). That was a significant success, even if at the time it wasn’t supplemented by home video, and as a black and white film it had limited interest for broadcast television.
Micklin Silver’s film is getting renewed credit for its quality, as well as for being the debut film that caused her to break out as a director.
- 10/13/2021
- by Tom Brueggemann
- Indiewire
Standing tall by the Urumea river, the imposing Tabakalera International Contemporary Cultural Center dominates the skyline of San Sebastian. It is home to the Spanish-speaking world’s most prominent film festival, now celebrating its 69th year, and to other key cultural institutions, including the post-graduate film school Elias Querejeta Zine Eskola (Eqze) and the Filmoteca Vasca (Basque Film Archives). Built in 1913, the former tobacco factory is one of many that were raised across the country when Spain monopolized its domestic tobacco trade. For 90 years, it was a state-owned factory where more than a thousand people toiled, most of them women.
Since the refurbished Tabakalera opened in 2015, it has become a cultural hub for the Basque region, with an increasingly international profile as its festival and the film school, founded in 2017, attract a host of filmmakers, film students and professionals from around the world. Since Sept. 13, 30 women and 15 men from more...
Since the refurbished Tabakalera opened in 2015, it has become a cultural hub for the Basque region, with an increasingly international profile as its festival and the film school, founded in 2017, attract a host of filmmakers, film students and professionals from around the world. Since Sept. 13, 30 women and 15 men from more...
- 9/20/2021
- by Anna Marie de la Fuente
- Variety Film + TV
When we first meet Anne (Deragh Campbell), she’s in two places at once. Gently cupping a butterfly in her hands, she ushers it onto a young girl’s shoulder as other children look on, mesmerized by her ability to capture the elusive creature. Without warning, the camera cuts from a moment of calm to one of exhilaration — Anne is preparing to jump out of a moving plane for her best friend’s bachelorette party. The two scenes are interwoven to the point where we don’t know where one ends and one begins, like someone trying to piece together formless fragments of distant memories.
It’s a manic introduction to “Anne at 13,000 Ft.,” Canadian director Kazik Radwanski’s portrait of an unsteady woman struggling to navigate her everyday life, and it sets us up for 75 minutes of fits and starts as we are jerked from one episode to the next.
It’s a manic introduction to “Anne at 13,000 Ft.,” Canadian director Kazik Radwanski’s portrait of an unsteady woman struggling to navigate her everyday life, and it sets us up for 75 minutes of fits and starts as we are jerked from one episode to the next.
- 8/31/2021
- by Susannah Gruder
- Indiewire
Billie Piper, the writer, director and star of Rare Beasts, discusses her favorite films with Josh Olson.
Show Notes: Movies Referenced In This Episode
Rare Beasts (2021)
Naked (1993)
Eternal Beauty (2019)
Punch-Drunk Love (2002)
Uncut Gems (2019) – Dennis Cozzalio’s praise for the Sandman’s performance, Dennis Cozzalio’s year-end 2019 list
Funny People (2009)
Magnolia (1999)
There Will Be Blood (2007)
Inherent Vice (2014)
Phantom Thread (2017) – Dennis Cozzalio’s review
The Wizard Of Oz (1939) – John Badham’s trailer commentary
A Woman Under The Influence (1974)
Opening Night (1977)
Daddy Longlegs (2009)
Daddy Long Legs (1955)
Betty Blue (1986)
Ivans Xtc. (2000)
Eternal Sunshine of the Spotless Mind (2004)
The Mask (1994)
Jim & Andy: The Great Beyond (2017)
Heavenly Creatures (1994)
Mary Poppins (1964)
Synecdoche, New York (2008)
Adaptation (2002)
Capote (2005)
Other Notable Items
Doctor Who TV series
Penny Dreadful TV series (2014-2016)
Secret Diary of a Call Girl TV series (2007–2011)
I Hate Suzie TV series (2020– )
HBO Max
Mike Leigh
David Thewlis
Kerry Fox
Paul Thomas Anderson
Adam Sandler
John Cassavetes...
Show Notes: Movies Referenced In This Episode
Rare Beasts (2021)
Naked (1993)
Eternal Beauty (2019)
Punch-Drunk Love (2002)
Uncut Gems (2019) – Dennis Cozzalio’s praise for the Sandman’s performance, Dennis Cozzalio’s year-end 2019 list
Funny People (2009)
Magnolia (1999)
There Will Be Blood (2007)
Inherent Vice (2014)
Phantom Thread (2017) – Dennis Cozzalio’s review
The Wizard Of Oz (1939) – John Badham’s trailer commentary
A Woman Under The Influence (1974)
Opening Night (1977)
Daddy Longlegs (2009)
Daddy Long Legs (1955)
Betty Blue (1986)
Ivans Xtc. (2000)
Eternal Sunshine of the Spotless Mind (2004)
The Mask (1994)
Jim & Andy: The Great Beyond (2017)
Heavenly Creatures (1994)
Mary Poppins (1964)
Synecdoche, New York (2008)
Adaptation (2002)
Capote (2005)
Other Notable Items
Doctor Who TV series
Penny Dreadful TV series (2014-2016)
Secret Diary of a Call Girl TV series (2007–2011)
I Hate Suzie TV series (2020– )
HBO Max
Mike Leigh
David Thewlis
Kerry Fox
Paul Thomas Anderson
Adam Sandler
John Cassavetes...
- 8/24/2021
- by Kris Millsap
- Trailers from Hell
PolygraphThe past year, in all its plague decay, has uncovered—as crises tend to—the potential for paradigm shifts. Writers much smarter than I am have already gorgeously noted the few but incredibly generative impacts of “these unprecedented times” on group consciousness. The pandemic has also forced the realm of entertainment to evolve. Art has always been a refuge in times of emergency, and we have had to largely withstand this period of isolation without the comfort that resides in the solidarity of coming together as an audience. Thankfully, movie theaters have once again begun to open in the United States. Just a few months ago, I got to take in John Cassavetes’ A Woman Under the Influence in 35mm at the Paris Theater. To sit in the dark with others and hold a bag of popcorn in my hands felt better than it ever has. Following the Warner Bros...
- 8/2/2021
- MUBI
World premieres include UK drama ‘Boiling Point’, starring Stephen Graham.
Philip Barantini’s UK drama Boiling Point, starring Stephen Graham, and Dietrich Brüggemann’s No are among the films making their world premiere in competition at this year’s Karlovy Vary International Film Festival (August 20-28).
All 12 main competition titles are world premieres except Claudio Cupellini’s Italian drama The Land of The Sons, which is an international premiere.
Scroll down for full list
Filmed in one take, Boiling Point sees Graham plays a stressed head chef on the busiest night of the year at one of London’s top restaurants.
Philip Barantini’s UK drama Boiling Point, starring Stephen Graham, and Dietrich Brüggemann’s No are among the films making their world premiere in competition at this year’s Karlovy Vary International Film Festival (August 20-28).
All 12 main competition titles are world premieres except Claudio Cupellini’s Italian drama The Land of The Sons, which is an international premiere.
Scroll down for full list
Filmed in one take, Boiling Point sees Graham plays a stressed head chef on the busiest night of the year at one of London’s top restaurants.
- 6/29/2021
- by Michael Rosser
- ScreenDaily
The 55th Karlovy Vary International Film Festival, which was canceled last year because of the Covid-19 pandemic, will return in late August with a lineup of 32 new feature films plus an extensive tribute to Martin Scorsese’s Film Foundation, Kviff organizers announced on Tuesday.
The two main sections of the festival, the Crystal Globe Competition and the East of the West Competition, will for the first time include documentary films, which in the past had been excluded from competition or kept in their own sections.
The Film Foundation tribute will include screenings of 10 films restored by the organization Scorsese founded in 1990. They will include Michael Curtiz’s 1950 Hemingway adaptation “The Breaking Point,” the 1934 Mexican horror classic “The Phantom of the Convent,” Timité Bassori’s Ivory Coast drama “The Woman With the Knife,” Robert Downey Sr.’s 1969 satire “Putney Swope,” George Cukor’s 1932 film “What Price Hollywood?” and John Cassavetes’ indie...
The two main sections of the festival, the Crystal Globe Competition and the East of the West Competition, will for the first time include documentary films, which in the past had been excluded from competition or kept in their own sections.
The Film Foundation tribute will include screenings of 10 films restored by the organization Scorsese founded in 1990. They will include Michael Curtiz’s 1950 Hemingway adaptation “The Breaking Point,” the 1934 Mexican horror classic “The Phantom of the Convent,” Timité Bassori’s Ivory Coast drama “The Woman With the Knife,” Robert Downey Sr.’s 1969 satire “Putney Swope,” George Cukor’s 1932 film “What Price Hollywood?” and John Cassavetes’ indie...
- 6/29/2021
- by Steve Pond
- The Wrap
by Cláudio Alves
It's fair to say that Gena Rowlands is one of the most important screen actors of the 20th century. Her films made with husband, director, and costar John Cassavetes helped usher in a new kind of immersive realism that would thrive in the American indie scene for decades after the pair's heyday. To honor this acting genius, the Criterion Channel curated a collection of 10 films that feature some of Rowlands' most acclaimed work. For the Almost There series, I'm interested in those achievements that got some awards glory while not scoring any recognition from the Academy. After her Oscar nomination for 1974's A Woman Under the Influence, Gena Rowlands returned to the awards discussion with 1977's Opening Night…...
It's fair to say that Gena Rowlands is one of the most important screen actors of the 20th century. Her films made with husband, director, and costar John Cassavetes helped usher in a new kind of immersive realism that would thrive in the American indie scene for decades after the pair's heyday. To honor this acting genius, the Criterion Channel curated a collection of 10 films that feature some of Rowlands' most acclaimed work. For the Almost There series, I'm interested in those achievements that got some awards glory while not scoring any recognition from the Academy. After her Oscar nomination for 1974's A Woman Under the Influence, Gena Rowlands returned to the awards discussion with 1977's Opening Night…...
- 6/3/2021
- by Cláudio Alves
- FilmExperience
After a 14-month hiatus as theaters in New York City and beyond closed their doors during the pandemic, we’re delighted to announce the return of NYC Weekend Watch, our weekly round-up of repertory offerings. While many theaters are still focused on a selection of new releases, there’s a handful of worthwhile repertory screenings taking place. If you don’t live in NYC, some of these films are also available in the respective theater’s Virtual Cinema, so check out the links below.
Film Forum
The new 4K restoration of Melvin Van Peebles’ The Story of a Three–Day Pass is playing daily, along with Pedro Almodóvar’s’ Women on the Verge of a Nervous Breakdown accompanied by his new short The Human Voice.
Museum of the Moving Image
Along with the reopening of their 2001: A Space Odyssey exhibition, they are screening the sci-fi masterpiece and more Kubrick films.
Film Forum
The new 4K restoration of Melvin Van Peebles’ The Story of a Three–Day Pass is playing daily, along with Pedro Almodóvar’s’ Women on the Verge of a Nervous Breakdown accompanied by his new short The Human Voice.
Museum of the Moving Image
Along with the reopening of their 2001: A Space Odyssey exhibition, they are screening the sci-fi masterpiece and more Kubrick films.
- 5/7/2021
- by Jordan Raup
- The Film Stage
Photo: 'A Woman Under the Influence'/Cine-Source Cassavetes’ ‘Influence’ In Charlie Kaufman’s recent film, ‘I’m Thinking of Ending Things’, a significant portion of time is given to a discussion of John Cassavetes’ ‘A Woman Under the Influence’, a conversation that involves one character quoting lengthy excerpts verbatim from Pauline Kael’s 1974 New Yorker review of that film. In Mike Birbiglia’s 2016 comedy ‘Don’t Think Twice’, Gillian Jacobs plays a member of an improv troupe who specializes in doing an impression of Gena Rowlands’ character from ‘A Woman Under the Influence’ as if she were a baseball umpire. The Brooklyn band The Hold Steady have a song called ‘Slapped Actress’ that is technically about Cassavetes’ 1977 film ‘Opening Night’, but it debates the relationship between the director and his wife/lead actress, stating, “Some nights, makin' it look real might end up with someone hurt.” In their 1999 song ‘What’s Yr Take On Cassavetes?...
- 2/26/2021
- by Trent Kinnucan
- Hollywood Insider - Substance & Meaningful Entertainment
Exclusive: Veteran indie executive and filmmaker Jeff Lipsky is hooking up with Kino Lorber to launch The Jeff Lipsky Collection on growing streaming service Kino Now. The collection, which becomes available on March 5, will include five out of seven of Lipsky’s directing efforts dating from 2006-2019. Other filmmakers who are similarly represented with Kino Now Auteur Collections include Jean-Luc Godard, Lina Wertmüller, Derek Jarman, István Szabó and F.W. Murnau.
On the Lipsky roster are Flannel Pajamas (2006), a relationship story co-starring Julianne Nicholson and Justin Kirk; family drama Twelve Thirty (2011), starring Jonathan Groff; surreal comedy Molly’s Theory Of Relativity (2013) with Sophia Takal and Lawrence Michael Levine; character study Mad Women (2015), co-starring Reed Birney and Jamie Harrold; and Holocaust-themed family drama The Last (2019), starring Rebecca Schull. Lipsky hopes to add his first film, 1997’s The End, to the collection as soon as its restoration is complete.
Says Lipsky, “Being inducted...
On the Lipsky roster are Flannel Pajamas (2006), a relationship story co-starring Julianne Nicholson and Justin Kirk; family drama Twelve Thirty (2011), starring Jonathan Groff; surreal comedy Molly’s Theory Of Relativity (2013) with Sophia Takal and Lawrence Michael Levine; character study Mad Women (2015), co-starring Reed Birney and Jamie Harrold; and Holocaust-themed family drama The Last (2019), starring Rebecca Schull. Lipsky hopes to add his first film, 1997’s The End, to the collection as soon as its restoration is complete.
Says Lipsky, “Being inducted...
- 2/15/2021
- by Nancy Tartaglione
- Deadline Film + TV
Elyse Bridges lives in a glamorous house in Los Angeles, with her husband and son, where she spends most of her days lost in thought. But despite an idyllic opening shot set in a postcard suburban setting, something isn’t right in Stella Hopkins’ directorial debut, “Elyse.”
The black-and-white independent movie stars Lisa Pepper in the role of the film’s title character. Anthony Hopkins, the director’s husband, plays a psychiatrist. The rest of the cast of mostly unknowns are newcomers, who Stella cast because she believes one of the purposes of independent film is to shine a spotlight on emerging talent.
Stella has acted in (“The Human Stain”) and produced movies before, but this is her first time behind the camera. She shot “Elyse” in only 13 days last year, financing it through Margam Films, a division of the art company that she runs with with Anthony. “Elyse” is...
The black-and-white independent movie stars Lisa Pepper in the role of the film’s title character. Anthony Hopkins, the director’s husband, plays a psychiatrist. The rest of the cast of mostly unknowns are newcomers, who Stella cast because she believes one of the purposes of independent film is to shine a spotlight on emerging talent.
Stella has acted in (“The Human Stain”) and produced movies before, but this is her first time behind the camera. She shot “Elyse” in only 13 days last year, financing it through Margam Films, a division of the art company that she runs with with Anthony. “Elyse” is...
- 1/27/2021
- by Ramin Setoodeh
- Variety Film + TV
In a year filled with its own myriad disappointments, one thing remained reliable: the ability for some of our brightest performers to shine their light on a variety of thrilling roles. From steadfast stars like Viola Davis, Frances McDormand, Youn Yuh-Jung, and Carey Mulligan to rising talents like Haley Bennett, Anya Taylor-Joy, Jessie Buckley, and Letitia Wright, this year’s crop of female-fronted performances is deep.
As always, there were also plenty of exciting breakthrough performances this year, as we’ve already documented in a stacked list of rising stars of screens both large and small, but the women who qualify for this list of the best film performances by actresses have fully arrived in every sense of the term. Ahead, the 13 best performances by actresses in 2020.
Eric Kohn, Anne Thompson, David Ehrlich, Zack Sharf, Ryan Lattanzio, Tambay Obenson, Jude Dry, Bill Desowitz, and Chris Lindahl contributed to this article.
As always, there were also plenty of exciting breakthrough performances this year, as we’ve already documented in a stacked list of rising stars of screens both large and small, but the women who qualify for this list of the best film performances by actresses have fully arrived in every sense of the term. Ahead, the 13 best performances by actresses in 2020.
Eric Kohn, Anne Thompson, David Ehrlich, Zack Sharf, Ryan Lattanzio, Tambay Obenson, Jude Dry, Bill Desowitz, and Chris Lindahl contributed to this article.
- 12/9/2020
- by Kate Erbland
- Indiewire
Writer/director Catherine Hardwicke talks about her favorite intense movies with Josh.
Show Notes: Movies Referenced In This Episode
Citizen Kane (1941)
Thirteen (2003)
Lords of Dogtown (2005)
Heat and Sunlight (1987)
Angelo My Love (1983)
Kids (1995)
Out Of The Blue (1980)
The Wanderers (1979)
Mean Streets (1973)
A Woman Under The Influence (1974)
Husbands (1970)
City of God (2002)
Boys Don’t Cry (1999)
The Next Karate Kid (1994)
Million Dollar Baby (2004)
Hair (1979)
The Hangover (2009)
Porky’s (1981)
Hamburger: The Motion Picture (1986)
Twilight (2008)
The Nativity Story (2006)
Pariah (2011)
Mudbound (2017)
Sex And The City: The Movie (2008)
The Florida Project (2017)
Tangerine (2015)
The Ocean of Helena Lee (2015)
Other Notable Items
Rob Nilsson
Sundance Film Festival
Robert Duvall
Larry Clark
Peanuts comic strip (1950-2000)
Charles M. Schulz
Chloe Sevigny
Rosario Dawson
Heath Ledger
Linda Manz
Dennis Hopper
Philip Kaufman
Ken Wahl
The Wanderers novel by Richard Price (1974)
Robert De Niro
John Cassavetes
Gena Rowlands
Fernando Meirelles
Kátia Lund
Kimberly Pierce
Hillary Swank
Scarlett Johansson
Treat Williams
John Savage
The Eli...
Show Notes: Movies Referenced In This Episode
Citizen Kane (1941)
Thirteen (2003)
Lords of Dogtown (2005)
Heat and Sunlight (1987)
Angelo My Love (1983)
Kids (1995)
Out Of The Blue (1980)
The Wanderers (1979)
Mean Streets (1973)
A Woman Under The Influence (1974)
Husbands (1970)
City of God (2002)
Boys Don’t Cry (1999)
The Next Karate Kid (1994)
Million Dollar Baby (2004)
Hair (1979)
The Hangover (2009)
Porky’s (1981)
Hamburger: The Motion Picture (1986)
Twilight (2008)
The Nativity Story (2006)
Pariah (2011)
Mudbound (2017)
Sex And The City: The Movie (2008)
The Florida Project (2017)
Tangerine (2015)
The Ocean of Helena Lee (2015)
Other Notable Items
Rob Nilsson
Sundance Film Festival
Robert Duvall
Larry Clark
Peanuts comic strip (1950-2000)
Charles M. Schulz
Chloe Sevigny
Rosario Dawson
Heath Ledger
Linda Manz
Dennis Hopper
Philip Kaufman
Ken Wahl
The Wanderers novel by Richard Price (1974)
Robert De Niro
John Cassavetes
Gena Rowlands
Fernando Meirelles
Kátia Lund
Kimberly Pierce
Hillary Swank
Scarlett Johansson
Treat Williams
John Savage
The Eli...
- 12/8/2020
- by Kris Millsap
- Trailers from Hell
Łukasz Żal shoots about one film per year. He allows the film to overtake him, creating mini chapters within his life, depending on the style, content, and emotional impact these projects imprint upon his life. With Oscar nominations from Cold War and Ida––two films by Pawel Pawlikowski––the Polish cinematographer teamed up with Charlie Kaufman for his first American film, I’m Thinking of Ending Things.
The Film Stage caught up with Żal to talk about working with Kaufman, the importance of making difficult films, and how his latest project affected him.
The Film Stage: How do you feel about I’m Thinking of Ending Things now that you’ve gotten a bit of distance from the film’s release?
Łukasz Żal: It’s a very important film for me. It’s kind of a meditation about life. It’s like a journey, perhaps quite uncomfortable at times, but life...
The Film Stage caught up with Żal to talk about working with Kaufman, the importance of making difficult films, and how his latest project affected him.
The Film Stage: How do you feel about I’m Thinking of Ending Things now that you’ve gotten a bit of distance from the film’s release?
Łukasz Żal: It’s a very important film for me. It’s kind of a meditation about life. It’s like a journey, perhaps quite uncomfortable at times, but life...
- 11/4/2020
- by Michael Frank
- The Film Stage
For her directorial debut, Stella Hopkins zeroed in on a pretty impressive star: her own husband, Oscar winner Sir Anthony Hopkins. That casting only seems fitting for something as close to her heart as “Elyse,” a drama that the Colombian filmmaker said was inspired by her own family life.
Per the film’s official synopsis: “The drama follows the titular character (Lisa Pepper) who, in a psychotic blackout, commits vehicular manslaughter of her son and his nanny. Memory and hallucination intertwine to expose a history of trauma, revealing the truth: Elyse is catatonic and institutionalized in a State Hospital. Her recovery is reliant on the dissolution of her marriage, the restoration of the relationship with her mother, and a mutual absolution with the nanny’s daughter, Carmen. It’s the care from Dr. Lewis (Anthony Hopkins) and the unconditional love from her nurse, David, that promise Elyse a new life.
Per the film’s official synopsis: “The drama follows the titular character (Lisa Pepper) who, in a psychotic blackout, commits vehicular manslaughter of her son and his nanny. Memory and hallucination intertwine to expose a history of trauma, revealing the truth: Elyse is catatonic and institutionalized in a State Hospital. Her recovery is reliant on the dissolution of her marriage, the restoration of the relationship with her mother, and a mutual absolution with the nanny’s daughter, Carmen. It’s the care from Dr. Lewis (Anthony Hopkins) and the unconditional love from her nurse, David, that promise Elyse a new life.
- 10/29/2020
- by Kate Erbland
- Indiewire
As her new film My Zoe opens, the actor-director recalls being enchanted by Jarmusch, Godard and Chéreau – and dancing rock’n’roll at the Paris Boum Boum
When I was a teenager I was very much into films – a little bit of music maybe, but mostly films. I went to the cinema a lot. I really liked older stuff like Douglas Sirk’s Imitation of Life, and my dad was a big admirer of John Cassavetes, so I was a fan of A Woman Under the Influence. But I really remember being blown away by [Francis Ford Coppola’s] Rumble Fish. It’s funny: I’ve seen it since and I like it, but I wouldn’t say it was my favourite any more. But back then, I thought it was just really great: the music, the way they use black-and-white and colour. I used to listen to the soundtrack all the time,...
When I was a teenager I was very much into films – a little bit of music maybe, but mostly films. I went to the cinema a lot. I really liked older stuff like Douglas Sirk’s Imitation of Life, and my dad was a big admirer of John Cassavetes, so I was a fan of A Woman Under the Influence. But I really remember being blown away by [Francis Ford Coppola’s] Rumble Fish. It’s funny: I’ve seen it since and I like it, but I wouldn’t say it was my favourite any more. But back then, I thought it was just really great: the music, the way they use black-and-white and colour. I used to listen to the soundtrack all the time,...
- 10/22/2020
- by Interview by Andrew Pulver
- The Guardian - Film News
Actress Alex Essoe walks is through some of her favorite dream sequences.
Show Notes: Movies Referenced In This Episode
Starry Eyes (2014)
Kiss Me Deadly (1955)
Beyond The Black Rainbow (2010)
Mandy (2018), as usual
Doctor Sleep (2019)
Death of Me (2020)
Life Dances On (1937)
Tales of Manhattan (1942)
I Love You, Alice B Toklas (1968)
Papillon (1973)
Rosemary’s Baby (1968)
The Conversation (1974)
Chitty Chitty Bang Bang (1968)
McCabe and Mrs. Miller (1971)
Nashville (1975)
The Ninth Configuration (1980)
The Exorcist (1973)
Shutter Island (2010)
The Exorcist III (1990)
A Shot In The Dark (1964)
Another Woman (1988)
Stardust Memories (1980)
8 ½ (1963)
Interiors (1978)
Dumbo (1941)
Mulholland Drive (2001)
A Woman Under The Influence (1974)
Mulholland Falls (1996)
2001: A Space Odyssey (1968)
The Big Lebowski (1998)
Fletch (1985)
The ’Burbs (1989)
Dreams (1990)
Ran (1985)
Homewrecker (2019)
The Serpent and the Rainbow (1988)
The Wicker Man (1973)
Other Notable Items
Howard Hughes
Panos Cosmatos
The Haunting of Bly Manor TV series (2020)
Shelley Duvall
Tfh Guru Darren Lynn Bousman
The American Cinematheque
The New Beverly Theatre
Julien Duvivier
Jean Renoir
Jean-Luc Godard
François Truffaut
John Cassavetes...
Show Notes: Movies Referenced In This Episode
Starry Eyes (2014)
Kiss Me Deadly (1955)
Beyond The Black Rainbow (2010)
Mandy (2018), as usual
Doctor Sleep (2019)
Death of Me (2020)
Life Dances On (1937)
Tales of Manhattan (1942)
I Love You, Alice B Toklas (1968)
Papillon (1973)
Rosemary’s Baby (1968)
The Conversation (1974)
Chitty Chitty Bang Bang (1968)
McCabe and Mrs. Miller (1971)
Nashville (1975)
The Ninth Configuration (1980)
The Exorcist (1973)
Shutter Island (2010)
The Exorcist III (1990)
A Shot In The Dark (1964)
Another Woman (1988)
Stardust Memories (1980)
8 ½ (1963)
Interiors (1978)
Dumbo (1941)
Mulholland Drive (2001)
A Woman Under The Influence (1974)
Mulholland Falls (1996)
2001: A Space Odyssey (1968)
The Big Lebowski (1998)
Fletch (1985)
The ’Burbs (1989)
Dreams (1990)
Ran (1985)
Homewrecker (2019)
The Serpent and the Rainbow (1988)
The Wicker Man (1973)
Other Notable Items
Howard Hughes
Panos Cosmatos
The Haunting of Bly Manor TV series (2020)
Shelley Duvall
Tfh Guru Darren Lynn Bousman
The American Cinematheque
The New Beverly Theatre
Julien Duvivier
Jean Renoir
Jean-Luc Godard
François Truffaut
John Cassavetes...
- 10/20/2020
- by Kris Millsap
- Trailers from Hell
While this story contains big spoilers for Charlie Kaufman’s movie “I’m Thinking of Ending Things,” it might not matter. It’s a tough movie to spell out, as it’s mostly internal and unfolds inside the characters’ heads, even as their environments grow to be an extension of them. Iain Reid’s page-turning novel from 2016, which provides the template for Kaufman’s film, is equally elliptical, and shimmies between many genres at once, including philosophical horror and existential absurdity.
While Kaufman’s novel deviates widely from Reid’s novel, the basic premise remains the same: A woman named Lucy (or is it Lucia? Louisa?), played by Jessie Buckley, is on a road trip with her new boyfriend Jake (Jesse Plemons) to meet his parents (Toni Collette and David Thewlis), whose isolated farmhouse is at the other end of a hastening blizzard. At the farmhouse, Buckley’s character’s grasp...
While Kaufman’s novel deviates widely from Reid’s novel, the basic premise remains the same: A woman named Lucy (or is it Lucia? Louisa?), played by Jessie Buckley, is on a road trip with her new boyfriend Jake (Jesse Plemons) to meet his parents (Toni Collette and David Thewlis), whose isolated farmhouse is at the other end of a hastening blizzard. At the farmhouse, Buckley’s character’s grasp...
- 9/6/2020
- by Ryan Lattanzio
- Indiewire
Hey, you know that big new movie by the celebrated director that plays around with notions of time and space and is maddeningly hard to understand?
No, not that one. The other one. The one you can see without leaving your house.
It turns out that Christopher Nolan is not the only director making long, stylish brain-teasers these days. There’s also Charlie Kaufman, writer of “Being John Malkovich” and “Eternal Sunshine of the Spotless Mind” and director of “Synecdoche, New York” and “Anomalisa,” whose “I’m Thinking of Ending Things” premieres on Netflix on Sept. 4.
Kaufman’s film is about 15 minutes shorter than Nolan’s two-and-a-half-hour epic “Tenet,” and it doesn’t get into that film’s sci-fi or action-movie territory. But it delights in whipping up a dense, thorny narrative in which a young woman’s trip to meet her boyfriend’s parents ends up as a deliciously confounding...
No, not that one. The other one. The one you can see without leaving your house.
It turns out that Christopher Nolan is not the only director making long, stylish brain-teasers these days. There’s also Charlie Kaufman, writer of “Being John Malkovich” and “Eternal Sunshine of the Spotless Mind” and director of “Synecdoche, New York” and “Anomalisa,” whose “I’m Thinking of Ending Things” premieres on Netflix on Sept. 4.
Kaufman’s film is about 15 minutes shorter than Nolan’s two-and-a-half-hour epic “Tenet,” and it doesn’t get into that film’s sci-fi or action-movie territory. But it delights in whipping up a dense, thorny narrative in which a young woman’s trip to meet her boyfriend’s parents ends up as a deliciously confounding...
- 8/27/2020
- by Steve Pond
- The Wrap
‘Babyteeth’. (Photo: Lisa Tomasetti)
Alex White and Jan Chapman went to see Rita Kalnejais’ hit play Babyteeth at Sydney’s Belvoir St Theatre on the same night back in 2012. By interval, the two had made a beeline to each other: they knew it had to be adapted for screen.
At that stage, White had already been working for Chapman for several years. For some time, The Piano producer had been trying to help her find her first feature – White having produced successful shorts such as Trespass and Florence Has Left the Building.
“Jan was going ‘This is it, this is it’,” White tells If.
Both were drawn to the play’s “raw, visceral, irreverent and heartbreaking” tone and dialogue. The play was set on a revolve, with distinctive scenes and sound design, allowing White to clearly sense how it would feel on screen.
“It was just a very vivid experience...
Alex White and Jan Chapman went to see Rita Kalnejais’ hit play Babyteeth at Sydney’s Belvoir St Theatre on the same night back in 2012. By interval, the two had made a beeline to each other: they knew it had to be adapted for screen.
At that stage, White had already been working for Chapman for several years. For some time, The Piano producer had been trying to help her find her first feature – White having produced successful shorts such as Trespass and Florence Has Left the Building.
“Jan was going ‘This is it, this is it’,” White tells If.
Both were drawn to the play’s “raw, visceral, irreverent and heartbreaking” tone and dialogue. The play was set on a revolve, with distinctive scenes and sound design, allowing White to clearly sense how it would feel on screen.
“It was just a very vivid experience...
- 7/24/2020
- by jkeast
- IF.com.au
With readers turning to their home viewing options more than ever, this daily feature provides one new movie each day worth checking out on a major streaming platform.
As far as movies about shattered states of masculinity go, you can’t get any more raw, personal, or up-close than John Cassavetes’ 1970 “Husbands.” The filmmaker’s meandering, laidback style is well-suited to this chamber dramedy led by Cassavetes and his pals Peter Falk and Ben Gazzara. While storytelling in 2020 is pivoting fiercely away from tales of white, straight male egos, it’s fascinating to look back at “Husbands” as a cracked reflection of the times.
In 1971, feminist author and activist Betty Friedan wrote an editorial for The New York Times hailing “Husbands” as “the strongest statement of the case for women’s liberation I have yet seen on stage or screen,” and that the film tackled “the alienation, loneliness, [and] un-met need...
As far as movies about shattered states of masculinity go, you can’t get any more raw, personal, or up-close than John Cassavetes’ 1970 “Husbands.” The filmmaker’s meandering, laidback style is well-suited to this chamber dramedy led by Cassavetes and his pals Peter Falk and Ben Gazzara. While storytelling in 2020 is pivoting fiercely away from tales of white, straight male egos, it’s fascinating to look back at “Husbands” as a cracked reflection of the times.
In 1971, feminist author and activist Betty Friedan wrote an editorial for The New York Times hailing “Husbands” as “the strongest statement of the case for women’s liberation I have yet seen on stage or screen,” and that the film tackled “the alienation, loneliness, [and] un-met need...
- 6/30/2020
- by Ryan Lattanzio
- Indiewire
Jacques Rivette's Out 1, Noli Me Tangere (1971) is showing on Mubi in the United States.There’s a lot of confusion about what improvisation in movies consists of—when it is or isn’t used, and sometimes what it means when it is used. Those who think that the dialogue in Orson Welles’ The Other Side of the Wind is improvised don’t realize that the screenplay by Welles and Oja Kodar with that dialogue was published years ago, long before the film’s posthumous completion. It’s worth adding, however, that the film’s mise en scène was improvised by Welles on a daily basis. Similarly, those misled by director Robert Altman’s dreamy pans and seemingly random zooms in The Long Goodbye into concluding that the actors must be inventing their own lines are ignoring the careful work done by screenwriter Leigh Brackett, not to mention Raymond Chandler.
- 6/21/2020
- MUBI
A riveting and radical act of empathy, with actress Deragh Campbell’s unforgettably embodied portrayal of mental instability as the eye of its storm, Canadian director Kazik Radwanski’s astonishing third feature (after “How Heavy This Hammer” and “Tower”) is a brief, bracing burst of microbudget indie filmmaking at its most powerful. “Anne at 13,000 ft” might look like mumblecore, but it plays as a psychological horror and a ticking-clock thriller that morphs into a wild, windswept tangle of incipient, but never quite arriving tragedy.
Anne (Campbell) has an unspecified anxiety disorder. It’s dormant but with her in the deceptively calm prologue as she cradles a butterfly in her hands and shows it to the kids in her charge at the daycare center where she works. It is with her when she goes on awkward Tinder dates and stutters through a sincere, raggedly emotional speech at the wedding of her best friend and co-worker Sarah.
Anne (Campbell) has an unspecified anxiety disorder. It’s dormant but with her in the deceptively calm prologue as she cradles a butterfly in her hands and shows it to the kids in her charge at the daycare center where she works. It is with her when she goes on awkward Tinder dates and stutters through a sincere, raggedly emotional speech at the wedding of her best friend and co-worker Sarah.
- 3/27/2020
- by Jessica Kiang
- Variety Film + TV
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