When a South American drug lord pays Pace to steal 48 cars for him, all but one is in the bag - thereby, the police precipitate in a desperate car chase against Pace and his Eleanor across S... Read allWhen a South American drug lord pays Pace to steal 48 cars for him, all but one is in the bag - thereby, the police precipitate in a desperate car chase against Pace and his Eleanor across Southern California.When a South American drug lord pays Pace to steal 48 cars for him, all but one is in the bag - thereby, the police precipitate in a desperate car chase against Pace and his Eleanor across Southern California.
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Considering its microscopic budget, H B Halicki delivered precisely what audiences wanted to see - truck loads of cars smashed up! No more no less! No-one handed over their (then) $5 expecting to see Sir Laurence Olivier do Hamlet, they just wanted some serious fender-bending and this they got!
Admittedly I suspect most people who own the video or DVD these days fast-forward to the actual 40 minute chase each time they load it up. I am actually watching it as I compose this critique! (Right at the sequence at the end where Harley pulls off the big swapperoo at the car wash!) Absolute stand-outs are the incredible smash on the freeway when Halicki takes out the power pole at 80 mph plus and the unimproved-upon final scene as the Mach-1 leaps several cars at the intersection. That shot, lovingly photographed from multiple slow-motion camera angles was worth the ticket price alone. The climactic scene in the 2000 version is just plain wimpy!
The plotline for the film is remarkably simple. Man steals cars for a living! For trivia fans who may NOT know. H. B. Halicki died during a stunt filming the sequel GONE IN 60 SECONDS : THE JUNKMAN which features arguably the greatest car stunt of all time. (Sorry, not telling!!)
I was impressed, however, to discover real talent behind the camera. The plot is simple: a car thief has to steal 40 fancy cars in a very short time. Using a combination of skill, insider knowledge of the insurance business and just sheer brass, the protagonist and his pals start their automotive harvest. Everything seems done and taken care of, when everything goes to hell at the last moment, leading to what surely be the longest car chase put to film.
The best thing about this movie is its low-budget feel. Many of the early scenes are almost mimed, with voices overdubbed later; you don't see actual dialogue, just hear it on top of the action. But as things progress, it begins to show more polish, and by the time we get to the big chase, you get what appears to be the entire 7th Cavalry Division in squad cars chasing one li'l yellow Mustang.
A very smart touch during the big chase was to frequently cut to the aftermath of car crashes, with wounded cops and civilians being dragged from burning cars and hustled away in ambulances -- it added an edge to the film, to show there are actually consequences to these actions (and how often is that shown on the big screen?).
Aside from the marvelously-choreographed action sequences, there are many moments of great wit, which I won't describe so's not to spoil them.
All in all, a brilliant piece of film-making, made not with glitz, glamor, star-power or special effects -- just sheer talent (and pretty cars, o'course!).
Worth a look for those who want to make a comparison to the recent movie or those into high automative thrills so to speak. I like it beacuse it was so badly acted, so bad that it becomes enjoyable hokum. The DVD which I rented of this a few months ago while in Canada has behind the scenes footage which is worthy of note. Look out also for Gone in Seconds 2 made in 1982 starring Christopher Stone
Storyline
Did you know
- TriviaAccording to people on the set, after the mishap when a driver missed a mark and caused "Eleanor" to hit a real light post at 85 mph, the first thing that H.B. Halicki said when he regained consciousness was, "Did we get coverage?"
- GoofsDuring the tow truck chase, the red Challenger loses its front right hubcap, but it reappears moments later.
- Quotes
Male police dispatcher: [as police cars fly over bridge] Attention all units in the San Pedro, Long Beach, Torrance and Carson areas. Stand-by to copy. Long Beach PD is in pursuit of a 1973 Ford Mustang, yellow in color. California license 614 Henry Sam Ocean. One occupant, male caucasian. Approximately aged forty-five. Six feet, one-hundred-and-eighty-five pounds. Gray hair and mustache, gray coat, black pants. The reason for pursuit unknown.
- Crazy creditsThe ending credits in the 2001 DVD release features footage of H.B. Halicki's widow, Denice Shakarian Halicki, riding in "Eleanor."
- Alternate versionsThe Norweigian version, at least when released theatrically, concluded at the end of the "big jump" scene, where Eleanor spins out to the song "Big Town, Big City". Everything afterward was removed, because the Norweigian censors did not want Mandarian to get away. The scene optically turns white, then cuts straight to the end credits.
- ConnectionsEdited into Deadline Auto Theft (1983)
- SoundtracksGone in 60 Seconds
Music and Lyrics by Ronald Halicki and Philip Kachaturian
Sung by Philip Kachaturian
Details
- Release date
- Country of origin
- Official site
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- 60 segundos
- Filming locations
- Los Angeles Harbor, San Pedro, Los Angeles, California, USA(Main channel with lighthouse visible)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $150,000 (estimated)
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