A vigilante takes a job as a high-class prostitute to get revenge on the mobsters who murdered her boyfriend.A vigilante takes a job as a high-class prostitute to get revenge on the mobsters who murdered her boyfriend.A vigilante takes a job as a high-class prostitute to get revenge on the mobsters who murdered her boyfriend.
Judith Cassmore
- Vicki
- (as Judy Cassmore)
Boyd 'Red' Morgan
- Slauson
- (as Boyd Red Morgan)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is shamelessly trashy. And very cheesy. And aside from Ms Grier, the acting is soap opera-grade. And its hilariously dated. And just all around hilarious. And Pam Grier is one sexy bad-ass chick. Or rather: Superbad! Can you dig it?
The gun hidden in the afro was a nice touch.
So was the death-by-airplane-propeller.
And the brawl in the lesbian bar.
And the revenge-by-manhood-removal.
We get to see her boobs. Large, shapely boobs.
I was hugely entertained.
There really isn't more that I need to say.
The gun hidden in the afro was a nice touch.
So was the death-by-airplane-propeller.
And the brawl in the lesbian bar.
And the revenge-by-manhood-removal.
We get to see her boobs. Large, shapely boobs.
I was hugely entertained.
There really isn't more that I need to say.
Damn, this movie is so supa-bad it's supa-good! Pam Grier is great as the jive talkin' lady who's out for revenge after some snow-pushing honkies didn't treat her so nice. There's no messin' around with Foxy Brown! The clothes, the characters, and especially the talk (dig this, jive that) is so '70's it seems to be a parody.
What's bad about this film is the excessive violence (Foxy's drugging and raping and her gruesome revenge), but maybe it's necessary in order to have a film like this. Throw censorship to the wind and have a no-holds-barred action/revenge flick, complete with mutha-f***er this and that, pickle jar prothetics, and propeller dismemberments.
The trailer for this flick is the coolest. If it doesn't make you dig Foxy straight up, you're in the wrong scene!
What's bad about this film is the excessive violence (Foxy's drugging and raping and her gruesome revenge), but maybe it's necessary in order to have a film like this. Throw censorship to the wind and have a no-holds-barred action/revenge flick, complete with mutha-f***er this and that, pickle jar prothetics, and propeller dismemberments.
The trailer for this flick is the coolest. If it doesn't make you dig Foxy straight up, you're in the wrong scene!
Foxy Brown (Pam Grier) strikes down with great vengeance and furious anger the vicious hoods who murdered her low-life pusher brother (the unmistakable Antonio Fargas) and her blandly righteous boyfriend (Michael Anderson). Even by Blaxploitation standards, this vengeance yarn is a bit over the top, with lots of nudity, crude language, and an entertaining variety of brutalities, mutilations, and deaths. Grier is fine as the buxom angel of death but the rest of the cast are primarily charactures of racist cops and hoodlums, Black-power militants, pricy call-girls, and sleazy politicians. The lead villainess, Miss Katherine, is played by Kathryn Loder, whose stilted, stagy delivery makes the vile upscale madam sound like she's somewhere on the spectrum. The action sequences are pretty graphic and the film is gruesome enough at times to get itself banned in some markets (there was something pink in that nasty pickle jar...). The film was originally a sequel to 'Coffy' (1973) so Foxy's back story is a bit sparse. The soundtrack is a homage to/rip-off of Isaac Hayes' iconic 'Shaft' themes. Be warned: the script is full of vintage racial pejoratives that could cause near-fatal indignation in these more sensitive times.
Pam Grier is absolutely dazzling in her outfits in this film, of which there are about a dozen. She's obviously the reason to watch this film, and her character, Foxy Brown, is a strong, smart, sexy black woman, which is a wonderful thing. Aside from Grier's charms, the film features revenge for a brutal rape sequence and entertaining grindhouse moments, so it's no wonder it's a Tarantino favorite. Despite the B-movie vibe with a script that seemed written by a high school boy (apologies to Jack Hill), the film has a feminist streak to it because of its lead character.
As for the exploitation elements, I have to say, it was tough to hear a black man say this when asked about getting a normal job: "Foxy look, I'm a black man, and I don't know how to sing, and I don't know how to dance, and I don't know how to preach to no congregation. I'm too small to be a football hero, and I'm too ugly to be elected mayor." It just reinforces all of the stereotypical roles usually assigned to African-Americans by Hollywood (though in the film, we do see a black man with a normal job briefly as he attempts to rescue his wife from sex slavery). On the other hand, I guess you could view it as a statement on limited opportunities in a white man's world, and the film does critiques the racism of its white characters as well as corruption in the justice system.
If you're willing to put up with low production quality (or laugh along with it) and enjoy the sight of Pam Grier dole out some beatings, this could be your film. I liked Coffy from the preceding year a little bit more, but this one is entertaining too.
As for the exploitation elements, I have to say, it was tough to hear a black man say this when asked about getting a normal job: "Foxy look, I'm a black man, and I don't know how to sing, and I don't know how to dance, and I don't know how to preach to no congregation. I'm too small to be a football hero, and I'm too ugly to be elected mayor." It just reinforces all of the stereotypical roles usually assigned to African-Americans by Hollywood (though in the film, we do see a black man with a normal job briefly as he attempts to rescue his wife from sex slavery). On the other hand, I guess you could view it as a statement on limited opportunities in a white man's world, and the film does critiques the racism of its white characters as well as corruption in the justice system.
If you're willing to put up with low production quality (or laugh along with it) and enjoy the sight of Pam Grier dole out some beatings, this could be your film. I liked Coffy from the preceding year a little bit more, but this one is entertaining too.
Foxy Brown is one of Pam Grier's best blaxploitation movies (topped only by Coffy). From the James Bondish opening sequence of Pam dancing to the "Foxy Brown" theme song, to Antonio Fargas ("That's my sister...and she's a whole lotta woman!") to the spectacular ending which I will not spoil, this is a must see for any a) Pam Grier fan b)blaxploitation fan c)anybody who wants to see a strong female character beat the crap out of her opponents. That being said, it does feature the standard "Grier sleeps her way to the top of crime syndicate", a plot ripped off of Coffy. With scenes like the famous "Afro as holster" sequence and the inclusion of a Black Panther-esque anti-drug group this movie is fun from start to finish. Don't believe that Maltin; Mr. Charlie gave LaserBlast a better rating; he gave Sheba Baby, which is awful, a better rating. See Foxy Brown tonite!
Storyline
Did you know
- TriviaAccording to director Jack Hill this was originally intended to be a sequel to his Coffy (1973), also starring Pam Grier, and in fact the working title of the film was "Burn, Coffy, Burn!". However, American-International Pictures decided at the last minute it didn't want to do a sequel, even though "Coffy" was a huge hit. That's why it's never said exactly what kind of job Foxy Brown has--"Coffy" was a nurse and since this was no longer to be a sequel, they couldn't give Foxy Brown that job and didn't have time to rewrite the script to establish just what kind of job she had.
- GoofsWhen the Judge is in the hallway, he is wearing white briefs despite the fact that he is not supposed to be wearing any underwear. In the previous scene, Foxy and Claudia removed his boxer shorts and joked about his genitalia before shoving him into the hallway, where he tries to cover up his crotch.
- Quotes
Katherine Wall: [after Foxy presents Steve's penis in a pickle jar, kills 2 of her men, and shoots her in the arm] Why didn't you kill me too? Well go on and shoot! I don't want to live anymore!
Foxy Brown: I know. That's the idea. The rest of your man is still around, and I hope you two live a long time, then maybe you can feel some of what I feel. Death is too easy for you, bitch. I want you to SUFFER.
- Alternate versionsThe UK cinema version was uncut. The 1987 video version had 2 mins 48 secs removed from the rape scene, shots of drug taking, and a woman's bloodied throat. All cuts were fully restored in 1998.
- ConnectionsFeatured in Afro Promo (1997)
- SoundtracksTheme Of Foxy Brown
Written & Performed by Willie Hutch
Backing Vocals by Carol Willis, Julia Waters (as Julia Tillman) and Maxine Waters Willard (as Maxine Willard)
- How long is Foxy Brown?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Burn, Coffy, Burn!
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $500,000 (estimated)
- Gross worldwide
- $459
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