20 reviews
I spoke to Ed Platt in early 1974, not long before his death. If he was troubled by the financial failure of "Santee," he didn't show it; he was warm and unpretentious. We had a common interest in video production, which probably helped him open up. In any event, I didn't see "Santee" for more than 35 years; I must say, Ed's innovative use of video to film hurt the movie; and, as a relatively novice producer, Ed should have played it safe and stayed with film. The interior shots appear horribly lit, and the initial scenes are cluttered and almost tedious. However, after Glenn Ford shows up, the movie loosens up, and we get a pretty well written, expertly acted movie. The casting, particularly of Ford, Michael Burns, Harry Townes and Jay Silverheels is especially inspired. Dana Wynter seems an odd choice, especially since the reddish lighting makes her look Native American, and she can't completely disguise her British accent. However, Wynter's chemistry with Ford and Burns is downright terrific, and she dominates every scene.
"Santee" needs more fleshing out, and the money spent on the flashback could have been been spent building Ford's relationship with Burns. The ending comes too soon and too abruptly. Nonetheless, "Santee" is one of Ford's better westerns, certainly better than "A Time for Killing," "Day of the Evil Gun" and "The Last Challenge." As Ford's last starring western it is a flawed, if fitting tribute to one of the great cowboy actors.
I give "Santee" a "6".
"Santee" needs more fleshing out, and the money spent on the flashback could have been been spent building Ford's relationship with Burns. The ending comes too soon and too abruptly. Nonetheless, "Santee" is one of Ford's better westerns, certainly better than "A Time for Killing," "Day of the Evil Gun" and "The Last Challenge." As Ford's last starring western it is a flawed, if fitting tribute to one of the great cowboy actors.
I give "Santee" a "6".
The best features of this film are the scenery and Jay Silverheels in a part where he can show some emotions, compared with his stonefaced Tonto. In fact it's Ford who is bland for much of the film, despite the tragic loss of his son which is meant to have shaped his character; only in the very last scene does he convey real emotion - without saying a word.
The plot is unconvincing several times over. At the beginning one would have thought four tough guys could have stood and fought rather than flee from Santee, renowned bounty-hunter he may be. After a brief wish for revenge, the orphaned Jody seems to too readily accept Santee as a surrogate father, and in the version of the film I saw I never noticed any evidence that he had become a gunman competent enough to accompany Santee against six more tough guys.
A disappointment.
The plot is unconvincing several times over. At the beginning one would have thought four tough guys could have stood and fought rather than flee from Santee, renowned bounty-hunter he may be. After a brief wish for revenge, the orphaned Jody seems to too readily accept Santee as a surrogate father, and in the version of the film I saw I never noticed any evidence that he had become a gunman competent enough to accompany Santee against six more tough guys.
A disappointment.
- Marlburian
- Jan 10, 2006
- Permalink
This unknown movie Western deals with a relentlessly obstinate bounty-hunter named Santee (Glenn Ford). He's the best tracker in the west, but sometimes justice can be hard to find . As the bounty hunter takes in the son of a man he killed . Santee develops a paternal relationship with the son named Jody (Michael Burns) of a man (Robert J. Wilke) he killed . Santee takes him for his ranch named Three Arrows where live his wife (Dana Wynter) and his Indian foreman (Jay Silverheels). Santee and his wife take Jody in and a father-son relationship begins to grow . But bandits led by a nasty villain named Banner (John Larch) arrive in the little town killing and robbing bank , then Santee helped by Jody take the law on their own hands .
This average Western contains action , drama , shootouts , riding pursuits and an enjoyable father and adopted son relationship with tragedy included . Fine acting by veteran Glenn Ford supported by attractive Dana Wynter and a newcomer Michael Burns . Good support cast such as Robert J Wilke , Robert Donner , John Larch and Tonto's Jay Silverheels . Colorful cinematography with glamorous landscapes by cameraman Donald Morgan . Catching musical score with agreeable song at the beginning and the ending . Spectacular final gunplay plenty of shooting and death with dramatic final . The motion picture was middlingly directed by Gary Nelson . He's an usual TV director as episodes (Disneyland) as long time television movies (Murder in Coweta County , his best film) and occasionally cinema director (Allan Quatermain in the lost city of gold) ; his most known and successful film was 'The black hole' .
This average Western contains action , drama , shootouts , riding pursuits and an enjoyable father and adopted son relationship with tragedy included . Fine acting by veteran Glenn Ford supported by attractive Dana Wynter and a newcomer Michael Burns . Good support cast such as Robert J Wilke , Robert Donner , John Larch and Tonto's Jay Silverheels . Colorful cinematography with glamorous landscapes by cameraman Donald Morgan . Catching musical score with agreeable song at the beginning and the ending . Spectacular final gunplay plenty of shooting and death with dramatic final . The motion picture was middlingly directed by Gary Nelson . He's an usual TV director as episodes (Disneyland) as long time television movies (Murder in Coweta County , his best film) and occasionally cinema director (Allan Quatermain in the lost city of gold) ; his most known and successful film was 'The black hole' .
Few people remember that SANTEE was one of the very first feature films (and almost definitely the first Western) shot on videotape. Noted character actor Ed Platt, famous for his role as "The Chief" in the TV series GET SMART, reportedly invested his own money in this film, intending to champion the concept of shooting movies economically on videotape.
The process used portable Philips (aka Norelco) video cameras and primitive Ampex 2" videotape recorders, which they powered via batteries while shooting on-location the desert and in and around California and Nevada. A 1973 issue of AMERICAN
CINEMATOGRAPHER covered the work done by director of photography Don Morgan and his crew, and went in-depth on the differences between shooting on film and shooting on video. Sadly, SANTEE was a flop in theaters, and Ed Platt lost his money and died less than a year after the movie was released.
Three decades later, innovative filmmakers like Robert Rodriguez and George Lucas are using digital video gear to shoot movies. Ed Platt was definitely ahead of his time on SANTEE; sadly, he never lived to see the technology get to the point where it would work.
The process used portable Philips (aka Norelco) video cameras and primitive Ampex 2" videotape recorders, which they powered via batteries while shooting on-location the desert and in and around California and Nevada. A 1973 issue of AMERICAN
CINEMATOGRAPHER covered the work done by director of photography Don Morgan and his crew, and went in-depth on the differences between shooting on film and shooting on video. Sadly, SANTEE was a flop in theaters, and Ed Platt lost his money and died less than a year after the movie was released.
Three decades later, innovative filmmakers like Robert Rodriguez and George Lucas are using digital video gear to shoot movies. Ed Platt was definitely ahead of his time on SANTEE; sadly, he never lived to see the technology get to the point where it would work.
A bounty hunter (Glenn Ford) takes in the son (Michael Burns) of a man he killed.
I have never been a huge fan of the western genre. Some are incredible, but most seem to be rather blah. One could say that about any genre, I suppose. I mean, heck, I love horror and I would be the first to admit that most of it is garbage. But it is garbage that still generally entertains me. The western, for the most part, is not something I understand.
This one is alright. Adopting a kid (who is really more of a young adult) in the west is a good story, and Glenn Ford is a decent actor. As far as the genre goes, this is very much middle ground.
I have never been a huge fan of the western genre. Some are incredible, but most seem to be rather blah. One could say that about any genre, I suppose. I mean, heck, I love horror and I would be the first to admit that most of it is garbage. But it is garbage that still generally entertains me. The western, for the most part, is not something I understand.
This one is alright. Adopting a kid (who is really more of a young adult) in the west is a good story, and Glenn Ford is a decent actor. As far as the genre goes, this is very much middle ground.
Santee is directed by Gary Nelson and written by Brand Bell. It stars Glenn Ford, Michael Burns, Dana Wynter and Jay Silverheels. Music is scored by Don Rand and photography is by Donald Morgan. Plot finds Ford as seasoned bounty hunter Santee, who after killing the outlaw father of young Jody Deaks (Burns), takes him under his wing at his Three Arrows Ranch. With both of them nursing loses in their lives, they both come to be great for each other, but just as harmony is abundant at the ranch, news comes that the outlaw gang responsible for Santee's pain is back in town.
No country for empty pockets and a flat stomach.
Primarily shot on location in Santa Fe, New Mexico, Santee is notable for a couple of things. Firstly it was the last time that Western legend Ford would play a lead role in the genre, secondly is that it was filmed on video tape. Some debate exists as to if it was the first film to be shot that way, but certainly the research suggests it was definitely the first Western. Santee is a strange film in many ways, for sure as a film it's not a great lead role send off for Ford, but he is actually very good in it. The story is a good one from Bell, full of emotional worth and maintaining interest throughout, while there's plenty of action and blood shed within the plot. The dialogue, too, often has some intelligence about it. But it's so poorly put together it becomes a frustrating watching experience.
The video tape filming doesn't work, the colour is often dull and the night interiors are lifeless. While a couple of close ups appear to suddenly become pan and scan! Other problem comes with there being no truly great villain to underpin the destinies of Santee and Jody Deaks. The Banner (John Larch) gang exist, get a couple of small scenes, but that's about it until the bloody finale. The cast around Ford are OK, Wynter doesn't quite look right for a ranch gal lover, but makes a mark as a loyal wife and surrogate mother. Burns has the youthful naivety just right, but isn't helped by the screenplay having him become a killing man too quickly, and Silverheels turns in a good one as the wise ranch hand at Three Arrows. The film is very 70s in look and feel, something that can take you out of the period setting, more so with Rand's foot tapping music accompaniment. Bonus, though, on the music front, is the feature song in the picture, "Jody," that is song by Paul Revere and The Raiders, it's a beautiful ballad and carries with it the requisite emotional heft.
An enjoyable Western with one or two tricks up its sleeve, but the problems are evident and stop it from being a must see for anyone other than Western and Glenn Ford purists. 6/10
No country for empty pockets and a flat stomach.
Primarily shot on location in Santa Fe, New Mexico, Santee is notable for a couple of things. Firstly it was the last time that Western legend Ford would play a lead role in the genre, secondly is that it was filmed on video tape. Some debate exists as to if it was the first film to be shot that way, but certainly the research suggests it was definitely the first Western. Santee is a strange film in many ways, for sure as a film it's not a great lead role send off for Ford, but he is actually very good in it. The story is a good one from Bell, full of emotional worth and maintaining interest throughout, while there's plenty of action and blood shed within the plot. The dialogue, too, often has some intelligence about it. But it's so poorly put together it becomes a frustrating watching experience.
The video tape filming doesn't work, the colour is often dull and the night interiors are lifeless. While a couple of close ups appear to suddenly become pan and scan! Other problem comes with there being no truly great villain to underpin the destinies of Santee and Jody Deaks. The Banner (John Larch) gang exist, get a couple of small scenes, but that's about it until the bloody finale. The cast around Ford are OK, Wynter doesn't quite look right for a ranch gal lover, but makes a mark as a loyal wife and surrogate mother. Burns has the youthful naivety just right, but isn't helped by the screenplay having him become a killing man too quickly, and Silverheels turns in a good one as the wise ranch hand at Three Arrows. The film is very 70s in look and feel, something that can take you out of the period setting, more so with Rand's foot tapping music accompaniment. Bonus, though, on the music front, is the feature song in the picture, "Jody," that is song by Paul Revere and The Raiders, it's a beautiful ballad and carries with it the requisite emotional heft.
An enjoyable Western with one or two tricks up its sleeve, but the problems are evident and stop it from being a must see for anyone other than Western and Glenn Ford purists. 6/10
- hitchcockthelegend
- Dec 1, 2011
- Permalink
Glenn Ford who was associated with some of the best westerns ever made has his last starring role in the genre in Santee. Although he would do more westerns up to almost the end of his career, he would no longer be the leading man/action hero in any of them.
Ford was 57 when he made Santee and even in this one he's transitioning to be a father figure, much the same way John Wayne was in films like Big Jake, Rio Lobo, and The Cowboys.
Unfortunately Santee takes it's plot from a combination of Henry Fonda's The Tin Star and Robert Mitchum's Young Billy Young. Ford is a former lawman, turned bounty hunter who decides that marshaling doesn't give him quite the latitude he needs to deal with bad guys. It also doesn't pay as well. But having his son shot down by John Larch and his gang was enough to turn him bitter.
He's also forced to kill Robert J. Wilkie another outlaw who has a son in Michael Burns. But he takes Burns into his home. Truth be told there wasn't much attachment there anyway, Burns hardly knew him.
Jay Silverheels has the best part in the film as Ford's loquacious ranch foreman. I do believe he had more dialog here than in over 200 episodes of The Lone Ranger. Dana Wynter has a few scenes as Ford's wife and makes them count.
But Santee is just a tired rehash of a pair of better films. Glenn Ford fans will like it though.
Ford was 57 when he made Santee and even in this one he's transitioning to be a father figure, much the same way John Wayne was in films like Big Jake, Rio Lobo, and The Cowboys.
Unfortunately Santee takes it's plot from a combination of Henry Fonda's The Tin Star and Robert Mitchum's Young Billy Young. Ford is a former lawman, turned bounty hunter who decides that marshaling doesn't give him quite the latitude he needs to deal with bad guys. It also doesn't pay as well. But having his son shot down by John Larch and his gang was enough to turn him bitter.
He's also forced to kill Robert J. Wilkie another outlaw who has a son in Michael Burns. But he takes Burns into his home. Truth be told there wasn't much attachment there anyway, Burns hardly knew him.
Jay Silverheels has the best part in the film as Ford's loquacious ranch foreman. I do believe he had more dialog here than in over 200 episodes of The Lone Ranger. Dana Wynter has a few scenes as Ford's wife and makes them count.
But Santee is just a tired rehash of a pair of better films. Glenn Ford fans will like it though.
- bkoganbing
- Mar 18, 2008
- Permalink
Thoroughly mediocre Ford vehicle has him as the West's toughest bounty hunter (?!?). He lets the son of the guy he just killed follow him around, then eventually gives him a job. The son gives up his plans for revenge, opting to become a bounty hunter himself instead. Wynter is given a role that is thankless window dressing, and Silverheels is the only person in the movie who looks in shape for the West. Some good action, and it was good to see Silverheels in a movie again (though his part was fairly small), but bare plot goes on too long for its own good.
Another movie from the Mill Creek 200 cult cinema box set.
Pretty good western about a bounty hunter who takes in the boy of the man he killed. Teaches him the ropes and becomes like a father to him.
I liked this, not to big on westerns but very well done. Glen Ford is great as Santee. All around good movie.
Pretty good western about a bounty hunter who takes in the boy of the man he killed. Teaches him the ropes and becomes like a father to him.
I liked this, not to big on westerns but very well done. Glen Ford is great as Santee. All around good movie.
- jmarinko-1
- Oct 26, 2007
- Permalink
This western was produced by Ed Platt and was directed by Gary Nelson. It's a virtual GS reunion! You should go rent it. And if that's not enough reason to rent it, why, it stars Glenn Ford!
According to articles Ford refused to play a criminal after 3-10 to Yuma because he worried about his imagine. I can't fault his acting although he was overweight and and had difficulty getting on and off his horse several times
He always had a amazing unique voice that had several ranges to it. The plot kept me interested and the scenery was amazing. Can't fault the actors for the problems with the film and camera. Certainly hated the ending. Ford carried his role well as substitute father, hunter, friend, husband and rancher. Burns, Silverheels and the rest of supporting cast does not disappoint. Lot to fit in a movie and actually could have been 3 with a little creative writing. Would recommend to all western fans. Found the movie free on YouTube.
- starwood-34136
- Apr 21, 2021
- Permalink
This film essentially begins with a young man by the name of "Jody" (Michael Burns) waiting at a remote way station for his father "Deaks" (Robert J. Wilke) to come along. Although he hasn't seen his father in an extremely long time, the revelation that he is an outlaw on the run with four other men doesn't affect him that much since after the recent death of his mother he has nobody else to turn to. The problem is that they are being pursued by an extremely skilled bounty hunter named "Santee" (Glenn Ford) who has a reputation of always getting his intended target. So when his father is killed by the bounty hunter, Jody has a choice on whether to kill Santee in revenge or adapt to the situation and learn from him--with both options presenting extreme danger. Now rather than reveal any more I will just say that this wasn't necessarily a bad film but I didn't care for the overly sentimental plot or the rather corny theme song either. To be sure, Glenn Ford performed in his usual solid manner but in this case it wasn't enough for me to rate this film higher than I have.
- Poseidon-3
- Feb 12, 2009
- Permalink
I'm currently watching this on my DVD HD and the pitch black night scenes made me wonder if this had been shot on tape. Now I know.
The aspect ratio also looks a bit odd even though the TV is set correctly at widescreen. It seems to have been enlarged and slightly horizontally squashed just enough to be annoying.
Something similar seems to have been done to the episodes of Bonanza (along with a change of theme music) which has its own UK satellite channel.
I can see why electronic cinema never really caught on : even modern digital video efforts usually look like crap unless they're HD and lit by a genius.
The aspect ratio also looks a bit odd even though the TV is set correctly at widescreen. It seems to have been enlarged and slightly horizontally squashed just enough to be annoying.
Something similar seems to have been done to the episodes of Bonanza (along with a change of theme music) which has its own UK satellite channel.
I can see why electronic cinema never really caught on : even modern digital video efforts usually look like crap unless they're HD and lit by a genius.
- classicsoncall
- Dec 10, 2008
- Permalink
- BandSAboutMovies
- Feb 8, 2021
- Permalink
"Santee" is a decent enough film, but it's "Jody" song that comes and goes throughout the movie is reason enough to deduct a point!
The film begins with a really BAD family reunion. Jody, a 19 year- old guy, comes upon his father and three of his 'friends'. It seems that Jody barely knows his dad and was raised by his divorced mother. Well, wouldn't you know that the father and his men are on the run from the law! Soon, a bounty hunter, Santee (Glenn Ford), shows and quickly dispatches the guilty four men--leaving Jody a bit shocked to say the least! Jody is angry enough at Santee to kill...but inexplicably, Santee is nice to him and realizes he was not involved with his father's gang and their crimes. What follows is a bonding between Jody and Santee, as Santee takes him home with him and treats him decently. All this bromance, however, is short- lived, as the men who wronged Santee so long ago and set him on a life as a bounty hunter arrive in town--and they are really bad dudes!
The film has a rather original plot and I enjoyed it. But 1970s god-awful music took away, somewhat, from my enjoyment. Still, despite this, it's worth your time. Plus, you get to see Jay Silverheels in a role much more interesting than playing Tonto to the Lone Ranger.
The film begins with a really BAD family reunion. Jody, a 19 year- old guy, comes upon his father and three of his 'friends'. It seems that Jody barely knows his dad and was raised by his divorced mother. Well, wouldn't you know that the father and his men are on the run from the law! Soon, a bounty hunter, Santee (Glenn Ford), shows and quickly dispatches the guilty four men--leaving Jody a bit shocked to say the least! Jody is angry enough at Santee to kill...but inexplicably, Santee is nice to him and realizes he was not involved with his father's gang and their crimes. What follows is a bonding between Jody and Santee, as Santee takes him home with him and treats him decently. All this bromance, however, is short- lived, as the men who wronged Santee so long ago and set him on a life as a bounty hunter arrive in town--and they are really bad dudes!
The film has a rather original plot and I enjoyed it. But 1970s god-awful music took away, somewhat, from my enjoyment. Still, despite this, it's worth your time. Plus, you get to see Jay Silverheels in a role much more interesting than playing Tonto to the Lone Ranger.
- planktonrules
- May 13, 2015
- Permalink
- mark.waltz
- Sep 5, 2022
- Permalink