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The Day of the Jackal

  • 1973
  • PG
  • 2h 23m
IMDb RATING
7.8/10
50K
YOUR RATING
POPULARITY
3,068
309
Edward Fox in The Day of the Jackal (1973)
Theatrical Trailer from Universal Studios Home Entertainment
Play trailer2:03
1 Video
95 Photos
Political ThrillerSpyCrimeDramaThriller

In the aftermath of France allowing Algeria's independence, a group of resentful military veterans hire a professional assassin codenamed "Jackal" to kill President Charles de Gaulle.In the aftermath of France allowing Algeria's independence, a group of resentful military veterans hire a professional assassin codenamed "Jackal" to kill President Charles de Gaulle.In the aftermath of France allowing Algeria's independence, a group of resentful military veterans hire a professional assassin codenamed "Jackal" to kill President Charles de Gaulle.

  • Director
    • Fred Zinnemann
  • Writers
    • Frederick Forsyth
    • Kenneth Ross
  • Stars
    • Edward Fox
    • Terence Alexander
    • Michel Auclair
  • See production info at IMDbPro
  • IMDb RATING
    7.8/10
    50K
    YOUR RATING
    POPULARITY
    3,068
    309
    • Director
      • Fred Zinnemann
    • Writers
      • Frederick Forsyth
      • Kenneth Ross
    • Stars
      • Edward Fox
      • Terence Alexander
      • Michel Auclair
    • 273User reviews
    • 80Critic reviews
    • 80Metascore
  • See production info at IMDbPro
    • Nominated for 1 Oscar
      • 1 win & 11 nominations total

    Videos1

    The Day of the Jackal
    Trailer 2:03
    The Day of the Jackal

    Photos95

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    Top cast66

    Edit
    Edward Fox
    Edward Fox
    • The Jackal
    Terence Alexander
    Terence Alexander
    • Lloyd
    Michel Auclair
    Michel Auclair
    • Colonel Rolland
    Alan Badel
    Alan Badel
    • The Minister
    Tony Britton
    Tony Britton
    • Inspector Thomas
    Denis Carey
    • Casson
    Adrien Cayla-Legrand
    • The President
    Cyril Cusack
    Cyril Cusack
    • The Gunsmith
    Maurice Denham
    Maurice Denham
    • General Colbert
    Vernon Dobtcheff
    Vernon Dobtcheff
    • The Interrogator
    Jacques François
    Jacques François
    • Pascal
    • (as Jacques Francois)
    Olga Georges-Picot
    Olga Georges-Picot
    • Denise
    Raymond Gérôme
    • Flavigny
    • (as Raymond Gerome)
    Barrie Ingham
    Barrie Ingham
    • St. Clair
    Derek Jacobi
    Derek Jacobi
    • Caron
    Michael Lonsdale
    Michael Lonsdale
    • Lebel
    • (as Michel Lonsdale)
    Jean Martin
    Jean Martin
    • Wolenski
    Ronald Pickup
    Ronald Pickup
    • The Forger
    • Director
      • Fred Zinnemann
    • Writers
      • Frederick Forsyth
      • Kenneth Ross
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews273

    7.850.3K
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    Featured reviews

    8ackstasis

    "Excuse me, but it has just occurred to me that we have forty-eight hours in which to find this Jackal."

    There's always something fascinating about a film that takes a well-known historical event and twists a fictional story around it. Not only does it effectively add a true sense of realism, thus increasing the suspense and visceral intensity of the plot, but there's also that inkling of a feeling that perhaps the story isn't fictional, after all. It goes against all our logic, but the sentiment still sits at the back of our minds; as far as we know, maybe there was an assassination attempt on Charles de Gaulle on August 25, 1963 that was promptly covered up by authorities. Of course, Fred Zinnemann's 'The Day of the Jackal (1973),' based upon the acclaimed 1971 thriller novel by Frederick Forsyth, never purports to be telling a true story, but it remains a exciting consideration. The film follows a cunning, ruthless assassin – codenamed the Jackal – as he plots to sniper the French President, as well as the frantic attempts of authorities to capture the anonymous man before he can carry out his plans.

    Unlike most thrillers concerned with capturing a killer before he can strike, 'The Day of the Jackal' spends most of its time with the assassin himself, where we watch him intelligently and artfully drawing his meticulous plans and putting them into execution. The Jackal (Edward Fox) is a man of few words; a silent and scrupulous professional who never allows emotion to affect his work. We come to recognise his sly brilliance in everything he does, and yet the film never celebrates his cleverness, and admiration is not an emotion with which we are willing to respond to him. On the opposite side of the moral scale is Deputy Commissioner Claude Lebel (Michael Lonsdale), a shy and softly-spoken detective who reveals himself to be a surprisingly cunning and resourceful investigator. The means by which he and his colleagues break-down the Jackal's impenetrable scheme is genuinely captivating and intriguing.

    Given the story's historical grounding, it is inevitable that the assassination attempt be unsuccessful, though Zinnemann manages to infuse the story with a continuing air of suspense, which slowly escalates as the fateful day – Liberation Day in Paris – approaches. 'The Day of the Jackal' joins the ranks of such films as 'All the President's Men (1976)' and 'Zodiac (2007),' which somehow manage to maintain the tension despite their conclusions never being in any doubt {though, admittedly, those two had the added burden of a completely factual story}. Despite the phenomenal success of Forsyth's novel, the film adaptation was a box office failure, which Zinnemann later blamed upon having an unknown in the title role. Nevertheless, 'The Day of the Jackal' is now considered a classic thriller, which also spawned an average 1997 remake, 'The Jackal,' starring Bruce Willis and Richard Gere.
    billsav57

    great

    This is just a masterpiece. It is probably the prime example of how the film industry did such a better job with movies of this genre 30 and 40 years ago. I was comparing and contrasting this with the original "The Manchurian Candidate," both films dealing with assassination, but taking totally different paths -- one with a brainwashed assassin, the other with a coolly professional one. But in comparing this film with more-modern films -- including the remake of this one -- it's amazing how everyone involved 30 or 40 years ago used dialog, character development, fantastic cinematography and other such tools to craft an incredibly complex and tense work. You might have trouble remembering one actor from this film, but you can't forget their characterizations. Nowadays, it's nothing but special effects. Everyone got a lot more for their money in the era when this film was made.
    8Theo Robertson

    Oh Dear ...

    ... How am I supposed to review a thriller I liked a lot ? It's much easier to write comments on a thriller I disliked , a good example being that really crap movie with Bruce Willis hired by the Russian mafia and IRA man Richard Gere trying to stop him . I think you know the movie I'm talking about

    Frederick Forsyth writes thrillers that not only entertain you but educate you too and Kenneth Ross has written a screenplay that reflects this type of writing . The characters aren't cyphers created just to push the plot along , you can really believe these policemen have been solving cases for years ( notice how the policemen are either dowdy or gruff or both . Very realistic ) while you just know " The Jackal " is the world's most effective hit-man . Director Fred Zimmerman films the movie the best way possible - As a docudrama . Okay it might be a little slow and European to some tastes thirty years after it was filmed but compare it to the aforementioned remake and tell me what ones more nailbiting and compelling ? No contest is it
    Doylenf

    Stylish espionage thriller...neat location photography...

    From start to finish, this is one stylish espionage thriller that qualifies among the best of its genre. Handsomely photographed in some colorful European locations and impressively acted by the entire cast, it showcases EDWARD FOX as "The Jackal" in a performance of smooth villainy that is convincing all the way.

    The film's final thirty minutes are worth waiting for--as is The Jackal's final disguise that convinces the French authorities to let him pass. Fred Zinnemann keeps it all moving at a steady pace and there's never any letdown in suspense since the film has the power to draw you in from the start.

    Based on Frederick Forsyth's best-seller about the painful preparations an assassin makes in an attempt to take the life of Charles DeGaulle, it belongs in the same class with a film like THREE DAYS OF THE CONDOR, almost documentary in approach.

    The British cast is excellent with Michael Lonsdale doing an outstanding job as the relentless detective. Highly recommended.
    8lastliberal-853-253708

    I don't think I've ever heard of a political killer in this country. It's not our style, is it?

    You watch the Bruce Willis version of the Jackal and you think that is so cool, but you don't know cool until you see Edward Fox do it.

    Fox is the epitome of cool. The guy even wears an ascot, for god's sake! Most people today don't even know what an ascot is. He carefully plots his moves and is methodical in his precision. He kills with cool detachment. If he had Willis' assignment, he would have gotten it done.

    But, he had to deal with the European versions of the CIA/FBI and they were not restrained in how they handled investigations. With just a thread, the French police inspector carefully puts together a case with as much precision as his prey. It was a game of cat and mouse that kept you on the edge of your seat for two and a half hours without noticing the time.

    That is because of director Fred Zinnemann and the fact that he kept things moving along beautifully.

    If you want to see how a thriller is done with craft and cunning and without special effects, then this is the film for you.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The special lightweight rifle that The Jackal concealed in a crutch was a genuine working model. Two of them were made for this movie; one was handed over to the British authorities, the other resides in the Paris Cinematheque.
    • Goofs
      In the shooting at the Petit Clamart ambush the lower part of the rear window of the presidential limousine is shattered and falls to pieces, but when the car arrives at the airport the rear window, though badly cracked, is still largely in place.
    • Quotes

      Minister: There is one thing: how did you know whose telephone to tap?

      Lebel: I didn't, so I tapped all of them.

    • Crazy credits
      The Cross of Lorraine, a symbol General Charles de Gaulle used during his lifetime, appears at the beginning of the film.
    • Connections
      Edited into The Clock (2010)
    • Soundtracks
      Colonel Bogey March
      (1914) (uncredited)

      Music by Kenneth Alford

      Played by an accordionist

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    Details

    Edit
    • Release date
      • July 30, 1973 (United States)
    • Countries of origin
      • United Kingdom
      • France
    • Languages
      • English
      • Italian
      • French
    • Also known as
      • El día del chacal
    • Filming locations
      • La Bastide de Tourtour, Tourtour, Var, France(hotel where the Jackal meets Colette)
    • Production companies
      • John Woolf Productions
      • Warwick Film Productions
      • Universal Productions France
    • See more company credits at IMDbPro

    Box office

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    • Gross US & Canada
      • $16,056,255
    See detailed box office info on IMDbPro

    Tech specs

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    • Runtime
      2 hours 23 minutes
    • Color
      • Color
    • Aspect ratio
      • 1.85 : 1

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