The Hot Rock

There is always a risk with these 'period' pieces that it will become dated very easily with changing tastes & expectations. Fortunately, caper movies are still getting made ('Entrapment'), Redford is still a sex-symbol, & crime still pays. So 'Hot Rock' is as eminently watchable today as it was way back then, provided of course you don't start wondering too much about the plot. Ride Quincy Jones' music (Gerry Mulligan plays the sax) & Redford's easy charm & you are safe home.

The performances all round are very muted, except the wonderful Zero Mostel's over-the-top crooked lawyer. At times you feel everybody is just too reluctant to get on with it, but I guess that is the kind of 'cool seventies' effect that director Yates was trying to get (& I feel, succeeded). Anyway Yates was riding high at this time with some great movies like Bullitt & Murphy's War & his confidence shows.

From time to time I get a craving for heist movies. And since I have seen most of the popular ones I always am on the search for other heist movies. While this small movie doesn't do anything spectacular I do consider this a classic. Robert Redford is very restrained and pretty serious in this movie. And this added to the hilarious events in the movie which you just have to see to believe it. At one time I even thought it was going to turn into a full mode slapstick comedy with no holds barred. But almost every actor remain straight faced and serious throughout the movie which only added to the fun experiencing this movie. "The Hot Rock" is a typical heist movie that only could have been made in the seventies. But even when the technological aspects in this movie seem outdated it never gets boring. Like any good heist movie you are rooting for the main characters to succeed especially when things don't go the way they planned. This movie has everything you want from a heist movie. And I find it rather strange that this movie is not so well known. A must watch!

This was my introduction to my favorite author and his prized creation (under his name anyway) Donald Westalke's John Dortmunder and crew make for a great book, so far thirteen and counting. This movie is based on the first book and one of the best.

I won't get into the plot because it's been gone over before, but Peter Yates and William Goldman crafted a pretty fine entertaining film, it may not be as good as the book (in fact it's not) but it doesn't stray too far, you got Robert Redford who's good in about everything. When i was reading the books at first i pictured him as Dortmunder, but my mental image soon switched to Walter Matthau. Then George Segal is a pitch perfect Andy Kelp, i don't think anyone could have been better. As a gearhead, my favorite character of the series is the driver Stan Murch, and Ron Leibman embodies him perfectly.

Overall the film is much better then other adaptations like "Bank Shot" with George C. Scott, and "What's the Worst that Could Happen?" with Martin Lawrence, and only slightly better than "Why Me?" with Christopher Lambert, and if you haven't read any Donald Westlake, you should. You really should, start with any of the Dortmunder books, and you'll get hooked.

I saw this film for the first time when I was a kid of about 4th grade age. It hooked me then and has stuck with me ever since as an enjoyable, fun, light caper movie. Granted it is not deep, serious or complicated. You do, however, "get your money's worth" because there is more than one caper that gets pulled for the good guys to finally come out ahead. If you are looking for fun adventure with the 70's charm and very little violence and virtually no adult language, give this movie a try.

The Hot Rock has a soft spot in my heart because the area of Brooklyn where a lot of the film was shot, I know very well, Eastern Parkway, The Botanical Gardens and most of all The Brooklyn Museum I know very well from years of living in the Borough of homes and churches. The Brooklyn Museum is where the elusive Hot Rock resides or at least where it first resides.

Robert Redford is released from prison and his brother-in-law George Segal is there to greet him. As Redford says to warden Graham Jarvis there ain't no chance in hell he's going straight. Straight into another caper that Segal has lined up for him with Ron Leibman and Paul Sand.

The amiable team is hired by African ambassador Moses Gunn from some fictional central African country to get a national treasure, a rather large diamond on display at the Brooklyn Museum. They do steal the diamond, but through an incredible combination of circumstances have to plan and execute four different break-ins before The Hot Rock is in their hands.

Redford and Segal display a good chemistry, as good as the fabled co-starring chemistry of Paul Newman and Robert Redford. Why they were not heralded as a buddy combination is beyond me.

Stealing the film in whatever scenes they are in are shyster attorney Zero Mostel and his doofus of a son, Paul Sand. In the first caper at the museum, Sand gets caught and what he does with the diamond sets up the entire rest of the film.

As for Zero we find he's an attorney with absolutely no scruples whatsoever, the kind they make excellent lawyer jokes about. But he does give us some excellent laughs.

The Hot Rock is something on the order of an American domestic version of Topkapi. The laughs in it are good and strong, although some of the Seventies fashions make me wince. Despite that the film holds up well today. I'm surprised no one is thinking of remaking this one.