58
Metascore
9 reviews · Provided by Metacritic.com
- 80The Observer (UK)The Observer (UK)Regular horror ingredients are all mixed up into something truly terrifying. [17 Dec 2006, p.8]
- 75Paste MagazinePaste MagazineThe result is a ’70s vampire flick that has distinctly gothic imagery—the immortal temptress leering out from a century-old portrait, creeping up on the unwary in the form of a waterlogged corpse, surrounded by her leering thralls—even as it uses psychological horror techniques and roots its terror in the gaslighting of a vulnerable woman.
- 75The A.V. ClubKeith PhippsThe A.V. ClubKeith PhippsIt's a classic B-movie move of making much out of little, and while Let's Scare Jessica To Death isn't quite a top-rank B-movie classic, it at least offers further proof that all the teen-idol stars and CGI effects—or a logical plot, for that matter—mean nothing if they don't make you scared to turn out the lights.
- This was the feature debut of director John Hancock (who would go on to BANG THE DRUM SLOWLY and WEEDS), and he does a fairly effective job of pulling good shocks out of this somewhat familiar material. The script doesn't help his cause: it's badly underdeveloped and contains some confusing inconsistencies.
- 60Village VoiceVillage VoiceIf for nothing else, Jessica is worth seeing for the presence of Zohra Lampert, and intelligent actress whose talent has somehow never been sufficiently appreciated. [14 Oct 1971, p.75]
- Although a disappointment generally, there are several things going for it; among them, the pleasantly aggressive title, which has, as is proper, only the most casual relation to the movie.
- 38Slant MagazineEric HendersonSlant MagazineEric HendersonGreat auntie to waking nightmare movies about distaff insanity as diverse as Images, 3 Women, A Woman Under the Influence, and Mulholland Drive, Let’s Scare Jessica to Death spends 90 minutes tapping lightly but incessantly on its heroine’s fragile sanity, as though it were some sort of Fabergé S&M model egg.