A mute gunfighter defends a young widow and a group of outlaws against a gang of bounty killers in the winter of 1898, and a grim, tense struggle unfolds.A mute gunfighter defends a young widow and a group of outlaws against a gang of bounty killers in the winter of 1898, and a grim, tense struggle unfolds.A mute gunfighter defends a young widow and a group of outlaws against a gang of bounty killers in the winter of 1898, and a grim, tense struggle unfolds.
- Awards
- 1 win
- Gordon
- (as Jean Louis Trintignant)
- …
- Pauline Middleton
- (as Vonetta Mc Gee)
- Governor of Utah
- (as Carlo D' Angelo)
- Outlaw
- (uncredited)
- Man in Saloon
- (uncredited)
- Poker Player
- (uncredited)
- Hunter
- (uncredited)
Storyline
Did you know
- TriviaAccording to Sergio Corbucci, Marcello Mastroianni gave him the idea of a mute gunfighter when the actor told him that he had always wanted to do a Western, but unfortunately didn't speak English. When Corbucci first met Jean-Louis Trintignant, he learned that he didn't speak English either. Because he had a fascination with characters with a crippling weakness, Corbucci decided that this was the moment to turn the taciturn Spaghetti Western hero into a mute.
- GoofsVarious spelling mistakes in the title cards.
- Quotes
Ending title card: The massacres of 1898, year of the Great Blizzard, finally brought forth fierce public condemnation of the bounty killers, who, under the guise of false legality, made violent murder a profitable way of life. For many years there was a clapboard sign at Snow Hill which carried this legend: MEN'S BOOTS CAN KICK UP THE DUST OF THIS PLACE FOR A THOUSAND YEARS, BUT NOTHING MAN CAN EVER DO WILL WIPE OUT THE BLOOD STAINS OF THE POOR FOLK WHO FELL HERE.
- Alternate versionsTwo alternative endings were created for this film:
- A "happy" ending, in which Sheriff Burnett (having somehow survived being trapped under a frozen lake) rides into town and shoots Loco before he can kill Silence, allowing him to kill the remaining bounty killers. This ending was once believed to be shot for the North African and Japanese markets, but has since been revealed to have been created as an alternative solution for the producers, who wanted the film to have a "seasonal" (ie. Christmas) appeal.
- A lesser-known, "ambiguous" re-cut of the original ending with additional footage, in which Silence is wounded, but Loco gestures to his gang members to leave the saloon before they can kill anyone.
- ConnectionsFeatured in Western, Italian Style (1968)
Director Sergio Corbucci (known for his hyper-violent, but somewhat communitarian motifs) incorporates both American and European cinema values, as well as the themes generally condoned along with the western genre. Telling the tale of a ruthless bounty-hunter ironically named Loco, (played by Klaus Kinski, always fitting the mould of a maniac) who wanders the snow-ridden state of Utah in search of "wanted: dead or alive" criminals. Essentially, he is a villain, a despicable individual who makes a living out of money for murder. Gaining $1000 for each heinous slaughter he commits, Loco one day kills the husband of Pauline (a woman who refuses to accept the murder) and racially abuses her after doing so. It is from this crime that the film promptly escapades into a jaunting exercise of revenge on behalf of two individuals (firstly Pauline and then the "opposed-to-bounty-hunting" gunslinger she so vehemently hires).
Filmed in strikingly intrepid weather conditions and motivated by cold-hearted brutality, The Great Silence captures a landscape which is a parallel to the themes portrayed within the piece. First-rate direction is garnered from the messy, cut-throat editing and the resounding cynical tone of a dead-beat anti-western will leave fans groping for more of its kind. For such a tough film, it will be evident that the innocent characters do not beg of sympathy, but are able to warrant a valuable empathy through the -although often questionable- acting. Pauline, a key character in the story utters "once, my husband told me of this man. He avenges our wrongs. And the bounty killers sure do tremble when he appears. They call him "Silence." Because wherever he goes, the silence of death follows." She makes this heroic statement after she swears to seek vengeance for her murdered husband, and it is unquestionably the film's finest moment. Nevertheless, the film's most triumphant highlight is Klaus Kinski, who defies the bounty-hunter archetype by using a patronising and hollow method of acting. It could have been the recipe for disaster, but Klaus Kinski pitches the ambiance of his role admirably.
Requiring a certain amount of respect for the genre, The Great Silence works as a fine ode to a time when cinema was full of defiant gusto. Although not for everyone, the film is a pleasant surprise for viewers who are interested in genre cinema or in search of films from a forgotten era. Just remember that by no means is it a Leone rip-off.
- Det_McNulty
- Sep 17, 2007
- Permalink
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Details
Box office
- Gross US & Canada
- $53,074
- Opening weekend US & Canada
- $8,755
- Apr 1, 2018
- Gross worldwide
- $60,500
- Runtime1 hour 45 minutes