Mafia

Being the first of a series of expose' films directed by Damiano Damiani and starring Franco Nero, this was more sober than the rest - with few of the typical "Euro-Crime" trappings - even receiving some accolades when it emerged; it's really a police procedural, with the only action sequence occurring at the very beginning.

The film is also among the first to deal with the Mafia - though it's never mentioned by name - with the characters governed by their own sense of honor and Sicily's distinctive rustic feel lending vividness to the setting. As with the other Damiani/Nero films, the downbeat ending offers no easy answers.

Apart from a dynamic score by Giovanni Fusco, it features an above-average international cast - Claudia Cardinale (as the defamed wife of an eye-witness to murder, who has gone missing), Franco Nero (as the rugged young cop), Lee J. Cobb (as the 'boss'), Nehemiah Persoff (as one of his associates) and Serge Reggiani (as a stoolie); the hilarious contribution of Gaetano Cimarosa as the wisecracking hit-man is also noteworthy.

Italian film based on a novel by Leonardo Sciascia, explores the mystery and corruption in a small Sicilian town. If you enjoy intellectual thrillers, this film is a must-watch!

Despite being from the distant year of 1968, "Il giorno della civetta" resonates surprisingly with the present day. Tackling themes like omertà and distrust in institutions, the film challenges us to reflect on social dynamics that unfortunately persist even today, over 50 years later in Italy. A timeless work that invites us to examine the complexities of society in a new light.

The screenplay and plot are masterfully executed, keeping you glued to the screen without a dull moment. The dialogues are convincing and well-crafted. The direction and editing, considering the production era, are impeccable. The soundtrack is fitting, but what strikes the most is the final message, incredibly true and relevant.

While I'm not particularly fond of very old films, and I'm usually quite demanding when it comes to giving a rating, it must be said that this film is very well-crafted.

Wow,the composer of the music for The Godfather could be cited for plagiarism. LISTEN to this production. Ah yes this is a more accurate account of what the "Black Hands " are all about. Deceit,obfuscation, murder and corruption of government. Performances are okay a little overdone in spots. Something very Italian to the whole production. Sound is not well produced and camera movement can be distracting. The mafia as an entity is the main character. The organization was at that time even in Sicily openly discussed as "no such thing." What one should perceive from watching this film is the fundamental institutionalization of that concept. The social imperatives on the island perpetuate that pernicious myth.

Italian films have always been the ebst of the best concerning the Sicilian Mafia, or even any Mafia in Italy; Camorra, Ndrangheta.... It brings something authentic, accurate, even more efficient and riveting than any US action flicks. Francesco Rosi, Damiano Damiani and Pasquale Squieteri were the masters on those topics. This one is one of the best examples of what I say. It s a fiction, but facts. It is not an action crime film, such as those Italian film industry made during the late sixties and especially the seventies: the famous poliziottescos, all violent, brutal, misogynist at the most, nothing to do with the films made by Damiani, Squieteri or Rosi. In those Poliziottescos, you have gunfights, car chases, tortures scenes galore till you get fed up. I prefer the Damiani style, more minimalist but true, showing informers, details on corruption, embezzlements, swindles. Acting absolutely flawless. Once more in his career Lee J Cobb, after ON THE WATER FRONT and PARTY GIRL, plays a mob boss.

In a town in Sicily, a truck driver is found dead by the side of the road, his truck nearby. Newly appointed captain of the Caribinieri, Franco Nero, investigates, and notices a nearby house. Claudia Cardinale is there with her daughter. Her husband, she says, went out looking for work and she doesn't know when he will be back. As Nero investigates, he knows it has to do with the Mafia, under the control of local capo Lee J. Cobb. He's the man in charge of dividing up local contracts for public works, although he is not the top man; that's someone in Rome. His fellow Mafiosi continue on with business as usual, while Miss Cardinale's story changes as she realizes her husband is dead. But no one will talk in public.

It is directed by Damiano Damiani from his own novel, loosely based on the 1947 murder of Sicilian trade unionist Accursio Miraglia. Everyone gives good performances, but it's Cobb, of course, who stands out as a man who comes to respect Nero, who's willing to use extra-legal methods to obtain justice, and who is constantly frustrated by the fear that enforces silence among the people of the town. Slower and more deliberate than the usual movies about the Mafia, it offers a telling portrait of a system that no one is willing to change.