IMDb RATING
6.3/10
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A famous orchestra conductor is captured by the Germans in WW2, and is forced to perform at private concerts for the Nazi generals.A famous orchestra conductor is captured by the Germans in WW2, and is forced to perform at private concerts for the Nazi generals.A famous orchestra conductor is captured by the Germans in WW2, and is forced to perform at private concerts for the Nazi generals.
- Director
- Writers
- Stars
Peter Masterson
- Sergeant Calloway
- (as Pete Masterson)
Paul Birch
- General
- (uncredited)
Jack Clinton
- Audience Member
- (uncredited)
Robert Cole
- Soldier
- (uncredited)
Stewart East
- Soldier
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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I "rediscovered" and just watched this little gem of a film with Good classical music and great performances, particularly by Maximilian Schell. It's technically a war movie though. My rating of 7 is based on purely entertainment value. Pretty good
Counterpoint remains one of my favorite movies mainly because of the interesting interplay between Schell's and Heston's characters. It is good movie making to set up a psychological tug-of-war with life at stake. Schell does an excellent job portraying a conflicted authoritarian who has stumbled upon a small bit of beauty in the midst of chaos. Schell exudes his character's charm and ultimate control over the situation when he comments on the orchestra's performance list - "Something Wagnerian perhaps..." I always have the feeling watching this movie that it would translate very well to the stage. Your eye is never distracted by other things. The premise, though a bit unrealistic, is still compelling enough to make the movie a good watch.
I make a difference, referring to war movies. There are some that are very faithful to the history such as Midway, Tora, Tora, Tora and there are some that emphasize the epic and heroic aspects of soldier life in terrible circumstances. I have to say that I am more interested in the second ones such as The Dirty Dozen, The Eagle has landed, etc. Counterpoint belongs to the second category. A famous music director (C. Heston) and his orchestra is kidnapped by the Nazy army in Belgium. The German General (M. Schell) wants this orchestra to play for him but the director delays this concert as much as possible to avoid his musicians to be killed. I think Ralphn Nelson felt some empathy for the character, starred by Heston because he was in the Army in the II World War and participated in different plays in Broadway to entertain people in the same way Heston tries to entertain soldiers in the cold Europe. Schell and Heston perform their roles perfectly: they admire each other but war has placed them in different sides of the river. Schell is far from the archetype of the Germans in the Hitler era. There is a love subplot between Heston and one old love, his musician,Kathryn Hays, who is now married with a partner, a serious Leslie Nielsen. This love story and the sequence in which an American soldier is nearly discovered by a German Colonel but he feigns to be a musician of the orchestra, playing the U.S. hymn, remind me of Casablanca. The cinematography of Russel Metty, in which the shadows have a relevant role, is quite brilliant. So, it deserves to be seen.
Juan Carlos del Castillo Álvarez
Juan Carlos del Castillo Álvarez
If you're a World War II movie fan or a woman and a Maximillian Schell fan, or both, this hard to find film has definitely captured Maximillian Schell's charm and appeal. Even though he plays a German General, the "bad guy," his performance makes it very difficult NOT to like him. He is handsome and witty underneath the power of authority that he exudes. His performance is by far the best. A hand would have to be given to given to the young "pre-Naked Gun" Leslie Nielsen also. The movie plot is perhaps a little unrealistic but that's the beauty of film, right? Engaging and somewhat memorable to say the least. Worth a look if you can find it.
Let me qualify those 7 stars. You have to like Heston, Schell, WWII movies, and classical music in order to appreciate this movie. Heston is the conductor of an orchestra that is caught behind German lines during the Battle of the Bulge. Schell is a Prussian style educated yet cultured officer who is caught between his appreciation for culture and his orders not to delay the battle by wasting time on taking prisoners. The orchestra is USO. A side conflict is provided by the orchestra taking in 2 GIs who are also cut off behind enemy lines and hiding them as members of the orchestra. This is a war, "small w", movie. I remember a lot of grimacing from Heston and Schell, but that is what they do! Look beyond the cardboard characters and you may find a good little picture about a protagonist and an antagonist playing chess without a board.
Storyline
Did you know
- TriviaCharlton Heston spent up to five hours a day at rehearsals conducting Ludwig van Beethoven's Symphony No. 5 in C-, Op. 67, Allegro con brio, the music performed over the opening credits. In his diaries, Heston describes it as better than parting the Red Sea.
- GoofsLionel Evans refers to the number of musicians in his orchestra as 70---the bus, although a double-decker, would not hold that many. In courtyard scenes, there are not that many seen.
- SoundtracksSymphony No. 5 in C minor I. Allegro con brio
(uncredited)
Composed by Ludwig van Beethoven
Performed by The Los Angeles Philharmonic conducted by Lawrence Foster
[Played by the orchestra over the opening title card and credits; reprise played over the end credits]
- How long is Counterpoint?Powered by Alexa
Details
- Release date
- Country of origin
- Languages
- Also known as
- The Battle Hours
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 47 minutes
- Color
- Aspect ratio
- 2.35 : 1
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