Film at Lincoln Center
A massive Edward Yang retrospective, New York’s first in a dozen years, has begun, featuring new restorations of A Confucian Confusion and Mahjong.
Museum of the Moving Image
A Roy Andersson retrospective begins with two lesser-seen works; the Todd Haynes series continues with Carol and Far from Heaven; Ghost in the Shell plays on Friday, while The Shop Around the Corner screens through the weekend.
Film Forum
A Charlie Chaplin series is underway to coincide with the new Woman of Paris restoration; Days of Heaven (read our interview with Brooke Adams) and Michael Powell’s career-killing masterwork Peeping Tom continue.
Museum of Modern Art
The comprehensive Ennio Morricone retrospective continues, including Once Upon a Time in America.
Roxy Cinema
Amadeus plays on 35mm; Home Alone also screens.
IFC Center
It’s a Wonderful Life and Alphaville have runs; Black Christmas, Revenge of the Sith, Last Crusade,...
A massive Edward Yang retrospective, New York’s first in a dozen years, has begun, featuring new restorations of A Confucian Confusion and Mahjong.
Museum of the Moving Image
A Roy Andersson retrospective begins with two lesser-seen works; the Todd Haynes series continues with Carol and Far from Heaven; Ghost in the Shell plays on Friday, while The Shop Around the Corner screens through the weekend.
Film Forum
A Charlie Chaplin series is underway to coincide with the new Woman of Paris restoration; Days of Heaven (read our interview with Brooke Adams) and Michael Powell’s career-killing masterwork Peeping Tom continue.
Museum of Modern Art
The comprehensive Ennio Morricone retrospective continues, including Once Upon a Time in America.
Roxy Cinema
Amadeus plays on 35mm; Home Alone also screens.
IFC Center
It’s a Wonderful Life and Alphaville have runs; Black Christmas, Revenge of the Sith, Last Crusade,...
- 12/22/2023
- by Nick Newman
- The Film Stage
NYC Weekend Watch is our weekly round-up of repertory offerings.
Museum of Modern Art
A massive Ennio Morricone retrospective continues with Leone, Pasolini, and more.
Anthology Film Archives
Buñuel’s The Milky Way and Philippe Garrel’s The Virgin’s Bed play in the Jesus Christ retrospective.
Roxy Cinema
They Live plays on 35mm; Home Alone and The Faculty also screen.
Film Forum
The new 4K Days of Heaven restoration is now playing (read our interview with Brooke Adams) while Michael Powell’s career-killing masterwork Peeping Tom continues; The Muppet Christmas Carol plays this Sunday.
Japan Society
Some of Japan’s most radical filmmakers are exhibited in “Taisho Roman: Fever Dreams of the Great Rectitude,” running through Saturday.
Museum of the Moving Image
A career-spanning Todd Haynes retrospective continues with Velvet Goldmine and Poison Keaton’s Our Hospitality plays on Saturday.
IFC Center
It’s a Wonderful Life and Alphaville...
Museum of Modern Art
A massive Ennio Morricone retrospective continues with Leone, Pasolini, and more.
Anthology Film Archives
Buñuel’s The Milky Way and Philippe Garrel’s The Virgin’s Bed play in the Jesus Christ retrospective.
Roxy Cinema
They Live plays on 35mm; Home Alone and The Faculty also screen.
Film Forum
The new 4K Days of Heaven restoration is now playing (read our interview with Brooke Adams) while Michael Powell’s career-killing masterwork Peeping Tom continues; The Muppet Christmas Carol plays this Sunday.
Japan Society
Some of Japan’s most radical filmmakers are exhibited in “Taisho Roman: Fever Dreams of the Great Rectitude,” running through Saturday.
Museum of the Moving Image
A career-spanning Todd Haynes retrospective continues with Velvet Goldmine and Poison Keaton’s Our Hospitality plays on Saturday.
IFC Center
It’s a Wonderful Life and Alphaville...
- 12/15/2023
- by Nick Newman
- The Film Stage
Kino Lorber has bought all North American distribution rights to Jean-Luc Godard’s final short film “Trailer of a Film That Will Never Exist: Phony Wars.” The 20-minute short played at this year’s Cannes Film Festival and will next screen at Toronto and New York film festivals.
Kino Lorber is planning a theatrical roll out for the title this fall, followed by a run at New York’s Film Forum in December, alongside Cyril Leuthy’s documentary “Godard Cinema.”
“Trailer of a Film That Will Never Exist: Phony Wars” was meant to be a feature film project but Godard died a year ago, at the age of 93, before finishing it. Godard had envisioned a complex mixed-media collage of history, politics and cinema through ideas, references and visuals.
Kino Lorber’s library already boasts several iconic films by Godard, including New Wave classics “A Married Woman,” “Alphaville,” and “La Chinoise,...
Kino Lorber is planning a theatrical roll out for the title this fall, followed by a run at New York’s Film Forum in December, alongside Cyril Leuthy’s documentary “Godard Cinema.”
“Trailer of a Film That Will Never Exist: Phony Wars” was meant to be a feature film project but Godard died a year ago, at the age of 93, before finishing it. Godard had envisioned a complex mixed-media collage of history, politics and cinema through ideas, references and visuals.
Kino Lorber’s library already boasts several iconic films by Godard, including New Wave classics “A Married Woman,” “Alphaville,” and “La Chinoise,...
- 9/6/2023
- by Elsa Keslassy
- Variety Film + TV
The cyberpunk genre is perhaps now more popular and relevant than ever, and the same can be said for actor Keanu Reeves. Together they would prove to be a powerful pairing with the sci-fi masterpiece The Matrix and the recent hit videogame Cyberpunk 2077.
However, that was not the case in 1995, when Johnny Mnemonic was released to confounded and indifferent audiences. How did the combined efforts of a newly minted A-list star, a noted visionary artist, and a pioneer in cyberpunk fiction result in a target of ridicule and a box office disappointment?
Jack in and fill your head with Wtf Happened to this Movie!
The cyberpunk subgenre of science fiction can be broadly characterized with the theme of “high tech and low life” and it typically involves futuristic dystopian societies, advanced science and technology, body enhancements, dominant corporations, and sharp class disparity. Its origins and influences can be traced back...
However, that was not the case in 1995, when Johnny Mnemonic was released to confounded and indifferent audiences. How did the combined efforts of a newly minted A-list star, a noted visionary artist, and a pioneer in cyberpunk fiction result in a target of ridicule and a box office disappointment?
Jack in and fill your head with Wtf Happened to this Movie!
The cyberpunk subgenre of science fiction can be broadly characterized with the theme of “high tech and low life” and it typically involves futuristic dystopian societies, advanced science and technology, body enhancements, dominant corporations, and sharp class disparity. Its origins and influences can be traced back...
- 7/12/2023
- by Dave Davis
- JoBlo.com
The 22nd edition of the Transilvania International Film Festival kicked off Friday night in the city of Cluj-Napoca with the international premiere of Northern Comfort, a comedy directed by Icelandic filmmaker Hafsteinn Gunnar Sigurðsson, and with a tribute to the film’s star, Timothy Spall.
The famed British character actor, known for his roles in Mike Leigh’s Topsy-Turvy and Mr. Turner, Cameron Crowe’s Vanilla Sky, Edward Zwick’s The Last Samurai, Tom Hooper’s The King’s Speech and the Harry Potter films, received this year’s lifetime achievement award at the festival’s opening gala.
The Icelandic-uk-German co-production Northern Comfort is part of the massive Nordic Focus at the festival this year, with more than 40 films from Norway, Iceland, Denmark, Finland and Sweden, as well as live music performances and cine-concerts. Some of the Nordic highlights include Ruben Östlund’s 2022 Palm d’Or winner Triangle of Sadness, Lars von Trier...
The famed British character actor, known for his roles in Mike Leigh’s Topsy-Turvy and Mr. Turner, Cameron Crowe’s Vanilla Sky, Edward Zwick’s The Last Samurai, Tom Hooper’s The King’s Speech and the Harry Potter films, received this year’s lifetime achievement award at the festival’s opening gala.
The Icelandic-uk-German co-production Northern Comfort is part of the massive Nordic Focus at the festival this year, with more than 40 films from Norway, Iceland, Denmark, Finland and Sweden, as well as live music performances and cine-concerts. Some of the Nordic highlights include Ruben Östlund’s 2022 Palm d’Or winner Triangle of Sadness, Lars von Trier...
- 6/10/2023
- by Stjepan Hundic
- The Hollywood Reporter - Movie News
Mamoru Oshii has solidified himself from one acclaimed anime film to another. “Ghost in the Shell” is hailed as a masterpiece of cyberpunk storytelling, and “Urusei Yatsura 2: Beautiful Dreamer” is highlighted for its hilarious comedy. Oshii has a lot of range as a visionary that transcends beyond animation, as he has done live-action features as well. One of his most personal projects is the franchise known as the “Kerberos Saga,” a gritty alternate history political thriller. Various forms of media, from radio dramas to comic books, have painted a picture of the gloomy society presented in this horrifying rendition of alternate history. When it comes to cinema, the most popular entry is Hiroyuki Okiura’s anime movie “Jin-Roh: The Wolf Brigade,” which, which Oshii wrote. Yet, the saga’s first depiction on film would be in Oshii’s surreal and marvelous gem, “The Red Spectacles.”
“The...
“The...
- 10/2/2022
- by Sean Barry
- AsianMoviePulse
French New Wave auteur Jean-Luc Godard’s lasting legacy on cinema was embodied by the thousands of tributes to the late “Breathless” director.
Godard died at age 91 of assisted suicide in Switzerland, where the elective injection is legal. “He was not sick, he was simply exhausted,” a Godard family member told press outlets. The director’s longtime legal advisor Patrick Jeannere confirmed to The New York Times that Godard suffered from “multiple disabling pathologies.”
“He could not live like you and me, so he decided with a great lucidity, as he had all his life, to say, ‘Now, it’s enough,’” Jeanneret said.
Fellow directors, film critics, and actors paid tribute to the late “Band of Outsiders” icon.
French President Emmanuel Macron honored Godard in a social media statement, writing, “It was like an appearance in French cinema. Then he became a master. Jean-Luc Godard, the most iconoclastic of New Wave filmmakers,...
Godard died at age 91 of assisted suicide in Switzerland, where the elective injection is legal. “He was not sick, he was simply exhausted,” a Godard family member told press outlets. The director’s longtime legal advisor Patrick Jeannere confirmed to The New York Times that Godard suffered from “multiple disabling pathologies.”
“He could not live like you and me, so he decided with a great lucidity, as he had all his life, to say, ‘Now, it’s enough,’” Jeanneret said.
Fellow directors, film critics, and actors paid tribute to the late “Band of Outsiders” icon.
French President Emmanuel Macron honored Godard in a social media statement, writing, “It was like an appearance in French cinema. Then he became a master. Jean-Luc Godard, the most iconoclastic of New Wave filmmakers,...
- 9/15/2022
- by Samantha Bergeson
- Indiewire
If the reverberations of Jean-Luc Godard’s life should ring well after we’re all gone, his passing could be nothing but seismic. As we revisit favorites, discover masterpieces, and discuss and debate in equal measure, filmmakers are taking time to pay Godard tribute—today feeling like the first step of what might become a new, postmortem chapter in cinema.
As is customary in such times, various filmmakers spoke to The Guardian about Godard. Rather than lift their entire feature, we’ll share some favorites and leave the rest—including Luca Guadagnino, Kelly Reichardt, and Mike Leigh—to the link. We’ve also added comments Leos Carax gave to Libération, dutifully translated by @pontdevarsovia.
Martin Scorsese:
From Breathless on, Godard redefined the very idea of what a movie was and where it could go. No one was as daring as Godard. You’d watch Vivre Sa Vie or Contempt...
As is customary in such times, various filmmakers spoke to The Guardian about Godard. Rather than lift their entire feature, we’ll share some favorites and leave the rest—including Luca Guadagnino, Kelly Reichardt, and Mike Leigh—to the link. We’ve also added comments Leos Carax gave to Libération, dutifully translated by @pontdevarsovia.
Martin Scorsese:
From Breathless on, Godard redefined the very idea of what a movie was and where it could go. No one was as daring as Godard. You’d watch Vivre Sa Vie or Contempt...
- 9/14/2022
- by Nick Newman
- The Film Stage
Media coverage of Jean-Luc Godard’s death will fall short of what he merits. He was a game-changing creator on the level of Sergei Eisenstein, Charlie Chaplin, D.W. Griffith, and others who changed the grammar of film forever, but his best-known films are from a half-century ago. And there’s this: Under the standards by which successful directors are judged today — box office and awards — Godard was strictly a minor-league player.
His lifelong regard as a master is a tribute to his films above all, but it also speaks to a cinephile culture that elevated and supported him for decades despite the general public’s disinterest.
In the U.S., Godard’s films initially received erratic distribution with short-run showings at a few big-city theaters; even his best-known titles like “Breathless” and “Week-end” received marginal releases. They appeared erratically, out of order, and sometimes not until two or three years after their public debuts.
His lifelong regard as a master is a tribute to his films above all, but it also speaks to a cinephile culture that elevated and supported him for decades despite the general public’s disinterest.
In the U.S., Godard’s films initially received erratic distribution with short-run showings at a few big-city theaters; even his best-known titles like “Breathless” and “Week-end” received marginal releases. They appeared erratically, out of order, and sometimes not until two or three years after their public debuts.
- 9/14/2022
- by Tom Brueggemann
- Indiewire
French president Emmanuel Macron has led the tributes to Jean-Luc Godard, after the revered filmmaker died at the age of 91.
News of Godard’s death was first reported by the French newspaper Liberation. It has since been confirmed by his lawyer that the director ended his life by assisted death.
Patrick Jeanneret told Afp that due to being “stricken with ‘multiple incapacitating illnesses’”, Godard “had recourse to legal assistance in Switzerland for a voluntary departure”.
Godard was known for directing a run of radical, medium-changing films throughout the 1960s, including his feature debut Breathless and Alphaville.
Along with contemporaries such as Éric Rohmer, Jacques Rivette, and François Truffaut, the Paris-born Godard was a central figure in the Nouvelle Vague, an experimental film movement that emerged in France in the late 1950s.
Several of his films are frequently cited among the best movies ever made.
Alongside a black and white photograph of the “iconoclastic” Godard,...
News of Godard’s death was first reported by the French newspaper Liberation. It has since been confirmed by his lawyer that the director ended his life by assisted death.
Patrick Jeanneret told Afp that due to being “stricken with ‘multiple incapacitating illnesses’”, Godard “had recourse to legal assistance in Switzerland for a voluntary departure”.
Godard was known for directing a run of radical, medium-changing films throughout the 1960s, including his feature debut Breathless and Alphaville.
Along with contemporaries such as Éric Rohmer, Jacques Rivette, and François Truffaut, the Paris-born Godard was a central figure in the Nouvelle Vague, an experimental film movement that emerged in France in the late 1950s.
Several of his films are frequently cited among the best movies ever made.
Alongside a black and white photograph of the “iconoclastic” Godard,...
- 9/13/2022
- by Maanya Sachdeva and Inga Parkel
- The Independent - Film
Jean-Luc Godard, who died Tuesday at 91, was the filmmaker who changed everything. He directed “Breathless,” the 1960 landmark that helped to launch the French New Wave, employing a new, fast, leaping-ahead technique and style — the jump cut — that altered the DNA of how movies were made. In the ’60s, he took his camera out into the streets and into cafés, stores, offices, and apartments, so that a Godard film often seemed like a documentary about fictional characters. He drew many of those characters from Old Hollywood, a world he’d grown up on and remained obsessed with, but one that he always made seem a million miles away, like some black-and-white Garden of Eden the world had fallen from. So even as you were watching Jean-Paul Belmondo play a glamorous hoodlum or Anna Karina play a femme fatale, you knew that you were also seeing an actor toy with the very...
- 9/13/2022
- by Owen Gleiberman
- Variety Film + TV
Pioneering French movie director Jean-Luc Godard and prolific television and film actor Jack Ging have died. Godard passed away at age 91. The French newspaper Liberation first reported the news of his death. Born on December 3, 1930, in Paris, France, Godard became a leading figure of the French New Wave movement, directing classic films such as Breathless (À bout de souffle), Le Petit Soldat, Vivre sa vie, Bande à part, Pierrot le Fou, Alphaville, and First Name: Carmen. His radical and politically motivated work is regarded as some of the most influential cinema in history. His final film was 2018’s The Image Book, which was selected to compete for the Palme d’Or at the 2018 Cannes Film Festival. As reported by Deadline, Ging, who was best known for playing General Harlan “Bull” Fulbright on NBC’s adventure series The A-Team, passed away on September 9 at his home in La Quinta, California. He...
- 9/13/2022
- TV Insider
The French-Swiss director Jean-Luc Godard, a key figure in the Nouvelle Vague film movement, has died aged 91. Godard was celebrated for his daring and almost improvised filming style. His first feature, Breathless, in 1960, established him as one of France's most experimental and exciting new talents. His streak of films continued throughout the decade during which he also released The Little Soldier, A Woman is a Woman and Alphaville.
His 2001 film In Praise of Love demonstrated his remarkable longevity and was selected for the Cannes film festival. He also received an honorary Oscar in 2011, which he did not collect in person. His 2014 release Goodbye to Language won him the the jury prize at Cannes. In total, Godard made more than 100 films. President Emmanuel Macron said 'we have lost a national treasure, a man who had the vision of a genius.'
Jean-Luc Godard, giant of the French new wave, dies at...
His 2001 film In Praise of Love demonstrated his remarkable longevity and was selected for the Cannes film festival. He also received an honorary Oscar in 2011, which he did not collect in person. His 2014 release Goodbye to Language won him the the jury prize at Cannes. In total, Godard made more than 100 films. President Emmanuel Macron said 'we have lost a national treasure, a man who had the vision of a genius.'
Jean-Luc Godard, giant of the French new wave, dies at...
- 9/13/2022
- The Guardian - Film News
Tributes are flowing in following the news of iconic New Wave filmmaker Jean-Luc Godard’s death at 91. The French-Swiss director, known for films like Breathless and Alphaville, died Tuesday, according to newspaper Libération and other French media outlets, citing relatives of the director.
The impact of Godard’s work has been vast, including for many working directors, writers, and actors. After the filmmaker’s death was announced on Tuesday morning, numerous filmmakers, world leaders, and celebrities reflected on his work.
French president Emmanuel Macron was one of the first to weigh in,...
The impact of Godard’s work has been vast, including for many working directors, writers, and actors. After the filmmaker’s death was announced on Tuesday morning, numerous filmmakers, world leaders, and celebrities reflected on his work.
French president Emmanuel Macron was one of the first to weigh in,...
- 9/13/2022
- by Emily Zemler
- Rollingstone.com
Jean-Luc Godard, the legendary filmmaker who revolutionized the medium as a leader of the French New Wave of the 1960s, died Tuesday at age 91.
Godard’s partner, Anne-Marie Mieville, confirmed to the Swiss news agency Ats that he died peacefully at his home in the Swiss town of Rolle near Lake Geneva.
French President Emmanuel Macron also confirmed his death on Twitter, calling him a “national treasure” who “invented a resolutely modern, intensely free art.”
Godard burst on the international scene with his debut feature, 1960’s “À bout de souffle” (“Breathless”), which revolutionized cinematic storytelling with its fractured nonlinear narrative about a petty criminal and his girlfriend, improvisational choreography and rapid editing. The film became an international sensation, making a star of its lead actor, Jean-Paul Belmondo, and earning Godard the best director prize at the Berlin Film Festival.
Also Read:
Marsha Hunt, Blacklisted Hollywood Actress, Dies at 104
He became...
Godard’s partner, Anne-Marie Mieville, confirmed to the Swiss news agency Ats that he died peacefully at his home in the Swiss town of Rolle near Lake Geneva.
French President Emmanuel Macron also confirmed his death on Twitter, calling him a “national treasure” who “invented a resolutely modern, intensely free art.”
Godard burst on the international scene with his debut feature, 1960’s “À bout de souffle” (“Breathless”), which revolutionized cinematic storytelling with its fractured nonlinear narrative about a petty criminal and his girlfriend, improvisational choreography and rapid editing. The film became an international sensation, making a star of its lead actor, Jean-Paul Belmondo, and earning Godard the best director prize at the Berlin Film Festival.
Also Read:
Marsha Hunt, Blacklisted Hollywood Actress, Dies at 104
He became...
- 9/13/2022
- by Thom Geier
- The Wrap
French president Emmanuel Macron has led the tributes to Jean-Luc Godard, after the revered filmmaker died at the age of 91.
News of Godard’s death was first reported by the French newspaper Liberation.
Godard was known for directing a run of radical, medium-changing films throughout the 1960s, including his feature debut Breathless and Alphaville.
Along with contemporaries such as Éric Rohmer, Jacques Rivette, and François Truffaut, the Paris-born Godard was a central figure in the Nouvelle Vague, an experimental film movement that emerged in France in the late 1950s.
Several of his films are frequently cited among the best movies ever made.
Alongside a black and white photograph of the “iconoclastic” Godard, Macron’s tribute read: “It was like an apparition in French cinema. Then he became a master.
“Jean-Luc Godard, the most iconoclastic of New Wave filmmakers, had invented a resolutely modern, intensely free art. We have lost a national treasure,...
News of Godard’s death was first reported by the French newspaper Liberation.
Godard was known for directing a run of radical, medium-changing films throughout the 1960s, including his feature debut Breathless and Alphaville.
Along with contemporaries such as Éric Rohmer, Jacques Rivette, and François Truffaut, the Paris-born Godard was a central figure in the Nouvelle Vague, an experimental film movement that emerged in France in the late 1950s.
Several of his films are frequently cited among the best movies ever made.
Alongside a black and white photograph of the “iconoclastic” Godard, Macron’s tribute read: “It was like an apparition in French cinema. Then he became a master.
“Jean-Luc Godard, the most iconoclastic of New Wave filmmakers, had invented a resolutely modern, intensely free art. We have lost a national treasure,...
- 9/13/2022
- by Maanya Sachdeva and Inga Parkel
- The Independent - Film
A pioneering, revolutionary titan of the cinematic form, Jean-Luc Godard has passed away at the age of 91, as reported by French newspaper Liberation. The paper also reported he died by assisted suicide in Switzerland, where it is authorized and supervised. “He was not sick, he was simply exhausted,” noted a relative of the family. “So he had made the decision to end it. It was his decision and it was important for him that it be known.”
Born on December 3, 1930, Godard would go on to become a film critic for Cahiers du Cinéma before changing the very language of the cinematic medium with his French New Wave contributions, including Breathless, Vivre Sa Vie, Contempt, Band of Outsiders, Alphaville, Pierrot le Fou, and many more. Going through an evolution virtually every decade, the director recently delivered the most radical usage of 3D in a film yet with Goodbye to Language in 2014 and his last feature,...
Born on December 3, 1930, Godard would go on to become a film critic for Cahiers du Cinéma before changing the very language of the cinematic medium with his French New Wave contributions, including Breathless, Vivre Sa Vie, Contempt, Band of Outsiders, Alphaville, Pierrot le Fou, and many more. Going through an evolution virtually every decade, the director recently delivered the most radical usage of 3D in a film yet with Goodbye to Language in 2014 and his last feature,...
- 9/13/2022
- by Jordan Raup
- The Film Stage
Jean-Luc Godard, the revered filmmaker regarded as a giant of the French New Wave movement, has died at the age of 91.
He was known for directing a run of radical, medium-changing films throughout the 1960s, including Breathless and Alphaville.
News of Godard’s death was reported by the French newspaper Liberation.
Along with contemporaries such as Éric Rohmer, Jacques Rivette, and François Truffaut, the Paris-born Godard was a central figure in the Nouvelle Vague, an experimental film movement that emerged in France in the late 1950s.
Several of his films are frequently cited among the best movies ever made.
Godard’s first feature was Breathless, released in 1960, an experimental tribute to American film noir. Starring Jean-Paul Belmondo as a hoodlum named Michel, and Jean Seberg as his American girlfriend, the film caused a stir with its unusual visual style and editing techniques, immediately announcing Godard as one of cinema’s great innovators.
He was known for directing a run of radical, medium-changing films throughout the 1960s, including Breathless and Alphaville.
News of Godard’s death was reported by the French newspaper Liberation.
Along with contemporaries such as Éric Rohmer, Jacques Rivette, and François Truffaut, the Paris-born Godard was a central figure in the Nouvelle Vague, an experimental film movement that emerged in France in the late 1950s.
Several of his films are frequently cited among the best movies ever made.
Godard’s first feature was Breathless, released in 1960, an experimental tribute to American film noir. Starring Jean-Paul Belmondo as a hoodlum named Michel, and Jean Seberg as his American girlfriend, the film caused a stir with its unusual visual style and editing techniques, immediately announcing Godard as one of cinema’s great innovators.
- 9/13/2022
- by Louis Chilton
- The Independent - Film
Jean-Luc Godard, the father of modern cinema whose impish, combative provocations threw down a gauntlet with which all those who came in his wake must contend, died Tuesday. He was 91.
The director died at his home by assisted suicide in Rolle, Switzerland, where that practice is legal, Godard’s longtime legal adviser Patrick Jeanneret told The New York Times.
Jeanneret added that the filmmaker had “multiple disabling pathologies” and “decided with a great lucidity, as he had all his life, to say, ‘Now, it’s enough.’ “
In a career that began with 1960’s groundbreaking Breathless,...
The director died at his home by assisted suicide in Rolle, Switzerland, where that practice is legal, Godard’s longtime legal adviser Patrick Jeanneret told The New York Times.
Jeanneret added that the filmmaker had “multiple disabling pathologies” and “decided with a great lucidity, as he had all his life, to say, ‘Now, it’s enough.’ “
In a career that began with 1960’s groundbreaking Breathless,...
- 9/13/2022
- by Tim Grierson
- Rollingstone.com
Jean-Luc Godard, a leading figure of the French New Wave, has died. He was 91. The French newspaper Liberation first reported the news which was confirmed to Deadline by a source close to the filmmaker.
Best known for his radical and politically driven work, Godard was among the most acclaimed directors of his generation with classic films such as Breathless (À bout de souffle), which catapulted him onto the world scene in 1960. The film was from a treatment by his contemporary and former friend François Truffaut and followed the story of a young American woman in Paris, played by Hollywood star Jean Seberg, and her doomed affair with a young rebel on the run, played by Jean-Paul Belmondo.
Hollywood & Media Deaths 2022: A Photo Gallery
President Emmanuel Macron of France paid tribute to the director with a statement on Twitter, calling him the “iconoclastic of New Wave filmmakers.”
Born in Paris...
Best known for his radical and politically driven work, Godard was among the most acclaimed directors of his generation with classic films such as Breathless (À bout de souffle), which catapulted him onto the world scene in 1960. The film was from a treatment by his contemporary and former friend François Truffaut and followed the story of a young American woman in Paris, played by Hollywood star Jean Seberg, and her doomed affair with a young rebel on the run, played by Jean-Paul Belmondo.
Hollywood & Media Deaths 2022: A Photo Gallery
President Emmanuel Macron of France paid tribute to the director with a statement on Twitter, calling him the “iconoclastic of New Wave filmmakers.”
Born in Paris...
- 9/13/2022
- by Zac Ntim
- Deadline Film + TV
It’s something completely different . . . a genuine obscurity, a Swiss spy fantasy from the 1960s with major appeal to fans keen on (not in this order) art cinema, Fritz Lang, superspy romps, surreal silent serials, Eurocult actors, and visuals with a New Wave-ish flair. Teams of assassins vie for an atom secret held by mad scientist Daniel Emilfork. The spies target his gorgeous, innocent daughter Marie-France Boyer, but she’s obsessed with a romantic memory from ‘last summer in Shandigor.’ Jean-Louis Roy’s unique, precision-crafted gem evokes the graphic-novel pulp appeal of Dr. Mabuse, Alphaville, Judex or Diabolik — yet it is unlike any of them. It’s comic nonsense, but also earnest and original.
The Unknown Man of Shandigor
Blu-ray
Deaf Crocodile Films
1967 / B&w / 1:66 widescreen / 90 min. / Street Date January 22, 2022 / L’inconnu de Shandigor / Available through Vinegar Syndrome / 34.98
Starring: Marie-France Boyer, Ben Carruthers, Daniel Emilfork, Jacques Dufilho, Serge Gainsbourg,...
The Unknown Man of Shandigor
Blu-ray
Deaf Crocodile Films
1967 / B&w / 1:66 widescreen / 90 min. / Street Date January 22, 2022 / L’inconnu de Shandigor / Available through Vinegar Syndrome / 34.98
Starring: Marie-France Boyer, Ben Carruthers, Daniel Emilfork, Jacques Dufilho, Serge Gainsbourg,...
- 2/8/2022
- by Glenn Erickson
- Trailers from Hell
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here.
The Fever (Maya Da-Rin)
The Fever, director-cum-visual artist Da-Rin’s first full-length feature project, puts a human face to a statistic that hardly captures the genocide Brazil is suffering. This is not just a wonderfully crafted, superb exercise in filmmaking, a multilayered tale that seesaws between social realism and magic. It is a call to action, an unassuming manifesto hashed in the present tense but reverberating as a plea from a world already past us, a memoir of sorts. – Leonardo G. (full review)
Where to Stream: The Criterion Channel
French New Wave
Dive into one of the most fertile eras of moving pictures with a new massive 45-film series on The Criterion Channel dedicated to the French New Wave. Highlights include Le...
The Fever (Maya Da-Rin)
The Fever, director-cum-visual artist Da-Rin’s first full-length feature project, puts a human face to a statistic that hardly captures the genocide Brazil is suffering. This is not just a wonderfully crafted, superb exercise in filmmaking, a multilayered tale that seesaws between social realism and magic. It is a call to action, an unassuming manifesto hashed in the present tense but reverberating as a plea from a world already past us, a memoir of sorts. – Leonardo G. (full review)
Where to Stream: The Criterion Channel
French New Wave
Dive into one of the most fertile eras of moving pictures with a new massive 45-film series on The Criterion Channel dedicated to the French New Wave. Highlights include Le...
- 1/7/2022
- by Jordan Raup
- The Film Stage
The tough decisions were made and those few big releases holding onto their Christmas date are still moving forward—some for the few theaters that will remain open and some to hopefully drive holiday subscriptions to their respective studios’ streaming services. Does it signify a brave new distribution world? Probably not. Odds are that things go back to “normal” this time next year as long as another new virus doesn’t strike … and as long as our favorite theaters can survive what might be another lengthy hibernation.
It’s nevertheless weird to enter the month and know that the majority of awards contenders have been held to arrive in January and February (the so-called “dump months”) due to the extended Oscar schedule, but that doesn’t mean we’re without some important pieces to the puzzle. Thankfully the poster game knows it and excelled accordingly.
Minimal distractions
Why not lean...
It’s nevertheless weird to enter the month and know that the majority of awards contenders have been held to arrive in January and February (the so-called “dump months”) due to the extended Oscar schedule, but that doesn’t mean we’re without some important pieces to the puzzle. Thankfully the poster game knows it and excelled accordingly.
Minimal distractions
Why not lean...
- 12/2/2020
- by Jared Mobarak
- The Film Stage
Arguably the most eclectic director of the “Toronto New Wave,” Bruce McDonald returns with his most ambitious and perhaps most frustrating film yet, Dreamland. A mashup of cinematic and pulp influences set in Luxembourg (a country that’s a few hundred square miles smaller than Rhode Island), McDonald continues to play with language and cultural tension as he reimagines Pizzagate through the lens of Alphaville, Last Year at Marienbad, Taxi Driver, John Wick, and countless other films and moments to dizzying and nearly incoherent effect. There’s also hitmen, vampires, a countess, and a wedding party where colonialism takes center stage. Lost yet? It’s a feature, not a bug.
Frequent collaborator Stephen McHattie stars as Johnny Deadeyes, a trumpet player moonlighting as a hitman (or perhaps it’s the other way around?) on one heroin-infused trip. He arrives in Luxembourg wandering the streets and night clubs killing time before his next mission.
Frequent collaborator Stephen McHattie stars as Johnny Deadeyes, a trumpet player moonlighting as a hitman (or perhaps it’s the other way around?) on one heroin-infused trip. He arrives in Luxembourg wandering the streets and night clubs killing time before his next mission.
- 6/6/2020
- by John Fink
- The Film Stage
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles that have recently hit platforms. Check out this week’s selections below and an archive of past round-ups here.
Anna Karina and Jean-Luc Godard
The Criterion Channel has recently put the spotlight on a pair of French New Wave icons: Anna Karina and Jean-Luc Godard–and it’s not just their iconic collaborations, but also films they made separately. The two separate series include A Woman Is a Woman, Vivre sa vie, Le petit soldat, Band of Outsiders, Alphaville, Pierrot le fou, Made in U.S.A, The Nun, Breatheless, Contempt, Film socialisme, Goodbye to Language, The Image Book, and more.
Where to Stream: The Criterion Channel
Bombshell (Jay Roach)
Although Bombshell is rather straightforward, it accomplishes its goal of telling this story with sufficient nuance,...
Anna Karina and Jean-Luc Godard
The Criterion Channel has recently put the spotlight on a pair of French New Wave icons: Anna Karina and Jean-Luc Godard–and it’s not just their iconic collaborations, but also films they made separately. The two separate series include A Woman Is a Woman, Vivre sa vie, Le petit soldat, Band of Outsiders, Alphaville, Pierrot le fou, Made in U.S.A, The Nun, Breatheless, Contempt, Film socialisme, Goodbye to Language, The Image Book, and more.
Where to Stream: The Criterion Channel
Bombshell (Jay Roach)
Although Bombshell is rather straightforward, it accomplishes its goal of telling this story with sufficient nuance,...
- 2/28/2020
- by Jordan Raup
- The Film Stage
With the passing of Anna Karina, a curtain has fallen on the French New Wave, that fabled cinematic movement that brought fame to the man who made her name, Jean-Luc Godard. Yes, Godard is still with us, as is “Breathless” star Jean-Paul Belmondo (practically the last of the living New Wave legends), but his moviemaking compatriots François Truffaut, Eric Rohmer, Jacques Rivette, Jacques Demy, and, most recently, Agnès Varda are gone, and with them the spirit of playful abandon that Karina perfectly embodied.
In such Godard classics as “A Woman is a Woman,” “Pierrot le Fou,” “Alphaville,” and “Made in USA,” Karina appeared as a gamine and a femme fatale at the same time. Not since Josef von Sternberg and Marlene Dietrich had there been a director-and-star tandem so potent. The closest to it would be Philippe Garrel’s partnership with Nico — although the avant-garde blue plate specials made by...
In such Godard classics as “A Woman is a Woman,” “Pierrot le Fou,” “Alphaville,” and “Made in USA,” Karina appeared as a gamine and a femme fatale at the same time. Not since Josef von Sternberg and Marlene Dietrich had there been a director-and-star tandem so potent. The closest to it would be Philippe Garrel’s partnership with Nico — although the avant-garde blue plate specials made by...
- 12/16/2019
- by David Ehrenstein
- Variety Film + TV
Anna Karina, the model-turned-actress who became a French New Wave icon thanks to her collaborations with the director Jean-Luc Godard, has died at the age of 79.
France’s cultural minister Franck Riester announced Karina’s death on Twitter, with the actress’ agent later confirming that Karina died Saturday in Paris following a battle with cancer.
“Her gaze was the gaze of the Nouvelle Vague (New Wave). It will remain so forever,” Riester wrote of Karina. “Today, French cinema has been orphaned. It has lost one of its legends.”
Born Hanne...
France’s cultural minister Franck Riester announced Karina’s death on Twitter, with the actress’ agent later confirming that Karina died Saturday in Paris following a battle with cancer.
“Her gaze was the gaze of the Nouvelle Vague (New Wave). It will remain so forever,” Riester wrote of Karina. “Today, French cinema has been orphaned. It has lost one of its legends.”
Born Hanne...
- 12/15/2019
- by Daniel Kreps
- Rollingstone.com
French New Wave star Anna Karina, who served as a muse for Jean-Luc Godard and appeared in eight of his films, has died. She was 79.
France’s culture minister, Franck Reister, announced her death in a tweet, as did her agent, Laurent Balandras, who attributed the cause as cancer.
“Her gaze was the gaze of the New Wave. It will remain so forever,” wrote Reister. “She magnetized the entire world. Today, French cinema is an orphan. It loses one of its legends.”
Karina’s best known roles include “The Little Soldier,” “Vivre sa vie,” “Band of Outsiders,” “Pierrot le Fou,” and “Alphaville,” all throughout the 1960s. She starred in “A Woman Is a Woman,” as well, in a performance that earned her the silver bear award for best actress at the Berlin Film Festival in 1961.
Karina also worked with other directors of the New Wave, including Agnes Varda, Jacques Rivette,...
France’s culture minister, Franck Reister, announced her death in a tweet, as did her agent, Laurent Balandras, who attributed the cause as cancer.
“Her gaze was the gaze of the New Wave. It will remain so forever,” wrote Reister. “She magnetized the entire world. Today, French cinema is an orphan. It loses one of its legends.”
Karina’s best known roles include “The Little Soldier,” “Vivre sa vie,” “Band of Outsiders,” “Pierrot le Fou,” and “Alphaville,” all throughout the 1960s. She starred in “A Woman Is a Woman,” as well, in a performance that earned her the silver bear award for best actress at the Berlin Film Festival in 1961.
Karina also worked with other directors of the New Wave, including Agnes Varda, Jacques Rivette,...
- 12/15/2019
- by Erin Nyren
- Variety Film + TV
Anna Karina, the French New Wave icon, has died at age 79, leaving behind an indelible body of cinema’s most charming and even radical work — including director Jean-Luc Godard’s “A Woman Is a Woman,” “Pierrot Le Fou,” “Alphaville,” “Vivre Sa Vie,” “Band of Outsiders,” “Le Petit Soldat,” and more.
Karina, who was born in Denmark and became a symbol of cinematic counterculture, died on Saturday in Paris. Reportedly, she died of cancer, according to her agent, Laurent Balandras. Karina’s last film was 2008’s “Victoria,” which she also wrote and directed. This was her second and final feature behind the camera following 1973’s “Living Together.”
Karina’s loss leaves a huge hole in the filmgoing community, and many have taken to Twitter to make tribute to the actress; see below. IndieWire spoke with Anna Karina in 2016 about her many storied collaborations with Jean-Luc Godard.
Rest In Peace, the truly iconic Anna Karina,...
Karina, who was born in Denmark and became a symbol of cinematic counterculture, died on Saturday in Paris. Reportedly, she died of cancer, according to her agent, Laurent Balandras. Karina’s last film was 2008’s “Victoria,” which she also wrote and directed. This was her second and final feature behind the camera following 1973’s “Living Together.”
Karina’s loss leaves a huge hole in the filmgoing community, and many have taken to Twitter to make tribute to the actress; see below. IndieWire spoke with Anna Karina in 2016 about her many storied collaborations with Jean-Luc Godard.
Rest In Peace, the truly iconic Anna Karina,...
- 12/15/2019
- by Ryan Lattanzio
- Indiewire
Anna Karina, the dark-haired and mysterious actress who became a symbol of France’s Nouvelle Vague thanks to her frequent appearances in Jean Luc Godard’s films, has died. She passed on Saturday in Paris from cancer at age 79, according to French officials and her agent.
The Danish-born actress was also a singer and author during her long career in the arts. Her1960s hits included Sous le Soleil Exactement and Roller Girl,” written by Serge Gainsbourg. Her four novels included Golden City.
Karina made her first film with Godard in Le Petit Soldat, a story of terrorism during the French-Algerian War. But because of censorship, the film was not released for three years. At that point, Karina had won the 1961 Best Actress Award at the Berlin International Film Festival for Godard’s Une Femme Est Une Femme.
Her other Godard films of the 1960s included Vivre Sa Vie, Bande à Part,...
The Danish-born actress was also a singer and author during her long career in the arts. Her1960s hits included Sous le Soleil Exactement and Roller Girl,” written by Serge Gainsbourg. Her four novels included Golden City.
Karina made her first film with Godard in Le Petit Soldat, a story of terrorism during the French-Algerian War. But because of censorship, the film was not released for three years. At that point, Karina had won the 1961 Best Actress Award at the Berlin International Film Festival for Godard’s Une Femme Est Une Femme.
Her other Godard films of the 1960s included Vivre Sa Vie, Bande à Part,...
- 12/15/2019
- by Bruce Haring
- Deadline Film + TV
Anna Karina, the Danish-born star of classic French New Wave films of the 1960s such as “A Woman Is a Woman” and “Alphaville,” died on Saturday at age 79.
Her agent, Laurent Balandras, tweeted that she died of cancer.
“Today, French cinema has been orphaned,” Franck Riester, France’s culture minister, wrote in his own tweet. “It has lost one of its legends.”
Also Read: Hollywood's Notable Deaths of 2019 (Photos)
Karina landed her first film role as a teenager in Jean-Luc Godard’s “The Little Soldier,” a drama about the French-Algerian War that was shot in 1960 but not released until three years later due to censorship issues.
In 1961, she won the best actress award at the Berlin Film Festival for her work playing a French striptease artist in Godard’s 1961 film “A Woman Is a Woman.”
By that time, she had also married Godard — with whom she continued to work on...
Her agent, Laurent Balandras, tweeted that she died of cancer.
“Today, French cinema has been orphaned,” Franck Riester, France’s culture minister, wrote in his own tweet. “It has lost one of its legends.”
Also Read: Hollywood's Notable Deaths of 2019 (Photos)
Karina landed her first film role as a teenager in Jean-Luc Godard’s “The Little Soldier,” a drama about the French-Algerian War that was shot in 1960 but not released until three years later due to censorship issues.
In 1961, she won the best actress award at the Berlin Film Festival for her work playing a French striptease artist in Godard’s 1961 film “A Woman Is a Woman.”
By that time, she had also married Godard — with whom she continued to work on...
- 12/15/2019
- by Thom Geier
- The Wrap
Karina was best known for the string of films she made with Jean-Luc Godard, including A Woman Is a Woman and Pierrot le Fou
•Anna Karina - a life in pictures
•Peter Bradshaw: an actor of easy charm and grace whose presence radiated from the screen
Danish-French actor Anna Karina, star of Bande à Part and Pierrot le Fou and collaborator with New Wave director Jean-Luc Godard, has died of cancer at the age of 79, her agent said.
Karina, who epitomised 1960s chic with her elfin features and big kohl-rimmed blue eyes, starred in seven films made by her ex-husband Godard, including Alphaville.
•Anna Karina - a life in pictures
•Peter Bradshaw: an actor of easy charm and grace whose presence radiated from the screen
Danish-French actor Anna Karina, star of Bande à Part and Pierrot le Fou and collaborator with New Wave director Jean-Luc Godard, has died of cancer at the age of 79, her agent said.
Karina, who epitomised 1960s chic with her elfin features and big kohl-rimmed blue eyes, starred in seven films made by her ex-husband Godard, including Alphaville.
- 12/15/2019
- by AFP
- The Guardian - Film News
Sara Driver's Sleepwalk (1986) and When Pigs Fly (1993) is showing October and November on Mubi in the United States.SleepwalkIn Sara Driver’s too small yet varied filmography, her two fiction features, both poetic fantasies—Sleepwalk (1986) and When Pigs Fly (1993)—are bracketed by two other longer films, the 48-minute You Are Not I and the 78-minute documentary Boom for Real: The Late Teenage Years of Jean-Michel Basquiat (2017). Sleepwalk stars Suzanne Fletcher, who also played the schizophrenic sister in You Are Not I; Boom For Real portrays both a highly interactive community and an eclectic artist inside it, which might also describe When Pigs Fly, a comedy inspired by Topper about a jazz pianist (Alfred Molina) living in an east coast port town populated by barflies and ghosts. Moreover, the community in Boom is basically Lower East Side Manhattan and more specifically the Bowery, the setting of Sleepwalk, as well as...
- 10/27/2019
- MUBI
Exclusive: U.S. art house distributor Kino Lorber is launching film and TV VOD streaming platform Kino Now, we can reveal. The service, which includes options to rent and buy, currently hosts 600 titles from the company’s catalog and includes early access to new releases. The number of titles is set to double by the end of the year.
Kino Lorber, which will unveil the platform at a stateside event this evening, tells us the service will be annually refreshed with more than 50 new theatrical releases from Kino Lorber’s first-run and repertory divisions and more than 500 yearly additional titles as “festival direct” exclusives and indie art house digital premieres.
Movies will be generally available around 30-90 days after their theatrical release but some will also get day-and-date releases. Most titles will be $9.99 or less. New releases and certain films that are considered premium will be $14.99 or $19.99 if they are day-and-date releases.
Kino Lorber, which will unveil the platform at a stateside event this evening, tells us the service will be annually refreshed with more than 50 new theatrical releases from Kino Lorber’s first-run and repertory divisions and more than 500 yearly additional titles as “festival direct” exclusives and indie art house digital premieres.
Movies will be generally available around 30-90 days after their theatrical release but some will also get day-and-date releases. Most titles will be $9.99 or less. New releases and certain films that are considered premium will be $14.99 or $19.99 if they are day-and-date releases.
- 9/30/2019
- by Andreas Wiseman
- Deadline Film + TV
“The Future Is Now”
By Raymond Benson
If you’re familiar with the work of that French New Wave revolutionary, Jean-Luc Godard, you may not think that he was the type of filmmaker who would make a science fiction film. He did, though, in 1965, and he merged the genre with that of film noir to create a unique hybrid that also contains many of the jarring stylistic elements with which Godard loves to bombard his audiences.
Godard was the “bad boy” of the French New Wave. He seemed to take pleasure in angering viewers and being controversial by choice. That said, though, there is much in Godard’s canon that can be not only shocking and challenging, but truly wonderful.
Such is the case with Alphaville.
Western audiences may not be familiar with the character of Lemmy Caution. He’s a private investigator of the Philip Marlowe/Sam Spade type,...
By Raymond Benson
If you’re familiar with the work of that French New Wave revolutionary, Jean-Luc Godard, you may not think that he was the type of filmmaker who would make a science fiction film. He did, though, in 1965, and he merged the genre with that of film noir to create a unique hybrid that also contains many of the jarring stylistic elements with which Godard loves to bombard his audiences.
Godard was the “bad boy” of the French New Wave. He seemed to take pleasure in angering viewers and being controversial by choice. That said, though, there is much in Godard’s canon that can be not only shocking and challenging, but truly wonderful.
Such is the case with Alphaville.
Western audiences may not be familiar with the character of Lemmy Caution. He’s a private investigator of the Philip Marlowe/Sam Spade type,...
- 8/13/2019
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
My teenage introduction to art film culture was something of a science fiction auteur-detour (R2-D2?). I discovered Alphaville at a tiny art theater above the Fox Riverside, where Gone with the Wind had previewed in 1939. I bought the filmscript book to understand what the heck was going on… and slowly began to appreciate Jean-Luc Godard. Fifty-two years later I can’t claim a complete understanding, but I’m certain that the ‘étrange aventure’ of Lemmy Caution is as original a film, of any kind, that I’ve ever seen.
Alphaville
Blu-ray
Kl Studio Classics
1965 / B&w / 1:37 flat Academy / 99 min. / Alphaville, une étrange aventure de Lemmy Caution / Street Date July 9, 2019 / available through Kino Lorber / 29.95
Starring: Eddie Constantine, Anna Karina, Akim Tamiroff, Howard Vernon, Michael Delahaye, Christa Lang, Jean-Pierre Leaud.
Cinematography: Raoul Coutard
Film Editor: Agnès Guillemot
Original Music: Paul Misraki
Poems by Paul Éluard
Produced by André Michelin
Written...
Alphaville
Blu-ray
Kl Studio Classics
1965 / B&w / 1:37 flat Academy / 99 min. / Alphaville, une étrange aventure de Lemmy Caution / Street Date July 9, 2019 / available through Kino Lorber / 29.95
Starring: Eddie Constantine, Anna Karina, Akim Tamiroff, Howard Vernon, Michael Delahaye, Christa Lang, Jean-Pierre Leaud.
Cinematography: Raoul Coutard
Film Editor: Agnès Guillemot
Original Music: Paul Misraki
Poems by Paul Éluard
Produced by André Michelin
Written...
- 7/20/2019
- by Glenn Erickson
- Trailers from Hell
Clever plotting goes into overdrive for this light-comedy proto-paranoid film noir about a magazine publishing empire so organized that it seems a sci-fi invention from the future. Ray Milland’s charismatic fall guy finds himself embroiled in a murder plot filled with false identities, and a manhunt that he must supervise… to catch himself. Maybe Robert Zemeckis and Bob Gale watched this from their cribs, and applied its chaotic symmetry to their pretzel-plotted comedies!
The Big Clock
Blu-ray
Arrow Academy
1948 / B&W / 1:37 flat full frame / 95 min. / Street Date May 14, 2019 / Available from Arrow Video / 39.95
Starring: Ray Milland, Charles Laughton, Maureen O’Sullivan, George Macready, Rita Johnson, Elsa Lanchester, Harry (Henry) Morgan.
Cinematography: Daniel L. Fapp, John Seitz
Film Editor: LeRoy Stone
Original Music: Victor Young
Written by Jonathan Latimer from a novel by Kenneth Fearing
Produced by John Farrow, Richard Maibaum
Directed by John Farrow
The thriller The Big Clock...
The Big Clock
Blu-ray
Arrow Academy
1948 / B&W / 1:37 flat full frame / 95 min. / Street Date May 14, 2019 / Available from Arrow Video / 39.95
Starring: Ray Milland, Charles Laughton, Maureen O’Sullivan, George Macready, Rita Johnson, Elsa Lanchester, Harry (Henry) Morgan.
Cinematography: Daniel L. Fapp, John Seitz
Film Editor: LeRoy Stone
Original Music: Victor Young
Written by Jonathan Latimer from a novel by Kenneth Fearing
Produced by John Farrow, Richard Maibaum
Directed by John Farrow
The thriller The Big Clock...
- 5/11/2019
- by Glenn Erickson
- Trailers from Hell
The Man With the Magic Box: Out on DVD & VOD April 4th Bobo Kox’s Time-Travelling Sci-Fi Thriller Is a Playful, Thought-Provoking Tale For Immediate Release Peppered with references to such classics as Blade Runner, Brazil and even Men in Black, and influenced by such European classics as Godard’s Alphaville, Melville’s Le Samurai and Tarkovsky’s …
The post The Man With the Magic Box: Out on DVD & VOD April 4th appeared first on Hnn | Horrornews.net.
The post The Man With the Magic Box: Out on DVD & VOD April 4th appeared first on Hnn | Horrornews.net.
- 3/22/2019
- by Mike Joy
- Horror News
“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats. Oftentimes they fail miserably.
It’s a five Friday month so prepare yourself for a ton of new films to hit theaters. From Marvel to Disney to Netflix drops and Sundance hits (already), there will be something for everyone—including those who’ve waited months to years for their highly anticipated festival darling to make it to town (Jafar Panahi’s 3 Faces hits in limited release on March 8).
The positive of this surplus of work is being able to talk solely about the posters I really like. All sixteen below are successes for different reasons,...
It’s a five Friday month so prepare yourself for a ton of new films to hit theaters. From Marvel to Disney to Netflix drops and Sundance hits (already), there will be something for everyone—including those who’ve waited months to years for their highly anticipated festival darling to make it to town (Jafar Panahi’s 3 Faces hits in limited release on March 8).
The positive of this surplus of work is being able to talk solely about the posters I really like. All sixteen below are successes for different reasons,...
- 3/1/2019
- by Jared Mobarak
- The Film Stage
Jim Knipfel Mar 4, 2019
We look at some of the lesser-remembered but influential evil artificial intelligence computer movies, Colossus and Demon Seed.
The ugly turns taken by assorted historical vectors in the late 1960s and early ‘70s—a string of high-profile assassinations, race riots, Manson, the Weather Underground, Vietnam, Nixon, a broader awareness of impending environmental collapse—made the 1970s a particular golden era for dystopian cinema. All the above mentioned forces and more gave us the likes of Soylent Green, No Blade of Grass, Thx-1138, Frogs, The Omega Man, and countless other visions of our doomed future. In and amongst all our other inescapable anxieties and paranoias was an increasing awareness of the role computers were playing in our daily lives.
Technoparanoid fears of dehumanization and power-mad machines can of course be traced back to the silent era in cinema, and much earlier than that in literature and legend, but...
We look at some of the lesser-remembered but influential evil artificial intelligence computer movies, Colossus and Demon Seed.
The ugly turns taken by assorted historical vectors in the late 1960s and early ‘70s—a string of high-profile assassinations, race riots, Manson, the Weather Underground, Vietnam, Nixon, a broader awareness of impending environmental collapse—made the 1970s a particular golden era for dystopian cinema. All the above mentioned forces and more gave us the likes of Soylent Green, No Blade of Grass, Thx-1138, Frogs, The Omega Man, and countless other visions of our doomed future. In and amongst all our other inescapable anxieties and paranoias was an increasing awareness of the role computers were playing in our daily lives.
Technoparanoid fears of dehumanization and power-mad machines can of course be traced back to the silent era in cinema, and much earlier than that in literature and legend, but...
- 2/14/2019
- Den of Geek
F.J. Ossang's 9 Fingers (2017) is exclusively showing November 9 – December 8, 2018 as a Special Discovery. The retrospective F.J. Ossang: Cinema Is Punk is showing November 2018 - January 2019 on Mubi in most countries around the world.Dharma GunsThe films of F.J. Ossang are richly paradoxical objects. One of the things that struck me most forcefully on my initial encounter with his work was the odd and compelling discrepancy between a bursting-at-the-seams fullness on one level, and an almost minimalistic void on another level. The friction of these two levels—the full and the empty—is simultaneous and constant, from the first moments of Ossang’s first feature film to the termination of his latest, 9 Fingers (2017). The evidence of this unusual style is directly there, poured into your eyes and ears. The characters—themselves palpably “there” as physical presences, yet militantly lacking any conventional psychology—never stop talking about the...
- 11/12/2018
- MUBI
Above: Tony Stella’s illustration for an alternative poster for Suspiria for Alphaville.One of my favorite working movie poster illustrators is the Italian-born, Berlin-based artist Tony Stella, a true connoisseur of cinema as well as a prodigious and prolific artist. I profiled Tony in this column a few years ago. Tony recently joined forces with the designer known as Midnight Marauder to start the boutique movie poster design agency Alphaville, and since I recently asked Mm for his ten favorite movie posters it was only fair that I ask Tony too, a task he took up with alacrity.So, without further ado, here are Tony Stella’s ten favorite movie posters of all-time, in ascending order, with his own comments. His choices take us on a tour through some of the best movie poster illustration of the past 50 years.10. Get Carter (1971)“The number ten spot was a toss-up between...
- 11/9/2018
- MUBI
To mark the release of the restoration of The Nun, out now, we’ve been given a Blu-ray bundle including The Nun, The Essential Godard Collection, La Prisonnière, Belle de Jour and Lola to give away.
In the Xviii century, Suzanne Simonin (Anna Karina) is locked in a convent against her will. She finds for a while some comfort with the Mother Superior, but then she dies and is replaced by a sadistic woman than cannot stop blaming and punishing Suzanne. The young lady gets the right to move to another convent, however, she remains determined to recover her freedom.
Jacques Rivette (1928 – 2016) was a French film director and film critic, known for his contributions to the French New Wave and the influential magazine (dubbed the ‘instrument of combat’ of the New Wave) Cahiers du Cinéma, of which he was editor throughout the first half of the 1960s. Extremely prolific throughout his career,...
In the Xviii century, Suzanne Simonin (Anna Karina) is locked in a convent against her will. She finds for a while some comfort with the Mother Superior, but then she dies and is replaced by a sadistic woman than cannot stop blaming and punishing Suzanne. The young lady gets the right to move to another convent, however, she remains determined to recover her freedom.
Jacques Rivette (1928 – 2016) was a French film director and film critic, known for his contributions to the French New Wave and the influential magazine (dubbed the ‘instrument of combat’ of the New Wave) Cahiers du Cinéma, of which he was editor throughout the first half of the 1960s. Extremely prolific throughout his career,...
- 10/1/2018
- by Competitions
- HeyUGuys.co.uk
One of Central Europe’s top docu fests, known for cultivating art film and nonfiction work that explores genre boundaries, has adopted a suitably avant-garde look this year, thanks to the work of Jean-Luc Godard.
The 22nd Ji.hlava international docu fest, running Oct. 25-30 in the former silver mining town of Jihlava in the Czech Republic, is not mentioned in the moody one-minute clip posted on YouTube, although its logo appears in the last few seconds.
Instead, a disembodied hand runs a finger across a mobile phone screen menu of photographs, presumably from the life of an older man, murmuring in voiceover.
“And even if nothing turned out how we’d hoped,” he intones, “it would not have changed what we’d hoped for.”
The voice, Godard’s own, riffs on the French New Wave auteur’s habit of overlaying philosophical observations to complement his jump cuts and surreal...
The 22nd Ji.hlava international docu fest, running Oct. 25-30 in the former silver mining town of Jihlava in the Czech Republic, is not mentioned in the moody one-minute clip posted on YouTube, although its logo appears in the last few seconds.
Instead, a disembodied hand runs a finger across a mobile phone screen menu of photographs, presumably from the life of an older man, murmuring in voiceover.
“And even if nothing turned out how we’d hoped,” he intones, “it would not have changed what we’d hoped for.”
The voice, Godard’s own, riffs on the French New Wave auteur’s habit of overlaying philosophical observations to complement his jump cuts and surreal...
- 7/4/2018
- by Will Tizard
- Variety Film + TV
Eve Goldberg presents an in-depth examination of the only film Marlon Brando ever directed: "One-Eyed Jacks" (1961)
"One-eyed Jacks: America At The Crossroads"
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A new movie schedule arrived every few months. A two-sided paper treasure chest brimming over with promises of time travel, existential wisdom, and singing in the rain. Wild Strawberries, City Lights, Battle of Algiers, Belle de Jour.
We grabbed up the schedule and studied it with care, taped it to the refrigerator door, marked our calendars. The African Queen, Yojimbo, Rules of the Game.
We made cinema voyages all over town — to the Vista in Hollywood, the Nuart in West La, the art deco Fox Venice. Before VCRs, DVDs or streaming, revival movie theaters were about the only place a film junkie could get a fix. We might find an occasional nugget on late night TV, John Ford’s Stagecoach, perhaps,...
"One-eyed Jacks: America At The Crossroads"
Normal 0 false false false En-us X-none X-none
A new movie schedule arrived every few months. A two-sided paper treasure chest brimming over with promises of time travel, existential wisdom, and singing in the rain. Wild Strawberries, City Lights, Battle of Algiers, Belle de Jour.
We grabbed up the schedule and studied it with care, taped it to the refrigerator door, marked our calendars. The African Queen, Yojimbo, Rules of the Game.
We made cinema voyages all over town — to the Vista in Hollywood, the Nuart in West La, the art deco Fox Venice. Before VCRs, DVDs or streaming, revival movie theaters were about the only place a film junkie could get a fix. We might find an occasional nugget on late night TV, John Ford’s Stagecoach, perhaps,...
- 6/3/2018
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
The Tenth Annual Robert Classic French Film Festival — co-presented by Cinema St. Louis and the Webster University Film Series continues this weekend. — The Classic French Film Festival celebrates St. Louis’ Gallic heritage and France’s cinematic legacy. The featured films span the decades from the 1920s through the mid-1990s, offering a revealing overview of French cinema.
There are two more events for the Tenth Annual Robert Classic French Film Festival happening this weekend:
Friday, March 16th at 7:30pm – Alphaville
A cockeyed fusion of science fiction, pulp characters, and surrealist poetry, Jean-Luc Godard’s irreverent journey to the mysterious Alphaville remains one of the least conventional films of all time. Eddie Constantine stars as intergalactic hero Lemmy Caution, on a mission to eliminate Professor Von Braun, the creator of the malevolent Alpha 60, a computer that rules the city of Alphaville. Befriended by the scientist’s beautiful daughter Natasha (Godard...
There are two more events for the Tenth Annual Robert Classic French Film Festival happening this weekend:
Friday, March 16th at 7:30pm – Alphaville
A cockeyed fusion of science fiction, pulp characters, and surrealist poetry, Jean-Luc Godard’s irreverent journey to the mysterious Alphaville remains one of the least conventional films of all time. Eddie Constantine stars as intergalactic hero Lemmy Caution, on a mission to eliminate Professor Von Braun, the creator of the malevolent Alpha 60, a computer that rules the city of Alphaville. Befriended by the scientist’s beautiful daughter Natasha (Godard...
- 3/13/2018
- by Tom Stockman
- WeAreMovieGeeks.com
Jane Spencer
Just over three years ago, I interviewed Jane Spencer about her film The Ninth Cloud. That film will enjoy a special screening in London, where it's set, on the12th of February, and Jane is working on a new film, South Of Hope Street. She took time out from her busy schedule to catch up and discuss her current projects.
"It's a science fiction piece. It also has a female lead. I'd compare it to a film like Alphaville," she says of South Of Hope Street. "Michael [Madsen] has a cameo role in it as a kind of hippy character, and that's funny for him. Also we have Hilmir Snær Guðnason, who was in a film called 101 Rejkjavik a while back, and he's brilliant. And an Arab actor named Zafer El-Abedin who plays an immigrant in the film, he's wonderful also. Tanna Frederick is my lead actress. She's...
Just over three years ago, I interviewed Jane Spencer about her film The Ninth Cloud. That film will enjoy a special screening in London, where it's set, on the12th of February, and Jane is working on a new film, South Of Hope Street. She took time out from her busy schedule to catch up and discuss her current projects.
"It's a science fiction piece. It also has a female lead. I'd compare it to a film like Alphaville," she says of South Of Hope Street. "Michael [Madsen] has a cameo role in it as a kind of hippy character, and that's funny for him. Also we have Hilmir Snær Guðnason, who was in a film called 101 Rejkjavik a while back, and he's brilliant. And an Arab actor named Zafer El-Abedin who plays an immigrant in the film, he's wonderful also. Tanna Frederick is my lead actress. She's...
- 1/29/2018
- by Jennie Kermode
- eyeforfilm.co.uk
The 10th Annual Robert Classic French Film Festival — co-presented by Cinema St. Louis and the Webster University Film Series — celebrates St. Louis’ Gallic heritage and France’s cinematic legacy. The featured films span the decades from the 1920s through the 1990s, offering a revealing overview of French cinema.
This year’s fest kicks off with a screening of Bertrand Tavernier’s acclaimed documentary “My Journey Through French Cinema,” the director’s personal reflections on key films and filmmakers. Several of the works he highlights — such as Jacques Becker’s “Casque d’or” and Jean-Pierre Melville’s “Le Samouraï” — are screened at this year’s fest.
The fest annually includes significant restorations, and this year features New Wave master Jacques Rivette’s visually sumptuous “La belle noiseuse.” The fest also provides one of the few opportunities available in St. Louis to see films projected the old-school, time-honored way, with Jean Renoir...
This year’s fest kicks off with a screening of Bertrand Tavernier’s acclaimed documentary “My Journey Through French Cinema,” the director’s personal reflections on key films and filmmakers. Several of the works he highlights — such as Jacques Becker’s “Casque d’or” and Jean-Pierre Melville’s “Le Samouraï” — are screened at this year’s fest.
The fest annually includes significant restorations, and this year features New Wave master Jacques Rivette’s visually sumptuous “La belle noiseuse.” The fest also provides one of the few opportunities available in St. Louis to see films projected the old-school, time-honored way, with Jean Renoir...
- 1/18/2018
- by Tom Stockman
- WeAreMovieGeeks.com
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit platforms. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming titles (new and old) across platforms such as Netflix, iTunes, Amazon, and more (note: U.S. only). Check out our rundown for this week’s selections below.
Detroit (Kathryn Bigelow)
Late into Detroit, Kathryn Bigelow’s docudrama recounting the racial terrorism that took place at the Algiers hotel during the 1967 Detroit riots, one of the innocent, young black men who’s been tortured for nearly the entirety of the movie is given a chance at escape. The camera follows him in his moment of triumph as the man weaves around corners, back alleys, and under a...
Detroit (Kathryn Bigelow)
Late into Detroit, Kathryn Bigelow’s docudrama recounting the racial terrorism that took place at the Algiers hotel during the 1967 Detroit riots, one of the innocent, young black men who’s been tortured for nearly the entirety of the movie is given a chance at escape. The camera follows him in his moment of triumph as the man weaves around corners, back alleys, and under a...
- 12/1/2017
- by Jordan Raup
- The Film Stage
Mubi's retrospective For Ever Godard is showing from November 12, 2017 - January 16, 2018 in the United States.Jean-Luc Godard is a difficult filmmaker to pin down because while his thematic concerns as an artist have remained more or less consistent over the last seven decades, his form is ever-shifting. His filmography is impossible to view in a vacuum, as his work strives to reflect on the constantly evolving cinema culture that surrounds it: Godard always works with the newest filmmaking technologies available, and his films have become increasingly abstracted and opaque as the wider culture of moving images has become increasingly fragmented. Rather than working to maintain an illusion of diegetic truth, Godard’s work as always foreground its status as a manufactured product—of technology, of an industry, of on-set conditions and of an individual’s imagination. Mubi’S Godard retrospective exemplifies the depth and range of Godard’s career as...
- 11/19/2017
- MUBI
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