Murder Most Foul

Margaret Rutherford makes an amusing Miss Marple in this all-English version of Agatha Christie's "Mrs. McGinty's Dead". With an outstanding supporting cast she manages to solve the murder mystery after joining the cast of a local theater group. A quiet but very english film; filmed in black and white it looks as if it is an older film than it is, but also has a modern feel to it since it was filmed in 1964. Ron Moody is wonderful as the theatrical Clifford Cosgood, who tries to convince Miss Marple to invest in his next play. Charles Tingwell plays the police inspector who gets all his clues from Miss Marple and seems always to be three steps behind her.

This is the third entry in MGM's quintet of Miss Marple whodunits starring Rutherford as the eccentric yet highly intelligent spinster detective who time and time again has proved herself more competent than the investigating police even though she is only armed with her knowledge of crime detective novels.

In this feature, Miss Marple is on jury service at the trial of a young man called Howard Taylor whom is accused of killing his landlady Mrs McGinty for her savings. All members of the jury are convinced of Taylor's guilt except Miss Marple. As a result they are unable to say if Taylor is guilty or not guilty and the trial has to be postponed until a later date. This gives Miss Marple the breathing space she needs to find the real killer. The trail leads her to discover that Mrs McGinty was a blackmailer and that she was blackmailing a member of "The Cosgood Players", which is run by the bungling playwright and director Driffold Cosgood (RON MOODY). She manages to secure a place in the company following an unlikely rendition of Robert W. Service's poem "The Shooting Of Dan McGrew" and she is now able to investigate her fellow actors. Two more murders follow within the company before Miss Marple is able to lay a trap for the killer. As usual the hapless Chief Inspector Craddock (CHARLES TINGWELL) resents her interference but as usual she comes out on top even though Craddock is promoted to Chief Inspector for his work on the case but it was Miss Marple who solved it for him!

All in all, MURDER MOST FOUL (adapted loosely from Agatha Christie's 1952 publication Mrs McGinty's Dead in which Hercule Poirot solved the case), has all the comedy delight and charm of its two predecessors, which made the series so popular. Director George Pollock who by now had proved that he was a very efficient craftsman effortlessly blends the humor with mystery and one isn't allowed to overlap the other - something that has ruined mystery films in the past. In fact, I would say that this was his best ever film as a director. Rutherford plays Miss Marple with a great deal of authority and as always she steals the show. But Ron Moody as Cosgood, Tingwell as Craddock and Stringer Davies (Rutherford's real life husband) as her trusty sidekick Mr Stringer all deserve good notices as does composer Ron Goodwin, director Pollock and cinematographer Desmond Dickinson whose black and white camera-work lends the production a considerable atmosphere of the mysterious.

When Agatha Christie created the spinster detective Jane Marple, she could never have pictured Rutherford playing the role on film.

Leaving aside Rutherfords distance from the written charecter, she does bring a wonderful quality to this film and the others in the series.

Playing opposite her real life husband, Stringer Davies, and with great support from Charles Tingwell, she sets out to prove that a miscarriage of justice is being perpetrated.

This brings her into contact with the Cosgood Players, run by Driffield Cosgood (Ron Moody).

Typically with Christie, the plot is not always fathomable, but the denouement is entertaining.

This film is good fun and Rutherford is hilarious as she gurns her way through the story.

Jane Marple joins a rather interesting acting troupe in order to find out the real killer of Mrs. McGinty, a woman hanged in her apartment. Marple initially is a member of a jury judging the case of a man who she believes was in the wrong place at the wrong time. Once a part of the acting company, murder follows and Jane's life becomes in great peril. Margaret Rutherford once again dons the role of super-sleuth Jane Marple. She looks like she is having so much fun with the role as she rolls her eyes, makes suggestive facial expressions, and furls her capes. She truly is a joy to watch as she waltzes her way through this rather tame, uninspired material. But what the story lacks in creativity, she adds with her screen persona. Her recitation of the Robert Service poem "The Killing of Dan McGrew" is worth a look at the film alone. Stringer Davis, as her librarian friend(and real-life husband) and Charles Tingwell, as Inspector Craddock, are back once again to aid Miss Marple(not that she really needs their help). Both actors are fun to watch as they interact with the grand dame. Ron Moody plays the head of the acting troupe. He is as ever very eccentric and plays nicely off Rutherford as well. It's a pity this was the last of the Marple/Rutherford films. They are so much fun to watch!

Some lovely bits here, based again on an Agatha Christie novel, not featuring Jane Marple however, but a Hercule Poirot mystery adapted and extremely loosely plotted to enhance the idiosyncratic manner of actress Miss Margaret Rutherford.

Margaret, trying out for a local theatre group in order to expose the real murderer, reciting a Robert Service poem to the disinterest of cast members, director and stagehands has to be seen to be believed. Her clicking knitting needles in the jury box, her one dissenting vote invalidating the whole judicial process, her self righteous oblivion to the glares of the judge, are comedic timing at its best. Her scenes with the company are wonderful and her slow, methodical denouement of the murderer exquisite.

Just curl up with this one. Great old actors from the sixties. A brilliant series. 8 out of 10.