Kings of the Sun

Pretty-boy George Chakiris wisely keeps his shirt on opposite a buffed up Yul Brynner on whose form Joseph MacDonald's camera dwells with unadorned admiration. Had he paid similar attention to the insipid love interest Shirley Anne Field, people would complain about the sexual objectification of women, but Brynner seems to enjoy all the attention. J. Lee Thompson keeps the action moving along and the story entertaining, even though it is all highly predictable, and Richard Basehart looks suitably embarassed to be seen in an assortment of silly headgear and hairdos.

One major advance films have made since the "classic era" of the 1960s and before that, is in realism of characters. You don't see white people playing Asians or blacks or Indians anymore. When you do see it, in these old films, it now looks ludicrous and takes away from the seriousness of the movie.

Yul Brynner, however, is one guy who could get away with it. Here, he plays Mexican-Indian warrior "Chief Black Eagle" and he's believable. Whether it's his deep, menacing voice or bald head with striking feature, Yul was cool no matter role he played.

I can't say the same for the rest of the cast. The co-star, George Chakaris as "Balam (the ninth)" as the same pretty-boy hairstyle right out of the late '50s/early '60s; Richard Basehart ("Ah Min," a Mayan priest) has coloring on his face and wig you have to see to believe! Barry Morse ("Ah Zok") will forever be typecast as "Lt. Girard" the man who harassed for years TV's "The Fugitive." Meanwhile, there is film-TV-tough guy Leo Gordon as "Hunac Kell" and Shirley Anne Field as "Ixchel." Field is beautiful and looks the part, but a British accent in Mayan territory? However, as the film goes on, Field is more and more believable, for some reason.

Whatever, there's always the story and a nice widescreen print now out on DVD, which I was fortunate enough to obtain for rent. It was filmed in the Yucatan, so the scenery is real - not some studio back lot.

In the story, Balam's Mayans get pushed out of their area by a war-mongering neighbor, led by Kell. There is nowhere to escape except by water over the Gulf of Mexico. This was no easy feat back in these early days. They make it, start to build their new homes and civilization, only to run into the Indians who already reside nearby. They are led by Chief Black Eagle and he's not too friendly.

The rest of the film answers two big question: 1 - What will happen between the two groups? Will one annihilate the other, or can they live in peace? 2 - What if the old enemies - Hunac Kell's barbarians - show up? And......of course, the big question: who gets the girl?

Anyone interested in seeing Hollywood's version of the Maya should view this noted 60's entry. The film is punctuated with panoramic locations, magnificent sceneries and considerable numerical extras for sustained blockbuster effect. Entittled, " The Kings of the Sun ", this film is a worthy offering to entertain young and old alike. Assembled for the cast are Yul Brynner as Chief Black Eagle, George Chakiris as a Mayan Chiefton, Richard Basehart as a Mayan Priest and Shirley Anne Field as Ixchel, a beautiful princess. Accompanying this artistic rendering is it's rousing, nearly overpowering musical score composed by legendary Elmer Bernstine. The film depicts the story of a Mayan people amid its cultural throes in which Chakiris, replaces their dying king, but is forced to flee by a deadly rival menacingly played by Leo Gordon. Commandering an entire peaceful Mayan tribe on the hinterland of the Yucatan and sailing to the shores of America, Chakiris not only establishes a new beginning for his following, but collides culturally with Brenner and his Native American tribe. Aside from Eviserating cultural traditions, pummeling ancient deities and perhaps trampling on the Historical record, the film events are nevertheless worthy of tongue in cheek possibility. In the end, one can smile happily at this wonderful attempt and praise it for its dramatic sincerity. **** .

In 1963 there was a number of Hollywood fantasies based on historical and cultural themes that made the conoscenti cringe. I mean, Mayans migrating to the Gulf Coast, other Mayans using iron artifacts, arriving in the new world and speaking the same language as the locals? Well, back in those Hollywood days in the middle sixties, audiences were not quite so demanding as now. So, George Chakiris, fresh from his West Side Story triumph and Yul Brynner, known now from a number of hits, are pitched against each other in a sixty's version of a martial arts film. Veteran character actors like Barry Morse (Gerard of The Fugitive), Brad Dexter, Richard Basehart and Ford Rainey are seen sprinkled among the good guys and classic Villain, Leo Gordon heads the bad guys. The beautiful Shirley Anne Field offers the feminine interest in a departure from her roles in grade B movies and adds to the pageantry of the film. And, the usual cast of hundreds provides some nice texture and action to off-balance Brynner's hamming it up in the close-ups. This is a fine old film that doesn't have legs that was entertaining in its time. It is available but be warned: this film would be definitely grade B fare today.

Writing in "Wild West Movies" Kim Newman draws attention to the lack of mainstream Hollywood product about America prior to Columbus .Indeed he identifies only two such movies -The Norseman (Lee Majors) and this one .Newman is dismissive of its merits but while no masterpiece ,and indeed it has no pretensions to being ,the movie is fun in its own cheesy way . It describes the flight of the Mayans after military defeat at the hands of their Toltec enemies,and their settlement in what is now the Southwestern USA .They form an alliance with the Apaches ,headed by Yul Byrnner and together they unite to resist the pursuing Toltecs.This is despite the conflict between Brynner and the head of the Mayans ,played by George Chakiris ,over the favours of the Apache princess played by Shirley Ann Field . Brynner lends his considerable presence to the role of the Apache chieftain and easily overshadows Chakiris in the acting stakes ,while Field is ridiculously miscast .Some attempt is made to give the characters modern resonance by having Chakiris make a stand against human sacrifice but neither characterisation nor script is really the issue here This is movie dominated by action and spectacle .The battle scenes are well staged and the sets are magnificent with some striking location photography ,shot in Chicen Itza ,Mazatlan and Yucatan ,being a definite bonus Low marks for intellect but its fun movie making and while cheesy its also enjoyable