Home from the Hill

"Home from the Hill" is a 1960 big, sprawling film about the Hunnicut family, led by Robert Mitchum. Eleanor Parker plays his unhappy wife, George Hamilton plays his unhappy son Theron, and George Peppard plays a ranch hand named Rafe. Luana Patton is Theron's unhappy girlfriend Libby.

Captain Wade Hunnicut is the wealthiest and most powerful man in the Texas town in which he lives, but he's a philanderer, which has made his wife Hannah turn against him. She has basically raised their son Theron because she agreed to stay with Wade on that condition. When Theron reaches his late teens, though, Wade changes his mind and decides to make a man out of him. This means learning to use a shotgun, hunt, and learn something about women, though Rafe sort of schools him in that.

Theron, however, finds out a family secret and grows to loathe his father and reject him. There are other complications as well concerning Theron's girlfriend Libby Halstead and her father (Everett Sloane).

This film plays out like a big soap opera but it holds one's interest. The accents are a little broad - in one scene it almost sounded like they were playing a game of one-oneupmanship as to whose accent was the broadest.

Younger people probably don't realize that George Hamilton had a film career. He was young, handsome, and could brood with the best of them. Today he parodies himself, having realized his limitations as an actor, though he's always been extremely likable. In this film, actually, he's quite good, in part thanks to Minnelli's direction.

George Peppard, on the other hand, always took himself very seriously and turns in an excellent performance as Rafe, a man carrying around a lot of hurt but won't let anybody see it.

Mitchum has a strong presence as Wade. He was a very charismatic actor and gives his character some real bite. Eleanor Parker has little to do, but her performance is that of a woman who, like Rafe, keeps the pain inside. It's a very subtle performance.

The characters in this film are very well developed. It's a good script with fine direction by Vincent Minnelli, so you wouldn't expect less than very good-excellent.

The ending of this film is satisfying, and the family drama rings true throughout. Recommended.

Though not one of its director's best, this film has to be one of the best ways to pass a rainy afternoon or dull night. Robert Mitchum has two sons: one legitimate (George Hamilton, who is spoilt and preppy) and one illegitimate (George Peppard, who is macho and resourceful but also one of nature's gentlemen, and lives in a hut with his dogs, waiting patiently for a word of kindness from his father). Mitchum also has a Southern belle wife who's locked the bedroom door against him for 18 years. Simmering tensions and overcooked dialogue make this just incredible fun - see it if you can.

Good movie with acceptable protagonist quartet such as Robert Mitchum , Eleanor Parker , George Hamilton and George Peppard ; all of them playing an enjoyable story with gritty subject matter . It deals with Captain Wade Hunnicutt (veteran Robert Mitchum) , he is a Southern landowner in a Texan town ; he is also a known womanizer who has relations with many of the local ladies , which has turned his spouse Hannah (enjoyable Eleanor Parker) against him . She has brought up their son Theron (a very young George Hamilton) to be dependent upon her ; as he approaches 18 and he reaches adulthood , he then asks his father to teach him to be a man and he is soon fishing and hunting . Wade insists on taking over his upbringing , initiating him in his way of life . But Wade has conflicts with his wife , son and foreman Rafe . Meanwhile , Theron falls in love for the shopkeeper (usual secondary Everett Sloane)'s daughter (Luana Patten ,though Shirley Knight tested for the role of Libby) . However , he has the door slammed in his face by the girl's daddy . Theron is under the watchful eye of Rafe (George Peppard) , Hunnicutt's loyal employee who hides a dark secret to affect whole family . As Theron learns the family secrets, he is upsetting and decides to make his own way in life . It all leads to death , family confrontation , murder and tragedy.

This is a pensive examen of a dysfunctional family in ¨Soaper¨ style and it contains emotion , thrills , imaginative sidelights , interesting dialog ; though overlong and sometimes static . It depicts the stormy events take place into a family whose womanizer father , subsequent gossips and other sorrowful happenings lead to fateful as well as tragic deeds . Very good acting by Robert Mitchum as a surly as well as rich father , the wealthiest and most powerful citizen in his town and Eleanor Parker as embittered wife who lives in the same house but are estranged and living separate lives ; however , these roles were first suggested as a vehicle for Bette Davis and Clark Gable . The picture is noteworthy for giving George Hamilton his first big break , plus George Peppard is top-notch as a foreman with good heart . Furthermore , a gorgeous Luana Patten , an attractive actress who being a little girl usually played for Walt Disney Productions , unfortunately , she early died . Fine support cast giving brief but nice acting such as Everett Sloane , Ray Teal , Dub Taylor , Constance Ford , Anne Seymour and Denver Pyle , among others . Colorful and glowing cinematography filmed in Panavision by Milton Krasner . The majority of location filming took place in Oxford, Mississippi, near the University of Mississippi campus and in Clarksville, Texas . Rousing and sensitive original musical score by Bronislau Kaper .

This melodrama , typical and brilliant MGM , was well produced by Sol C. Siegel and Edmund Grainger ; being efficiently directed by Vincente Minelli . Vincente was an expert on musicals , being hired by MGM for many years . After working on numerous Mickey Rooney/Judy Garland vehicles , usually directed by Busby Berkeley , Arthur Freed gave him his first directorial assignment on ¨Cabin in the sky¨ (1943), a risky screen project with an all-black cast . This was followed by the ambitious period piece , the classic ¨Meet me in St. Louis¨ (1944) whose star Judy Garland he married in 1945 . Many of his films included in every one of his movies features a dream sequence such as ¨Four horsemen of Apocalypse¨ . Employing first-class MGM technicians , including Erich Von Stroheim , Minnelli continued directing musicals as ¨The band wagon¨ (1953) , ¨Kismet¨, ¨The pirate¨ , ¨ An American in Paris¨ , ¨Brigadoon¨ as well as melodramas as ¨Some came running¨ (1958) , ¨Madame Bovary¨, ¨The sandpiper¨ , The home from the hill¨ and urban comedies like ¨Designing woman¨ (1957), occasionally even working on two films simultaneously . In his last average film titled ¨Nina¨ worked with his daughter Liza Minnelli . Rating ¨The home from the hill¨ : Better than average , it's a good story though sometimes falls plain , well worth watching .

In 1960s Texas, real estate tycoon Robert Mitchum ("Captain" Wade Hunnicutt) is wounded, by the husband of one of his many feminine conquests, during a hunt. Young handy-man George Peppard (as Raphael "Rafe" Copley) comes to Mr. Mitchum's aide. Nobody talks about the fact, but Mr. Peppard is Mitchum's 22-year-old illegitimate offspring. Mitchum employs Peppard, but does not officially recognize him as a son. Mitchum's "legitimate" son and heir is gangly good-looking 17-year-old George Hamilton (as Theron Hunnicutt). Peppard chain-smokes, swings a rifle, and does other manly things. Mitchum beds women.

But, young Mr. Hamilton is known as a "mama's boy." He gets his main nurturing from mother Eleanor Parker (as Hannah). Though still sexy, Ms. Parker keeps her bedroom door locked. The film top-bills Mitchum and Parker, but deals mainly with the "coming of age" story concerning Hamilton's character, how it effects others in the cast, and uncovers buried emotions. Described as "wet behind the ears," Hamilton is taught how to hunt "like a man" by brotherly Peppard. Then, he is encouraged to ask pretty Luana Patten (as Elizabeth "Libby" Halstead) out for a date. Hamilton figures out what to do with her on his own...

Beautifully adapted by Irving Ravetch and Harriet Frank Jr., from a William Humphrey story, "Home from the Hill" is a surprisingly effective indictment of illegitimacy. Director Vincente Minnelli manages the material exceptionally well, bringing the characters and situations to life; this is absolutely necessary, since the basic story is very often told. Known mostly for his musicals, Mr. Minnelli received award nominations from the "Director's Guild" and "Cannes Film Festival".

His theatrically poetic performance won Peppard a "Supporting Actor" award from the "National Board of Review". This group placed the picture at #7 for the year and gave Mitchum a combined "Best Actor" award for "The Sundowners" and "Home from the Hill". Peppard was also nominated by the British Academy and "Film Daily" in supporting and newcomer categories. The later noted Ms. Patten in the juvenile category, but "The New York Film Critics" polled her at #8 as "Best Actress".

In the critics' mind, Hamilton seemed to be playing second fiddle to Peppard, but he had just received similar accolades, for "Crime & Punishment, USA" (1959). Hamilton makes you believe he is the naive teenager he is playing. Watch Hamilton in the scene he plays with mother Parker, after several hours on a picnic with girlfriend Patten. From the moment he walks in the door, Hamilton leave you with no doubt about what the couple has been doing. Now, that's "method" acting.

******** Home from the Hill (3/3/60) Vincente Minnelli ~ George Hamilton, Robert Mitchum, George Peppard, Eleanor Parker

I think this is Vincente Minnelli's great unsung film and may in fact stand as his best. It features one of Robert Mitchum's most perfect performances. The movie is provocative in terms of its ideas of manhood(some of its themes, particularly those concerning hunting, are very Hemingway-ish)This movie also presents a way of living that is today becoming increasingly anachronistic and unpopular. It is for this reason also that it is so fascinating - it presents a window to an ever diminishing way of life. Of course it is first and foremost a melodrama, but this aspect I found to be often overshadowed by the secondary themes and the little details, like Robert Mitchum's den (was there ever a room that defined machismo the way this one does?).