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Expresso Bongo

  • 1959
  • Not Rated
  • 1h 51m
IMDb RATING
6.2/10
610
YOUR RATING
Expresso Bongo (1959)
Johnny Jackson, a sleazy talent agent, discovers teenager Bert Rudge singing in a coffee house. Despite Bert's protestation that he really is only interested in playing bongos, Johnny starts him on the road to stardom.
Play trailer2:57
1 Video
31 Photos
DramaMusic

Johnny Jackson, a sleazy talent agent, discovers teenager Bert Rudge singing in a coffee house, but their exploitative deal leads to a bad relationship.Johnny Jackson, a sleazy talent agent, discovers teenager Bert Rudge singing in a coffee house, but their exploitative deal leads to a bad relationship.Johnny Jackson, a sleazy talent agent, discovers teenager Bert Rudge singing in a coffee house, but their exploitative deal leads to a bad relationship.

  • Director
    • Val Guest
  • Writers
    • Wolf Mankowitz
    • Julian More
  • Stars
    • Laurence Harvey
    • Sylvia Syms
    • Yolande Donlan
  • See production info at IMDbPro
  • IMDb RATING
    6.2/10
    610
    YOUR RATING
    • Director
      • Val Guest
    • Writers
      • Wolf Mankowitz
      • Julian More
    • Stars
      • Laurence Harvey
      • Sylvia Syms
      • Yolande Donlan
    • 21User reviews
    • 13Critic reviews
  • See production info at IMDbPro
    • Nominated for 2 BAFTA Awards
      • 2 nominations total

    Videos1

    Trailer
    Trailer 2:57
    Trailer

    Photos31

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    Top cast77

    Edit
    Laurence Harvey
    Laurence Harvey
    • Johnny Jackson
    Sylvia Syms
    Sylvia Syms
    • Maisie King
    Yolande Donlan
    Yolande Donlan
    • Dixie Collins
    Cliff Richard
    Cliff Richard
    • Bert Rudge…
    Meier Tzelniker
    • Mayer
    Ambrosine Phillpotts
    Ambrosine Phillpotts
    • Lady Rosemary
    Eric Pohlmann
    Eric Pohlmann
    • Leon
    • (as Eric Pohlman)
    Gilbert Harding
    • Gilbert Harding
    Hermione Baddeley
    Hermione Baddeley
    • Penelope
    Reginald Beckwith
    Reginald Beckwith
    • Reverend Tobias Craven
    Paula Barry
    • Intime Girl - Dancer
    • (uncredited)
    Jack 'Kid' Berg
    • Slam Dance Crowd
    • (uncredited)
    Eddie Boyce
    • Autograph Seeker
    • (uncredited)
    Avis Bunnage
    Avis Bunnage
    • Mrs. Rudge
    • (uncredited)
    Rita Burke
    • Intime Girl - Dancer
    • (uncredited)
    Susan Burnet
    • Edna Rudge
    • (uncredited)
    Esma Cannon
    Esma Cannon
    • Night Club Cleaner
    • (uncredited)
    Patrick Cargill
    Patrick Cargill
    • A Psychiatrist
    • (uncredited)
    • Director
      • Val Guest
    • Writers
      • Wolf Mankowitz
      • Julian More
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews21

    6.2610
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    Featured reviews

    7christopher-underwood

    decent enough representation of Soho back in the late 50s

    I wasn't sure what to expect from this film, not having seen it back in the day, or since. In some ways it is perhaps better than I had hoped and in another less so. The problem, for me, seems to lie in the stage musical origins. Never having been a fan of such fare, it is those elements, the all singing, all dancing with lush orchestration that I don't enjoy. The more 'street' sections with the lads getting established, the strip club and marvellous Soho location shooting is fine by me but I don't need fat impresarios singing and 'dancing' especially the incredible, 'Nausea' supposedly about the very youngsters he is promoting. Cliff is fine, strangely enough his wavering and erratic singing voice seeming his biggest problem. He must have sorted that out later by sticking to what he was able to deal with. So, I loved the London streets, the decent enough representation of Soho back in the late 50s, the slightly cheeky strip scenes and although the film is not very even, still harping back to its stage roots, it is very watchable.
    UNOhwen

    A marvellous slice of a bygone time

    Featuring a veritable 'who's-who' of great actors Laurence Harvey, Eric Pohlman, Susan Hampshire, Sylvia Syms, Martin Miller (in a bunch of throwaway scenes), and many others), this film captures the 'changing of the guard', as it were, as the youth music - the then-burgeoning rock and roll was just being born in the UK. The dialogue - esp. Mr Harvey's - is rat-a-tat fast, like another commenter (rayshaw44) of this film noted, is akin to His Girl Friday's. As for another commenter (LHL12), I have a beautiful print of the filn, and it contains the 'Nausea' sequence, as well as the others mentioned. I'm writing this almost a decade after they wrote their comment (actually a long interesting story of this films butchering), and therefore I don't know if they're aware that a complete version of 'Bongo' isn't that hard to find (though I DO totally understand and commiserate, being a completest myself, I'm a stickler for the 'correct', unadulterated versions of things). To say this is a film by a great master, like a Fellini or a Kubrick, it isn't. But there was a wonderful period in postwar England that the film business percolated (a pun), and many wonderful small films of all varieties were made. This is one of them. It makes me (as one who wasn't yet born) both fond of, as well as a bit misty-eyed, as the homogenous days we are now in leave no room for an individual's voice. I highly recommend Espresso Bongo.
    LHL12

    It was a wonderful movie before it went to video...

    I saw Expresso Bongo on cable TV back in 1979 and thought it was marvelous. So I was thrilled when I learned that it would finally released on VHS, though only in the UK, in the mid-1990s. My favorite scene, of course, was the comical highlight. Laurence Harvey is in the record producer's office, he drops the needle on a disc, the gramophone starts playing music, and the two of them strike up a song called 'Nausea'. They get so carried away that they take the song with them out onto the street, where they dance down the sidewalk. Now that I could at last own my own copy and luxuriate in lovely memories, I ordered a copy right away (I had PAL equipment even back then), it arrived by overseas air mail, and I was mortified to see that the 'Nausea' song was entirely missing. I was astonished at how bad the movie was without that sequence.

    Since the video derived claimed copyright by the Rohauer Collection, I called Tim Lanza of Rohauer (it was one of two times I ever contacted him) to ask what had happened. He was surprised by the news. He had not seen the VHS, but he assured me that he was familiar with the film and that the song was certainly included in his 35mm prints. He told me that Kino had also licensed VHS rights, and he wondered if they would include or delete the song. He surmised that perhaps there was a rights tie-up issue with 'Nausea' that prevented its use on video, but he really didn't know.

    So I wrote to Wolf Mankowitz (yes, I knew him personally, and his wife Ann) and asked if he could intervene. He wrote back saying that the film's producer, Val Guest, had in his old age acquired the only vice he had not known in his youth: stupidity. He had sold all rights to the film for a pittance and now neither Val nor Wolf had any control over it whatsoever.

    At the Syracuse Cinecon shortly afterwards, I asked Jessica Rosner if the Kino edition of Expresso Bongo was complete. Of course it was, she said, as if by reflex. But then she stopped for a moment, and remembered that Kino had received a letter from an irate customer complaining about a missing scene, but that nobody at Kino took that letter seriously, because there was no hint of any deletion in the 35mm print they had used, and the running time exactly matched the running time as originally announced in 1959. My heart sank. I told her about the British VHS, and she said, yes, Kino had used precisely the same 35mm source that the British VHS had derived from. I told her and others at Kino that Tim Lanza of the Rohauer Collection had that scene and that they should go to him for any reissues. Other Kino staff by then had become fed up with me, saying that sales had been poor and that any further restoration would not be financially viable. End of story.

    A few years later, in 2002 I think, I met with some movie-buffs at a restaurant in Manhattan. One fellow at the table, whose name I can no longer recall, was an employee of Kino's new DVD division. I asked him if the recent Expresso Bongo DVD was finally complete. He smiled from ear to ear and said that he and others had crawled through all the archives in England but could not find a print with the 'Nausea' song, and so, no, sadly, the DVD was the same as the VHS. I shouted back: 'TIM LANZA HAS IT!!!! WHY DIDN'T YOU ASK TIM LANZA? HE'S THE COPYRIGHT HOLDER!' My outburst made no impression.

    According to rayshaw44 who posted a query to the IMDb bulletin board, there are two other songs missing as well: 'I Never Had It So Good' and 'Nothing Is for Nothing'. He could well be right!

    Face it. Now with two VHS editions and a DVD edition that are all butchered, Expresso Bongo has a new 'definitive' version, and chances that more than a handful of people will ever see the complete edition are vanishingly small. Unless, of course, we want to pool our resources, license the film, and issue our own DVD when the other video licenses expire. Anyone interested? rjbuffalo@rjbuffalo.com
    hsiegel-1

    Espresso Bongo is a cult classic!

    Ignore anything or anybody that denigrates Espresso Bongo. It is loaded with period detail and attitude, is singularly risqué for it's time and sports great music and one of the best scripts about England's Tin Pan Alley, wisecracking and inside, besides an unprecedented performance by Laurence Harvey as you've never seen him, a hustler who recalls Sidney Falco in the "Sweet Smell of Success". Maier Tzelnicker is tremendous as the record company executive who calls it "rock dreck". Yolanda Donlan, Val Guest's wife, plays a "Sweet Bird of Youth" like aging diva Alexandra Del Lago who seduces Cliff Richard, whom many called the Pat Boone of England. See the opening strip number when the girls perform a burlesque version of the "Bonnie, Bonnie Banks of Loch Lomond". It sets the tone for an overlooked gem. A "B" Movie Classic. Enjoy.
    8Simon_peters

    Nausea sequence

    The missing Nausea sequence was included in the version shown on the British TV channel 'Taking Pictures'. It's an amusing interjection, with very little in common with the rest of the film. The film is a genuine period piece, and worth watching, despite Laurence Harvey's exuberant performance with its range of accents.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The credit titles for writer, producer and director are written on sandwich boards carried by writer Wolf Mankowitz as he walks around Soho.
    • Quotes

      Johnny Jackson: But you can be frank with me, mister Mayer ! What's your feeling about the boy?

      Mayer: Nausea!

    • Crazy credits
      Opening credits are shown on a neon sign outside a theatre, a jukebox, a pinball machine, a barrel organ, a restaurant menu, a pin-board, ending with a sandwich-board man.
    • Alternate versions
      Reissued in 1962 at 106 minutes. This shorter version omitted a number of songs, including "Nausea." About 2 minutes of alternate scenes were used to fill in some of the cut musical scenes.
    • Connections
      Featured in The Love Goddesses (1965)
    • Soundtracks
      Nausea
      (uncredited)

      Music by David Heneker (as David Henneker) and Monty Norman

      Lyrics by Julian More and Wolf Mankowitz

      From original stage show

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    FAQ16

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    Details

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    • Release date
      • January 10, 1960 (United Kingdom)
    • Country of origin
      • United Kingdom
    • Official site
      • Kino Lorber (United States)
    • Language
      • English
    • Also known as
      • 女体入門
    • Filming locations
      • Old Compton Street, Soho, London, England, UK
    • Production company
      • Val Guest Productions
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 51 minutes
    • Color
      • Black and White
    • Sound mix
      • Mono
    • Aspect ratio
      • 2.35 : 1

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