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La Dolce Vita (1960)

Metacritic reviews

La Dolce Vita

95

Metascore

13 reviews · Provided by Metacritic.com
  • 100
    Chicago Sun-TimesRoger Ebert
    Chicago Sun-TimesRoger Ebert
    The movie is made with boundless energy. Fellini stood here at the dividing point between the neorealism of his earlier films (like "La Strada") and the carnival visuals of his extravagant later ones ("Juliet of the Spirits," "Amarcord'').
  • 100
    The New York TimesBosley Crowther
    The New York TimesBosley Crowther
    A brilliantly graphic estimation of a whole swath of society in sad decay and, eventually, a withering commentary upon the tragedy of the overcivilized. (Review of Original Release)
  • 100
    Los Angeles TimesKevin Thomas
    Los Angeles TimesKevin Thomas
    A brilliantly conceived epic fable.
  • 100
    Christian Science MonitorDavid Sterritt
    Christian Science MonitorDavid Sterritt
    A profound film by a legendary director in the greatest period of his career.
  • 100
    San Francisco ChronicleMick LaSalle
    San Francisco ChronicleMick LaSalle
    In this one masterpiece, Federico Fellini achieved the ideal balance -- between social observation and unconscious imagery, between artistic discipline and freedom, and between the neo-realism of 1950s Italian cinema and the orgiastic flights of his later work.
  • 100
    Boston GlobeWesley Morris
    Boston GlobeWesley Morris
    Freshly viewed, the movie's melancholy seems to fit uncannily well in the moment we find ourselves now. In the film there are mentions of nuclear annihilation and worries that heedless lust and wanton partying could bring Rome a second fall.
  • 90
    Variety
    Variety
    The performances are uniformly excellent. Mastroianni is perfect in the key role of the basically good and honest boy who succumbs to the sweet life. Ekberg is a revelation as the visiting star, while Furneaux almost runs off with the picture as the reporter's instinctive, possessive mistress. (Review of original release)
  • 80
    Village VoiceMichael Atkinson
    Village VoiceMichael Atkinson
    In one movie, at least, the ethical baseline (heisted, you could argue, from "Sweet Smell of Success") gave Fellini's roaming, cluttered mise-en-scène a chilling gravity he could never genuinely locate again.
  • 70
    Chicago ReaderDave Kehr
    Chicago ReaderDave Kehr
    The film was hugely successful and widely praised in its time, though it's really nothing more than the old C.B. De Mille formula of titillation and moralizing--Roman orgies and Christian martyrs--with only a fraction of De Mille's showmanship.
  • 70
    TV Guide Magazine
    TV Guide Magazine
    After nearly three hours Fellini's relentlessly enigmatic, non-committal approach leaves you wishing for something more than poignant imagery and moody, self-obsessed characters. (Review of original release)
  • See all 13 reviews on Metacritic.com
  • See all external reviews for La Dolce Vita

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