Queen of Outer Space

I saw this film on late night TV as a youth and thought it was the coolest movie I had ever seen. Of course at that time, the coolest movie I'd ever seen was usually the most recent one. But there was something eerie and scary and exciting and fun about QOOS...... the hideous queen with her mask, the statuesque women of Venus, the death ray, the giant spider-beasts..and Zsa Zsa.

Of course, now I see the film for the campy delight it is and was intended. It's so-bad-it's-good and I own a copy of it and watch it when I need a laugh. The lines from the wolfish astronaut is so brutally oafish that I can't believe it was delivered with a straight face.

A spaceship with a four-man crew crash-lands on Venus. There they find the planet is inhabited solely by women, who take the men prisoner believing them to be the first wave in an invasion by Earth. The women are ruled by masked Queen Yilana, who hates men and blames them for the disfigurement of her face. Not all of the women on Venus are man-haters, though. A group of resistance fighters, led by Talleah (Zsa Zsa Gabor), plan to rescue the astronauts and overthrow Yilana.

I love this movie. It's so much fun. It has lots of cheesy appeal and comic value, both intentional and otherwise. It's so ridiculously sexist and outdated that you can't possibly take it seriously unless you have a stick up your rear the size of a redwood. Also, it's a '50s sci-fi movie so it has that charm about it. I love the colorful costumes, sets, and props. The cast is good. Zsa Zsa is memorably bad in the best way. Eric Fleming and Paul Birch play it straight, which helps make the whole thing that much funnier. Dave Willock is always a treat. But it's Patrick Waltz that gets the best (and most sexist) lines. A fun sci-fi movie that everyone should be able to enjoy on some level. Just take your serious hat off for awhile.

The real question here is whether or not this film is funny because of what it shows us...acting, dialogue, sets...or rather because of how ineptly it shows us these things. For me the film is funny because it is trying to be funny in some parts but also very funny because it is crudely, cheaply, and horrificly made in many instances. Obviously casting Zsa Zsa Gabor in the lead role answers the question that this was intended to be a parody. Come on, she is not an actress but rather a fixture, albeit a charming, vivacious, buxom one. Three astronauts and a professor are on their way to a space station when some laser beams destroy the station before their very eyes and lead them to the planet of Venus millions and millions of miles away. All our scientific knowledge of Venus is wildly inaccurate as the gravity is much like that of Earth's and oxygen is prevalent. The men are taken at night by surprise by a band of armed, mini-skirt clad Venusians that bring them before the mask-faced evil queen. From there a Venusian scientist, played by Miss. Gabor no less, offers help to the men to escape. The rest is about the foiled escape and the eventual unmasking of the evil queen and her desire to obliterate Earth. The film has so much sexual innuendo and bad-trying-to-be-funny smug acting as to be a little annoying. The male leads are not very good. Eric Fleming as the man wanted by both Zsa Zsa and the queen is adequate. Paul Birch, typically a pretty good actor, does a shameless job in this film smiling constantly and his scene where the space station is destroyed and he is suppose to look disconcerted is a real hoot! Maybe this is what they were trying to do. The other two guys are very annoying with one stupid joke after another. One is a lothario-type making degrading comments about the fairer sex repeatedly. Even I tired of them after awhile. The women...well, they are heavenly. All of them are beautiful and Zsa Zsa is near the top of that heavenly spectrum. Beautiful Joi Lansing also has a bit part in the beginning. Journeyman director Edward Bernds directs with some style. I particularly like how he used color in the film. Visually, the film has lots of bright blues and reds that really takes much of your attention away from the bad acting and plot.

Steve Rhodes (newsgroup review) sums it up best when he says, "'Queen of Outer Space' is a parody of science fiction films. Whether it meant to be so at the time is another question." This is prime material for MST3K (very similar to "Fire Maidens from Outer Space"), but they might be avoiding "Queen" because it almost makes fun of itself. It reeks of cardboard sets, silly dialogue, and more phallic symbols, hot babes, and sexual innuendo than you can wave a stick (or laser gun) at. The astronauts ride in Lay-Z-Boy chairs and Zsa Zsa Gabor is a real treat. Never taking itself seriously, it's the "Austin Powers" of the sci-fi genre.

"Queen of Outer Space" has been unkindly described as a deliberate parody of sci-fi cliches, but the director wasn't in on the joke.

Fans have been debating for years just what the intentions of Ben Hecht and Charles Beaumont were in penning this much-reviled space adventure. Surely both writers were capable of much better work. Surely Zsa Zsa Gabor as a Venusian space maiden was a piece of casting nobody expected to be taken seriously. Surely director Edward Bernds must have known the score. This is the man who directed the Three Stooges. He knows a joke when he sees it! Yet, in interviews, Bernds insists that the film was intended to be taken straight.

Even a casual examination of the finished product makes this hard to believe. The first half of the film seems to be skewering the stereotypical male/female relationships found in pulp sci-fi cinema of the day. But after the captain rebuffs the evil queen's advances and the plot turns to action, the film starts taking itself seriously and its sense of goofy fun dissipates quickly.

But, in fairness to Bernds: if he wasn't in on the joke, neither were any of his cast, who perform with earnest sincerity throughout.

Although the film was made by Allied Artists (Monogram after their name change), some expense seems to have been spent on it: it's in color & Cinemascope and the sets, although gaudily and colorfully fake, are extensive. Perhaps most tellingly, AA released it as a single feature, clearly a sign of confidence (or misplaced optimism) in those days where double-features were standard for B-films.

In hindsight, the question of deliberate parody may never be answered. Because of the film's reputation, those involved in the production were undoubtedly anxious to rewrite history to salvage their professional reputations.

Favorite scene: Zsa Zsa's attempt to impersonate the queen by donning her mask and issuing orders in her imperious and distinctive Hungarian accent, then being shocked when the ruse fails.