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7.4/10
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American professor John Holden arrives in London for a parapsychology conference, only to find himself investigating the mysterious actions of Devil-worshipper Julian Karswell.American professor John Holden arrives in London for a parapsychology conference, only to find himself investigating the mysterious actions of Devil-worshipper Julian Karswell.American professor John Holden arrives in London for a parapsychology conference, only to find himself investigating the mysterious actions of Devil-worshipper Julian Karswell.
- Awards
- 1 win & 1 nomination total
Charles Lloyd Pack
- Chemist
- (as Charles Lloyd-Pack)
Featured reviews
10KuRt-33
This film comes with two quality labels: it stars Peggy Cummins (best known for 'Deadly Is The Female' a.k.a. 'Gun Crazy') and is directed by Jacques Tourneur who had already shown his talent for suspenseful films with the RKO classics Cat People and I Walked With A Zombie. So you know what to expect: suspense and quality.
By now of course, technology changed a lot of how films look and it is the "show less - scare a lot" attitude of Cat People and I Walked With A Zombie that made them into the classics that they are. 'Night of the Demon' (a far better title than the American 'Curse of the Demon' - and if you see the film, you'll know why) has one nasty side effect: you see the demon and it's a film demon from the 50s. No matter how scary the film makes the demon, he looks like the thing you see on the cover of the movie box. It could be scarier. But now comes the best part... it doesn't matter! Because the suspense comes from something else in the movie and that is what makes this film so great. Dana Andrews is coming to England to prove that a so-called satanic cult is nothing more than a bunch of fakers and illusionists. The cult leader, however, puts a spell on him and warns Andrews that he will die in a few days. Other 50s film that depend more on the monsters and demons do have that problem: e.g. Roger Corman made some movies that could've been a lot better and scarier if the monster had either been more convincing or given less screen time.
Like in the other two films by Tourneur I mentioned, you always sense something scary could happen. That is what makes films work. In 'Night of the Demon Tourneur' succeeds in scarying you on some occasions when you least expect it. Combine that with cleverly built-up suspense and you know why you should watch this classic. Even if you don't like horror films in general.
By now of course, technology changed a lot of how films look and it is the "show less - scare a lot" attitude of Cat People and I Walked With A Zombie that made them into the classics that they are. 'Night of the Demon' (a far better title than the American 'Curse of the Demon' - and if you see the film, you'll know why) has one nasty side effect: you see the demon and it's a film demon from the 50s. No matter how scary the film makes the demon, he looks like the thing you see on the cover of the movie box. It could be scarier. But now comes the best part... it doesn't matter! Because the suspense comes from something else in the movie and that is what makes this film so great. Dana Andrews is coming to England to prove that a so-called satanic cult is nothing more than a bunch of fakers and illusionists. The cult leader, however, puts a spell on him and warns Andrews that he will die in a few days. Other 50s film that depend more on the monsters and demons do have that problem: e.g. Roger Corman made some movies that could've been a lot better and scarier if the monster had either been more convincing or given less screen time.
Like in the other two films by Tourneur I mentioned, you always sense something scary could happen. That is what makes films work. In 'Night of the Demon Tourneur' succeeds in scarying you on some occasions when you least expect it. Combine that with cleverly built-up suspense and you know why you should watch this classic. Even if you don't like horror films in general.
"Curse of the Demon" (aka "Night of the Demon") is one of those weird little lost films that everyone agrees is wonderful and yet very few people seem to have actually seen. This is one of those rare British movies that is set, not in the city, but rather in the chilly, fog-choked countryside where little seems to have changed since Stonehenge was built. Niall McGinnis holds sway here as the impish leader of a Satanic cult, who swiftly dispatches of his critics by summoning a huge, horrific demon to rip them to shreds.
Into this isolated world walks psychologist John Holden, played by yet another seriously underrated actor, Dana Andrews. Andrews, who made a name for himself playing tough guys in films like "Laura" and "The Best Years of Our Lives" is wonderful here as the skeptical, even slightly smarmy, American who absolutely refuses to believe in demons, even when strange, unexplainable things begin to happen to him. Peggy Cummins is his love interest, the open minded schoolteacher whose uncle may have been a victim of the Demon. Niall McGinnis is disturbingly likable as the head of the Demon Cult, chucking aside a chance to play Aleister Crowley and opting for Benny Hill instead. He is very disarming as the films central villain, and Andrews confusion mirrors our own as the movie stalks relentlessly through a seance, a stormy Halloween party and a frightening hypnosis session to its surprisingly violent conclusion.
This movie is, by turns, sarcastically funny, suffocatingly tense and shockingly scary. The demon looks a little corny nowadays, and was revealed much too quickly with no suspenseful build-up, but the movie is so smart, so moody, so creepy and well done with an excellent cast to boot, that one can easily forgive the demon, which looks a lot like a slightly deformed bear with a pig nose and goat horns.
This is an excellent adaption of the short story "Casting the Runes" by M. R. James and still has the power to scare even 50 years later. Highly recommended!
Into this isolated world walks psychologist John Holden, played by yet another seriously underrated actor, Dana Andrews. Andrews, who made a name for himself playing tough guys in films like "Laura" and "The Best Years of Our Lives" is wonderful here as the skeptical, even slightly smarmy, American who absolutely refuses to believe in demons, even when strange, unexplainable things begin to happen to him. Peggy Cummins is his love interest, the open minded schoolteacher whose uncle may have been a victim of the Demon. Niall McGinnis is disturbingly likable as the head of the Demon Cult, chucking aside a chance to play Aleister Crowley and opting for Benny Hill instead. He is very disarming as the films central villain, and Andrews confusion mirrors our own as the movie stalks relentlessly through a seance, a stormy Halloween party and a frightening hypnosis session to its surprisingly violent conclusion.
This movie is, by turns, sarcastically funny, suffocatingly tense and shockingly scary. The demon looks a little corny nowadays, and was revealed much too quickly with no suspenseful build-up, but the movie is so smart, so moody, so creepy and well done with an excellent cast to boot, that one can easily forgive the demon, which looks a lot like a slightly deformed bear with a pig nose and goat horns.
This is an excellent adaption of the short story "Casting the Runes" by M. R. James and still has the power to scare even 50 years later. Highly recommended!
"Curse of the Demon" aka "Night of the Demon" is a wonderful set-piece study of the macabre, skillfully acted by Dana Andrews, Peggy Cummins, and the delightfully malevolent Niall MacGinnis, and masterfully directed by Jacques Tournier, a director who can turn even the warmest smile into something sinister. Andrews plays a psychiatrist determined to debunk the world of the occult, but instead nearly falls victim to a monstrous demon summoned by MacGinnis. At one point in the film MacGinnis, dressed in a clown suit, takes on an aura of pure demonic power under Tournier's direction, and it's a joy to watch. The effects, including the demon itself, are simple but surprisingly effective, and serve to highlight, rather than overpower, the actors and the storyline. Based on the story "Casting the Runes", this mostly-forgotten film is a masterpiece of scripting, editing, acting, and direction, and shouldn't be missed. We thoroughly recommend it for anyone who likes a nice, quiet little horror story played with an almost Hitchcockian subtlety that's rare nowadays.
"Curse of the Demon" might just be the best horror film I've ever seen. When I saw it for the first time as a teenager in the mid-sixties on television one night, it really frightened me. And even now, at my age, it still gives me goosebumps.
Dana Andrews plays the skeptical American psychologist investigating a devil worship cult in England led by Dr. Karswell, played by Niall MacGinnis. The acting is pretty weak once you get past the two main characters, but it's the craftsmanship of the director that really matters.
Jacques Tourneur manipulates light and shadow to create fear of the unknown in this tale of modern science colliding with ancient sorcery. The monster is pretty tame as far as it goes, but that's not the point. It's not what you see, it's what you imagine that gets to you.
Long, dark corridors ..... dancing shadows ..... strange sounds contrasted with eerie silences ..... the impending sense of doom and apprehension. This film touches our primal fears, like a child waking up during a thunder storm. Is nature an ordered world or can it be manipulated by evil forces?
Dana Andrews plays the skeptical American psychologist investigating a devil worship cult in England led by Dr. Karswell, played by Niall MacGinnis. The acting is pretty weak once you get past the two main characters, but it's the craftsmanship of the director that really matters.
Jacques Tourneur manipulates light and shadow to create fear of the unknown in this tale of modern science colliding with ancient sorcery. The monster is pretty tame as far as it goes, but that's not the point. It's not what you see, it's what you imagine that gets to you.
Long, dark corridors ..... dancing shadows ..... strange sounds contrasted with eerie silences ..... the impending sense of doom and apprehension. This film touches our primal fears, like a child waking up during a thunder storm. Is nature an ordered world or can it be manipulated by evil forces?
Psychologist Dana Andrews is on his way from America to attend a convention in London and in answer to a friend's cry for help. In fact we see that friend, Maurice Denham when the film opens up. He's at the house of another scientist Niall McGinniss who's been experimenting big time in the occult. Denham is scared and begging for his life, begging for McGinniss to call off some kind of evil force that is pursuing him.
The evil force gets him of course and when Andrews touches down in the UK he learns from Denham's daughter Peggy Cummins about what has happened to her father. That only arouses Andrews's curiosity.
But the message of Night of the Demon is that there are some things that nature means we should not disturb. Andrews learns that almost too late.
As was typical back in the day, the British film industry to get a wider distribution of their product sometimes imported an American star for their films. In this case Dana Andrews is with an all British supporting cast.
But as another viewer pointed out the film really belongs to Niall McGinniss the scientist who summons up evil forces from another plane of existence he can't control. His comfortable way of living for himself and his mother Athene Sayler comes at a price. McGinniss is charming and deadly at the same time.
Jacques Tourneur learned well at the feet of Val Lewton, the master of such films as these. After over 50 years the film still holds up well. Viewers today will be as scared as they were in 1957.
The evil force gets him of course and when Andrews touches down in the UK he learns from Denham's daughter Peggy Cummins about what has happened to her father. That only arouses Andrews's curiosity.
But the message of Night of the Demon is that there are some things that nature means we should not disturb. Andrews learns that almost too late.
As was typical back in the day, the British film industry to get a wider distribution of their product sometimes imported an American star for their films. In this case Dana Andrews is with an all British supporting cast.
But as another viewer pointed out the film really belongs to Niall McGinniss the scientist who summons up evil forces from another plane of existence he can't control. His comfortable way of living for himself and his mother Athene Sayler comes at a price. McGinniss is charming and deadly at the same time.
Jacques Tourneur learned well at the feet of Val Lewton, the master of such films as these. After over 50 years the film still holds up well. Viewers today will be as scared as they were in 1957.
Storyline
Did you know
- TriviaJacques Tourneur never planned to show the monster but to leave it instead to the audience's imagination. However, the studio insisted that the monster be shown and added it in post-production, allegedly without Tourneur's consent, approval, or involvement. "The scenes where we really see the demon were shot without me. All except one: I shot the sequence in the woods where Andrews is pursued by this sort of cloud." [Tourneur himself in Midi-Minuit Fantastique 5.65]. He also said, "It should have been unveiled bit by bit without it ever really being shown." [in Cinefantsatique; '73]
- GoofsAt the beginning, when Professor Harrington is driving to Dr. Karswell's residence, the steering wheel is on the left, and the POV is from the passenger seat, looking at the right side of his face. On his way back to his home, it's a mirror image of the original (flipped shot).
Actually, the car is narrow, and it is an optical illusion that the steering wheel on the left. It is a right-hand drive vehicle as can be seen when he looks out the window at the Lufford Hall sign at the gate, as well as when he exits the car at the house.
- Quotes
Professor Henry Harrington: It's in the trees! It's coming!
- Alternate versionsThis film exists in three English language versions: (1) The original British release under the title "Night of the Demon", (2) Columbia's edited version for release in the U.S. under the title "Curse of the Demon", and (3) over 20 years later, Columbia replaced their edited U.S. version with the original British version but with the title also changed to "Curse of the Demon". Columbia's DVD release contains both the edited and restored U.S. versions. Although the cover remains the same, Columbia's more recent copies of the their DVD release removes the U.S. version with the restored footage with a print of the original British release with the title "Night of the Demon".
- ConnectionsFeatured in Aweful Movies with Deadly Earnest: Curse of the Demon (1970)
- How long is Curse of the Demon?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Night of the Demon
- Filming locations
- Brocket Hall, Lemsford, Welwyn Garden City, Hertfordshire, England, UK(as "Lufford Hall, Warwickshire")
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 36 minutes
- Color
- Aspect ratio
- 1.66 : 1(original aspect ratio & theatrical release)
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