The Runaway Bus

There's one thing that will keep this mid-20th century comedy from ever being outdated - London's fog. The Heathrow haze in this film is thicker than pea soup, and will be familiar to all Londoners, most Brits and many tourists who have traveled to or through London. Indeed, the fog itself has a major role in "The Runaway Bus."

This British comedy-caper is a delightful film to watch, with the fog helping to compound the suspense. It's not a laugh-a-minute script, but just a very good mix of dialog, antics and filming. The mystery is too good to give any hints that might dampen the delightful surprise ending. The caper culprit had me stumped all the way.

The cast is perfect for this film. There are only a couple of big names that would be known around the cinematic globe in the mid-20th century - Petula Clark and Margaret Rutherford. The rest of the cast would have been unknown to all but the English audiences of the day. But Frankie Howard as Percy Lamb, George Coulouris as Edward Schroeder, Terence Alexander as Peter Jones and all the rest give top notch performances.

Petula Clark provides a sense of order as a stewardess charged with getting some airline passengers to another airport. Her Lee Nicholls is a contrast with the hapless Percy Lamb who is the emergency relief bus driver. Rutherford's Miss Cynthia Beeston is a familiar cantankerous dowager role.

The title of this film is odd, because the bus is never driven wildly or out of control, as the term "runaway" implies. It would be more accurate to call it a lost bus. Movie buffs who like older movies, British films, and comedy capers should enjoy this film.

Here are a couple of favorite lines.

Percy Lamb, "This would have to happen now, just when I wanted a day off. My grandmother, poor old soul." Duty Officer, "Is she dead?" Percy Lamb, "No, she's home on leave."

Lee Nichols, "I'm sure we all feel safer knowing we're who we say we are."

Frankie Howerd who for some unexplained reason never got big stardom on the big screen made a very funny feature film debut where he plays a bus driver in The Runaway Bus. In fact part of the plot is that he's driving the bus for the wrong company.

It's supposed to be a regular bus, but a very pushy stewardess for British Overseas Airlines Corporation (BOAC) played by Petula Clark manages to dragoon Howerd into driving a shuttle bus that BOAC has for its passengers. Nothing is flying at Heathrow because of the fog, but the company will shuttle some passengers to another airport where they can make connections.

One of them wants to real bad because they've just stolen several gold bullion bars from the Bank of England and they're trying to affect a getaway. The problem is just who among the passengers is the thief? And the suspicions are not just confined to the passengers.

Complicating things is the fact that Howerd in the fog manages to drive the bus to an abandoned village that the British Army uses for war games. Believe it or not, it's all both pretty funny and suspenseful at the time.

Such various and sundry characters as Margaret Rutherford, George Coulouris, Terence Alexander, and Belinda Lee are all passengers on the bus. They all deliver performances well within their typecasting range.

Howerd never got big screen stardom on either side of the pond. His real fame was on the small screen in the United Kingdom. For me this was a nice introduction to his brand of comedy. I liked it and I think so will you.

One of the foundation stones of conventional movie wisdom is that only seven possible story scenarios are suitable for a mass audience. Recently, screenwriter Blake Snyder has expanded this concept to ten: Monster in the House, Dude with a Problem, Fool Triumphant, Superhero, Buddy Love, Out of a Bottle, Institution, Golden Fleece, Rights-of-Passage, and Whydunit.

You'd think that Mr Snyder had taken The Runaway Bus as his model, for Val Guest was inspired to use all but one of the above basics in constructing his heavily-laced plot: Monster in the House? Yes, we do have a major variation on a haunted house sequence. Dude with a Problem? Yes, a big problem. He's lost his way in the fog with a bus-load of eccentric passengers. Fool Triumphant? I'll say! Superhero? No, I'm glad to declare, but it's the only one we miss out on. Buddy Love? Yes, there's a girl on the bus. Two girls to be precise: perky, petite-as-a-picture Petula Clark and emptyheaded-but-wow-of-a-figure Belinda Lee! Out of a Bottle? Not quite the sort of addiction that Snyder implies, but cranky-as-a-hoot-owl Margaret Rutherford certainly gives that impression. Institution? Definitely! The characters find themselves in a "prison", and even the airport itself is virtually cut off and isolated. Golden Fleece? A major strand of the plot. Rights-of-Passage? That's also what it's all about. And Whydunit is actually a Whodunit here and this is the number one element of Guest's scenario. In fact, comedy really takes a second place to the mystery.

For what is to all intents and purposes his movie debut, Frankie Howard seems most fortunate to have gained a big assist from writer/producer/director Val Guest who has surrounded him with a fine cast and great production values. Oddly, although the movie won critical praise, it did only moderately well at the British box office. For once, the critics were right, and picturegoers wrong. Howard's comic gifts are considerable and he comes across as a comedian with a genuinely original and amusing style.

Producer Guest was taking no chances, however. In addition to Frankie, he has cast Margaret Rutherford at her eccentric best, Petula Clark (no, fans, she doesn't sing in The Runaway Bus, but you can't have everything), Belinda Lee (inclined to over-enthusiastically over-act in this, her first feature film, but who's complaining?), Toke Townley (a first-class character actor who spent most of his career playing bit parts), and perennial Hollywood heavy, George Coulouris. Although he doesn't share a single scene with his wife, Margaret Rutherford's real-life husband, Stringer Davis, has a small role as an airport official and one of the funniest lines. Explaining that the emergency bus can only be used in an emergency, he's told that at the reception desk an old lady is haranguing the staff with an umbrella. I love his laconic reply: "That's an emergency!"

Producer/writer/director Guest has also hedged his bets with the screenplay itself by making the mystery and thriller angles of the story as intriguing and suspenseful as other episodes are chucklesome and amusing. The identity of the mystery "Banker" is cleverly disguised, whilst superbly film noirish photography and grand-scale art direction (that must have strained Southall's comparatively small studio space to the limit) contribute splendidly to the spooky atmosphere.

British comedian Frankie Howerd, best known to TV fans as the star of the historical satire Up Pompeii, makes his feature film debut alongside Margaret Rutherford, George Coulouris, Belinda Lee and English songstress Petula Clark. Howerd plays Percy Lamb, a novice bus driver, who, as London is submerged in thick fog, is assigned to drive the number "13" coach from London airport to another a couple of hours away. With his half dozen or so passengers along for company, Percy promptly gets lost! But that's not the worst of their worries. For in the boot is a load of stolen gold bullion and the master criminal known as "The Banker" is amongst them and will do anything to get their hands on the loot. But just who is "The Banker?". It's written and directed by Val Guest whose writing work for the likes of Will Hay, Arthur Askey and The Crazy Gang puts him firmly on the list of classic British comedy writers.

Safe and inoffensive fun is The Runaway Bus, very much along the lines of Walter Forde's The Ghost Train (Guest writing there too), it zips along apace and is awash with gags both visually and orally. Maybe somewhat surprising, considering all those involved with it, it's probably with its "who is it" core where the film is at its best. Blending comedy with mystery thriller elements can often be a tricky task for some film makers, but thankfully here Guest and his team play it right. There's no obvious hints to who the "baddie" is, thus the element of surprise is high, and the staging of the second half of the movie at a fog enveloped army training range makes for a nice atmospheric feel. There's no great shakes in the acting, but they all are safe and doing what is required. Rutherford of course is the standout performer, while Howerd is only hinting at the ability that would in the years to come make him a much loved comedian in the United Kingdom.

Widely available on DVD now, it will be annoying to some that the transfer is rough and not afforded a clean up. Full of snap, crackle and pop, it does carry a bit of old fashioned value in that respect. But those interested in the DVD should stay away if scratchy old transfers are to be an issue. 7/10

If you love the old British comedies of the post-war years, such as those starring Peter Sellers and Alec Guiness, then this movie is right up your alley. Runaway Bus contains all the trademarks of great English comedy: eccentric British characters, fast and witty dialogue, and, what I think makes them really funny, the British habit of saying things in a much more sophisticated and complicated way than us slangy Americans ever would. All enjoyable and innately funny.

Anyway, there are no obvious stars in this film, like those gentlemen mentioned above. This was my first exposure to British star Frankie Howerd (even his name is spelled funny), and once I got used to his never-ending parade of facial contortions, I found him quite amusing. Margaret Rutherford is the only actor (-tress) I recognized, and she played her quirky strong-willed role as wonderfully as ever.

The pacing of the film is quick, but what I think really makes this movie above par is that you are never sure about who are the good guys and who are the bad guys. You will definitely change your mind multiple times, and the script does a wonderful job of leading you down one path only to change direction a few moments later. You think you know who did it, but then you are sure you are wrong. The surprises and one-liners come fast and furious all the way to the final line.

This is a fun film full of classic British motifs. If this is your thing, I highly recommend it.