Three struggling theatrical performers meet a famous songwriter who is trying to convince a wealthy oilman to finance a musical he is scripting, promising them stardom if it comes to fruitio... Read allThree struggling theatrical performers meet a famous songwriter who is trying to convince a wealthy oilman to finance a musical he is scripting, promising them stardom if it comes to fruition.Three struggling theatrical performers meet a famous songwriter who is trying to convince a wealthy oilman to finance a musical he is scripting, promising them stardom if it comes to fruition.
Bebe Allen
- Restaurant Patron
- (uncredited)
Leon Alton
- Man at Ladder
- (uncredited)
John Alvin
- Clerk
- (uncredited)
William Bakewell
- Jaguar Owner
- (uncredited)
Jack Boyle
- Call Boy
- (uncredited)
Paul Bradley
- Diner
- (uncredited)
- …
Charles Cane
- Sergeant
- (uncredited)
Steve Carruthers
- Club Patron
- (uncredited)
Featured reviews
In sunny Miami, superstitions showgirl Doris Day (as Candy Williams) and her musical troupe find themselves destitute after their show "Parisian Pretties" closes. This is strange, because Ms. Day and performing manager Phil Silvers (as Hap Schneider) appear captivating on stage. The troupe is forced to take menial jobs. While working as a maid, tap-dancing Nancy Walker (as Flo Neely) meets famous songwriter Bob Cummings (as Dick Carson) and learns he is producing a new Broadway show...
Day hopes Mr. Cummings could provide her with a lucky break. Perhaps romance will follow. "Lucky Me" was meant to be a follow-up to the crowd-pleasing "Calamity Jane" (1953), but fell short. The earlier film featured Day's million-selling #1 "Secret Love" single. This film's song highlight is "I Speak to the Stars", a sleepy #16 hit. The closing party is mildly interesting, beginning with Day in a convincing disguise. This is where you can spot black-haired Angie Dickinson, in her big screen debut.
**** Lucky Me (4/9/54) Jack Donohue ~ Doris Day, Robert Cummings, Phil Silvers, Nancy Walker
Day hopes Mr. Cummings could provide her with a lucky break. Perhaps romance will follow. "Lucky Me" was meant to be a follow-up to the crowd-pleasing "Calamity Jane" (1953), but fell short. The earlier film featured Day's million-selling #1 "Secret Love" single. This film's song highlight is "I Speak to the Stars", a sleepy #16 hit. The closing party is mildly interesting, beginning with Day in a convincing disguise. This is where you can spot black-haired Angie Dickinson, in her big screen debut.
**** Lucky Me (4/9/54) Jack Donohue ~ Doris Day, Robert Cummings, Phil Silvers, Nancy Walker
LUCKY ME is a prettily Technicolored musical outing from Warner Bros., one that DORIS DAY was obligated to make because of arrangements made by her producer hubby. She should have stuck to her guns and refused to do the film, which doesn't do much for anyone--including its talented supporting cast--ROBERT CUMMINGS, PHIL SILVERS, NANCY WALKER, MARTHA HYER and EDDIE FOY, JR.
Day is the singer in a team of stranded players working in the kitchen of a fancy Miami hotel because of a prank played by the obnoxious PHIL SILVERS, whose strident comedy technique is overworked here.
When ROBERT CUMMINGS needs a singer for his upcoming Broadway show, he discovers Doris can sing and from then on he and his girlfriend (MARTHA HYER) squabble over her dad's backing for the show and his interest in Doris. That's all there is to the plot.
Songs by Sammy Fain and Paul Webster have been tacked onto this slight story with less than impressive results. Only one ballad--done as a dream sequence--has any real worth and it's a beauty called "I Speak to the Stars" which is the only genuine first class song in the movie. A catchy first number, "The Superstition Song," at least gets some interest for the way Doris Day manages to sing it through a lengthy opening sequence.
If you're a Doris Day completist and must see all her films--well, that's the only reason for catching up with this one. It's a dud--a real dud. Trite and unfunny as can be.
Day is the singer in a team of stranded players working in the kitchen of a fancy Miami hotel because of a prank played by the obnoxious PHIL SILVERS, whose strident comedy technique is overworked here.
When ROBERT CUMMINGS needs a singer for his upcoming Broadway show, he discovers Doris can sing and from then on he and his girlfriend (MARTHA HYER) squabble over her dad's backing for the show and his interest in Doris. That's all there is to the plot.
Songs by Sammy Fain and Paul Webster have been tacked onto this slight story with less than impressive results. Only one ballad--done as a dream sequence--has any real worth and it's a beauty called "I Speak to the Stars" which is the only genuine first class song in the movie. A catchy first number, "The Superstition Song," at least gets some interest for the way Doris Day manages to sing it through a lengthy opening sequence.
If you're a Doris Day completist and must see all her films--well, that's the only reason for catching up with this one. It's a dud--a real dud. Trite and unfunny as can be.
Fairly expensive Warners musical, the then-novelties of which are a) CinemaScope and b) location filming in Miami, which does look '50s-luscious. These are tied to a very tired screenplay about superstitious Doris Day and her pals Phil Silvers, Nancy Walker, and Eddie Foy Jr. going from revue work to kitchen work to Broadway, courtesy of songwriter Robert Cummings, whose songs all sound like second-rate Sammy Fain and Paul Francis Webster. Much talent that had just turned out "Calamity Jane"--Day, Webster, Fain, choreographer (and here director) Jack Donohue, screenwriter James O'Hanlon--worked on this one, but it's nobody's best work, though Doris is as spirited and golden-voiced as ever, and you don't really want to see her end up romantically with someone as uninteresting as Robert Cummings. Silvers and Walker certainly deserved better material, and Donohue doesn't know how to pace a plot, even one as fragile as this. Martha Hyer is another casualty, overplaying Cummings' shrew of a girlfriend, and the other supporting players are no-name. It's worth sitting through once for a couple of nicely staged numbers (especially the opening) and some alluring glimpses of Florida, but it's the Warners musical at its most labored and uninspired.
"Lucky Me" gives you everything you want in a musical and more. All the songs are catchy; the banter is quick and witty; there are some big dance productions; and of course, the one and only Doris Day.
Most films from Doris Day leave me wishing there were more musical numbers, but "Lucky Me" has just the right amount. The plot is thin and the romance does not start until about halfway through, but who cares? This film is a whole lot of fun.
If you are a Doris Day fan, this is a must. If not, then this is a good a place as any to find out about one of the greatest entertainers of all time. She can sing. She can dance. She can be really funny.
If you like upbeat, colorful musicals, then check out "Lucky Me."
Most films from Doris Day leave me wishing there were more musical numbers, but "Lucky Me" has just the right amount. The plot is thin and the romance does not start until about halfway through, but who cares? This film is a whole lot of fun.
If you are a Doris Day fan, this is a must. If not, then this is a good a place as any to find out about one of the greatest entertainers of all time. She can sing. She can dance. She can be really funny.
If you like upbeat, colorful musicals, then check out "Lucky Me."
Candy (Doris Day) and her friends are all talented but out of work stage performers. Because they can't find work, they all get jobs at a local hotel bussing tables and working as dish washers. However, they haven't given up on their show biz dreams and they want more than anything else to meet with a famous Broadway showman, Dick Carson (Bob Cummings), to show him their skills. But again and again their attempts are thwarted. Oddly enough, when Candy accidentally meets Dick, he doesn't tell her who she is and they fall in love. But when she realizes that he's been lying about who he is, they break up. In fact, again and again, the pair seem to have breakups only to quickly reunite...to the point where it sure felt predictable.
Despite the predictable and cliched plot, the film had some very nice song and dance numbers. It was catchy and enjoyable....and also a bit brainless. In other words, if you think too much about the plot, you cannot enjoy the film. My recommendation is that you turn off your brain and just enjoy.
Despite the predictable and cliched plot, the film had some very nice song and dance numbers. It was catchy and enjoyable....and also a bit brainless. In other words, if you think too much about the plot, you cannot enjoy the film. My recommendation is that you turn off your brain and just enjoy.
Storyline
Did you know
- TriviaIn her autobiography, Doris Day reported that she was suffering from nervous exhaustion following the strenuous production schedule for "Calamity Jane" (1953) and did not feel sturdy enough to begin work on "Lucky Me" (1954). When her husband-manager Martin Melcher and Warner Bros. strong-armed her into moving forward, she suffered what she termed a "nervous breakdown" during filming.
- Quotes
Candy Williams: There's 13 people in the audience.
Hap Schneider: This is no time to be superstitious. It's bad luck.
- ConnectionsReferences The Command (1954)
- How long is Lucky Me?Powered by Alexa
Details
- Runtime1 hour 40 minutes
- Aspect ratio
- 2.55 : 1
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