Four Sided Triangle

Hey, guys! Did you and your buddy ever chase after the same girl, and lose the girl to your buddy? Sure, we all have. How many of you went out and tried to find a girl *just* like the one you lost? Okay, most of us are still here. Now, how many of you actually went out and tried to reproduce the girl of your dreams? Nope, me neither.

Robin and Bill are buddy mad scientists who are both childhood friends with Lena. Robin & Bill develop a device which makes an exact duplicate of whatever you put into the machine. The amount of energy required to change energy to matter, let alone the ability to exactly order that energy into anything useful, is beyond comprehension or reason. However, it does pose an interesting thought experiment about the nature of identity and what makes one unique in God's universe.

Helen is tortured because she realizes not only does she not have her own identity, but that the man she loves is loved by her "twin". Her world-view is the same as Lena's was before she married Robin. Helen is depressed to the point of suicide realizing that she can never be anything but a shadow of Lena. Bill is miserable because he has lost the girl of his dreams twice to the same man. His cowardace in love contrasts sharply to the point of curiousity with his impetuous, heart-on-his sleeve emotions in other aspects of his life.

The ending gets a demerit because of the need to dress them exactly for the first time in order to build a dramatic conclusion for the audience. Considering that the barn fire claims either Lena or Helen, a more dramatic ending would have had the survivor wrapped in a blanket, and the eventual hospital scene played out there. The emotion of the discovery of the survivor against the burning fire would dovetail nicely. However, this is nitpicking in an otherwise great movie.

Sterno says pull Euclid out of geometry class to watch Four Sided Triangle.

**CAUTION: HUGE SPOILERS** In a rural English community, two friends called Bill (STEPHEN MURRAY) and Robin (JOHN VAN EYSSEN) invent a 'reproducer', a piece of scientific equipment which can recreate any object. They are aided in their work by Dr Harvey (JAMES HAYTER), the local GP and a close friend of theirs since they were children. During the celebrations of their fantastic discovery, Robin announces that he is to marry Lena (BARBARA PAYTON), a beautiful woman who both friends have fancied since they were children. Devastated, Bill decides to use the reproducer to create a clone of Lena for himself. However, as the clone is an exact replica, she shares the same thoughts and feelings as the real Lena.

FOUR SIDED TRIANGLE is an absurd but nevertheless enjoyable science-fiction melodrama. Along with STOLEN FACE (see my review), it is one of the very few films from this chapter in the history of Hammer and Terence Fisher to indicate the direction that the company would take when they became Britain's best horror studio. Both pictures share the same theme of a well to do man perverting his skills in order to win the affections of the woman he loves. For example, in STOLEN FACE, Dr Philip Ritter used his knowledge of plastic surgery to recreate the face of concert pianist Alice Brent on a deformed petty criminal because he couldn't marry Alice because she was already spoken for. The very same reason why Bill in FOUR SIDED TRIANGLE felt compelled to use his scientific invention to duplicate Lena. Also both Dr Ritter and Bill were so obsessed in their love for women that they were both unable to see that disastrous consequences could result. Both characters from these two early movies are comparable to Baron Frankenstein in Fisher's THE CURSE OF FRANKENSTEIN. Even though Frankentein was more concerned with bringing the dead back to life than with his love life, he also was too oblivious to the certain doom that faced him when his creature became a criminal lunatic and he intended his creature to be perfect very much as Bill and Ritter intended theirs to be. FOUR SIDED TRIANGLE must also be the only b-picture in cinema history to have the courage of it's own lunatic convictions. This is thanks largely to Terence Fisher who opts to emphasize the causes and consequences of the characters' actions and the moral outcome as well. For instance at the end of the film the screen is filled with a biblical quote "You can either have joy or power you shall not have both". This follows the climax where Bill and one of the Lena's perish in a fire. However, one of them survived and the only way to judge between the clone and the real Lena was by a scar on the back of the latter's neck. Robin is overjoyed when its the real Lena, his wife, who has survived. This is the significance of Fisher's biblical quote. Robin had been tempted by power, but once the machine was destroyed in the blaze, his one opportunity for power was lost but he still had his wife and therefore he had joy but not power. This very much sets the standards for Fisher's skill as a director, whereas most of his films from this period such as MASK OF DUST or SPACEWAYS have nothing to commend them at all. In his best films for Hammer, he had that ability to take a ridiculous storyline and give it conviction by placing attention solely on his characters and the consequences and morality of what could happen if such things did occur in the world. The cast sensibly play it straight and all are suited to their roles with James Hayter shining as Dr Harvey who aids the men in their experiments but at the same time warns them of the dangers they face. John Van Eyssen who was later the head of Columbia Pictures would appear as Jonathan Harker in Fisher's classic Dracula (1958).

One of my sci-fi/horror/fantasy reviews written 50 years ago: Directed by Terence Fisher; Produced by Michael Carreras and Alexander Paal, for Hammer Films, released in America by Astor Pictures. Screenplay by Fisher, Adapted by Paul Tabori from William Temple's novel; Photography by Reginald Wyer; Edited by Maurice Rootes; Music by Malcolm Arnold. Starring: Barbara Payton, Stephen Murray, John Van Eyssen, James Hayter, Percy Marmont and Kynaston Reeves.

A complicated British science fiction movie with a love story, concerning scientists who are also romantic rivals. In a nod to "Frankenstein", Murray attempted to electronically duplicate Miss Payton, and thus make everyone happy and satisfied with their chosen girl.

Rather clever, perhaps over-drawn science fiction(for lack of another fitting category) about two young men who discover how to replicate any matter whatsoever. The two lads are assisted by gorgeous Barbara Payton and only one of the guys gets the girl. Soon the other pines for his lost love and tries sending live matter through the replicating devices with the express purpose of duplicating his lost love Lena. Hammer horror icon Terrance Fisher directs this early Hammer film with style albeit on a small scale with a very limited budget. The science of the film shouldn't be dwelled on too terribly long if you want to buy into the film, and it is the means to tell a story of a love triangle which soon has a fourth side - a four sided love triangle. The film has a lot of narration by James Hayter as a doctor that took in one of the men as a boy. Hayter adds some much needed credibility to the film and is a voice of reason - to a degree - and compassion. The implications of the new technology are only superficially explored and soon you see the plot turning into yet another Frankenstein -type film with man destined to try and become God and create life. What makes this film work is Fisher's low-key direction and simple yet sturdy performances by all concerned. Payton is very lovely as well. While certainly not in the ranks of great Hammer films or great Fisher films, Four Sided Triangle is thought-provoking, engaging, and predictable.

Early Hammer film before they hit upon the idea that horror was the way of the future. This one is a sci-fi effort about two young scientific geniuses who invent a duplicating machine; they both are in love with the same girl but she is in love with just one of them, so the other lovesick boffin asks her if he could make a duplicate of her. That'll save the day and make everybody happy, right? Wrong! This love triangle plus duplicate is the four sided triangle of the title. I suppose the sci-fi is more of a maguffin that allows the story to explore human emotional elements. Its not a bad effort really.