
Ronald Colman in A Tale Of Two Cities (1935) will be available on Blu-ray February 2nd from Warner Archive – Ordering info can be found Here
“It was the best of times, it was the worst of times…” Charles Dickens’ tale of love and tumult during the French Revolution comes to the screen in a sumptuous film version by the producer famed for nurturing sprawling literary works: David O. Selznick. Ronald Colman (The Prisoner of Zenda) stars as Sydney Carton – sardonic, dissolute, a wastrel…and destined to redeem himself in an act of courageous sacrifice. “It’s a far, far better thing I do than I have ever done,” Carton muses at that defining moment. This is far, far better filmmaking too: a Golden Era marvel of uncanny performances top to bottom, eye-filling crowd scenes and lasting emotional power. Revolution is in the air!
Special Features: “Audioscopiks” (MGM short); Two Classic Cartoons “Hey,...
“It was the best of times, it was the worst of times…” Charles Dickens’ tale of love and tumult during the French Revolution comes to the screen in a sumptuous film version by the producer famed for nurturing sprawling literary works: David O. Selznick. Ronald Colman (The Prisoner of Zenda) stars as Sydney Carton – sardonic, dissolute, a wastrel…and destined to redeem himself in an act of courageous sacrifice. “It’s a far, far better thing I do than I have ever done,” Carton muses at that defining moment. This is far, far better filmmaking too: a Golden Era marvel of uncanny performances top to bottom, eye-filling crowd scenes and lasting emotional power. Revolution is in the air!
Special Features: “Audioscopiks” (MGM short); Two Classic Cartoons “Hey,...
- 1/18/2021
- by Tom Stockman
- WeAreMovieGeeks.com
Universal has embarked on a long-range plan to preserve and restore its unreleased movie music and, starting next week, release some of these scores as limited-edition soundtrack albums.
The imprint will be called Universal Pictures Film Music Heritage Collection, and its first release, to be formally announced Tuesday, will be Michel Colombier’s music from the 1970 science-fiction film “Colossus: The Forbin Project.”
Following in August will be Henry Mancini’s score for the 1979 Peter Sellers remake of “The Prisoner of Zenda.” Both will be on the La-La Land label, which specializes in movie and TV soundtracks.
“We’re a century-old media company,” Mike Knobloch, Universal Pictures president of global film music and publishing, told Variety. “As much as we’re always looking forward, sometimes we have to look back, and recognize and value our history. Our catalog dates back to the beginning of cinema and the advent of sound. This...
The imprint will be called Universal Pictures Film Music Heritage Collection, and its first release, to be formally announced Tuesday, will be Michel Colombier’s music from the 1970 science-fiction film “Colossus: The Forbin Project.”
Following in August will be Henry Mancini’s score for the 1979 Peter Sellers remake of “The Prisoner of Zenda.” Both will be on the La-La Land label, which specializes in movie and TV soundtracks.
“We’re a century-old media company,” Mike Knobloch, Universal Pictures president of global film music and publishing, told Variety. “As much as we’re always looking forward, sometimes we have to look back, and recognize and value our history. Our catalog dates back to the beginning of cinema and the advent of sound. This...
- 6/22/2018
- by Jon Burlingame
- Variety Film + TV
Ernst Lubitsch: The movies' lost 'Touch.' Ernst Lubitsch movies on TCM: Classics of a bygone era Ernst Lubitsch and William Cameron Menzies were Turner Classic Movies' “stars” on Jan. 28, '16. (This is a fully revised and expanded version of a post published on that day.) Lubitsch had the morning/afternoon, with seven films; Menzies had the evening/night, also with seven features. (TCM's Ernst Lubitsch schedule can be found further below.) The forgotten 'Touch' As a sign of the times, Ernst Lubitsch is hardly ever mentioned whenever “connoisseurs” (between quotes) discuss Hollywood movies of the studio era. But why? Well, probably because The Lubitsch Touch is considered passé at a time when the sledgehammer approach to filmmaking is deemed “fresh,” “innovative,” “cool,” and “daring” – as if a crass lack of subtlety in storytelling were anything new. Minus the multimillion-dollar budgets, the explicit violence and gore, and the overbearing smugness passing for hipness,...
- 1/31/2016
- by Andre Soares
- Alt Film Guide
Mickey Rooney dead at 93: Four-time Oscar nominee, frequent Judy Garland co-star may have had the longest film career ever (photo: Mickey Rooney ca. 1940) Mickey Rooney, four-time Academy Award nominee and one of the biggest domestic box-office draws during the studio era, died of "natural causes" on Sunday, April 6, 2014, at his home in the Los Angeles suburb of North Hollywood. The Brooklyn-born Rooney (as Joseph Yule Jr., on September 23, 1920) had reportedly been in ill health for some time. He was 93. Besides his countless movies, and numerous television and stage appearances, Mickey Rooney was also known for his stormy private life, which featured boozing and gambling, some widely publicized family infighting (including his testifying in Congress in 2011 about elder abuse), his filing for bankruptcy in 1962 after having earned a reported $12 million (and then going bankrupt again in 1996), his eight marriages — including those to actresses Ava Gardner, Martha Vickers, and Barbara Ann Thomason...
- 4/9/2014
- by Andre Soares
- Alt Film Guide
The late actor was celebrated for her beauty and talent, but she had a streak of mischief that made her unforgettable
Jean Simmons was only 12 years older than me, and as I grew up I cut out a lot of pictures of her from magazines like Picturegoer and the Sunday papers. Can you credit that in those days – the late 40s and the early 50s – there were Sunday papers in Britain (such as the Pictorial, the Graphic, the Dispatch) that ran pictures of pretty movie stars in their underwear or swimsuits?
Well, Jean was pretty; I believe the captions also added that she was "saucy" (and I supposed they knew). The big picture for Jean's fans, who had scissors and a scrapbook ready, was The Blue Lagoon. That was 1949, and it had Jean and Donald Houston washed up on a desert island, doing their best for clothes and falling in love.
Jean Simmons was only 12 years older than me, and as I grew up I cut out a lot of pictures of her from magazines like Picturegoer and the Sunday papers. Can you credit that in those days – the late 40s and the early 50s – there were Sunday papers in Britain (such as the Pictorial, the Graphic, the Dispatch) that ran pictures of pretty movie stars in their underwear or swimsuits?
Well, Jean was pretty; I believe the captions also added that she was "saucy" (and I supposed they knew). The big picture for Jean's fans, who had scissors and a scrapbook ready, was The Blue Lagoon. That was 1949, and it had Jean and Donald Houston washed up on a desert island, doing their best for clothes and falling in love.
- 1/27/2010
- by David Thomson
- The Guardian - Film News
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