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Day of the Fight

  • 1951
  • Approved
  • 16m
IMDb RATING
6.2/10
5.4K
YOUR RATING
Day of the Fight (1951)
DocumentaryShortSport

After a short study of boxing's history, narrated by newscaster Douglas Edwards, we follow a day in the life of a middleweight Irish boxer named Walter Cartier.After a short study of boxing's history, narrated by newscaster Douglas Edwards, we follow a day in the life of a middleweight Irish boxer named Walter Cartier.After a short study of boxing's history, narrated by newscaster Douglas Edwards, we follow a day in the life of a middleweight Irish boxer named Walter Cartier.

  • Director
    • Stanley Kubrick
  • Writer
    • Robert Rein
  • Stars
    • Douglas Edwards
    • Nat Fleischer
    • Walter Cartier
  • See production info at IMDbPro
  • IMDb RATING
    6.2/10
    5.4K
    YOUR RATING
    • Director
      • Stanley Kubrick
    • Writer
      • Robert Rein
    • Stars
      • Douglas Edwards
      • Nat Fleischer
      • Walter Cartier
    • 29User reviews
    • 18Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos8

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    Top cast9

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    Douglas Edwards
    Douglas Edwards
    • Self - Narrator
    • (voice)
    Nat Fleischer
    • Self - Boxing Historian
    Walter Cartier
    • Self - Boxer
    Vincent Cartier
    • Self - Walter's Twin Brother and Manager
    Bobby James
    • Self - Boxer
    Dan Stampler
    • Self - Owner of The Steak Joint
    Stanley Kubrick
    Stanley Kubrick
    • Self - Man at Ringside with Camera
    • (uncredited)
    Alexander Singer
    • Self - Man at Ringside with Camera
    • (uncredited)
    Judy Singer
    • Self - Female Fan in Crowd
    • (uncredited)
    • Director
      • Stanley Kubrick
    • Writer
      • Robert Rein
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews29

    6.25.4K
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    Featured reviews

    Michael_Elliott

    3 Kubrick shorts

    Day of the Fight (1951)

    *** (out of 4)

    Kubrick's second short shows us a day in the life of a middle-weight boxer as he prepares for a fight. Even with the boring narration, this film here moves a lot better and the fight scene is rather interesting because it's shown complete as it happened. You can spot Kubrick in a few scenes with his camera.

    Flying Padre (1951)

    ** (out of 4)

    Stanley Kubrick's first film is a documentary about a priest in New Mexico who needs a plane to keep up with all his people. This is a really boring and flat film even with its 9 minute running time. The priest really isn't that interesting and the narration is flat and stiff. God knows better things were to follow from Kubrick.

    Seafarers, The (1953)

    ** (out of 4)

    Overly long and dreadfully boring promotional film for the Seafarers Union, which basically tries to teach people why they should join. This is historically interesting only because it's Stanely Kubrick's first film in color. The rest is pure boredom and it's no wonder Kubrick doesn't want this film seeing the light of day.
    7johnnyboyz

    Interesting little short that works thanks to its pacing and shot variety.

    It's always interesting to go back to the beginning of a director's career, in this case Stanley Kubrick's, and take a look at his earlier work. Day of the Fight just happens to be the first film by now legendary director Kubrick who is widely regarded as one of the best contemporary directors ever. This film is around about 15-20 minutes long and revolves around the build up to a boxing match the study of the build up will revolve around.

    Interestingly enough and perhaps the most interesting thing about it is that it was inspired by a photograph Kubrick himself took for a 1949 edition of a magazine. This could be seen as an early example of suspense, with constant reference to the boxing match and its importance made through narrator Douglas Edwards, a good casting for the serious and deep voice the film required. As a short, it works and the suspense and build up maintains some sort of interest as the montage plays out. Kubrick includes all sorts of shots and angles creating the nice range for the eye, my favourite being the low angle on the statue of Mary in the church about half way through.

    But the focus could well be the fight itself. There is some good camera work to be had out of the actual match and a low angle between a boxer's legs would later be used by Kubrick in Killer's Kiss, another early Kubrick film. I actually would have liked the boxing match's result to have been the other way around as I feel it would've added a new dimension to the short, a sort of anti-climatic spin that might've worked well. But that said, it's worth seeing if for the match itself and the chance to see where it all started off for the great man.
    calspers

    Looming behind the camera is a true master

    Very interesting documentary short by Kubrick, "The Day of the Fight" (1951) showcases Kubrick's unmatched (apart only from Tarkovsky's) eye for film making and photography.

    To think that a 23 year-old Stanley Kubrick laid that groundwork inspiring Martin Scorsese's masterpiece, "Raging Bull" (1980) in terms of both theme and most certainly cinematography, is truly astounding. Stanley Kubrick truly was unmatched amongst his previous and future peers of American cinema.
    Geofbob

    Early portents of Kubrick's later trademarks

    Stanley Kubrick was never one for realistic films about ordinary people; the nearest he came to a straightforward drama was probably the heist movie, The Killing. This shying away from realism seems to show itself in his very first film, this short documentary about the boxer, Walter Cartier, preparing for and engaging in a fight. Any boxer is a special person, but some directors might have portrayed Cartier as a regular guy with a particular skill; but from the start Kubrick stresses Cartier's unusualness by showing waking up beside, and going around town with, his identical twin brother, giving a surreal aspect to the film.

    The way Cartier psychs himself up for the fight in his dressing room, turning himself into a fighting machine, also seems to fit in with Kubrick's later interest in making films about people under stress (eg Full Metal Jacket) or in an abnormal state (eg The Shining and Clockwork Orange). It is also intriguing to wonder whether the director's fondness for voiceover narrative in his feature films stems from this and his other early documentaries. Oh, by the way, it's quite a good documentary about a fighter who, in fact, never became champ, and went into TV and films.
    bob the moo

    Interesting for completists but no-one else

    The first short film by Kubrick, it follows a boxer through the day-long wait for an evening fight.

    I watched this out of interest as I watch the majority of Kubrick's films. However this is the only appeal that I can see for watching this.

    The short follows the boxer through his routines on the day, the heavy narration talks us through the whole thing. In theory the short is meant to give us an insight in the boxer's thoughts and feelings however it really only shows us what he eats and who he talks to.

    This is interesting if you are a Kubrick completist but other than that it is of limited appeal.

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    Storyline

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    Did you know

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    • Trivia
      It cost Stanley Kubrick $3,900 to make and he sold it (to RKO) for $4,000.
    • Quotes

      Narrator: Before a fight there's always that last look in the mirror. Time to wonder what it will reflect tomorrow.

    • Alternate versions
      When RKO obtained the film for their "This Is America" series, they added about four minutes of new material to the beginning of the film, making the short 16 minutes long instead of the original 12 minutes. The opening four minutes with boxing historian Nat Fleischer is markedly different from the rest of the film as if features footage from different boxing matches. The opening was also modified with the credits appearing in different order and the music for the opening was also changed. The majority of the picture is the same until the end. In the last sequence when the knock out happens, the narration is once again changes. Kubrick's original cut features Douglas Edwards talking about personal sacrifice and success. The extended RKO cut removes this portion of the narration and adds new one with Nat Fleischer to better match the opening segment - this narration is about how this fight will go down into the record books. The music at the end was also changed - Gerald Fried's finale cue was moved earlier to match the beginning of the new narration, but because it starts sooner, it doesn't line up with the ending. Thus the new end title card (which adds This is America to the bottom of the card) plays in silence.
    • Connections
      Featured in The Art of Stanley Kubrick: From Short Films to Strangelove (2000)

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    Details

    Edit
    • Release date
      • November 3, 2003 (Portugal)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Day of the fight (Día de combate)
    • Filming locations
      • Church of St. Francis Xavier, 46 W. 16th St., New York City, New York, USA(Church where Walter Cartier and his brother, Vincent, attend morning mass)
    • Production company
      • RKO Radio Pictures
    • See more company credits at IMDbPro

    Box office

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    • Budget
      • $3,900 (estimated)
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      16 minutes
    • Color
      • Black and White
    • Aspect ratio
      • 1.37 : 1

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