IMDb RATING
7.5/10
3.8K
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A psychiatrist stays in a mansion haunted by prankish ghosts from the Revolutionary War.A psychiatrist stays in a mansion haunted by prankish ghosts from the Revolutionary War.A psychiatrist stays in a mansion haunted by prankish ghosts from the Revolutionary War.
Lynn Baggett
- June Prescott
- (as Lynne Baggett)
Ann Gillis
- Nora O'Leary
- (as Anne Gillis)
Robert Barrat
- Maj. Putnam
- (as Robert H. Barrat)
Kirk Alyn
- Dandy at Party
- (uncredited)
Harry Brown
- Second Sergeant
- (uncredited)
George M. Carleton
- Museum Guard
- (uncredited)
Wheaton Chambers
- Bill - Museum Guard
- (uncredited)
James Conaty
- Party Guest
- (uncredited)
Featured reviews
I won't argue over this Abbott and Costello comedy being called the very best of the duo's pictures simply because it's really the only one with a complete, polished feel--it leaves you entertained and satisfied at the end. Most of the A&C movies are filled with brawling slapstick and loud braying--back and forth with the quips--but this one is sharp and funny, and Bud and Lou play characters instead of constantly resorting to shtick. Costello is mistaken for a traitor and killed, later turning up as a ghost to haunt Abbott, who is a relative of Lou's murderer. Surprisingly good story and terrific supporting cast, amusing script and nimble direction makes this one a pleasure. ***1/2 from ****
Their cinematic effort preceding "TTOTL" is an little unknown comedy called "Little Giant," in which Bud and Lou--showing, perhaps the strain in their personal relationship at the time--act apart as opposed to as a team. "TTOTL" continues that experiment, but produces much better results.
The tail--of a pair of Revolutionary War ghosts (Costello and the beautiful Marjorie Reynolds) trying to clear their names in 1946--has heart. Again, there's comedy here, but also pathos, something Lou Costello was brilliant at playing and for which he received precious little credit. And the *story* is engaging, not just a platform for free-form A&C routines.
The SPFX are top-notch for the day. Watch Costello and Reynolds run at each other and swap clothing. And the performances matter, too. Gail Sondergaard is very creepy during a seance sequence, and even Bud flexes his dramatic-comedic muscles as a fluttery psychologist.
Things are mucked up a bit at the end, when Bud's car goes awry with Lou at the wheel (I guess by then producers felt it couldn't be an A&C picture without at least *one* chase). But with that one transgression forgiven, "TTOTL" is a terrific film (my second-fav of Bud & Lou's, after "Who Done It?").
The tail--of a pair of Revolutionary War ghosts (Costello and the beautiful Marjorie Reynolds) trying to clear their names in 1946--has heart. Again, there's comedy here, but also pathos, something Lou Costello was brilliant at playing and for which he received precious little credit. And the *story* is engaging, not just a platform for free-form A&C routines.
The SPFX are top-notch for the day. Watch Costello and Reynolds run at each other and swap clothing. And the performances matter, too. Gail Sondergaard is very creepy during a seance sequence, and even Bud flexes his dramatic-comedic muscles as a fluttery psychologist.
Things are mucked up a bit at the end, when Bud's car goes awry with Lou at the wheel (I guess by then producers felt it couldn't be an A&C picture without at least *one* chase). But with that one transgression forgiven, "TTOTL" is a terrific film (my second-fav of Bud & Lou's, after "Who Done It?").
This one had by miles the best plot of any A&C film, and has always been in my Top 5 favourites of theirs. Otoh it isn't the best A&C film as they were again working within a separate framework ('Little Giant' being the other), instead of Abbott & Costello the comedy team this was Abbott, and Costello the comedy actors. With less reliance on the violent slapstick TTOTL can hold its own against other films of this genre, on its own merits. And even though the print is in pristine condition, at the time of writing in 2005 had not been shown on UK TV since 1.10.1977!
The plot - Costello and Reynolds shot by their own side by mistake and also rather vehemently accursed as traitors by the Major in charge in 1780, after 165 years as ghosts they both get the chance to clear themselves of the slur and take their place in Heaven. Although the similar 'Ghost Goes West' is much better in nearly all departments, this also manages exceptionally well to capture the bittersweet and melancholic mixed emotions that this type of storyline could generate.
A marvellous experiment, and one I wish they'd tried a few more times in the following years - instead what followed a few years later was 'Captain Kidd' and 'Jack and the Beanstalk' - no comment!
The plot - Costello and Reynolds shot by their own side by mistake and also rather vehemently accursed as traitors by the Major in charge in 1780, after 165 years as ghosts they both get the chance to clear themselves of the slur and take their place in Heaven. Although the similar 'Ghost Goes West' is much better in nearly all departments, this also manages exceptionally well to capture the bittersweet and melancholic mixed emotions that this type of storyline could generate.
A marvellous experiment, and one I wish they'd tried a few more times in the following years - instead what followed a few years later was 'Captain Kidd' and 'Jack and the Beanstalk' - no comment!
Growing up in the New York area as a kid, channel 11 (WPIX) used to show the Abbott and Costello movies every Sunday at 11:30 AM. I got to see virtually all of them. Some were OK (Buck Privates) while others were barely watchable (the later ones that start with "Abbott & Costello Meet [INSERT HORROR CHARACTER NAME]).
BUT...I have always noticed that "The Time of Their Lives" is definately very, very different from all of their other films. First of all it has a cohesive, discernable plot that isn't just about hanging the gags on. All of the comedic moments arise from and because of the plot and they work very well. And the resolution of the ghost's predicament (they were wrongly executed) is very satisfying.
It would be interesting to find out how and why this film was made because it differs so radically from the other Abbott & Costello films. Was it a fluke? Did the team seek better material? Did it simply come their way?
See this film. It's very good indeed.
BUT...I have always noticed that "The Time of Their Lives" is definately very, very different from all of their other films. First of all it has a cohesive, discernable plot that isn't just about hanging the gags on. All of the comedic moments arise from and because of the plot and they work very well. And the resolution of the ghost's predicament (they were wrongly executed) is very satisfying.
It would be interesting to find out how and why this film was made because it differs so radically from the other Abbott & Costello films. Was it a fluke? Did the team seek better material? Did it simply come their way?
See this film. It's very good indeed.
Coming after LITTLE GIANT, a film in which Abbott and Costello were NOT a pair and in which Bud Abbott played a dual role, here is the second film that experimented with the A&C format. The film is set in the Revolutionary War period and then in 1946, with Costello playing the same role in both parts, and Abbott playing different roles (although the characters are related, just spread over 170 years!). There are a lot of funny sequences, but the historical angle makes the rest of the film very interesting in its own right. With appearances by such b-movie stalwarts as Kirk Alyn and Rex Lease, a fine supporting cast, and good-looking historical settings,the film is handsome looking and holds up well today. THE TIME OF THEIR LIVES is a nice change-of-pace for the Abbott and Costello fan, and once again shows that Costello was capable of carrying an entire feature film himself--and that Bud Abbott was excellent in character roles, not just as half of a comedy team. Newly reissued on DVD, the film should find an appreciative new audience.
Storyline
Did you know
- TriviaWriting in the "Saturday Evening Post" in 1949, Bud Abbott said this was his favorite film role, because for a change he was the butt of all the punishment, instead of Lou Costello.
- GoofsIn the prologue, set in 1780, Horatio Prim (Lou Costello) uses the term "teetotaler" to say he doesn't drink alcohol. The term (short for "total temperance") didn't exist until the late 19th century.
- Quotes
Mildred Dean: [to Emily] Pardon me, but did I see you in "Rebecca?"
- ConnectionsFeatured in Svengoolie: The Time of Their Lives (2016)
- SoundtracksMinuet
(uncredited)
from "String Quintet in E Major, Op.13 No.5"
Written by Luigi Boccherini
Played as dance music at the party
Also played on a harpsichord and as background music
Details
Box office
- Budget
- $830,000 (estimated)
- Runtime1 hour 22 minutes
- Color
- Aspect ratio
- 1.37 : 1
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By what name was The Time of Their Lives (1946) officially released in India in English?
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