Caesar and Cleopatra

Impressive acting is the highlight of 1945's "Caesar and Cleopatra," a British production starring Vivien Leigh, Claude Rains, Stewart Granger, Flora Robson and Francis L. Sullivan. In smaller roles, you can spot Michael Rennie, Kay Kendall and Jean Simmons.

This production was not without its problems - made during World War II, bombings often delayed the filming; there was a five-week break while Vivien Leigh recovered from a miscarriage; and there was a shortage of materials to build the sets. Nevertheless, for a British film, this is a real spectacle and made in color, which was also unusual back then.

Shaw's Cleopatra (Leigh) is a childlike girl/woman who has hitting matches with her younger brother, runs, giggles, talks fast and becomes nervous at the thought of meeting the great Caesar (Rains). In the beginning, she meets him without realizing it. The two have a flirtation while he teaches her how to be a queen. Shaw's Caesar is an old man, a great warrior and a benevolent ruler who rules with a velvet glove rather than a sword.

Rains and Leigh are wonderful in their roles. Rains, as someone stated, with his Caesar haircut, weary face and beautiful profile looks as if he stepped out of that time period. His mastery of Shaw's language is magnificent, and he really holds the film together.

The stunningly beautiful Leigh, white-faced with glorious cheekbones and dazzling eyes, is a whimsical Cleopatra at first. She matures and becomes calmer and more regal as she learns how to be a queen, but she falls back into her childish ways in the presence of Caesar, particularly when he promises to send her Marc Anthony.

They say the camera adds 10 pounds - frankly, I'm surprised any of the actors could see Leigh, she is so tiny. She gives a sprightly, energetic performance. Shaw's Cleopatra is 16 (though in reality she is 20 or 21) - Leigh was 32 at the time of filming and comes off like the teenager Shaw wrote.

Stewart Granger as Apollodorus shows off his very hunky physique - no wonder he came to the attention of Hollywood. As two aides of Caesar's, Basil Sydney as Ruffio and Cecil Parker as Britanus give fine performances. Finally, Flora Robson as the protective, tough nursemaid of Cleopatra's, Ftatateeta, sinks her teeth into the role and is a force to contend with.

This movie flopped, probably because audiences thought it was going to be some huge spectacle - it's big for England, but it's not DeMille. Still, it's a real treat to see one of the classics done by two great actors who were well-trained and well-equipped to perform George Bernard Shaw.

British Technicolor adaptation of George Bernard Shaw's historical play, from Eagle-Lion and director Gabriel Pascal. Roman conqueror Julius Caesar (Claude Rains) arrives in Alexandria, Egypt to supervise the occupation of the newly-acquired territory. He meets young queen Cleopatra (Vivien Leigh), a submissive girl without the skill or training to wield power. Caesar decides to personally tutor her in the ways of ruling others, while also fending off various uprisings.

This was the most expensive British film ever made at the time, and it looks it, with large, impressive sets, dozens of extras, colorful costumes, and elaborate set-pieces. The film was scripted by Shaw, and it retains the "Shakespeare-lite" quality to the dialogue. It may take modern ears a bit to get used to, but it's more accessible than the Bard's densest prose. I thought Rains was very good as older, wiser and often bemused Caesar. Stewart Granger is youthful and heroic, and Flora Robson is a scene-stealer as a powerhouse of a nurse to Cleopatra. The weakest link is Vivien Leigh, who I never bought into here. I read after watching that she suffered a miscarriage and a mental breakdown while filming, so that explains a lot of the uneven nature of her screen work. Director Pascal does a poor job of opening up the play, despite his big budget. There are a scattered few cinematic shots, but most of it feels liked a filmed stage performance. The movie earned an Oscar nomination for Best Color Art Direction.

Up to the time it was released in 1945 Caesar and Cleopatra was the most expensive British film ever made. It was as though the British cinema was trying to show America it could do a DeMille like epic as good as Cecil B. DeMille or anyone else from Hollywood. It may have been a little too overdone. Director Gabriel Pascal might have gotten a bit carried away with the spectacle and the audience might well have missed some of George Bernard Shaw's inspired dialog.

And Pascal had the advantage of the aged Mr. Shaw personally supervising the production. Of course Shaw insisted on total fidelity to his play and the ideas therein. I understand that J. Arthur Rank wanted to have a little sex and romance in there, like DeMille did do, but Shaw would have none of it.

What sets Caesar and Cleopatra apart from other Cleopatra stories that starred Theda Bara, Elizabeth Taylor, and Claudette Colbert is that Shaw portrayed her as probably what she was, a silly teenager who just happens to be Queen of Egypt. There's a little bit of Scarlett O'Hara in Vivien Leigh's performance as she moves from silly teen to a young women well schooled in statecraft by Julius Caesar.

Claude Rains plays a world weary Julius Caesar and the Shavian quips roll off his tongue with great aplomb. Like George Bernard Shaw's other masterpiece Pygmalion, Rains tutors Leigh and the results far exceed what he could have hoped for.

Production on Caesar and Cleopatra was begun while there was still a shooting war in Europe and V-2s and other such explosive devices were still raining down on the United Kingdom. A couple came real close to the studio in London this was being filmed at.

Stewart Granger got his first real notice in this film playing Apollodorus and Francis L. Sullivan plays a blustering and plotting Pothinos. If you look hard among the various slave women you will find both Jean Simmons and Kay Kendall among the extras.

You will also like both Basil Sydney as Ruffio and Cecil Parker as Britanus, two aides to Caesar who both occasionally give him a reality check.

Caesar and Cleopatra failed to recoup the cost of making it in initial release. J. Arthur Rank misjudged the British public taste post World War II. Maybe a little less expense and more attention to Shaw's words and the film might have been better.

Still it's pretty good as is.

CAESAR AND CLEOPATRA (1945), based on George Bernard Shaw's play and directed by Gabriel Pascal, is a very unique movie that combines all precious aspects of film art. It is not purely a historical movie since it contains a lot of inaccuracies that appear to be illogical from a historical perspective. Nevertheless, one has to analyze it in a deeper understanding, taking into account other factors that make the film a precious piece of post-war cinema. Therefore, it is impossible to see it without the consideration of other aspects, or more clearly, other figures that significantly affect the movie in general: George Bernard Shaw with his style filled with wit and elegance; and Vivien Leigh with her extraordinary acting skills. Let me consider the three aforementioned aspects: history, Shaw and Leigh.

HISTORY: It is true that if you know Cleopatra's story and the events connected with the Roman conquest over Egypt, you will feel confused or even disappointed with the content of this film. Cleopatra definitely did not learn to be a queen from Caesar that much as she does here. She was a very intelligent woman with "foxy" plans as for Caesar and Rome(in this case, I would recommend CLEOPATRA by DeMille (1934) or by Mankiewicz (1963). The film by Pascal presents, in part justifiably, a total mess in Egypt that Caesar finds when he steps into its politics. This is proved by the way Cleopatra and her brother Ptolemy are showed - two kids rather than rulers who compete for power. However, there are some strong historical points in the film that must be seen together with shortcomings. First, the film very well presents the Romans together with their leader Julius Caesar wonderfully played by Claude Rains. There is a very realistic scene of Roman legions entering Alexandria, the capital of Egypt. I also liked the way Caesar's personality is developed - someone who is full of contradictions rather than an "almighty" conqueror. These aspects make the film more authentic and ancient heroes more humane. However, it cannot be treated as a historical work for sure.

GEORGE BERNARD SHAW: But all must be thanked not only to the director but to this great classic playwright. G.B. Shaw is noticeable throughout, particularly through magnificent elegance. The director, Gabriel Pascal, really retains everything that one can find in Shaw's play. Therefore, any Shaw's fan, including the one with richest imagination will not be disappointed thanks to the marvelous elegance in this movie. In other words, the pictures of the film will not leave anything else to wish. The lavish sets, the costumes, simply BEAUTY noticeable in most of the scenes! Wit is another aspect. This is most effective in the scenes with Caesar and Cleopatra. "You will soon learn how to govern" says Cleopatra to mighty Caesar after a day or two of his lessons of ruling. Or the jumps into the sea (Apollodorus, Caesar and .... Cleopatra) - quite unique!

VIVIEN LEIGH: Before seeing the film, I did not expect her to be as good as her Scarlett O'Hara in GONE WITH THE WIND (1939). Now I must say that she is better as Cleopatra. Vivien gives a marvelous performance as a girl dreaming of a handsome man with strong arms who could protect her, and as a girl who later changes into a courageous, mighty queen. "If one man in all Alexandria can be found to say I did wrong, I swear to have myself be crucified on the door of the palace by my own slaves," which she says to Caesar after ordering Pothinus to be killed. And how wonderfully she plays one of the first scenes when she, in very unpredictable circumstances, finds out that the stranger she met at the Sphynx and with whom she talked so trust-worthily, is Caesar himself. UNFORGETTABLE! A lot of people associate only Liz Taylor with film Cleopatra. Not to mention Claudette Colbert, it is a pity they don't find Leigh's performance as worth highest attention.

It would be unfair to skip one more factor: other cast. Vivien shines in her role but others do very good jobs as well. Claude Rains is a very different Caesar than in most other films (actors who played him were, among others, Rex Harrison, William Warren, Fritz Leibner). But he is unforgettable, his face reflects a spirit of antiquity. Flora Robson who gives a memorable performance of Cleopatra's bossy servant Ftatateeta, stresses rather male features of character. She does it wonderfully through her gestures and low voice. And Francis L Sullivan as Pothinus - really worth attention!

All in all, there are many other aspects that make the movie highly recommended. Of course, it is difficult to mention everything in one review. All I can say at the end of my review is:

Do see the film!

If you are Shaw's fan, you will find his spirit throughout.

If you are Vivien Leigh's fan, you will be absolutely amazed by her performance.

If you are fond of historical, lavish epics, there will definitely be something wonderful that you will appreciate in CAESAR AND CLEOPATRA. 8/10!

Enjoyed seeing this great film classic from the Year 1945 with a fantastic cast of great veteran actors and stars who were just starting their careers. Claude Rains played the role as Julius Caesar who in this film was a wise old fox who is very forgiving for many reasons and stumbles upon Cleopatra, (Viven Leigh) in the desert and she does not know that he is Julius Caesar. Caesar charms Cleopatra and they become good friends, and Caesar teaches her how to rule her country of Egypt and tries to solve her problems with her servants and mostly her brother who wants to be king and ruler. There is plenty of comedy in this film which surprised me, because I had no idea it is really a film loaded with funny scenes and excellent acting by the entire cast. Stewart Granger gave a great supporting role along with Michael Rennie. If you look close you will see Jean Simmons playing as a harpist who later on in real life married Stewart Granger. Lots of fun to view this film from the past. Enjoy