Hit the Ice

I enjoyed this one a lot. Several funny bits. Watching Lou try to ice skate makes me laugh every time. Love the skiing climax. The gangster stuff with Sheldon Leonard is pretty great, too. I'll add that Patric Knowles and Elyse Knox are likable side characters. Usually the least entertaining part of comedies like this are the romantic subplots with whatever B stars the studio is trying to push. But here they not only don't offend, they add to the picture. I actually cared about them. Anyway, it's not a top ten A&C flick maybe but it's a fun one. Lots of slapping. We don't have enough slapping in movies these days.

HIT THE ICE (Universal, 1943), directed by Charles Lamont, certainly has the distinction of being another one of many ice skating musicals starring Olympic skating champion, Sonja Henie. Though Henie doesn't appear, much of the icing goes to Universal's top comedy team of Bud Abbott and Lou Costello. While there are good songs and some ice skating involved, HIT THE ICE also has the distinction of other fine things presented that truly indicate why Abbott and Costello movies were so successful during the World War II years. Though they don't really hit the ice, they surely were hitting their stride.

The story opens at Fulton Hospital where Harry "Silky" Fellowsby (Sheldon Leonard) occupies a room feigning feverish illness in order to establish an alibi as he and his fellow mobster pals, Phil (Marc Lawrence) and Buster (Joseph Sawyer) sneak out of the hospital to rob the bank across the street. While Bill Burns (Patric Knowles) is doctor in the case, his nurse, Peggy Osborne (Elyse Knox) suspects foul play. As the gangsters await for the arrival of a couple of gunmen from Detroit, Doctor Burns meets up with a couple of friends from his childhood days, Flash Fulton (Bud Abbott) and Tubby McCoy (Lou Costello), now photographers hoping to get some pictures for the newspaper where they hope to obtain employment. Inviting the boys to come along on an emergency call via ambulance, naturally when Flash and Tubby unintentionally encounter Silky and his gang at the hospital, they are mistaken for the boys from Detroit. Unwittingly assisting the gangsters in the bank robbery, it's Flash and Tubby who are accused with their photo sketches placed on the newspaper's front page. As the dual attempt to prove their innocence and return the bank money by following the gangsters via train to Sun Valley, Silky and his gang keep watch on Flash and Tubby believing they hold actual photos of them at the robbery. In the meantime, as Silky hides the loot in his mountain cabin, Burns, now a resident physician at Sun Valley accompanied by his ever suspicious nurse, Flash and Tubby, working as waiters, soon meet up with another friend from their boyhood days, orchestra leader Johnny Long (Johnny Long), whose vocalist, Marcia Manning (Ginny Simms), might have some connection with Silky and his gang. Then the fun really begins.

Aside from great comedy routines in the true Abbott and Costello fashion, including some clever verbal exchanges (one resembling their classic "baseball" routine), pack and unpack, Costello's "all right" piano playing to a recording (a scene usually edited from broadcast TV channels to allot for extended commercial breaks, and a routine later recreated in an episode to their 1950s TV series, "The Abbott and Costello Show"), and the handkerchief and punch-me gag, there's the usual time-out song interludes to showcase some musical talent, in this case, the vocalization of the gorgeous Ginny Simms. Songs scored by Harry Revel and Paul Francis Webster include: "I'm Like a Fish Out of Water" (no connection to the same title tune from the 1937 Warner Brothers musical, "Hollywood Hotel"); "I Like to Set You to Music" (sung by Ginny Simms, The Four Teens, and Johnny Long); "Slap Happy Polka" (sung by Simms and skaters) and "Happiness Bound" (sung by band members). Of the four tunes, "Slap Happy Polka" and "Happiness Bound" are at its listening best, with the Polka number staged in hilarious fashion as Costello gets himself entangled in an ice skating ensemble, to hilarious results. If that's not hilarious enough, be sure not to miss Abbott and Costello's climatic chase coming down the mountain on skis.

With frequent broadcast television revivals, especially on New York City's WPIX Channel 11 Abbott and Costello Sunday morning movies(1971-1990), and prior to that on WNBC, Channel 4's late show through much of the late sixties, HIT THE ICE, which was then one of the most widely known among Abbott and Costello film titles, has become sadly overlooked through the passage of time, which is a shame because it's still 84 minutes of old-style non-stop fun.

Formerly available on video cassette around the 1990s, HIT THE ICE can still be seen in its full glory on DVD, along with other Abbott and Costello titles on the same disc as IN SOCIETY (1944) and THE NAUGHTY NINETIES (1945). Take note that while Costello is called "Tubby" throughout the story, he's listed in the closing cast credits under the name of "Weejie." Now that's really hitting the ice. (***)

I've always liked this Abbott & Costello outing, probably ranking it just in their top ten - but I really don't know why! The story is so contrived and abounding with plot leaps and non-sequiteurs I wonder what everyone was thinking about in the making and release of this. I think it must be the fun and inconsequential atmosphere created so effortlessly by Universal studios during the War that brings me back to re-watch Hit The Ice every few years, along with my love of A&C of course.

Basically: 2 photographers are mixed up in bank robbery, the main perp of which is laid up as ill in hospital as an alibi. His doctor is going to Sun Valley to take up a new post, so the gangsters tag along with him taking the suspicious nurse in tow - plus A&C trying to clear their names. Ignoring all the plot inanities along the way, this would be a pleasant but ordinary comedy with ditto songs - which were beautifully produced and evocative of the time, but not very catchy. But A&C's packing and re-packing the grip routine still holds up well even with the overly childish conclusion to it. It's also a film that can be watched credulously at 10 years old, in middle age the link to the Keystone Kops is sadly more apparent - who finds them a Laugh Riot nowadays? On the other hand compared to Blazing Saddles (the personal yardstick that I regularly use to gauge the worth of various films) this is a beautiful work of Art - seriously!

So the bottom line is if like me you can overlook plot and you like A&C then you'll do alright, if not, well, it's definitely not their best anyway!

Having just watched Laurel & Hardy in the Swiss Alps in Swiss Miss, I decided to then rewatch Abbott & Costello in Sun Valley in Hit the Ice. They play photographers who unwittingly get involved in taking pics of villain Sheldon Leonard and his henchmen after they rob a bank. I'll stop there and just say Bud & Lou once again are funny with their routines, like "Pack/Unpack" and "All Right!", and especially Lou's reactions and pratfalls. This was one of their early ones in which there are several musical interludes of which many are performed by Ginny Simms. I didn't mind them the first time I watched this 40 years ago and I still don't mind now. While looking at the cast list on this site, I noticed a couple of them-Edward Gargan and Mantan Moreland-had the year before appeared in Laural & Hardy's A-Haunting We Will Go. While regular A & C court jester Bobby Barber was also listed as being in this movie, I didn't recognize him anywhere here. Oh, and since I always like to cite when a player from my favorite movie It's a Wonderful Life is in another film, here it's Mr. Leonard who was, of course, Nick the Bartender in IAWL. So on that note, I truly re-enjoyed Hit the Ice. My next review will be Laurel & Hardy's short Towed in a Hole.

Underrated A&C slapstick. The boys are photographers who get mixed up with bank robbers, ending up in a whirlwind ski run at Sun Valley. It's a darn near perfect mix of Costello prat-falls, big band tunes, and mock theatrics. Note how Lou often plays to the camera, acknowledging our presence in humorous fashion.

Plus, it's a great supporting cast of baddies, including a menacing Sheldon Leonard, a sinister Marc Lawrence, and a thuggish Joe Sawyer. And get a load of songstress Ginny Simms-. I'd stamp her name on my fuselage any day. Then there's the sweetly pretty Elyse Knox who, unfortunately, passed away just a short time ago.

Happily, the gags fly thick and fast in a script loaded with clever gimmicks, such as the handkerchief trick that's no sure thing as Lou finds out. Plus, there's the ice rink that made me appreciate what an expert athlete Costello is despite his ungainly appearance.

Anyway, the material is fresh, the boys are energetic, and the pacing is snappy, making this a top-notch entry in the A&C sweepstakes.